Showing posts with label Sarah Palin. Show all posts
Showing posts with label Sarah Palin. Show all posts

Thursday, 23 January 2014

The CopyKat, balancing on that narrow fence between copyrights and copywrongs

The Delhi High Court has held.that exclusive rights over yoga and pranic exercises, which are derivatives of ancient technique of yoga in India, cannot be claimed under the Copyright Act. Business Standard reports that the Court made the observations while rejecting the plea of Philippines-based Institute for Inner Studies seeking to restrain persons from teaching the 'asanas' (postures) claimed to be developed by the founder of the Institute.  The court relied upon the position of law on the matter in the US and noted that the court there had denied protection to Yoga asanas in case of Bikram Choudhary who is also teaching modern yoga techniques in the US.  Justice Manmohan Singh also held that the expression 'Pranic Healing' cannot be monopolised as trademark by the Institute. More on yoga and copyright here

The California-based 9th U.S. Circuit Court of Appeals - aka the "Hollywood Circuit" - has been accused of routinely siding with the home-turf entertainment industry in the past. Critics say that judges sided with film studios in the early 1980s when the studios sued Sony for infringing their copyrights by selling the Betamax video recorders (the Supreme Court reversed that decision), and a majority sided with "Wheel of Fortune" TV personality Vanna White when she claimed her "right to publicity" had been violated by a commercial spoof featuring a robot with a blond wig who stood next to big block letters. Now, the court's alleged pro-Hollywood slant is being cited again by a the daughter of Frank Petrella, who, along with boxer Jake LaMotta, wrote a 1963 screenplay that was said to be the basis for the Oscar-winning film Raging Bull - and again the Supreme Court has been asked to overturn a 9th Circuit decision that blocked her copyright claim against Metro-Goldwyn-Mayer in a dispute over the 1980 movie. Whilst Chief Judge Alex Kozinski has criticised the court in the past for being overprotective of the entertainment industry, he "bristles" at the suggestion that the 9th Circuit takes sides saying "We get a lot of cases, but we go every which way" adding "I don't think we are particularly protective of studios." An update on the 'sparring' Supreme Court judges can be found here.


An excellent update on the right to control a 're-transmission' by  journalist and Mediabeak blogmeister Edgar Forbes appears on the IPKat here - looking at differing approaches taken by the UK, European and then US courts in Cablevision, MPS v MurphyTVCatchup and now Aero. Edgar is as clear as can be in this muddled and confused landscape! Why does anyone bother? In the USA JVC estimated that retransmission fees would grow rapidly from $1.4 billion in 2011 to an estimated $3.6 billion in 2017, with full service HD News/ENG TV stations poised to get the lion’s share. More in JVC's  Pro HD Report here.

Sarah Palin has lost bid to move copyright lawsuit against her to her home turf of Alaska. The claim was brought by newspaper publisher North Jersey Media Group who sued the former darling of the Tea Party and vice presidential candidate, and her political action committee, last September, claiming copyright infringement over the use of an iconic 9/11 photograph. The photo depicts three New York City firefighters hoisting an American flag amid the rubble at the World Trade Center hours after the attacks - Palin’s Sarah PAC posted a copy of the photo on its fundraising website and Facebook page without permission. The case was moved to New Jersey. More on Mondaq here.


The shift away from collective licensing in the digital domain stepped forward again as Universal Music's publishing business in America announced it had entered into a direct licensing agreement with US-based streaming service Pandora which had previously licensed content through collective licensing - having had deals with ASCAP and BMI (both of which were challenged in court at the end of 2013). Universal's Zach Horowitz rather marvellously told reporters: "Our deal with Pandora is another step toward reaching our goal of ensuring that there is a vibrant digital marketplace where both music services and the songwriters and composers who make those services possible can thrive. This arrangement will allow music fans to enjoy our music on Pandora while protecting our songwriters and composers".


The Conan Doyle Estate Ltd., owned and run by the family of writer Sir Arthur Conan Doyle, has appealed to the Seventh Circuit Court of Appeals from the lower court decision in Klinger v Conan Doyle Estate Ltd. It's not unexpected - the District Court's ruling that all but ten of Coinan Doyle's Sherlock Holmes stories were in the public domain would prevent the Estate from licensing all but those ten works - as well as potentially profitable spin offs, and new stories based on the characters of Holmes and Dr Watson. The Estate had argued that the characters of Holmes and Watson was not fully developed until the final ten short stories - still in copyright - were published and so should remain under copyright protection - but the Court disagreed and although noting that writers using character developments from these last ten stories would require the Estate’s permission, held that the public may use the Pre-1923 Elements without obtaining a license from the Conan Doyle Estate.

And finally, both Fight Copyright Trolls and TorrentFreak have noted the District Court ruling from Seattle, where Judge Robert Lansik noted that the producers of the movie Elf Man failed to state a claim for relief, since the only evidence they had was an IP address - which wasn't enough to actually implicate any particular person in copyright infringement - and that that IP address-only evidence fails to meet the pleading standards required to pursue for copyright infringement Judge Lansik said  “Simply identifying the account holder associated with an IP address tells us very little about who actually downloaded ‘Elf-Man’ using that IP address”. 

Thursday, 19 September 2013

Never mind the moral squalor .... its the CopyKat

AT&T has started sending letters to some of its customers, threatening to disconnect them because they've been accused ("without trial or a chance to rebut the evidence") of copyright infringement. AT&T is doing this voluntarily as part of the controversial Copyright Alert System, whose overseeing body is The Center for Copyright Information. You can see the letter here.

Former US presidential hopeful, 'hockey mum' and former Governor of Alaska Sarah Palin is facing a copyright claim: the North Jersey Media Group have filed a law suit against Palin and her political action committee (PAC), alleging copyright infringement over the use of an iconic photograph of a flag at Ground Zero taken by one of their newspaper photographers on the politician's website and Facebook pages. In the photo, three fireman raise an American flag over the debris of the World Trade Center towers - and appeared on Palin's PAC’s website and Facebook page under the words “We Will Never Forget” though  it seems the image is no longer on either site


Mike Weatherley MP
In the UK, Mike Weatherley, the MP for Hove, and organiser of the annual 'Rock The House' talent competition, has been appointed as the Prime Minister's Adviser on Intellectual Property, with a particular focus on "enforcement issues relating to the creative industries".  Mike comes from a strong professional background in Intellectual Property for both music and film. Before his election to Parliament in 2010, Mike was the Vice President (Europe) for the Motion Picture Licensing Company and previously worked for music industry giant Pete Waterman. And this blogger can confirm from personal experience that Mike is a big music fan - cares about the creative industries - is a very approachable MP - actually knows something about IP - and is happy to help when he thinks he can make a difference.

It seems that Liberation Music has belatedly realized it chose the wrong adversary in Lawrence Lessig for a copyright dispute. Citing the need to protect a copyrighted song, the company had sought to block the work of Harvard law professor Lessig, after he posted a lecture that included amateur videos using the song  Lisztomania,” by the band Phoenix on YouTube, to demonstrate how individuals can create new content by blending homemade videos with popular music.  

After a YouTube take down, reinstatement and now the claim being withdrawn, one wonders why this was ever even started: I have to say "Fair use" springs to mind - as does "Egg on faces" at the record label. And what of the recording artist - the now very successful French band Phoenix comprising of Thomas Mars, Deck d'Arcy, Christian Mazzalai and Laurent Brancowitz? It would be interesting to get their take on what their record label have been up to, not least as despite Liberation dropping it's claim, Lessig, aided by the Electronic Freedom Foundation, still plans to fight the takedown in US District Court in Boston, where Liberation Music had filed the complaint.


Philip Pullman
His Dark Materials author Philip Pullman has said that illegal downloading is a kind of "moral squalor" and copyright theft is much as reaching in to someone's pocket and stealing their wallet is theft, saying that authors and musicians work in poverty and obscurity for years to bring their work to the level "that gives delight to their audiences, and as soon as they achieve that, the possibility of making a living from it is taken away from them". In an article in the Index on Censorship he says that it is outrageous that anyone can steal an artist's work and get away with it" and adds "The principle is simple, and unaltered by technology, science, or magic: if we want to enjoy the work that someone does, we should pay for it"
Pullman is president of the Society of Authors and in the article Cathy Casserly, chief executive of Creative Commons, responds on the place of copyright in the digital age.


The US film industry has welcomed a paper published by the Phoenix Center for Advanced Legal & Economic Public Policy Studies which questions earlier research that claimed that the shutdown of MegaUpload had had a detrimental effect on smaller independent film releases.
That research, from the University Of Munich and the Copenhagen Business School claimed that while the closure of MegaUpload had contributed to a slight increase in revenues for blockbuster movies, mid-sized films had probably lost out, because file-transfer sites enabled peer-to-peer promotion of films that couldn't afford massive advertising campaigns, and that could result in more tickets sold at the cinema. Now Dr George Ford of the Phoenix Center has suggested that the Munich and Copenhagen academics reached that conclusion because of "a poorly-designed statistical model" and a misunderstanding of the economics of the film industry. The study, therefore, Ford reckons, "adds nothing constructive to the debate - save a little excitement". Motion Picture Association of America comment here.


And finally, music creators and performers - and others - might find this article by  Kristelia Garcia of interest - How Private Copyright Deals Are Cutting Artists Out...Ms Garcia is a Visiting Fellow at Yale Law School, and a Visiting Associate Professor at George Washington Law School, and is also a former executive at both MySpace Music and Universal Music Group: the article reflects on the recent flurry of direct deals between record labels and/or music publishers with broadcasters in the USA - and the potential problems being faced by both the music collection societies - and composers, writers, performers and recording artists when labels and publishers 'deal direct'.

Tuesday, 30 November 2010

(over the) Pond Life


The U.S. government has seized control of dozens of websites it says are offering unauthorized copyrighted or counterfeit content. The Department of Homeland Security's Immigration and Customs Enforcement (ICE) division took over 82 domains including Torrent-Finder.com, RapGodFathers.com, DVDProStore.com, Cartoon77.com, NFLJerseySupply.com and Handbag.com. The seizure orders come from courts in eight states and take place shortly after a U.S. Senate Committee approved the Combating Online Infringement and Counterfeits Act (COICA), which aims to empower the Justice Department to use tactics similar to those just employed by Homeland Security and ICE.

Wired.com report that EMI Records has asked the federal judge overseeing the label's copyright infringement lawsuit against music locker service MP3tunes to bar digital civil liberties group the Electronic Frontier Foundation (EFF) from submitting a "friend of the court" brief in the case saying that the EFF brief is "a pure advocacy piece, not a 'friend of the court," and also that the brief is "duplicative," "contains unsupported speculation," and exceeds the court's page length restriction. EMI also argues that, should EFF's brief be allowed, parties supporting EMI's position should be allowed to submit additional briefs.

TorrentFreak reports that the US Copyright Group, which has filed copyright infringement lawsuits against tens of thousands of internet users who have allegedly illegally downloaded movies such as "Far Cry" has been hit with a class action lawsuit by over 4,500 of those sued. The retaliatory class action lawsuit alleges "extortion, fraudulent omissions, mail fraud, wire fraud, computer fraud and abuse, racketeering, fraud upon the court, abuse of process, fraud on the Copyright Office, copyright misuse, unjust enrichment and consumer protection violations" and says that the offences were committed by US Copyright Group in its efforts to extract settlement fees from alleged file-swappers. The claim also says that the producers of "Far Cry" did not secure a copyright registration for the film until after it began collecting information on peer-to-peer traffic, and argues that this fact invalidates any earlier claims of infringement.

In case you missed it, there is a war of words going on over in the USA all about a letter sent to PC Mag by the major record labels and other music industry trade groups in response to a PC Mag story about the demise of Limewire, which the labels say was promoting unauthorized copyright infringement by naming alternatives to the now defunct Limewire. Apart from the fact it seems that the original story was actually published by PC World (a competitor of PC Mag) the accusations stirred up a hornets nest, in particular over the magazine’s right of free speech with PC Mag saying “PC Mag's job is to cover all aspects of technology, which includes the products, services and activities that some groups and individuals might deem objectionable. We covered these Limewire alternatives because we knew they would be of interest to our readers. We understand that some might use them to illegally download content. We cannot encourage that action, but also cannot stop it. Reporting on the existence of these services does neither.” Not content with that, the letter goes on to say “It worries me that the music industry took this action, because it reeks of desperation. The RIAA and other music industry organizations have spent the better part of the decade fighting the digital transition, with only a shrinking business to show for it. In recent years, though, the fist of anger has turned into at least one open hand as the music industry embraces the once shunned digital music industry. Unfortunately, that warm embrace, and the change that comes with it, are not happening fast enough. Clearly the music industry is still losing money to music piracy and even the recalibrated profit margins brought on by legal music sharing services. It's time for these music execs to pull their collective heads out of the sand and fully acknowledge and accept all the ways their industry has changed. They also have to understand that nothing will stop technology's inexorable march forward. Things will continue to change. Music downloads and sharing will never go away. These execs have to find a way to use all that technology allows and make a business”.

A US teenager has failed in her appeal to have her damages for illegally downloading overturned because she didn’t know what she was doing was illegal. As a 16 year old Whitney Harper had used the then popular Kazaa service to download 37 tracks and she was sued by the RIAA and faced damages of $27,750.00. Harper argued that she was not aware that the file-sharing program on her computer was dealing in stolen property saying she thought the songs could be downloaded for free, just like listening to the radio on the Internet. The Supreme Court disagreed (with one judge dissenting) and upheld the 5th Circuit Court of Appeals who ruled in February that Harper could not pay a reduced minimum fine of $200 per infringed track -- instead of $750 -- as an "innocent infringer." The federal appeals court cited a provision that says infringers should know they are breaking the law since a copyright notice "appears on the published phonorecord."

Now on to Sarah Palin, who has secured much needed publicity for her new book after HarperCollins, the publisher of "America By Heart: Reflections on Family, Faith, and Flag", reached a settlement in their a lawsuit with Gawker.com. The website had published several leaked pages of the book and was ordered to take them down by a New York City judge earlier this week. "In settling the case, Gawker has agreed to keep the posted material off its website and not to post the material again in the future" HarperCollins said in an official statement.

And finally to Bradford Cox, the artist behind Deerhunter and Atlas Sound who had a rather unusual weekend after Sony Music issued a DMCA takedown notice against his blog on Friday, it seems in connection with two albums of his own bedroom-made demos which he had uploaded for his fans to download for free. This was somewhat confusing because Cox is not and has never been signed to any Sony Music label so the album's cannot be their property. Deerhunter are signed to Beggar's 4AD while Atlas Sound release via indie label Kranky according to the CMU Daily. The major has now admitted to Billboard that it had made a mistake and that it had made Cox, his manager and music server Mediafire aware of this fact. Which brings us full circle to the first story and the risks we all run when content owners are given legal powers to have allegedly infringing websites taken offline – what happens if they get it wrong?

http://www.pcworld.com/businesscenter/article/211832/courts_shut_down_82_sites_for_alleged_copyright_violations.html

www.techdirt.com

http://www.courthousenews.com/2010/11/29/32147.htm