Showing posts with label EU copyright. Show all posts
Showing posts with label EU copyright. Show all posts

Thursday, 27 June 2019

Share your views on stakeholder engagement in EU copyright policy

The 1709 Blog is happy to share the survey below, at the kind request of Agnieszka Vetulani-Cęgiel, and Trisha Meyer. Do take part!

Share your views on stakeholder engagement in EU copyright policy 

Are you involved in EU copyright policy? Did you interact with the European Commission on the Copyright in the Digital Single Market Directive?

We would be delighted if you would take 10 minutes to complete a survey on the European Commission's practice to involve relevant stakeholders in copyright policy. We promise that the survey is short: only four substantive questions that can be easily answered over your sweltering-weather-in-Belgium ice cream break!

Who are we? Agnieszka Vetulani-Cęgiel, a postdoctoral researcher in Political Science and Journalism at the Adam Mickiewicz University in Poznań (Poland) and Trisha Meyer, an assistant professor in Media Studies at the Vrije Universiteit Brussel (Belgium). We specialize in EU stakeholder engagement, copyright, press publishers' rights and intermediary liability.

What is the context? The results of this survey will be incorporated in a journal article on ‘evaluating good governance and civil society participation in EU online copyright policy’. In this paper, we also conduct a longitudinal analysis of how many and which type of stakeholders have been engaging with the European Commission through public consultations on copyright policy for the period 2004-2019.

Why bother? Because it gives you a fuzzy feeling to have contributed to academic research!? More seriously, we want to give voice to those whom we are studying. Your response will help us to test our theoretical assumptions and provide more relevant results.

Please do not hesitate to be in touch with any questions you may have. Should you prefer to speak to us in person on the topic in addition to (or instead of) the survey, please feel free to drop a line as well [a.vetulani-cegiel@amu.edu.pl or trisha.meyer@vub.be]. The survey will be accessible through 14 July.

Tuesday, 2 April 2019

THE COPYKAT

A federal judge in Manhattan has refused to dismiss a lawsuit claiming that Woody Guthrie's classic 1940 folk song "This Land is Your Land" belongs to the public. Guthrie, then 27, wrote "This Land," in reaction to Irving Berlin's 1918 war time song "God Bless America" which he thought glossed over wealth and land inequality in the country. U.S. District Judge Deborah Batts said members of Satorii, a New York band that recorded two versions of "This Land" could pursue federal copyright claims against two publishers who say they control rights to the song - Ludlow Music and The Richmond Organization. Readers will remember that "We Shall Overcome" and "Happy Birthday to You" have already returned to the  public domain. Satorii said the "This Land" melody was "substantially identical" to a Baptist gospel hymn from around the start of the 20th century, known by such titles as "Fire Song." It also said any copyright to "This Land" was forfeited several decades ago. The case is Saint-Amour et al v The Richmond Organization Inc et al, U.S. District Court, Southern District of New York, No. 16-04464.


Ten members of the European Parliament (MEPs) have said they voted against a crucial amendment to the EU's Copyright Directive by accident, and that if they had got their votes right it would have let MEPs take a further vote on the inclusion of Articles 11 and 13, the most controversial parts of the law (and named by the tech sector as the  “link tax” and “upload filter”). That vote was lost by just five votes but official voting records published by the EU show that 13 MEPs have declared they accidentally voted the wrong way on this amendment. According to the record, ten MEPs say they accidentally rejected the amendment when they meant to approve it, two MEPs accidentally approved the amendment, and one MEP says he intended not to vote at all on that matter. If these MEPs had voted as they said they meant to, the amendment would have been approved by a small majority, prompting further votes on whether the law would include Articles 11 and 13 (renamed articles 15 and 17 in the final draft). Whilst no one knows how that might have gone, it makes no difference now of course as the final vote has passed and stands, with a clear majority 348 MEPs voting in favor of the new reforms, and 274 against. YouTube 'creators' and the tech sector are now starting to re-voice concerns, and no doubt will continue lobbying, with one creator saying they will be forced to block content from being seen in Europe, and one of the most vocal activists leading a charge against the Directive, Dr. Grandayy, says it’s time for YouTubers to get serious about copyright activism.

And Poland's right-wing government has hinted that they may not fully implement the European Union's new copyright reform, saying it stifles freedom of speech. Ruling party leader Jaroslaw Kaczynski said Saturday that a copyright directive adopted by EU lawmakers this week threatens freedom. Of course the bloc's nations have two years to incorporate it into their legal systems. Without elaborating, Kaczynski said the Law and Justice party will implement it "in a way that will preserve freedom."


Vodafone in Germany has blocked access to a popular platform where users share links to infringing content after a complaint from music collecting society GEMA, but seemingly without GEMA securing an injunction to mandate the block. the German division of Vodafone has now blocked Boerse telling  Torrentfreak "On the basis of a notification from GEMA, we have set up a DNS blockade for the 'boerse.to' domain. The blockade affects Vodafone GmbH's fixed and mobile network" citing recent precedents in the German courts regarding the responsibilities and liabilities of internet companies saying "GEMA has officially sent us a notification and we have set up the DNS blockade in order to avoid a legal dispute in accordance with the principles established by the Federal Court Of Justice".
adding that whilst it was "critical of these blocking requests" it would nevertheless comply with its legal obligations. The site is still accessible via other ISPs in Germany. 


A fascinating article on Above the LawIn Your Face: How Facial Recognition Databases See Copyright Law But Not Your Privacy - and Tom Kulik, an Intellectual Property & Information Technology Partner at the Dallas based law firm of Scheef & Stone, LLP says "Like many legal issues involving evolving technology, there is more here than meets the eye". Well worth a read! Image by Mike Mackenzie via www.vpnsrus.com.

And finally, Lexology reports that the latest (and unanimous) US Supreme Court decision in  Rimini Street, Inc. v. Oracle USA, Inc., holds that 17 U.S.C. § 505’s award of “full costs” is limited to the specific categories of costs defined in 28 U.S.C. §§ 1821 and 1920, which exclude expert witness fees, e-discovery expenses and jury consultant fees. “A statute awarding ‘costs’ will not be construed as authorizing an award of litigation expenses beyond the six categories listed in §§ 1821 and 1920, absent an explicit statutory instruction to that effect.”[2] This decision effectively limits the costs recoverable by a successful litigant as a matter of course in copyright litigation and in “exceptional” trademark and patent cases. More here

Tuesday, 26 March 2019

BREAKING NEWS - EU Parliament approves copyright reform

The EU's somewhat controversial copyright reforms have been adopted by the European Parliament, with 348 votes in favor and 274 against in the European Parliament, meaning Articles 13 and 11 are one step further on to becoming enshrined in EU law. In the wake of the vote, the chair of ICMP, the global trade body for music publishing, Chris Butler said: “We extend our appreciation to MEPs across party lines and EU Member States for their hard work through this challenging legislative process. We are grateful for important provisions supporting songwriters and composers, recognising that music must be given its rightful value. “We're particularly pleased to secure sector-specific safeguards for music publishers in Articles 4 and 12. These battles were hard-fought, amount to crucial wins for music in Europe and are particularly important for our independent publisher members.” ICMP Director General John Phelan commented: “Four years of titanic tussling later, our work to solve the ‘Value Gap’ now begins a new stage after this vote. Namely, to ensure that those who make the music make a fair return. ICMP will keep working with all European governments to transpose this law appropriately. ‘Safe Harbours’ must not become archipelagos for platforms to devalue music. Today redoubles our determination in that mission.”

Proposals to delete Article 13 were not put to a vote. Pirate Party MEP Julia Reda tweeted that voting on individual amendments were rejected by a majority of just 5 votes, before tweeting "Dark day for internet freedom: The @Europarl_EN has rubber-stamped copyright reform including #Article13 and #Article11. MEPs refused to even consider amendments. The results of the final vote: 348 in favor, 274 against". 

The text now needs a formal approval by European ministers but is one major step closer to officially becoming law. It will then have to be transposed into national legislation by EU countries.

Saturday, 12 January 2019

AG Szpunar advises CJEU to rule that quotation exception is not limitless and that there is no fair use in the EU

After the late 2018 Opinions in Funke Medien [here] and Pelham[here], yesterday Advocate General Maciej (AG) Szpunar - IPKat's copyright person of the year 2018 - issued his Opinion in Spiegel Online, C-516/17 [background here], the third German referral asking the Court of Justice of the European Union (CJEU) to weigh in on, among other things, the interplay between copyright and other fundamental rights.

The Opinion, which is not yet available in English, advises the CJEU to rule that, among other things:
  1. The exception within Article 5(3)(d) of the InfoSoc Directive requires one to consider the purpose of the quotation at issue, and 
  2. Fundamental rights like freedom of expression do not allow EU Member States to go beyond the catalogue of exceptions in Article 5 therein to envisage new exceptions or even introduce a general fair use clause.
Background

Volker Beck (photo by Mathias SchindlerCC-BY-SA)
As readers might remember, this referral originated in the context of litigation initiated by a German politician (Volker Beckwho, in 1988, authored a work about “sexual acts of adults with children”. The publisher apparently edited the manuscript without the author's consent and the resulting publication was, according to the author, a distortion of his views.

The original manuscript was found in an archive in 2013, and the author submitted it to several newspapers to demonstrate what he had actually written. Although he did not authorize publication of the manuscript or extracts thereof, he consented to newspapers linking to a statement he published on his own website.

The publisher also released a press report on its own portal, Spiegel Online, to support its view that the original manuscripts had not been distorted. To this end, the publisher included a link that allowed users to download both the original manuscript and the resulting publication. No link to the author’s website was provided.

The politician argued successfully at both first instance and on appeal that all this would amount to copyright infringement.

The case is currently pending before Germany's Federal Court of Justice, which has stayed the proceedings and asked the CJEU to clarify, among other things, how far the 'quotation' exception can go and what discretion EU Member States enjoy when transposing and applying relevant EU copyright directives.

The AG Opinion

AG Szpunar started by noting the relevance of freedom of expression (which has been recognized as a fundamental freedom since the 1789 Declaration of the Rights of the Citizen) and freedom of the press in a democratic society. However, the drafters of the 1789 Declaration itself were also aware of how freedom of expression could limit third-party rights and freedoms. As such, Article 4 therein provides that
 Liberty consists in being able to do anything that does not harm others: thus, the exercise of the natural rights of every man has no bounds other than those that ensure to the other members of society the enjoyment of these same rights. These bounds may be determined only by Law.
Freedom of EU Member States

This said, the AG tackled the question of Member States' discretion when transposing relevant exceptions within Article 5 of the InfoSoc Directive into their own laws, and noted how this is a similar issue to the one at stake inPelham.

Like in his Opinion in that case, AG Szpunar reiterated that - while EU Member States are free to determine the means for transposing relevant EU directives into their own laws - they are bound to achieve the objectives of those directives. In the case of the InfoSoc Directive, these include providing a 'high level of protection' of economic rights.

Article 5(3)(c)

The referral also includes a question concerning the exception within Article 5(3)(c) of the InfoSoc Directive, in particular whether the making available to the public of copyright works on the web portal of a press undertaking does not fall within its scope because it was possible and reasonable for the press undertaking to obtain the author’s consent before making his works available to the public (this is the approach under the German news reporting exception).

According to the AG, such a limitation of the exception would not be problematic from an EU law standpoint because it is Article 5(3)(c) itself that limits reproductions 'to the extent justified by the informatory purpose'. Accordingly [the translation from Italian is mine]

 It is my view that such limitation does not only concern the extent of the authorized reproduction and communication, but also those situations in which the exception applies, that is those in which the author of the report could not be reasonably required to request the authorization of the author of the work reproduced and communicated in the context of said reporting. As such, in my view, a limitation of the exception at issue like the one under German law, not only does not contravene the relevant provision in Directive 2001/29, but is actually in line with the nature and objective of said exception. 

According to the AG, the reason why this exception would not apply in the present case is different, and lies in the fact that the EU provision should be read in light of Article 10bis(2) of the Berne Convention. This provision states that:
It shall also be a matter for legislation in the countries of the Union to determine the conditions under which, for the purpose of reporting current events by means of photography, cinematography, broadcasting or communication to the public by wire, literary or artistic works seen or heard in the course of the event may, to the extent justified by the informatory purpose, be reproduced and made available to the public. 
The exception is limited to 'works seen or heard in the course of the event' subject to the reporting. This is not the case of the background proceedings, as the work reproduced is a literary work which one needs to read, rather than just view or hear.

Kat quotation
Article 5(3)(d)

This said, the key issue in this case relates to the scope of the quotation exception. The AG noted that:

The exception in principle is not limited to certain types of work only, and  The methods for including a qutotation into one's own work and identifying the quotation might differ depending on the situation. Also the provision of a link might be appropriate for the sake of making a quotation.

The problem is not, however, how that quotation may be realized but - rather - the extent of what may be quoted. In the present case what the defendant reproduced is the entirety of the claimant's work.

Although the CJEU appears to have allowed the possibility of quoting a photographic work in its entirety (inPainer), it has also spoken of 'reproduction of extracts' (Painer, para 135). The Berne Convention originally spoke of short quotations, while the current text states that the extent of a quotation must not exceed what is justified by the purpose. A similar formulation can be found in Article 5(3)(d). It follows that a quotation may be also of a work in its entirety, insofar as the aim pursued justifies it.

In any event, a quotation must not compete with the original work. Holding otherwise would allow one to elude the economic rights of an author over their work, rendering them devoid of any content thereof:
 the quotation exception may not be applied in situations in which, lacking the authorization of the author, a work is made available to the public on the internet, in its entirety, in the form of an accessible and autonomously downloadable file.
In addition, allowing a quotation that was a substitute for the original would also be contrary to the three-step test in Article 5(5) of the InfoSoc Directive and Article 9(2) of the Berne Convention, notably the requirement that an exception does not conflict - whether actually or even just potentially - with a normal exploitation of the work

Fundamental rights: no fair use in Europe

Having excluded that the exceptions within Article5(3)(c) and (d) would apply, the AG considered whether the use made by the defendant of the claimant's work might be nonetheless justified in light of Article 11 of the Charter of Fundamental Rights of the EU (freedom of expression/information and freedom of the press). This is also a question at issue in Funke Medien and Pelham.

In line with his Opinions in those cases, the AG proposed to rule that normally it is necessary to respect the choices made by legislature, considering that copyright already contains limitation and exceptions aimed at reconciling the exclusive rights of authors with third-party freedoms and rights, including freedom of expression/information.

Holding that it might be possible to supplement the exceptions and limitations provided for in Article 5 of the InfoSoc Directive with further exceptions and limitations would also run contrary to the harmonization objectives of the EU. Above all:
 such possiblity would be tantatmount to introducing into EU law some sort of "fair use clause", in that basically any use of a work that infringes copyright could rely, in one way or another, on freedom of expression. This way, the protection actually available to the rights of authors would depend on the sensitivity of the judges in each Member State towards freedom of expression, thus transforming any harmonization effort into an unattainable goal.
Comment

The Opinion of AG Szpunar might appear restrictive to some - especially with regard to the scope of quotation and the take on fair use - but it is not at all surprising, also considering earlier CJEU case law and the wording of the InfoSoc Directive.

That quotation is not borderless appears correct, considering the wording of the Berne Convention and the InfoSoc Directive, as well as the three-step test. This said, consideration of the circumstances at issue is key: the AG was correct in reiterating that a quotation might be also of a work as a whole, but whether that might be the case depends on the purpose of said quotation. 

Finally, the fundamental rights assessment also appears correct and - even if the Opinion does not mention it, it is in line with the case of law of the European Court of Human Rights which has tackled the interplay between copyright and freedom of expression, eg Ashby Donald [here]The Pirate Bay [here] (see also here). 

Let's now see what the CJEU rules. One will have an idea of the fate of Funke MedienPelham and Spiegel Online as soon as the first of these three decisions is out.

By Eleonora Rosati writing on the IPKat 

Tuesday, 14 August 2018

CJEU rules that unauthorized re-posting of protected content may be an infringement

First posted by Eleonora on the IPKat on 7th August 2018

The Cordoba photo at issue in Renckhoff
Today the Court of Justice of the European Union (CJEU) issued its last copyright judgment [but also - incredibly - the first copyright judgment of 2018] before the summer break. 

In Renckhoff, C-161/17 it ruled - contrary to the Opinionof Advocate General Campos Sanchéz-Bordona [here and here; ALAI thought it was very bad, and criticized it here] - that in a situation like the one at issue the unauthorized re-posting of a copyright work would be an act of communication to the public within Article 3(1) of the InfoSoc Directive.

Background

As readers might remember, this case had a fairly odd factual background. The national 
proceedings relate in fact to copyright litigation that a photographer has brought in Germany
against a school over the use, by one of the pupils, of copyright-protected material without 
authorization. 

More specifically, one of the pupils found an image of the city of Cordoba online 
and used it for an assignment for her Spanish class, providing acknowledgment 
of the website from which she had downloaded the photograph (though not of the 
photographer, because the website where the photograph appeared did not provide any). 

Upon finishing her work, she and her teacher uploaded it on the school's
website, but the photographer came forward claiming infringement of his copyright in
the photograph, and that he had just granted a licence to use to the image to the website 
from which the pupil had downloaded it.

Litigation has gone all the way up the German Federal Court of Justice, which 
decided to stay the proceedings and refer this question to the CJEU:

Does the inclusion of a work — which is freely accessible to all internet users on a 
third-party website with the consent of the copyright holder — on a person’s own 
publicly accessible website constitute a making available of that work to the public 
within the meaning of Article 3(1) of [Directive 2001/29] if the work is first 
copied onto a server and is uploaded from there to that person’s own website?

The CJEU response

Today the Court answered in the affirmative, noting that:
  1. The reposting of protected content freely available with the rightholder's consent on a third-party website is a new act of communication to the public (I'd also add that it is also an act of reproduction, and in fact this has been already established in the national proceedings) and no analogy with linking to lawful and freely accessible content in a Svensson sense may be drawn. Here the point is not - as it was, instead, in Svensson whether there is a communication to a new public, because there is a new communication to the public tout court.
  2. Holding otherwise would mean that a copyright owner would lose any control over their work once this has been made available online the first time. This would basically amount to an undue exhaustion of the right of communication to the public, contrary to Article 3(3) of the InfoSoc Directive, and would also be in breach of the principle according to which economic rights are preventive in nature (in a Souliersense)
  3. The fact that a work has been initially published online and made available with no restrictions is irrelevant: holding otherwise would be akin to imposing formalities to the enjoyment and exercise of copyright, and this would go against the prohibition in Article 5(2) of the Berne Convention.
If that was ever possible, 
now school may become even more stressful
The Court also recalled that copyright
protection in a photograph only arises when 
the photograph is its author's own 
intellectual creation, in the sense that it 
results from the making of free and 
creative choices and carries the author's 
personal touch, in the sense clarified 
in Painer. Readers will remember that 
the AG doubted that the one at issue 
would be a copyright-protected 
photograph. However, Article 6 of the 
Term Directive leaves EU Member States free to protect sub-original photos.

Implications

Overall, the judgment is good news for copyright owners, in that it gives them reassurance 
that the control over their works is not reduced over the internet. 

The ruling is also interesting in relation to the practice of certain websites (including newspapers) 
that directly host third-party video content in respect of which they neither own the rights nor 
do they have a licence, in lieu of displaying such videos by means of embedded links. While 
the latter might be lawful (depending on whether the requirements set in Svensson and
 GS Media are fulfilled), the former might pave the way to a finding of liability. This 
may be something that we knew already, but that now the CJEU has confirmed.

Sunday, 23 July 2017

What can the possible implications of the CJEU Pirate Bay decision be? A new paper

[Apologies for the cross-posting to those readers who also subscribe to The IPKat, where this post was originally published on 22 July 2017]

As reported, on 14 June last the Court of Justice of the European Union (CJEU) issued its much-awaited judgment in Stichting Brein v Ziggo BV and XS4All Internet BV, C-610/15 (the Pirate Bay’ case).

There, the Court developed further its construction of the right of communication to the public within Article 3(1) of the InfoSoc Directive, and clarified under what conditions the operators of an unlicensed online file-sharing platform are liable for copyright infringement.

The CJEU judgment builds upon the earlier Opinion of Advocate General (AG) Szpunar in the same case [reported here], yet goes beyond it. This is notably so with regard to the consideration of the subjective element (knowledge) of the operators of an online platform making available copyright content. Unlike AG Szpunar, the Court did not refer liability only to situations in which the operators of an online platform have acquired actual knowledge of third-party infringements, but also included situations of constructive knowledge (‘could not be unaware’) and, possibly, even more.

Overall, the CJEU decision is not limited to egregious scenarios like the one of The Pirate Bay: the Court’s findings are applicable to different types of online platforms, as well as operators with different degrees of knowledge of infringements committed by users of their services.

In my view the judgment is expected to have substantial implications for future cases (including at the level of individual Member States), and overall prompts a broader reflection on issues such as the interplay between primary and secondary liability for copyright infringement, applicability of the safe harbour regime within the E-Commerce Directive, as well as the current EU copyright reform debate, notably the so called value gap proposal within Article 13 of the draft Directive on Copyright in the Digital Single Market.

Further to a request of the International Federation of the Phonographic Industry (IFPI), I prepared a paper that would explore the possible implications of the judgment. The paper is going to be published as an article in the European Intellectual Property Review later this year. In the meantime, you can find a pre-edited version here.