Archives & Museum Informatics: Museums and the Web 2010: Papers: Cope, A.S., Buckets and Vessels

Here’s one to add to Instapaper or Readability to savour at your leisure: Aaron Straup Cope’s talk at Museums and the Web 2010:

This paper examines the act of association, the art of framing and the participatory nature of robots in creating artifacts and story-telling in projects like Flickr Galleries, the API-based Suggestify project (which provides the ability to suggest locations for other people’s photos) and the increasing number of bespoke (and often paper-based) curatorial productions.

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Related links

The Flickr Foundation

A non-profit foundation dedicated to long-term digital preservation.

Imagine if we could place ourselves 100 years into the future and still have access to the billions of photos shared by millions of people on Flickr, one of the best documented, broadest photographic archives on the planet.

The Flickr Foundation represents our commitment to stewarding this digital, cultural treasure to ensure its existence for future generations.

Its first act is the renewal of the Flickr Commons.

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Safeguarding music | Global Music Vault | Svalbard

This sounds like an interesting long-term storage project, but colour me extremely sceptical of their hand-wavey vagueness around their supposedly flawless technical solution:

This technology will be revealed to the world in the near future.

Also, they keep hyping up the Svalbard location as though it were purpose-built for this project, rather than the global seed bank (which they don’t even mention).

This might be a good way to do marketing, but it’s a shitty way to go about digital preservation.

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The Stacks Reader | A Treasure Trove of Classic Journalism

Digital preservation of dead-tree media:

The Stacks Reader is an online collection of classic journalism and writing about the arts that would otherwise be lost to history. Motivated less by nostalgia than by preservation, The Stacks Reader is a living archive of memorable storytelling—a museum for stories.

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[this is aaronland] #mw19 – the presentation

The web embodies principles of openness and portability and access that best align with the needs, and frankly the purpose, of the cultural heritage sector.

Aaron’s talk from the 2019 Museums and the Web conference.

In 2019 the web is not “sexy” anymore and compared to native platforms it can sometimes seems lacking, but I think that speaks as much to people’s desire for something “new” as it does to any apples to apples comparison. On measure – and that’s the important part: on measure – the web affords a better and more sustainable framework for the cultural heritage to work in than any of the shifting agendas of the various platform vendors.

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Regarding the Thoughtful Cultivation of the Archived Internet

Jason contemplates his two decades of blog posts, some of which he now feels very differently about:

Tim Berners-Lee’s idea that cool URIs don’t change is almost part of my DNA at this point, so deleting them seems wrong. Approximately no one ever reads any post on this site that’s more than a few years old, but is that an argument for or against deleting them? (If a tree falls in the woods, etc…) Should I delete but leave a note they were deleted? Should I leave the original posts but append updates citing my current displeasure?

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HTML for digital preservation.

A Few Notes on A Few Notes on The Culture

Making a copy of a web page which is a copy of a newsgroup post by Iain M Banks. 1994::2001::2021