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John Shannon Hendrix

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This article is about the architectural historian and philosopher. For other people with similar names, see John Hendricks (disambiguation).

John Shannon Hendrix
Born (1959-04-27) April 27, 1959 (age 65)
EducationB.F.A.
M.A.
M.Arch.
Ph.D.
Alma materArt Institute of Chicago
Rhode Island School of Design
University of Illinois at Chicago
Cornell University
EmployerRoger Williams University
TitleAdjunct Professor of Art and Architectural History at Roger Williams University
Websitewww.johnshannonhendrix.com

John Shannon Hendrix (born 1959) is an architectural historian and philosopher who has written and lectured extensively on the subjects of architecture, art, philosophy, aesthetics, psychoanalysis, science, culture and history. Much of his work focuses on connections among those topics, such as interactions of vision, perception, and sensation with the arts and architecture,[1] the relationships between psychoanalysis and architecture,[2] physical sciences and architecture,[3] and philosophy and architecture.[4] His career focuses on research and writing about "mostly European precedents in architecture and philosophy, for the purpose of suggesting alternatives to the practice of architecture and philosophy at the beginning of the twenty-first century."[5]

He has taught at Roger Williams University since 1999. He was Professor of Architectural History at the University of Lincoln, Lincoln, England from 2007 through 2015,[6] Lecturer, History of Art and Visual Culture at the Rhode Island School of Design from 2004 through 2010,[7] and has been lecturer at John Cabot University in Rome, the University of Connecticut, Rhode Island College, and the University of Massachusetts Lowell. He earned his B.F.A. in painting at the Art Institute of Chicago, M.A. at the Rhode Island School of Design, M.Arch. at the University of Illinois at Chicago, and a Ph.D. in architecture at Cornell University.

Books

  • Cheney, Liana De Girolami; Hendrix, John Shannon, eds. (2002). Neoplatonism and the Arts (Studies in Art History). Lewiston, N.Y.: Edwin Mellen. ISBN 0-773469-85-0.
  • Hendrix, John Shannon (2002). The Relation between Architectural Forms and Philosophical Structures in the Work of Francesco Borromini in Seventeenth-Century Rome. Lewiston: Edwin Mellen. ISBN 0-773469-95-8.
  • Hendrix, John Shannon (2003). Architectural Forms and Philosophical Structures. New York: Peter Lang. ISBN 0-820467-26-X.
  • Hendrix, John Shannon (2003). History and Culture in Italy. Lanham: University Press of America. ISBN 0-761826-28-9.
  • Cheney, Liana De Girolami; Hendrix, John Shannon, eds. (2004). Neoplatonic Aesthetics: Music, Literature, and the Visual Arts. New York: Peter Lang. ISBN 0-820471-11-9.
  • Hendrix, John Shannon (2004). Platonic Architectonics: Platonic Philosophies and the Visual Arts. New York: Peter Lang. ISBN 0-820471-10-0.
  • Hendrix, John Shannon (2005). Aesthetics and the Philosophy of Spirit: From Plotinus to Schelling and Hegel. New York: Peter Lang. ISBN 0-820476-32-3.
  • Hendrix, John Shannon (2006). Architecture and Psychoanalysis: Peter Eisenman and Jacques Lacan. New York: Peter Lang. ISBN 0-820481-71-8.
  • Hendrix, John Shannon (2010). Robert Grosseteste: Philosophy of Intellect and Vision. Sankt Augustin: Academia Verlag. ISBN 3-896655-24-8.
  • Hendrix, John Shannon; Carman, Charles H., eds. (2010). Renaissance Theories of Vision (Visual Culture in Early Modernity). Farnham, Surrey: Ashgate. ISBN 1-409400-24-7.
  • Hendrix, John Shannon (2011). Architecture as Cosmology: Lincoln Cathedral and English Gothic Architecture. New York: Peter Lang. ISBN 1-433113-16-3.
  • Emmons, Paul; Hendrix, John Shannon; Lomholt, Jane, eds. (2012). The Cultural Role of Architecture: Contemporary and Historical Perspectives. Abingdon, Oxon: Routledge. ISBN 0-415783-41-0.
  • Hendrix, John Shannon (2013). The Splendor of English Gothic Architecture. London: Parkstone. ASIN B016XN18EO.
  • Hendrix, John Shannon (2014). The Contradiction between Form and Function in Architecture. Abingdon, Oxon: Routledge. ISBN 0-415639-14-X.
  • Temple, Nicholas; Hendrix, John Shannon; Frost, Christian, eds. (2014). Bishop Robert Grosseteste and Lincoln Cathedral: Tracing Relationships between Medieval Concepts of Order and Built Form. Farnham, Surrey: Ashgate. ISBN 1-472412-75-3.
  • Hendrix, John Shannon (2015). Unconscious Thought in Philosophy and Psychoanalysis. London: Palgrave Macmillan. ISBN 1-137538-12-0.
  • Hendrix, John Shannon; Holm, Lorens Eyan, eds. (2016). Architecture and the Unconscious. Abingdon, Oxon: Routledge. ISBN 1-472456-47-5.

References

  1. ^ Jacobs, Fredrika H. (August 16, 2012). "Review: Renaissance Theories of Vision". College Art Association Reviews. Retrieved June 16, 2016.
  2. ^ Hendrix, John Shannon (2002). "Psychoanalysis and Identity in Architecture". In Bandyopadhyay, Soumyen; Montiel, Guillermo Garma (eds.). The Territories of Identity: Architecture in the Age of Evolving Globalization. Abingdon, Oxon: Routledge. ISBN 0-415622-88-3.
  3. ^ Cuff, Andrew Jacob (April 17, 2016). "Book Review: Bishop Robert Grosseteste and Lincoln Cathedral: Tracing Relationships between Medieval Concepts of Order and Built Form (Temple, Hendrix, & Frost, eds.)". Hortulus: The Online Graduate Journal of Medieval Studies. Retrieved June 18, 2016.
  4. ^ Hendrix, John Shannon (1999). "Neoplatonic Philosophy and Roman Baroque Architecture". The European Studies Journal. 16 (1). University of Northern Iowa: 31–60.
  5. ^ Hendrix, John Shannon (2012). "Theorizing a Contradiction between Form and Function in Architecture" (PDF). South African Journal of Art History. 27 (1). Art Historical Work Group of South Africa: 9–28. Retrieved June 17, 2016.
  6. ^ "Prof John Hendrix - Professor of Architectural History" (PDF). University of Lincoln. Retrieved June 16, 2016.
  7. ^ "John Hendrix Organizes Conference in UK". Rhode Island School of Design. February 17, 2010. Retrieved June 16, 2016.
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