IMDb RATING
5.8/10
1.4K
YOUR RATING
A teenaged girl discovers that her stepfather is trying to murder her and her mother, but when she tells people, no one will believe her.A teenaged girl discovers that her stepfather is trying to murder her and her mother, but when she tells people, no one will believe her.A teenaged girl discovers that her stepfather is trying to murder her and her mother, but when she tells people, no one will believe her.
David Allen Brooks
- Paul Fox
- (as David Brooks)
Lolita Lesheim
- Brenda Bohle
- (as Lolita Lorre)
Antonio Cantafora
- Man at Motel
- (as Michael Corby)
Marlene Marques
- Librarian
- (as Marlene Marcus)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis movie was to have been the third collaboration between writer Tom Holland and director Richard Franklin (following Psycho II (1983) and Cloak & Dagger (1984)). With his career on the rise, Franklin ultimately decided it would be unwise to helm such a low-budget film.
- GoofsThe Chrysler is traveling over 60 mph with the accelerator stuck and non-operable brakes when it goes through the Church's Chicken parking lot appears to be going much slower then speeds up when it gets back into the road.
- Quotes
Christie Cromwell: [to Karen] Fine, don't believe me, just wait until he kills you.
- ConnectionsFeatured in 31 Days of Horror: Scream for Help (1984) (2012)
Featured review
This is fantastic trash from one of the most accomplished trash directors, Michael Winner . It is "The Girl Who Cried Wolf" and that wolf is her stepdaddy (David Brooks). Like most of Winner's work, it is loud, as subtle as a sledgehammer, full of nasty expletives and downright mean-spirited. If that's not a hard enough sell for you, it's also filled with sleazy sex and there's a sexual assault.
Say what you want about the man, but Winner does deliver. He attacks his genre work with enthusiasm and a healthy dollop of offensiveness. He's not afraid to alienate more sensitive viewers and he never goes for suggestion when a lurid close-up will do.
The idea of showing everything from the perspective of a young girl is a good one and it's novel to watch little Rachael Kelly, as Christie Cromwell, riding around on her bike as she pokes her nose into her stepdaddy's sordid affairs.
The film's final half hour is a rocket ride of sleaze, violence and brutality and testament to Winner's blazing talent for garish overstatement.
You'll be a better human being if you miss this, but a lesser trash monger.
Say what you want about the man, but Winner does deliver. He attacks his genre work with enthusiasm and a healthy dollop of offensiveness. He's not afraid to alienate more sensitive viewers and he never goes for suggestion when a lurid close-up will do.
The idea of showing everything from the perspective of a young girl is a good one and it's novel to watch little Rachael Kelly, as Christie Cromwell, riding around on her bike as she pokes her nose into her stepdaddy's sordid affairs.
The film's final half hour is a rocket ride of sleaze, violence and brutality and testament to Winner's blazing talent for garish overstatement.
You'll be a better human being if you miss this, but a lesser trash monger.
- fertilecelluloid
- Dec 4, 2005
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Box office
- Budget
- $3,000,000 (estimated)
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