Read https://www.blackincbooks.com.au/books/happy-life

With grace and profundity, Malouf discusses new and old ways to talk about contentment and the self. In considering the happy life – what it is, and what makes it possible – he returns to the “highest wisdom” of the classics, looks at how, thanks to Thomas Jefferson’s way with words, happiness became a “right,” and contrasts joy in the flesh, as depicted by Rubens and Rembrandt, with the way we view our bodies today.

In a world become ever larger and more impersonal, Malouf finds happiness in an unlikely place. This is a book to savour and reflect upon by one of Australia’s greatest novelists.

The Happy Life by David Malouf | Black Inc. by The Happy Life by David Malouf | Black Inc.


David Malouf asks what “happiness” can realistically mean now that many traditional miseries have been reduced, yet anxiety and dissatisfaction remain high. Moving through philosophy, politics, myth, religion, art and fiction, he concludes that happiness is modest, local, momentary, bodily, and bound to human‑scaled worlds rather than grand projects or guarantees.

Continue reading “📚 The Happy Life (David Malouf)”

Watched https://www.thelostcityofmelbourne.org/ from thelostcityofmelbourne.org

In the 1850s, Melbourne was the fastest growing city in the world. “They dreamt big, they built big….it was a city jumping out of its skin”.

It became an epicentre of film culture and its hotels, restaurants and cafes became world renowned. However, the attempted ‘modernisation’ of Melbourne in the 1950s destroyed much of the city, including its elegant cinemas and picture palaces. Our buildings were deemed too Victorian, the opposite of a modern metropolis, and Whelan The Wrecker’s demolition blitz began.

Featuring rare archival film & photography, this film is a revelatory work that allows its audience to reimagine the former glory of the lost city of Melbourne.

Source: The Lost City of Melbourne


The documentary The Lost City of Melbourne takes us back into a world lost to modernisation and gentrification. It delves into the social and cultural life of “Marvellous Melbourne” from the Gold Rush era (1850s) onwards, showcasing the city’s reputation as a global centre for culture and art, including its theatre culture. It explores the the demolition blitz, primarily driven by a “cultural cringe” in the 1950s—especially in the lead-up to the 1956 Olympic Games—where Melbournians felt their Victorian architecture and looked outdated. The role of the demolition company, Whelan The Wrecker, is also a key part of the story. The film highlights the demolition of many monumental structures in the 1950s and 60s, which included grand hotels, cafes, restaurants, markets (like the Eastern Market), and even early skyscrapers (like the Colonial Mutual Life building). It is presented through sketches, photographs, video and commentary.

Watching the documentary, I was reminded of a post I wrote a few years ago about imagining the past:

Imagine that instead of having to go to somewhere like Sovereign Hill or the Pioneer Settlement to step back in time, we could instead look out across the city skyline of a place like Sydney and call up a vision of what it might have been like in the past or even better Machu Pichu when the Inca empire was at its height.

Source: Imaging and Imagining the Past by Aaron Davis

I wonder if this insight is only ever a glimpse, something of a false promise?

Read https://en.wikipedia.org/wiki/Mason_%26_Dixon

Mason & Dixon is a postmodernist novel by the American author Thomas Pynchon, published in 1997. It presents a fictionalized account of the collaboration between Charles Mason and Jeremiah Dixon in their astronomical and surveying exploits in the Dutch Cape Colony, Saint Helena, Great Britain and along the Mason-Dixon line in British North America on the eve of the Revolutionary War in the United States.

The novel, written in a style based on late-18th-century English,[2] is a frame narrative told from the focal point of Rev. Wicks Cherrycoke, a clergyman of dubious orthodoxy who, on a cold December evening in 1786,[3] attempts to entertain and divert his extended family (partly for amusement, and partly to keep his coveted status as a guest in the house) by telling a tall tale version of Mason and Dixon’s biographies (claiming to have accompanied Mason and Dixon throughout their journeys).

Mason & Dixon – Wikipedia by Mason & Dixon – Wikipedia


Thomas Pynchon’s novel Mason & Dixon explores ideas of history, space and knowledge through the lives of Charles Mason and Jeremiah Dixon. I wrote a longer post here.

Continue reading “📚 Mason & Dixon (Thomas Pynchon)”

Read https://en.wikipedia.org/wiki/The_%22Hitler_Myth%22

In the book, Kershaw explores a concept he calls the “Hitler Myth” that describes two key points in Nazi ideology that depict Adolf Hitler as a demagogue figure and as a mighty defender.[1][2] In the demagogue aspect Hitler is presented as a figure that embodies and shapes the German people, giving him a mandate to rule. As a defender, he is depicted as defending Germany against its enemies and redressing the imbalance imposed by the Treaty of Versailles. These were essential elements of propaganda of the time and helped to ‘plaster over’ early cracks in the Nazi Regime’s facade, though by no means de-fusing all tensions or secret opposition in Germany at that time.

The “Hitler Myth” – Wikipedia


I have listened to Ian Kershaw talking about his work via The Rest Is History podcast, but had never actually read any of his books. I found The Hitler Myth in Audible and dived in.

I am not exactly sure what I expected from the book, most likely an examination of myth surrounding Hitler. However, what I got was a biography of ‘Adolf Hitler’ the socially constructed myth. This is captured through various snippets from the time.

It is an interesting exercise to map an idea or the image separate to the historical person. The book serves as an intriguing investigation of charismatic leadership beyond the idea of inherent genius. It felt like a following the political worm across somebodies whole life.

The question raised with this approach is whether a focus on myth over an unremarkable man underestimates Hitler’s actual agency and personality.

Liked https://blog.ayjay.org/clarks-enlightenment/ (blog.ayjay.org)

For Clark, “the Enlightenment” definitely happened — but it happened in the 19th and 20th centuries as a scholarly concept, not in the 18th century as an intellectual movement.

Clark’s Enlightenment – The Homebound Symphony by Alan Jacobs


Read https://en.wikipedia.org/wiki/Midnight_in_Chernobyl

Midnight in Chernobyl: The Untold Story of the World’s Greatest Nuclear Disaster (2019) by Adam Higginbotham is a history of the Chernobyl nuclear disaster that occurred in Soviet Ukraine in 1986. It won the Andrew Carnegie Medal for Excellence in Nonfiction in 2020. Higginbotham spent more than a decade interviewing eyewitnesses and reviewing documents from the disaster, including some that were recently declassified.[1] Higginbotham considers it the first English-language account that is close to the truth.[1]

Source: Midnight in Chernobyl – Wikipedia


I stumbled upon Adam Higginbotham’s Midnight in Chernobyl: The Untold Story of the World’s Greatest Nuclear Disaster via Libby. I decided to read it with all the discussion around embracing nuclear power in Australia as coal is wound down, as well as big tech’s embrace of small reactors to run data centres. I had wondered if I was exaggerating with regards to my emotive response to the dangers and drawbacks associated with embracing nuclear power.

It is strange reading something where you already know the outcome, especially after watching the HBO series, yet Higginbotham writes in such a captivating manner that still you do not want to stop.

Adam Higginbotham’s “Midnight in Chernobyl” is a gripping, miss-your-subway-stop read. The details of the disaster pile up inexorably. They include worn control rod switches, the 2,000-ton reactor lid nicknamed Elena, a core so huge that understanding its behavior was impossible. Politicians lacked the technical knowledge to take action, while scientists who had the knowledge feared to provide it lest they lose their jobs or lives.

Source: Looking Again at the Chernobyl Disaster by Robert P. Crease

Although I was often left wondering about how we actually know what was said. For example, clearly the workers did not speak in English. He also does a good job of balancing between the complex technology and the politics.

Higginbotham describes young workers who were promoted swiftly to positions of terrific responsibility. In an especially glaring example of entrenched cronyism, the Communist Party elevated an ideologically copacetic electrical engineer to the position of deputy plant director at Chernobyl: To make up for a total lack of experience with atomic energy, he took a correspondence course in nuclear physics.

Source: An Enthralling and Terrifying History of the Nuclear Meltdown at Chernobyl by Jennifer Szalai

The Chernobyl disaster on April 26, 1986, feels like it is a story of one shortcut after another. Whether it be choosing the right method (water as the coolant, not graphite), wearing appropriate protective clothing, get the batteries for the dosimeter, tell your superior about the safety test, close your window, don’t run over the hoses, tell the world etc.

Reading Midnight in Chernobyl, it feels easy to think that it would not happen here and now. We have better technology, the politics is different, but nowhere is perfect?

Listened The Rest Is History | 541. Heart of Darkness: Fear and Loathing in the Congo from therestishistory.supportingcast.fm


The Rest is History podcast did a series on the Horror in the Congo:

This led me to re-read Joseph Conrad’s Heart of Darkness. I have read the book a few times, but was never really aware of the details associated with King Leopold of Belgium’s brutal regime in the Congo Free State. I was also unaware of the geographical nature of the journey up the Congo. Maybe it did not matter? But it definitely provided for a different reading.

Read The Sri Lanka Reader

The Sri Lanka Reader is a sweeping introduction to the epic history of the island nation located just off the southern tip of India. The island’s recorded history of more than two and a half millennia encompasses waves of immigration from the South Asian subcontinent, the formation of Sinhala Buddhist and Tamil Hindu civilizations, the arrival of Arab Muslim traders, and European colonization by the Portuguese, then the Dutch, and finally the British. Selected texts depict perceptions of the country’s multiple linguistic and religious communities, as well as its political travails after independence in 1948, especially the ethnic violence that recurred from the 1950s until 2009, when the Liberation Tigers of Tamil Eelam were defeated by the Sri Lankan government’s armed forces. This wide-ranging anthology covers the aboriginal Veddhas, the earliest known inhabitants of the island; the Kings of Kandy, Sri Lanka’s last indigenous dynasty; twenty-first-century women who leave the island to work as housemaids in the Middle East; the forty thousand Sri Lankans killed by the tsunami in December 2004; and, through cutting-edge journalism and heart-wrenching poetry, the protracted violence that has scarred the country’s contemporary political history. Along with fifty-four images of paintings, sculptures, and architecture, The Sri Lanka Reader includes more than ninety classic and contemporary texts written by Sri Lankans and foreigners.

Source: The Sri Lanka Reader edited by John Clifford Holt


I decided that after growing up with and working with so many Sri Lankans, I did not really know much about Sri Lanka beyond ‘cricket’ and ‘tea’. This came to a fore in the recent test series, where I found myself searching the history of Galle after seeing the images of the fort.

The Sri Lanka Reader edited by John Clifford Holt provides a useful introduction to Sri Lanka’s history and culture. It is divided into five sections:

  • From Ancient to Early Modern
  • The Colonial Encounter
  • Emerging Identities
  • Independence, Insurrections, and Social Change
  • Political Epilogue

With each broken up between a mixture of sources and commentary.

It is ironic to consider the differences within Australian culture, for some reason I thought ‘Sri Lanka’ would somehow be different. However, I was left thinking, when talking about Sri Lankans, am I talking about Sinhalese, Tamils, Moors, Malays, Burghers or another colonial impact? In regards to culture, is it Anuradhapura, the Kandyan empire, the Tamil’s of the north, the colonial settlements on the coast? With religion, is it
Buddhism? Hinduism? Islam? Christianity? I feel this is a book that you could easily dip in and out of. At its heart, it is something that asks as many questions as it provides answers.

Marginalia

stranger on his first arrival in the country, while sitting at table, and feeling the influence of this fan, naturally imagines that refreshing breeze is entering at the open windows. This luxury was first introduced into Ceylon, in 1790, by Lieut. General Hay Macdowall, on his arrival from Calcutta, and is now adopted by all the English inhabitants. The Portuguese and Dutch bear the heat with greater patience; and having always been solicitous to exclude the natural winds from their houses, they are not inclined to create an artificial breeze. The rooms are lighted by glass lamps hung from the roof, and chandeliers fixed upon the walls. Owing to the open structure of the houses contrived for the admission of air, candles, and every description of lights, must be surrounded by glass cases, to prevent them from being blown out. . . .

The current situation in the country would seem to beg the central question: whither Sri Lankan identity per se? Is there any collective identity of the “international” sort possible within the context of such powerfully centrifugal emergent identities such as the Sinhala, Tamil, and Muslim? How does a multiethnic society like Sri Lanka’s develop a condition in which it is secure enough to celebrate its diversity rather than championing one community’s rights at the expense of another’s? In the immediate aftermath of the tsunami’s devastation in 2004, a palpable expression of unity in the face of adversity surfaced, though all too briefly. That unity dissipated within weeks as political interests on both sides of the ethnic divide sought the spoils of international disaster aid. While the moment of unity was momentary indeed, its brief fruition did indicate that unity is, indeed, a possibility, and perhaps ultimately a matter of will. Is the answer to Sri Lanka’s fissuring condition to be found in the various models of federalism represented by India? Canada? Switzerland? Or is devolution of power at the center of a unified state, rather than at the periphery, a preferable solution? Or are there any structural political answers possible in a time when memory is still raw from wanton acts of violence that have killed so many innocent Sri Lankans, Sinhala, Tamil, Muslim, and Christian? What is necessary for a process of healing to occur in which people can learn to transcend the deep wounds they have suffered during the past generation of violence?

the marketing of Sri Lanka’s new open economy included the marketing of the Buddha, and that this marketing was but part of the image of the “exotic East” sold through the media of the European tourist industry, an industry that some Sri Lankan government ministries and businessmen had so obviously and so eagerly begun to encourage. I recognized that the development of tourism was a useful strategy to help boost the fledgling Sri Lankan economy, to provide more jobs and to raise the general standard of living. But I also lamented the cultural costs. Unlike my experience in 1979, I also became much more aware of myself as a foreigner within the context of my visits to the Maligava. I was assumed by both temple officials and tourist hawkers to be a mark, a potential cash cow. Scholars and students loathe being regarded as tourists. I felt insulted. But being scholars and students doesn’t make the nontourist Westerner any less foreign, in spite of a desire to understand culture empathetically.

A. M. Nathaniel, a Ceylon Tamil journalist and teacher at Jaffna College, and a strong anti-boycotter, delineated this dissimilarity in striking if exaggerated terms:
“Ceylon was constituted as a Crown Colony, and treated like an adopted child: coddled, cozened and coaxed, whereas India, was treated as a troublesome giant: calumnied, cribbed and confined. A child mentality was willingly produced in one; a slave mentality unwillingly forced on the other.”

Read BBC documentary series by Contributors to Wikimedia projects
Michael Wood’s The Story of India explores the rich and complex history of the Indian subcontinent, from the earliest human migrations to the modern era. It covers the settlement of the Indus Valley, the rise of major religions like Hinduism and Buddhism, and the empires that shaped the region, including the Mauryan and Mughal empires. It also examines the impact of British colonialism and the eventual struggle for independence.
All in all, the book balances between the political, cultural, social, and religious aspects of Indian history.

The one thing that stood out to me was that way in which the idea of ‘India’ feels a little false and disengenous at times.

These days we are used to understanding human geography, making our mental maps, in terms of the boundaries of nation states. Most of history, though, has not been like that. Often the migrations and movements of peoples have resembled matter dissolving and re-forming, coalescing, spreading huge distances across the face of the Earth. Standing at the centre of the Old World, India has experienced such flux from prehistory to the present. Although often portrayed as a static civilization, resisting change, India has, in fact, been amazingly fluid and dynamic: the borders of her civilization have spread far beyond the boundaries marked on today’s maps. Dravidians, Aryans, Greeks, Turks, Afghans, Mongols, Mughals, British … all played their part, bringing new languages, cultures, foods and ideas to the deep matrix of Indian identity. The tides of her history have been a constant interaction between the indigenous and the foreign.

Source: The Story of India by Michael Wood

Golden ages, though, are problematical things, for they never exist in reality; they are imagined pasts – literary creations made for a purpose, and capable of very different readings, both creative and destructive. They perhaps tell us less about the past than about the present – and about our imagined futures.

Source: The Story of India by Michael Wood

The strong perception far back in time, then, is of a broad cultural unity. The British would make their own vital contribution to this. Look at any map of India in the British handbooks of the Raj, and you will see pink covering the lands from Burma to Baluchistan and from Bhutan to Kerala, bounded by the natural frontiers of the sea, the Khyber, the Himalayas and the eastern jungles. Within the map, though, is the image of one of the most ingenious and adaptive empires in history, an immense patchwork loosely embracing almost a quarter of the population of the planet. In different colours are an amazing 675 feudatory and independent princely states (of whom seventy-three were ruled by rajas ‘entitled to salutes of eleven guns or more’). Two of them, Hyderabad and Kashmir, are each the size of a large European country. This was the British solution to the diversity of India: an incredible political sleight of hand. An arrangement so extraordinary that it is hard to believe that it actually existed on the ground rather than just in the mind. But it was India.

Source: The Story of India by Michael Wood

I wonder if when talking about India (or Indian) it is important to clarify what is actually meant? For example, the ‘India’ (modern day Pakistan) encountered by Alexander the Great is vastly different to today’s civilization and culture. For one thing, this was before the spread of Islam and Mughal rule. Thinking about this all alongside Salman Rushdie’s Midnight’s Children, I feel I am always left wondering about the conflict of whose India too?

In the end, I feel that I was posed with more questions than answers.

I came upon the book via BorrowBox.

Read https://en.wikipedia.org/wiki/Night_(memoir)

Night is a 1960 memoir by Elie Wiesel based on his Holocaust experiences with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–1945, toward the end of the Second World War in Europe. In just over 100 pages of sparse and fragmented narrative, Wiesel writes about his loss of faith and increasing disgust with humanity, recounting his experiences from the Nazi-established ghettos in his hometown of Sighet, Romania, to his migration through multiple concentration camps. The typical parent–child relationship is inverted as his father dwindled in the camps to a helpless state while Wiesel himself became his teenaged caregiver.[2] His father died in January 1945, taken to the crematory after deteriorating from dysentery and a beating while Wiesel lay silently on the bunk above him for fear of being beaten too. The memoir ends shortly after the United States Army liberated Buchenwald in April 1945.

Source: Night (memoir) – Wikipedia


Like Primo Levi, Elie Wiesel recounts his experience of being taken to Auschwitz and how he managed to survive. However, Wiesel takes us inside the challenges to his faith raised by the Holocaust.

Never shall I forget that night, the first night in camp, that turned my life into one long night seven times sealed. Never shall I forget that smoke. Never shall I forget the small faces of the children whose bodies I saw transformed into smoke under a silent sky. Never shall I forget those flames that consumed my faith forever. Never shall I forget the nocturnal silence that deprived me for all eternity of the desire to live. Never shall I forget those moments that murdered my God and my soul and turned my dreams to ashes. Never shall I forget those things, even were I condemned to live as long as God Himself. Never.

Source: Night by Elie Wiesel

What amazes me about such memoirs is how much chance and luck is involved. For example, Wiesel ended up a part of the death march, when he could have stayed in hospital and been rescued two days later. With this in mind, I think this is why Wiesel felt it so important to remember.

To forget the dead would be akin to killing them a second time.

Source: Night by Elie Wiesel

I am intrigued that the book was initially rejected.

Read https://en.wikipedia.org/wiki/The_Diary_of_a_Young_Girl

The Diary of a Young Girl, commonly referred to as The Diary of Anne Frank, is a book of the writings from the Dutch-language diary kept by Anne Frank while she was in hiding for two years with her family during the Nazi occupation of the Netherlands. The family was apprehended in 1944, and Anne Frank died of typhus in the Bergen-Belsen concentration camp in 1945. Anne’s diaries were retrieved by Miep Gies and Bep Voskuijl. Miep gave them to Anne’s father, Otto Frank, the family’s only survivor, just after the Second World War was over.

Source: The Diary of a Young Girl – Wikipedia


I have read a number of Holocaust memories, including Elli and If This Is a Man, but for whatever reason, I had never read The Diary of a Young Girl by Anne Frank. I came upon a reading by Helena Bonham Carter on Libby.

The book itself is not dour, even though the context certainly is. Beyond serving as a document of life in hiding during the war, the book provides the reader inside the mind of the author and explore various topics, such as adolescence and sexuality. It definitely put complaints about lockdown learning into perspective. All in all, it was a strange read knowing the outcome.

One of the things that I was left wondering is how much was actually known. For example, Frank makes mention of people being gassed. She also gives a running update of the Allies. In a pre-internet world, how was such information actually communicated? Was this all via radio? If so, how? What roll did word of mouth play?

Highlights

“What one Christian does is his own responsibility, what one Jew does reflects on all Jews.”

Anyone who claims that the older folks have a more difficult time in the Annex doesn’t realize that the problems have a far greater impact on us. We’re much too young to deal with these problems, but they keep thrusting themselves on us until, finally, we’re forced to think up a solution, though most of the time our solutions crumble when faced with the facts. It’s difficult in times like these: ideals, dreams and cherished hopes rise within us, only to be crushed by grim reality. It’s a wonder I haven’t abandoned all my ideals, they seem so absurd and impractical. Yet I cling to them because I still believe, in spite of everything, that people are truly good at heart. It’s utterly impossible for me to build my life on a foundation of chaos, suffering and death. I see the world being slowly transformed into a wilderness, I hear the approaching thunder that, one day, will destroy us too, I feel the suffering of millions. And yet, when I look up at the sky, I somehow feel that everything will change for the better, that this cruelty too shall end, that peace and tranquility will return once more. In the meantime, I must hold on to my ideals. Perhaps the day will come when I’ll be able to realize them!

Bookmarked The Exploding Whale (theexplodingwhale.com)

The original story of the exploding whale first appeared on KATU Channel 2 Portland, OR in November 1970. The story was reported by Paul Linnman with cameraman Doug Brazil who captured the event on 16mm film, the common format for TV news coverage in those days.

In conjunction with the 50th anniversary in 2020, the Oregon Historical Society had the original 16mm transfered to 4K. KATU subsequently released a remastered version of the original news report. Both the original (now) low-resolution internet video and the remastered version appear above.

Since then, the story has been retold countless times, and numerous versions of the original news story have appeared on the internet as a result. Several of them are viewable in the section below.

Source: The Exploding Whale


This never ceases to entertain me, a ‘whale of a problem’. A life long lesson, what not to do … explode a whale!

Bookmarked Calculating Empires: A Genealogy of Technology and Power since 1500 (calculatingempires.net)

Explore how technical and social structures co-evolved over five centuries in this large-scale research visualization.

Calculating Empires is a large-scale research visualization exploring how technical and social structures co-evolved over five centuries. The aim is to view the contemporary period in a longer trajectory of ideas, devices, infrastructures, and systems of power. It traces technological patterns of colonialism, militarization, automation, and enclosure since 1500 to show how these forces still subjugate and how they might be unwound. By tracking these imperial pathways, Calculating Empires offers a means of seeing our technological present in a deeper historical context. And by investigating how past empires have calculated, we can see how they created the conditions of empire today.

Source: Calculating Empires by


This is an interesting visualisation capturing changes in technology over time. Useful to consider alongside Justin Smith’s book The Internet Is Not What You Think It Is?

Read https://en.wikipedia.org/wiki/Ransom_(Malouf_novel)

Ransom (2009) is a novel by Australian author David Malouf. It retells the story of the Iliad from books 22 to 24.

Source: Ransom (Malouf novel) – Wikipedia)


David Malouf’s retells the ending of Homer’s The Iliad with his novel, Ransom. With the death of Patroclus and Hector, we are faced with unfulfilled grief. Achilles drives up and down the walls of Troy dragging Hector’s body. Eventually, Priam decides to set out to ransom Hector’s body to properly mourn his passing.

What stands out for me, is the world we are enveloped in. Shedding all pomp and majesty, Priam travels with a carter from the market. Through their journey, Priam is presented with a different perspective of the world:

Of course these things were not new in themselves. The water, the fish, the flocks of snub-tailed swifts had always been here, engaged in their own lives and the small activities that were proper to them, pursuing their own busy ends. But till now he had had no occasion to take notice of them. They were not in the royal sphere. Being unnecessary to royal observance or feeling, they were in the background, and his attention was fixed always on what was central. Himself. The official activity that was his part in any event or scene, the formal pose it was his duty to maintain and make shine.

A world where ‘everything prattled’:

Silence, not speech, was what was expressive. Power lay in containment. In keeping hidden, and therefore mysterious, one’s true intent. A child might prattle, till it learned better. Or women in the seclusion of their own apartments.
But out here, if you stopped to listen, everything prattled. It was a prattling world. Leaves as they tumbled in the breeze. Water as it went hopping over the stones and turned back on itself and hopped again. Cicadas that created such a long racketing shrillness, then suddenly cut out, so that you found yourself aware once again of silence.

Malouf touches on these moments in his afterword, in which he reflects upon the untold tales that are teased out through such re-tellings:

It re-enters the world of the Iliad to recount the story of Achilles, Patroclus and Hector, and, in a very different version from the original, Priam’s journey to the Greek camp. But its primary interest is in storytelling itself – why stories are told and why we need to hear them, how stories get changed in the telling – and much of what it has to tell are ‘untold tales’ found only in the margins of earlier writers.

As with so many of David Malouf’s books, I often find them lingering long afterwards. Here I think I sit with Peter Rose:

So often, paired or alone, his characters slip away from the centre, ‘relegated to the region of silence’. The effect, in Malouf’s superb prose, is usually transformative.

Source: Peter Rose reviews ‘Ransom’ by David Malouf by Peter Rose

Rather than Tom Holland:

If Classic FM published fiction, then Ransom is the kind of novel that would surely result. David Malouf’s reworking of the climactic episode of the Iliad demonstrates that epics are no less susceptible than symphonies to being chopped up and repackaged in accessible, bite-size chunks.

Source: Ransom by David Malouf | Book review by Tom Holland

Read https://dominicsandbrook.com/adventures-in-time/the-first-world-war

The First World War is the fourth in my Adventures in Time series, and in many ways was the most exciting to write. It’s a colossal, epic tale, telling the story of the war from the murder of Archduke Franz Ferdinand and his wife Sophie in the summer of 1914 to the moment the guns fell silent on the Western Front on 11 November 1918.

We often remember the First World War as a muddy, bloody, tragic waste, and in many ways it was. But purely as a story, it could hardly be bettered. The cast of characters includes everybody from Kaiser Wilhelm II, Edith Cavell, Rasputin and the Red Baron to Wilfred Owen, T. E. Lawrence and J. R. R. Tolkien.

There are some breathtakingly dramatic moments: the German attack on Scarborough, the sinking of the Lusitania, the first day of the Somme and the outbreak of the Russian Revolution. There are Sikhs and Cossacks, dashing air aces and footballing Tommies.

And at its heart, as in all the Adventures in Time, are the stories of ordinary people themselves: teenage heroines and plucky Boy Scouts, plunged into a clash of empires that would change the course of history for ever.

THE FIRST WORLD WAR – Adven­tures in Time

With The First World War – Adven­tures in Time, Dominic Sandbrook carves his way through the First World War, zooming in and out throughout. I think that what makes this a ‘children’s book’ is that Sandbrook does not get bogged down in nuisance and complexity. Instead, the book picks out some interesting bits and pieces, such as Franz Ferdinand shooting 275,000 animals, including kangaroos, taxis driving soldiers to the Battle of the Marne, and coffee made from sand, that make it more than a jump from one battle to the next.

What I enjoyed the most about the book is Sandbrooks ability to pick particular individuals and situations that helps us appreciate the human side of the war. In some part this approach reminded me of Anthony Hill’s Soldier Boy and the fictional recreation of the past.

I think that it is a useful book in grasping the main parts of the First World War and offers a useful jumping off point for readers who then want to explore various elements further.


The Rest Is History Club”
in The Rest Is History | Membership ()

Read All Quiet on the Western Front by Erich Maria Remarque

All Quiet on the Western Front (German: Im Westen nichts Neues, lit. ’In the West, nothing new’) is a novel by Erich Maria Remarque, a German veteran of World War I. The book describes the German soldiers’ extreme physical and mental trauma during the war as well as the detachment from civilian life felt by many upon returning home from the war.

The novel was first published in November and December 1928 in the German newspaper Vossische Zeitung and in book form in late January 1929. The book and its sequel, The Road Back (1930), were among the books banned and burned in Nazi Germany. All Quiet on the Western Front sold 2.5 million copies in 22 languages in its first 18 months in print

All Quiet on the Western Front by Wikipedia

All Quiet on the Western Front by Erich Maria Remarque centers on Paul Bäumer and his experience of the Western Front during World War 1. Through the journey of the novel, Remarque manages to captures so many facets of war, whether it be training, food, lice, gas, hunger and recovery for a generation “destroyed by the war”.

Bombardment, barrage, curtain-fire, mines, gas, tanks, machine-guns, hand-grenades–words, words, but they hold the horror of the world.

Our faces are encrusted, our thoughts are devastated, we are weary to death; when the attack comes we shall have to strike many of the men with our fists to waken them and make them come with us–our eyes are burnt, our hands are torn, our knees bleed, our elbows are raw.

I think that this all well represented in the 2022 film version, even if there are some adaptive changes.

In some respects the attempt to capture so many different facets feels similar to Peter Jackson’s documentary They Shall Not Grow Old. However, where they differ is that by focusing on a single individual, I feel Remarque is able to take us further inside some of the thoughts and feelings of the soldier.

Terror can be endured so long as a man simply ducks;–but it kills, if a man thinks about it.

It is interesting to compare Paul’s return home on leave with the account of soldiers returning home after the war in The Road Back.

Continue reading “📚 All Quiet on the Western Front (Erich Maria Remarque)”

Listened Hardcore History 50 – Blueprint for Armageddon I from dancarlin.com

Publish Date:Tue, 29 Oct 2013
Duration: 03:07:20 minutes – 180.68mb
Buy from Apple Music

Blueprint for Armageddon is a 23 hour six-part podcast series by Dan Carlin exploring World War I.

Blueprint for Armageddon I

The planet hadn’t seen a major war between all the Great Powers since the downfall of Napoleon at Waterloo in 1815. But 99 years later the dam breaks and a Pandora’s Box of violence engulfs the planet.

In the first episode, Carlin begins with a reflection on Gavrilo Princip, the Serb national who assassinated Archduke Franz Ferdinand. Carlin suggests that Princip is the most important no one in the last 100 years. The focus is then turned towards the place of Germany, Bismarck and European alliance system. Military power is about who is the “firstest with the mostest”. Associated with this, Carlin discusses the argument that war was inevitable, instead he suggests that there was poor leadership and statesmanship more than anything else. The worst much mistake was the “Rape of Belgium”

Blueprint for Armageddon II

The Great Powers all come out swinging in the first round of the worst war the planet has ever seen. Millions of men in dozens of armies vie in the most deadly and complex opening moves of any conflict in world history.

Carlin begins the second episode with the question, “When do we have the power to destroy the world?” This leads to a discussion of the Russians attempts to stop technological development through arms agreement. The Germans answer to the war was the Schlieffen Plan, where they would hit France like a sledgehammer, before then addressing Russia.

The Schlieffen Plan (German: Schlieffen-Plan, pronounced [ʃliːfən plaːn]) is a name given after the First World War to German war plans, due to the influence of Field Marshal Alfred von Schlieffen and his thinking on an invasion of France and Belgium, which began on 4 August 1914. Schlieffen was Chief of the General Staff of the German Army from 1891 to 1906. In 1905 and 1906, Schlieffen devised an army deployment plan for a decisive (war-winning) offensive against the French Third Republic. German forces were to invade France through the Netherlands and Belgium rather than across the common border.

Source: Wikipedia

The rest of the episode explores the Battle of the Frontier. Carlin contrasts the initial British army led by French vs the French infantry in Napoleonic colours led by Joffra. The world has gone from Napoleon’s quip of “30000 deaths a month” to 30000 deaths a day at Battle of Mons and the Battle of the Marne.

Blueprint for Armageddon III

The war of maneuver that was supposed to be over quickly instead turns into a lingering bloody stalemate. Trench warfare begins, and with it, all the murderous efforts on both sides to overcome the static defenses.

Episode III begins with a story about Ernest Shackleton and his shock that the war was still going when he returned from Antarctica. Carlin uses this to highlight the length and complexity of the war. With the same amount of people killed in first month than were killed in the whole American Civil War.

Moving into 1915, Carlin discusses the blending of two eras, as captured through the Battle of Ainse and the Battle of Ypres. A particular change was with the development in technology, whether it be barbed wire, flamethrowers, zeppelins, submarines, gas and multilayer trench network. With these changes, Carlin argues that shellshock impacts everyone at some point.

Although it is easy to get bogged down on the Western Front, Carlin explains that there were also battlefronts in the East, Turkey and Pacific. Turkey and the Dardanelles was seen as a weak point in Central Powers, which turned out to be a mistake. Carlin then touches on the atrocities in war with the Turkish massacre of the Armenians.

Throughout, Carlin always tries to capture the human side, such as tropes stopping at 1914 Christmas.

Blueprint for Armageddon IV

Machine guns, barbed wire and millions upon millions of artillery shells create industrialized meat grinders at Verdun and the Somme. There’s never been a human experience like it…and it changes a generation.

As the war grinds on and more and more soldiers are killed, Carlin asks how you market hell as a travel destination, as that is what the war has become. Rather than touching on each and every battle, Carlin dives into a few examples, including the Battle of Verdun, where a battle is intentially designed to be a meatgrinder, the Battle of Jutland, where the English and Germans faced off at sea, the Brusilov Offensive, where Russians defeated Austrians but lost one million soldiers in the process, and the Battle of Somme.

On a side note, Carlin explained the way in which ‘gas’ was actually more of a solid that lay on top of everything and left everything dead.

The focus of the war progressively moved to home front and the civilian economy. The intent was the collapse and disintegration of a nation.

Blueprint for Armageddon V

Politics, diplomacy, revolution and mutiny take center stage at the start of this episode, but mud, blood, shells and tragedy drown all by the end.

Episode Five focuses on the changes to politics and the impact this had on the war. It begins with an exploration of US and Woodrow Wilson’s decision to go to war. This position of power is contrasted with Germany and the turnip winter of 1916/1917, as well as the struggles faced by Italy, Austria and Russia. Outside of this, there were changes in the governments of Britain and France.

With the Russian Revolution and Germany decision, under the leadership of Erich Ludendorff, to enter into total war, Carlin explains how things could have been different and that chance had so much to play. Total war for the Germans meant the development of the Hindenburg Line and dead zone behind the old front line to imped the spring offensive.

The Hindenburg Line, built behind the Noyon Salient “Salient (territory)”), was to replace the old front line as a precaution against a resumption of the Battle of the Somme in 1917. By devastating the intervening ground, the Germans could delay a spring offensive in 1917. A shortened front could be held with fewer troops and with tactical dispersal, reverse-slope positions, defence in depth and camouflage, German infantry could be conserved. Unrestricted submarine warfare and strategic bombing would weaken the Anglo-French as the German armies in the west (Westheer) recuperated. On 25 January 1917, the Germans had 133 divisions on the Western Front but this was insufficient to contemplate an offensive.

Source: Hindenburg%20Line%20-%20Wikipedia by

What ‘total war’ meant was captured in Carlin’s discussion of the creeping barrage associated with the Battle of Arras and the 3rd Battle of Ypres, where rain inundated Flanders’ fields.

Blueprint for Armageddon VI

The Americans are coming, but will the war be over by the time they get there? Germany throws everything into a last series of stupendous attacks in the West while hoping to avoid getting burned by a fire in the East they helped fan.

Episode Six is largely about the ramifications of World War One. It begins with the discussion of a ‘dangerous idea’ being worse than say a dangerous gas. Carlin explains how Vladmir Lenin, with the help of Germany, released the idea of Communism on the world.

With the collapse of Russia, the various treaties were made public. A particular part of this was the breakup of the Ottoman Empire and the Middle East, this included the Balfour Declaration and the establishment of a national home for the Jewish people.

With all this happening, Carlin explains how Germany had window of opportunity, as there was an increase in troops from Eastern front and such developments as the Paris Gun. The problem was that there was also a lower morale on the home front and eventually low morale on the war front, especially as troops went days without eating.

Allied Commander-in-Chief, Ferdinand Foch, held back troops to survive the battle of morale. This with aided by the addition of fast moving tanks and American support.


Overall, Carlin never promises to tell the story of World War I, instead he carves out a particular story that encapsulates many of the highs and lows. As he often states, he is not a ‘historian’, but a storyteller, what some describe as “the Michael Bay of history.” He captures the past from the high road, from the perspective of a reader, rather than a thorough researcher. This often sacrifices nuance to instead carve a clear path. With this in mind, he often builds situations up with suspense. It is interesting challenge given that we often know the end, but we do not always know how it unfolds. Therefore, he often addresses our desire to know.

Associated with this, he often goes off on tangents, jumps around making comparisons with previous historical events, whether it be Genghis Khan, The Civil War, The Battle of Hastings, Napoleonic War and World War II.

Replied to How Britain’s taste for tea may have been a life saver by Veronique Greenwood (BBC)

Tea became one of the British Empire’s most prized resources in the 18th Century. But it may have also had an unintended effect on the British population – reducing mortality rates.

In a recent paper in the Review of Statistics and Economics, economist Francisca Antman of the University of Colorado, Boulder, makes a convincing case that the explosion of tea as an everyman’s drink in late 1700s England saved many lives. This would not have been because of any antioxidants or other substances inherent to the lauded leaf.

Instead, the simple practice of boiling water for tea, in an era before people understood that illness could be caused by water-borne pathogens, may have been enough to keep many from an early grave.

Source: How Britain’s taste for tea may have been a life saver
by Veronique Greenwood

I was expecting the benefit of tea might be less drinking of beer, I guess boiling water does make a lot of sense.