Showing posts with label 3D printing. Show all posts
Showing posts with label 3D printing. Show all posts

Thursday, 9 February 2017

Going for Gold': 3D Scanning, 3D Printing and Mass Customisation and the Future of Intellectual Property Law

Another free seminar from the City University Law School - but you do need to register. 

13.00  Wednesday 1st March 2017

AG01
College Building
City, University of London
St John Street
London
EC1V 4PB

United Kingdom

The growth of 3D technologies impacts on intellectual property law, leading to a number of implications including copyright, design and licensing issues amongst others. Such challenges question the enforcement, object and purpose of IP laws whilst exploring the opportunities presented through this technology.

Building on the Commissioned Research carried out for the UK Intellectual Property Office (UKIPO) (2013-2015), the paper will first set out the findings, conclusions and recommendations from this project before moving on to a consideration of the AHRC-funded project titled 'Going for Gold: A Legal and Empirical Case Study into 3D Scanning, 3D Printing and Mass Customisation of Ancient and Modern Jewellery' . 

In presenting the two funded projects and its findings, the paper will outline the IP issues arising from this emerging technology, whilst questioning the impact of 3D scanning and 3D printing on the future of IP law.

The Speaker is Professor Dinusha Mendis (Professor of Intellectual Property Law and Co-Director of the Centre for Intellectual Property Policy and Management (CIPPM)). 

Sign  up here https://www.city.ac.uk/events/2017/march/going-for-gold-3d-scanning,-3d-printing-and-mass-customisation-and-the-future-of-intellectual-property-law

Image: 3D-printed propeller for model airplane

Wednesday, 16 September 2015

Much ado about nothing? - Is IP law ready for the 3D printing "revolution"

3D or not 3D? That is not the question. 3D printing IS coming and on Wednesday 7th October the City Law School host Dr Marc Mimler (UCL) who will analyse the impact of wider distribution of 3D printers on IP right holders. 

3D printing is an emerging technology that promises many interesting applications. While some commentators perceive 3D printing as the dawn of a new industrial revolution others are more sceptical about the technology’s impact. 3D printers have become more and more affordable in recent times. Therefore, a wider distribution of 3D printers among the general public appears possible. This means that users can then print 3-D objects from the comfort of their home. Additionally, there are websites available that can be accessed to download files that contain templates which can be read into a computer and used for printing objects.

It has been argued that this development may have an enormous impact on Intellectual Property (IP) Rights holders. 3D printing can be used to produce objects that are covered by an IP right. One could for instance print an object which is covered by a design right. But there could also be the possibility to produce an object covered by a patent, trade mark or copyright. 

Jacques Attali, the renowned economist, philosopher and French political adviser, who in 1976 wrote a book that predicted the "crisis of proliferation" that the digital age has bestowed on the music industry with astonishing accuracy, has said manufacturing will be hit by an identical crisis, and this time it will be caused by 3D printing, saying "With 3D printing, people will print their own cups, furniture" and "Everyone will make their own objects, in the same way they are making their own music" - and its coming faster than anyone expects.

Print your own 3D printed fully functional Supercar - the Blade ? Yes you can!

Dr Marc Mimler analyses the impact of wider distribution of 3D printers on IP right holders. The question arises whether the law is equipped to tackle this issue or whether legislative action may be required.

13.00 - 15.00 Wednesday 7th October


AG08
College Building
Northampton Square
London
EC1V 0HB
United Kingdom

http://www.city.ac.uk/events/2015/october/much-ado-about-nothing-is-ip-law-ready-for-the-3d-printing-revolution

Thursday, 23 April 2015

California Bill Would Require Libraries to Post IP Infringement Notice on 3D Printers

A California bill, AB-37, introduced in December 2014 by Assemblywoman Nora Campos (D-San Jose) would require libraries providing public access to a 3D printer to post a notice alerting users of their potential intellectual property infringement liability for misuse of the 3D printer. The 14-point type notice would have to:  

“(A) Provide citations to the applicable state and federal laws that may impose civil liability or criminal penalties for misuse of a 3D printer, including laws regarding copyright infringement and trademark and patent protection.
(B) Describe the potential damages for liability and criminal penalties that may apply for a violation of these laws.
(C) Alert users of the 3D printer that it is the responsibility of the user to be aware of and abide by the laws that may apply to the use of a 3D printer.”
The California Department of Justice would have to review and revise the notice annually “to reflect updates to the applicable laws.”

What is 3D Printing?

The bill defines a 3D printer as “a machine or other device that manufactures or produces solid objects by depositing layers of material, including, but not limited to, plastic, pursuant to instructions that are stored and displayed in an electronic format as a digital model.” Indeed, most 3D printers use ABS (acrylonitrile butadiene styrene) or PLA (polylactic acid) plastic as printing material. However, a company is already using 3D printers and bioprinting technology to  print 3D liver tissue from human cells, and it is also possible to use other materials, such as steel or resin.

3D Printing Soon in Every Library?

While the high cost of 3D printers still prevents them to be household staples, some public libraries are already giving their patrons the right to use their 3D printer. The number of U.S. libraries with 3D printers should grow in the near future, as the MakerLab Club, a U.S. community of libraries and museums, has for a goal to “advance 3D digital literacy by bringing 3D printers, 3D printing programs, workshops and access to students, adults, educators, schools and non-profits.” It donates 3D printers to libraries and assists libraries in setting up 3D workshops so that their patrons may learn how to use these new printers.

3D Printing and Intellectual Property

While 3D printers may be beneficial to humanity, by allowing the relatively cheap and easy production of body parts, tools, shoes, or even houses, they may also be used to print infringing goods.

Designers can draw their original 3D printing ideas using a design program such as CAD. The digital object design file may then be used to print the object. Users without design skills may easily find these files on specialized platforms on the web, for instance, the thingiverse site which allows its users to browse the 3D printing files uploaded there by others, and download them for free.

The California bill has been derided by some online, but it seems that requiring such a warning is quite innocuous, and libraries themselves have published models of such warnings to be posted on their 3-D printers. However, I am more concerned that the doctrine of fair use would fail to protect 3D users from cease-and-desist letters demanding they stop their use of a work to create a derivative version of it, by modifying an original digital object design file, or generating such a file by scanning a work protected by copyright. 3D printing indeed could bring a new dimension to fan-art. Toy company Hasbro recently authorized third parties to create their own 3D print version of its famous My Little Pony Toy, as part of a promotion for the famous plastic equine. This is an interesting initiative, but a company which had not  authorized such derivative work could threaten to file an infringement suit. The work may or may not be protected by fair use, but the fan may not have the financial resources to seek legal advice.

Thingiverse asks its users to only upload their own creations, or those created by others, and published under a CC license, but nevertheless received its first DMCA takedown notice in 2011, over the upload on its site of a Penrose Triangle. This example is particularly interesting as it can be argued that, as the Penrose Triangle is in the public domain, its 3D representation is also in the public domain.

But not everybody would agree with this statement. Last year, a 3D printing enthusiast from South Dakota, received a cease-and-desist letter from the Augustana College in South Dakota which had taken umbrage from his uploading to the web 3D scans of two statues owned by the college and displayed in public, which are bronze casts of the David and Moses masterpieces by Michelangelo, both of which are, needless to say, in the public domain. Well, so are their reproductions, including those made using 3D printers. Let’s note that in Europe, owners of the moral rights of a work in the public domain could invoke these rights to prevent, say, the 3D printing of the work in a garish and cheap material, or an obscene or disparaging modification.

Other Legal Issues

As this is a copyright blog, I will not write about other legal issues which could be raised by 3D printing, but consumer law and tort law may also be interested in 3D printing. The American Library Association recently published “An Introduction to 3D Printing and Public Policy” where it noted that 3D printers may produce faulty products which could injure consumers, and wonders who would be held liable for injuries sustained by these defective products. Would it be the inventor who printed and sold the item? Or maybe the manufacturer of the 3D printer? The programmer who wrote the code for the product’s design? Or even the libraries? I wonder if a bill will soon be presented, either in California or in another state, proposing to warn 3D printer users of the potential liabilities they face if printing a defective object which would cause harm…

Image is courtesy of Flickr user Keith Kissel, under a CC BY 2.0 license

Tuesday, 22 July 2014

My Little Pony gets 3D printed

3D printing is a bit of a buzzword at the moment and its not the first time that this blogger has written about protection of IP rights in the 3D printer world. Rightsholders need to be thinking about how best to exploit 3D printing rather than how to avoid it, and one company that has done just that is Hasbro. 

Rather than targeting creators of fan art to stop them customising the popular My Little Pony range (because, really trying to stop your fans from enjoying your product is not a great business proposition), Hasbro is going to partner with 3D printing company Shapeways to sell fan art.

Five artists will design My Little Pony figurines which can be printed to order. John Frascott, chief marketing officer at Hasbro, describes the process as "mass customisation" - the figurines don't make sense for mass manufacture but enough people will buy them that Hasbro can justify allowing the artists to create and sell them.

It's not clear whether the artists will be employed by Hasbro or whether they are merely granted permission to create fan art (likely the former, for Hasbro to retain control of any copyright created) but it is clear that this is a clear demonstration that we will see more and more customised goods in future, meaning more and more 3D printing.

What has this got to do with copyright?

Well ignoring any trade mark rights which Hasbro may have in My Little Pony, it is likely that the main IP rights subsisting in the figurines are copyright and/or design rights. This raises a few important questions, namely:

1. Are figurines artistic works for copyright purposes (the Storm Trooper helmets were not)?

2. If not, could they be works containing the author's own intellectual creation and so subject to copyright protection in the rest of Europe? (Or in the UK if the concept of a work is found to be harmonised…)

3. If copyright does subsist, will the proposed private copying exception allow people who have access to the design files to make copies for private use at home?

4. Will the files appear on P2P file-sharing sites, and if so how long before we see an application for a blocking injunction against counterfeit My Little Pony files?

Answers on the back of a postcard please!