User Interfaces for Variable Fonts · An A List Apart Article

A good introduction to variable fonts, and an exploration of the possible interface elements we might use to choose our settings: toggles? knobs? sliders? control pads?

User Interfaces for Variable Fonts · An A List Apart Article

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The King vs. Pawn Game of UI Design · An A List Apart Article

I love this analogy and I love this approach—starting with the simplest possible thing and building up from there. This article talks about taking that approach for UI design, but it’s pretty much the same thing I talk about for development in Resilient Web Design.

As Shakespeare once didn’t say, progressive enhancement by any other name would smell as sweet.

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Web Typography: Designing Tables to be Read, Not Looked At · An A List Apart Article

An extract from Richard’s excellent book, this is a deep dive into styling tables for the web (featuring some CSS I had never even heard of).

Tables can be beautiful but they are not works of art. Instead of painting and decorating them, design tables for your reader.

(It also contains a splendid use of the term “crawl bar.”)

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Accessibility Whack-A-Mole · An A List Apart Article

A fascinating piece by Eleanor on the typographic tweaking that the Wellcome team did to balance the competing needs of different users.

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It’s Dangerous to Go Stallone. Take Glyphhanger | Filament Group, Inc., Boston, MA

You’ll need to be comfortable with using the command line, but this is a very useful font subsetting tool from those clever folks at Filament Group.

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Tentacular: Douglas Coupland on Helvetica, clip art and the gangly beast that is the internet

Douglas Coupland on web typography.

When I discuss the internet’s feel and its random rodeo of fonts, I think of the freedom, naivety, laziness, greed, cluelessness and skill I see there — it’s a cyberplace as wondrous as the bubbling cradle of pea-soup goo from which life emerged. The internet has a rawness, a Darwinian evolutionary texture. It’s a place where metrics totally unrelated to print typography dictate the look and feel.

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