Content deleted Content added
Undid revision 1216715956 by 2601:1C2:1902:27E0:90DE:EB21:FE74:B141 (talk) |
No edit summary |
||
(42 intermediate revisions by 20 users not shown) | |||
Line 1:
{{short description|Chinese martial art}}
{{Chinese Buddhism}}▼
{{Infobox martial art
| logo = Shi DeRu and Shi DeYang.jpg
Line 9:
| imagesize =
| name = Shaolin kung fu
| aka = Shaolin wushu
| focus = [[Hybrid martial arts|Hybrid]]
| hardness = [[Full contact karate|Full-contact]], [[semi-contact]], [[light-contact]]
| country = [[
| parenthood = [[kung fu]], [[Chinese martial arts|wushu]]
| famous_pract = Shaolin monks
| olympic = No
}}
'''Shaolin kung fu''' ({{zh|c=少林功夫|p=Shǎolín gōngfū}}), also called '''Shaolin
It was developed in the [[Shaolin Temple]] in [[Henan
{{TOC limit}}
==History==
▲{{Chinese Buddhism}}
===Chinese martial arts before Shaolin===
Chinese historical records, like ''Spring and Autumn Annals of Wu and Yue'', the ''Bibliographies in the Book of the Han Dynasty,'' the ''Records of the Grand Historian,'' and other sources document the existence of martial arts in China for thousands of years. For example, the Chinese martial art of wrestling, ''[[Shuai Jiao]]'', predates the establishment of Shaolin temple by several centuries.<ref name=canzon/> Since Chinese monasteries were large landed estates
===Southern and Northern dynasties (420–589 AD)===
Line 33 ⟶ 34:
====Bodhidharma's influence====
The idea that Bodhidharma founded martial arts at the Shaolin Temple was spread in the 20th century, however, this idea came from a debunked apocryphal 17th century legend that claimed Bodhidharma taught the monks philosophies of [[Chan Buddhism
▲[[Bodhidharma]] is traditionally credited as the transmitter of [[Chan Buddhism]] to [[China]], and regarded as its first Chinese [[Lineage (Buddhism)|patriarch]].<ref name="Shaolin Kung fu’s Indian Connection">{{cite web|title=Shaolin Kung fu's Indian Connection|url=https://www.livehistoryindia.com/snapshort-histories/2019/02/20/shaolin-kung-fus-indian-connection|access-date=15 May 2020|archive-date=29 October 2020|archive-url=https://web.archive.org/web/20201029053837/https://www.livehistoryindia.com/snapshort-histories/2019/02/20/shaolin-kung-fus-indian-connection|url-status=dead}}</ref> In Japan, he is known as Daruma.
{{quote|One of the most recently invented and familiar of the Shaolin historical narratives is a story that claims that the Indian monk Bodhidharma, the supposed founder of Chinese Chan (Zen) Buddhism, introduced boxing into the monastery as a form of exercise around a.d. 525. This story first appeared in a popular novel, ''The Travels of Lao T'san'', published as a series in a literary magazine in 1907. This story was quickly picked up by others and spread rapidly through publication in a popular contemporary boxing manual, Secrets of Shaolin Boxing Methods, and the first Chinese physical culture history published in 1919. As a result, it has enjoyed vast oral circulation and is one of the most "sacred" of the narratives shared within Chinese and Chinese-derived martial arts. That this story is clearly a twentieth-century invention is confirmed by writings going back at least 250 years earlier, which mention both Bodhidharma and martial arts but make no connection between the two.<ref>{{
▲The idea that Bodhidharma founded martial arts at the Shaolin Temple was spread in the 20th century, however, this idea came from a debunked apocryphal 17th century legend that claimed Bodhidharma taught the monks philosophies of [[Chan Buddhism|Chan Buddihsm]], in which the monks were then able to use these philosophies to create their own combat techniques of [[Shaolin kungfu]]. The idea of Bodhidharma influencing Shaolin boxing is based on a [[Qigong]] manual written during the 17th century. This is when a Taoist with the [[pen name]] 'Purple Coagulation Man of the Way' wrote the ''[[Yijin Jing|Sinews Changing Classic]]'' in 1624, but claimed to have discovered it. The first of two prefaces of the manual traces this succession from Bodhidharma to the Chinese general [[Li Jing (Tang dynasty)|Li Jing]] via "a chain of Buddhist saints and martial heroes."<ref name=shahar/>{{rp|at=p165}} The work itself is full of anachronistic mistakes and even includes a popular character from Chinese fiction, the 'Qiuran Ke' ('Bushy Bearded Hero') ({{lang|zh|虬髯客}}), as a lineage master.<ref name=liu/> [[Scholar-official]]s as far back as the Qing dynasty have taken note of these mistakes. The scholar Ling Tinkang (1757–1809) described the author as an "ignorant village master."<ref name=shahar/>{{rp|at=p168}} Even then, the association of Bodhidharma with martial arts only became widespread as a result of the 1904–1907 serialization of the novel ''The Travels of Lao Ts'an'' in ''Illustrated Fiction Magazine'':{{sfn|Henning|1994}}
▲{{quote|One of the most recently invented and familiar of the Shaolin historical narratives is a story that claims that the Indian monk Bodhidharma, the supposed founder of Chinese Chan (Zen) Buddhism, introduced boxing into the monastery as a form of exercise around a.d. 525. This story first appeared in a popular novel, ''The Travels of Lao T'san'', published as a series in a literary magazine in 1907. This story was quickly picked up by others and spread rapidly through publication in a popular contemporary boxing manual, Secrets of Shaolin Boxing Methods, and the first Chinese physical culture history published in 1919. As a result, it has enjoyed vast oral circulation and is one of the most "sacred" of the narratives shared within Chinese and Chinese-derived martial arts. That this story is clearly a twentieth-century invention is confirmed by writings going back at least 250 years earlier, which mention both Bodhidharma and martial arts but make no connection between the two.{{sfn|Henning|Green|2001|p=129}}}}
===Sui and Tang dynasties (581–907 AD): Shaolin soldier monks===
Line 64:
====Pirates====
{{see also|Jiajing wokou raids}}
From the 1540s to the 1560s, [[
The geographer Zheng Ruoceng provides the most detailed of the 16th-century sources which confirm that, in 1553, Wan Biao, Vice Commissioner in Chief of the Nanjing Chief Military Commission, initiated the conscription of monks—including some from Shaolin—against the pirates.<ref name="SM2001"/> Warrior monks participated in at least four battles: at the [[Hangzhou Bay]] in spring 1553 and in the [[Huangpu River]] delta at Wengjiagang in July 1553, Majiabang in spring 1554, and Taozhai in autumn 1555.<ref name="SM2001"/>
Line 76:
==Contents==
[[File:Shaolin monks.jpg|thumb|right|Shaolin monks demonstrate kung fu.]]
There is a famous saying that kung fu trains both the body and mind.
===Body exercises===
Body building exercises improve body abilities, including flexibility, balance, hardness, power, speed, and control of the body. These exercises are altogether called the ''72 arts'' in the folklore. However the actual exercises are not actually countable.
===
Combat skills ({{zh|c=拳法|p=quánfǎ| labels=no}}), including techniques, tactics, and strategies for barehanded, weapon, and barehanded vs. weapon situations.
====Combat Techniques====
Kung fu teaches techniques for both defense and offense. Defensive techniques are mostly four types, dodge, block, catch, and parry, and offensive techniques are feint, hit, lock, and throw. Shaolin kung fu teaches all these types of techniques.
In kung fu, techniques are taught via two-person practices. In these practices, one party attacks and the other defends or counters or stands in posture for the other party to perform the technique. In Shaolin kung fu, in addition, two-person forms are taught. In these two-person forms, attacks and defenses are performed one after the other. Each technique is followed by its counter, and the counter by its counter, and so on. These forms ensure perfect memorization and exact transmission of the techniques from generation to generation.
====Combat Styles====
In addition to techniques, kung fu styles teach tactics. Tactics govern combination of techniques for better results. Because tactics are not specific techniques, they could not specifically be pre-coded into two-person practices and forms. In Shaolin kung fu, tactics are taught via solo forms ({{zh|c=套路|p=tàolù| labels=no}}). Every form teaches some related tactics, which altogether shape a strategy. In Shaolin, closely related forms are coupled together, and these couples are called the small and the big forms, like the small and big hong quan, which altogether make the Shaolin hong quan style, and the small and big pao quan, etc. There are also some styles with one form, like taizu chang quan. These styles each teach a unique strategy.
Shaolin kung fu has more than hundreds of extant styles. There is recorded documentation of more than a thousand extant forms, which makes Shaolin the biggest school of martial art in the world. In the [[Qing dynasty]] (1644–1911), Shaolin monks chose 100 of the best styles of Shaolin kung fu. Then they shortlisted the 18 most famous of them. However, every lineage of Shaolin monks have always chosen their own styles. Every style teaches unique methods for fighting ({{zh|c=散打|p=sàndǎ| labels=no}}) and keeping health via one or a few [[Taolu (martial arts)|forms]]. To learn a complete system, Shaolin monks master a number of styles and weapons. The most famous styles of Shaolin kung fu are:
* [[Luohan (martial arts)#Shaolin Luohan's 18 hands|Arhat's 18 hands]] ({{zh|c=罗汉十八手|p=luóhàn shíbā shǒu| labels=no}}): known as the oldest style.
*
* 7-star & Long Guard the Heart and Mind Gate style ({{zh|c=七星 & 长护心意门拳|p=qī xīng & cháng hù xīn yì mén quán| labels=no}}),▼
* Explosive style ({{zh|c=炮拳|p=pàoquán| labels=no}}): known as the king of the styles,
* Penetrating-Arms style ({{zh|c=通臂拳|p=tōngbìquán| labels=no}}),
▲* 7-star & Long Guard the Heart and Mind Gate style ({{zh|c=七星 & 长护心意门拳|p=qī xīng & cháng hù xīn yì mén quán| labels=no}}),
* [[Meihuaquan#Shaolin Meihuaquan|Plum Blossom style]] ({{zh|c=梅花拳|p=méihuāquán| labels=no}}),
* Facing & Bright Sun style ({{zh|c=朝&昭 阳拳|p=cháo & zhāo yáng quán| labels=no}}),
* [[Luohan (martial arts)#Shaolin Luohan quan|Arhat style]] ({{zh|c=罗汉拳|p=luóhànquán| labels=no}}): known as the most representative style,
* Emperor's Long-range style ({{zh|c=太祖长拳|p=tàizǔ chángquán| labels=no}}): known as the most graceful style,
* [[Drunken boxing|Drunken style]] ({{zh|c=醉拳|p=zuìquán| labels=no}}),
Line 126 ⟶ 121:
Several films have been produced, particularly during the 70s and early 80s, about Shaolin kung fu. Films such as 36th Chamber of Shaolin, The Shaolin Temple, and Shaolin Wooden Men. Modern films include [[Shaolin Soccer]] and Shaolin.{{citation needed|date=October 2023}}
Shaolin has influenced numerous rappers, notably the members of [[Wu-Tang Clan
Shaolin kung fu is one of the styles used by [[Mortal Kombat]] protagonist [[Liu Kang]]. His Pao Chui, Choy Lay Fut, Monkey Fist, and Dragon moves derive from Shaolin kung fu. <ref>{{Cite web |title=Shaolin, the Influence - Video Games |url=https://depts.washington.edu/triolive/quest/2007/TTQ07031/influences/gen_media/video_games.html#:~:text=Mortal%20Kombat%20-%20Liu%20Kang&text=Of%20his%20martial%20arts%20styles,foundations%20of%20martial%20arts%20backgrounds. |access-date=
Shaolin monks (referred to simply as
In the Nickelodeon animated series ''[[Avatar
The ABC TV series ''Kung Fu'' (1972-1974) starring [[David Carradine]] as a fugitive Shaolin monk traveling the Western United States in search of his brother helped to popularize Shaolin Kung Fu with the general American TV audience.
==References==
Line 139 ⟶ 136:
<ref name=hanning>{{Cite journal| author = Henning, Stanley | year = 1999b | title = Martial arts Myths of Shaolin Monastery, Part I: The Giant with the Flaming Staff | journal = Journal of the Chenstyle Taijiquan Research Association of Hawaii | volume = 5 | issue = 1 }}</ref>
* {{cite journal|last=Henning|first=Stanley|title=The Chinese Martial Arts in Historical Perspective|journal=Journal of the Chenstyle Taijiquan Research Association of Hawaii|volume=2|issue=3|year=1994|pages=1–7|url=http://themartialscholar.yolasite.com/resources/henning.pdf}}
* {{cite book |last1=Henning |first1=Stan |last2=Green |first2=Tom |year=2001 |chapter=Folklore in the Martial Arts |editor-last=Green |editor-first=Thomas A. |title=Martial Arts of the World: An Encyclopedia |place=Santa Barbara, Calif |publisher=ABC-CLIO}}
Line 158 ⟶ 154:
<ref name=liu>{{cite book |title=The Chinese Knight Errant |first=James J.Y. |last=Liu |year=1967 |publisher=London: Routledge and Kegan Paul |isbn=0-2264-8688-5 |pages=87–88 }}</ref>
<ref name=henning3>{{Cite journal | author = Henning, Stanley | date =
<ref name=francis>{{cite book |title=Power of Internal Martial Arts: Combat Secrets of Ba Gua, Tai Chi, and Hsing-I |first=B.K. |last=Francis |year=1998 |publisher=North Atlantic Books }}</ref>
Line 187 ⟶ 183:
{{Zhengzhou}}
{{Authority control}}
▲{{Use dmy dates|date=September 2019}}
[[Category:Chinese martial arts]]
|