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International rights to Antonia Campbell-Hughes’ thriller “Diamond Shitter,” which stars Raffey Cassidy, Eva Green, Ben Whishaw and Alessandro Nivola, have been picked up by Beta Cinema. The sales company will launch pre-sales at the European Film Market, with UTA Independent Film Group repping North American rights.

The film’s story unfolds against the backdrop of the affluent ex-pat community in Geneva. Young intern Nollaig ignites a darkly visceral shift within the privileged home of her host family when she steals their precious diamonds – absorbing them into her body – in the process unmasking the deeper truths beneath their glittering privilege.

Campbell-Hughes, who made her directorial debut with “It Is in Us All,” said, “In a time of emotional fatigue, we crave the beauty of justice. This film is a primal howl, a white-knuckle ride that explores the devastating fragility of the human condition. I wish to reinstate hope, to reassess what...

Exclusive: Eva Green, Ben Whishaw and Alessandro Nivola are set to join Raffey Cassidy in the cast of Antonia Campbell-Hughes upcoming thriller Diamond Shitter.

Beta Cinema unveiled the casting additions as it boarded the feature, for a pre-sales launch at the EFM.

Produced by London and Dublin-based Sleeper Films, Diamond Shitter is filmmaker and actor Campbell-Hughes’ second feature after her directorial debut It Is In Us All, which premiered to critical acclaim at SXSW in 2022. Campbell-Hughes will also take a supporting role.

Diamond Shitter unfolds against the backdrop of the affluent expat community in Geneva. Cassidy will star as young intern Nollaig who ignites a darkly visceral shift within the privileged home of her host family when she steals their precious diamonds, absorbing them into her body. In the process, she unmasks the deeper truths beneath their glittering privilege.

“In a time of emotional fatigue, we crave the beauty of justice.

"Pride and Prejudice" is the kind of novel that feels modern no matter when it's read, but Jane Austen herself died in 1817, more than 70 years removed from the invention of motion pictures. In other words, she probably could never have imagined that, hundreds of years in the future, there would be so many recorded dramatic adaptations of her most celebrated work -- nor that one of them, 2005's "Pride & Prejudice," would be able to capture its spirit so brilliantly as to renew passion for the story of Elizabeth Bennet (Keira Knightley) and Mr. Darcy (Matthew Macfadyen) for a whole generation.

Arguably the best Jane Austen adaptation, that Deborah Moggach-scripted, Joe Wright-directed take on the novel was so perfect -- so impeccably attentive to the sharp social observation, the warm family dynamic, the richness of local and temporal texture, and the soul-stirring romanticism of the source material --...

Steve Martin is a legend in the world of comedy, film, and music, known for his sharp wit, unique performances, and versatility across many creative outlets. At 78, the star of “Only Murders in the Building” continues to entertain audiences with his effortless charm and unparalleled talent. Despite being in the spotlight for decades, there are still many aspects of his life and career that remain lesser-known or surprising. Here are seven fascinating facts about Steve Martin that offer a deeper look into his remarkable journey.

1) He started his career at Disneyland Steve Martin. | Image via Instagram

Long before he became a household name, Steve Martin honed his craft at Disneyland. From ages 10 to 18, he worked various odd jobs in the theme park, including selling guidebooks and performing at Merlin’s Magic Shop in Fantasyland. It was here that Martin learned the art of performing magic tricks and developed his comedic timing,...

Academy Award-nominated actress Keira Knightley is set to star in a new Netflix spy thriller series titled Black Doves. If you’re just as excited as us to see this show, you must continue reading to find out all there is to know about it, including the December 2024 release date.

On Oct. 14, Netflix officially announced that Black Doves will make its long-awaited premiere on Thursday, Dec. 5. All six episodes of the series will release on Dec. 5. Along with the release date announcement, the streamer released a teaser clip featuring cast members Knightley, Ben Whishaw, and Sarah Lancashire. It's a chilling clip, with Knightley and Whishaw face's both covered in blood.

Keira Knightley, Ben Whishaw, Sarah Lancashire as you've never seen them before.

Black Doves, a six-episode spy thriller, premieres December 5. pic.twitter.com/mwJVdpLXyJ

— Netflix (@netflix) October 14, 2024

Before the series was released or even had a release date, Netflix announced...

Abbie Cornish filmed scenes as the late model Anna Nicole Smith at the West Hollywood LGBTQ Pride Parade in West Hollywood, California, on Sunday for her new film Trust Me, I’m a Doctor.

The 41-year-old Australian native was pictured with costar Kal Penn, 47, during the festive proceedings, recreating a past outing Smith had at a June 12, 2005, Pride Parade.

Cornish donned a silver faux alligator skin dress with open sides in replicating the look just like Smith – who died in 2007 at the age of 39 of an accidental drug overdose. Smith was a featured guest during the 2005 parade.

Trust Me, I’m a Doctor is based on Dr. Sandeep Kapoor’s 2017 memoir Trust Me, I’m A Doctor: My Life Before, During and After Anna Nicole Smith. Penn plays the role of Dr. Kapoor.

Cornish, who has appeared in movies such as Bright Star, Limitless and Three Billboards Outside Ebbing, Missouri, also matched...

Exclusive: Quiver Distribution announced today the acquisition of North American rights to the upcoming psychological thriller Detained directed and co-written by Felipe Mucci (Two Deaths of Henry Baker) and Jeremy Palmer and starring Abbie Cornish and Laz Alonso.

The cast is rounded out by Moon Bloodgood, John Patrick Amedori (Dear White People), Justin H. Min, Breeda Wool, Josefine Lindegaard (Rebel Moon – Part One: A Child Of Fire), and Silas Weir Mitchell.

The film follows a woman (Cornish) who wakes up in a police interrogation room with no memory of the prior night and the accusations against her may have life altering implications. However, something is not quite right in this police station.

Russian director Kirill Serebrennikov to Cannes this year with his fourth film in Competition and his first in English. Titled Limonov: The Ballad, it tells the incredible story of Eduard Limonov — pronounced “Le-morrr-nov” not “Limunuv” — a Russian renegade poet who traversed the world, reinventing himself whenever times got hard (and they usually did). To star, the director chose British actor Ben Whishaw, himself a chameleonic actor who’s just as at home taking tea with the Queen in his Paddington guise as he is playing Hamlet onstage at the Old Vic. Here, he talks about getting to grips with an enigma and recalls his first-ever Cannes for her movie Bright Star in 2009.

Deadline: How did you get involved with this project?

Ben Whishaw: It was during lockdown, so I think it was maybe sent to me around August or September 2020. Goodness… A long time ago now! It was during...

Heading into Cannes, where it has four films in official selection and three projects participating in the Great 8 showcase, BBC Film has unveiled further details about its upcoming slate.

Among new projects in advanced development is Remi Weekes’ follow-up to His House, which is being produced by Tanya Segatchian and John Woodward’s Bright Star. Details for the untitled feature are being kept under wraps but BBC Film director Eva Yates told Screen: “It’s not a horror.”

Also in advanced development is Raine Allen-Miller’s second feature after Rye Lane, a south London-set heist comedy that she has also written.

Jane Campion will be honored this year by the Locarno Film Festival, which will present the New Zealand director its Pardo d’Onore Manor Award for lifetime achievement.

Campion will receive the tribute at the 77th edition of the Swiss festival on Friday, Aug. 16.

Locarno will also screen two of Campion’s best-known films selected by the director herself for the tribute: Her 1990 feature An Angel at My Table and her 1993 Palme d’Or winning global breakout The Piano. The latter will be given a grand screening in a new 4K restoration at Locarno’s legendary Piazza Grande on the night of her award. Campion will also take part in a panel conversation at the festival on Saturday, August 17.

The Locarno Film Festival’s Pardo d’Onore Manor honor has previously been awarded to such filmmakers as Agnès Varda, Bernardo Bertolucci, Ken Loach, Jean-Luc Godard, Werner Herzog, Kelly Reichardt, and,...

Adrian Schiller, who played Aethelhelm in the Netflix historical series The Last Kingdom, died Wedneday at 60-years-old. No details on location or cause has been revealed.

In a statement, agent Amanda Evans confirmed his death. “It is with the heaviest and saddest hearts that we announce the death of our beloved client, Adrian Schiller, on Wednesday April 3. He has died far too soon, and we, his family and close friends are devastated by the loss.” She termed his death “sudden and unexpected.”

She characterized him as “A prodigiously talented actor, he had just returned from Sydney, where he had been appearing in the Lehman Trilogy and was looking forward to continuing the international tour in San Francisco.” Evans added that “Adrian enjoyed a varied and successful career across all media. Our deepest condolences go to his family, who ask for privacy at this most difficult of times.”

Among Schiller’s...

by Cláudio Alves

Passages should earn Khadija Zeggaï an Oscar nomination.

As the voting for the 96th Academy Award nominations continues, there's a possibility that we'll get a repeat of 2019 in Best Costume Design. Though not disastrous, that season saw the lineup comprised exclusively of Best Picture nominees – a sad sight for a race where, once upon a time, brilliant work could be rewarded regardless of a film's general buzz. Maybe Wonka, The Color Purple, or Napoleon will stop that from happening, but it'll still result in a fairly expected ballot. Why not look elsewhere to some of the year's underrated gems? Please, Costume Branch, remember you represent the category of I Am Love, Bright Star, Marie Antoinette, and many others.

I've already made the case for La Chimera, Passages, and Pain Hustlers, so I won't repeat it. Still, even with those out of the way, there's plenty to celebrate from 2023 cinema.

Exclusive: On the heels of success with her feature directorial debut, the SXSW prize-winning thriller It Is In Us All, Irish writer, director, and actress Antonia Campbell-Hughes has signed with Entertainment 360 for representation in all areas.

Cosmo Jarvis stars in the pic as a Londoner traveling to his ancestral homeland of County Donegal, Ireland, whose journey takes an unexpected twist when he gets into a near-fatal car accident with a teenager that will forever alter the course of their lives.

Slated for a November 17 launch on VOD via Wolfe Releasing, the film’s SXSW honors included a Special Jury Award for Narrative Feature and a Special Jury Recognition for Extraordinary Cinematic Vision. The pic also received nominations from the British Independent Film Awards and Irish Film and Television Awards.

Also previously helming the shorts Acre Fall Between and Q4L, the multi-hyphenate is currently at work on Diamond Shitter,...

Jane Campion will be honored with Next Generation Indie Film’s 2023 Luminary Award. The director will accept the award at the third annual gala, which will take place on Oct. 29 at the Loews Hollywood Hotel in Los Angeles.

Next Generation Indie Film Awards is a non-profit organization for independent authors and publishers. It bestows the Luminary Award on a “transformative figure in the industry, an artist whose work and journey are a North Star to the filmmaking community, especially at a time when art and inspiration are much-needed.” Rian Jonhson was the inaugural recipient of the Luminary Award in 2022.

Campion’s most recent film, 2021’s “The Power of the Dog,” a searing Western drama about a hardened rancher (Benedict Cumberbatch) who torments his brother’s wife (Kirsten Dunst) and her son (Kodi Smit-McPhee), was regarded as one of the best of the year and received 12 Oscar nominations. Campion won the Academy Award for best director,...

In 2022, Jane Campion made history as the first female director to be nominated for Best Director twice. And then, for “The Power of Dog,” she followed through and won, becoming the third female director to take home the top prize.

The win was a triumphant and long overdue achievement for Campion, who has consistently been one of the best directors actively working since her 1989 feature debut “Sweetie.” The black comedy about a dysfunctional family marked the New Zealand-born director as a great talent immediately, entering the Cannes Film Festival and taking home an Independent Spirit Award for Best Foreign Film shortly afterwards. Just a year later, Campion released her first masterpiece: the Janet Frame biopic, “An Angel at My Table.”

From there, her 1993 feature “The Piano” netted Campion her first Best Director nomination, while efforts like “The Portrait of a Lady,” “Holy Smoke,” “In the Cut,” and “Bright Star” received acclaim.

The technology of cinematography has undergone some of the most seismic shifts in film history this century, with what began in the 2000s as an almost entirely photochemical process transforming into the digitally captured, manipulated, and projected images of today. The art of cinematography, however — using light, color, and texture to express ideas and elicit emotional reactions from the audience — remains intact.

In 2017, IndieWire made a list of the best shot feature films of the century thus far; the list was updated in 2020, and what follows is the third and most extensive version of the list. It’s also the first to be spearheaded by the IndieWire Craft team, which has grown considerably since this list was first published. Ranking cinematography is, in some ways, a fool’s errand given the broad variety of genres, resources, and intentions encompassed by the films below, but these are 60 titles that IndieWire believes...

According to our combined predictions as of this writing, the five who are expected to receive Best Actress in a Musical nominations at this year’s Tony Awards are Victoria Clark (“Kimberly Akimbo”), Annaleigh Ashford (“Sweeney Todd”), Micaela Diamond (“Parade”), Sara Bareilles (“Into the Woods”), and Patina Miller (“Into the Woods”). However, there is a contender I think deserves to be in the conversation much more, and that would be Adrianna Hicks (“Some Like It Hot”).

In this stage musical adaptation of Billy Wilder‘s 1959 Academy Award-winning film of the same name, Hicks plays Sugar Kane, the lead singer of an all-girl band. While venturing out to San Diego, she develops a friendship with the band’s newest musicians who happen to be a pair of men disguising themselves as women to escape the mob. One of them in particular, Joe/Josephine, falls in love with Sugar. Hicks had huge...

Exclusive: Jack Huston (House of Gucci) and Abbie Cornish (Three Billboards Outside Ebbing, Missouri) have been cast in upcoming drama, I’m Beginning To See The Light.

The film will mark Russian filmmaker Konstantin Khudyakov’s (The Road To Calvary) first English-language feature.

The film will follow Ezra (Huston), a grief-stricken jazz trumpeter who seeks purpose and salvation after the sudden, tragic death of his wife and daughter. When he is mistaken for the new lighthouse keeper, Ezra meets Hannah (Cornish), a local school teacher who, along with ethereal music, reignites his passion for life and imbues it with meaning.

Veteran Khudyakov has worked in the business since the early 1960’s, starting out as an actor before turning to directing. He has directed more than 20 films and a number of TV series, including 2017 period miniseries The Road To Calvary, which scored multiple awards in Russia, and was picked up by Netflix.

Carly Pearce and Ashley McBryde won their first-ever Grammys when the bulk of the country music categories were presented during the Grammy Awards Premiere Ceremony on Sunday afternoon in L.A. The country vocalists’ collaboration “Never Wanted to Be That Girl” was named Best Country Duo/Group Performance, besting nominees like Reba McEntire and Dolly Parton, and Robert Plant and Alison Krauss.

“I’m still working on pulling my dress up,” McBryde said after rushing hand-in-hand to the stage with Pearce. “I’ve known Ashley for a long time and...

The most-anticipated night in music is finally here!

On Sunday, the biggest names in music gathered for the 65th Grammy Awards, marking the ceremony’s official return to Los Angeles following a Covid-induced move to Las Vegas last year.

The competition is fierce this year, with Beyoncé leading all nominees, earning nine for her celebrated album, Renaissance. Lamar’s Mr. Morale and the Big Steppers helped him earn eight nominations, while Adele and Brandi Carlile tied with seven for their records, 30 and In These Silent Days, respectively.

Trevor Noah, who...

Whether you want to know about kitting out James Bond or sinking his claws into Paddington Bear, Britain’s most likable actor is here to tell all

You’ll probably know Ben Whishaw best for taking over from Desmond Llewelyn (and briefly John Cleese) as Q in the past three James Bond films. And as the voice of Paddington Bear, where he was brought in at the last minute to replace Colin Firth.

Whishaw brings something so very likable to every role he plays: John Keats in Jane Campion’s Bright Star, Sebastian Flyte in the 2008 version of Brideshead Revisited and the grown-up Michael Banks in Mary Poppins Returns. And that includes his TV work: Norman Scott in A Very English Scandal and junior doctor Adam Kay in This Is Going to Hurt.

Aditya Chopra’s Come Fall in Love – The Ddlj Musical, a new version of his iconie film Dilwale Dulhania Le Jayenge (Ddlj), had a spectacular opening night at The Old Globe Theatre in San Diego. Receiving a rousing standing ovation, the show is well on its way to a brilliant run at the classic theatre.

In Come Fall in Love – The Ddlj Musical, director Aditya Chopra, who is making his directing debut for the theatre, takes a fresh and exciting new look at his hit famous film, renewing it for a new generation and in a new format. With an American audience in mind, he moves the action of the early scenes to America and not England as in the film. He focuses the story more precisely on Simran’s experience, adding gravity and power to her journey. Chopra said, “Come Fall In Love is the story of Simran, an Indian American.

Aditya Chopra’s Broadway-bound musical Come Fall In Love- The Ddlj Musical is trying to tell an important and a relevant story in today’s times. It is about celebrating love and how it can unify people and cultures and break down all barriers. The musical has started its performances at the prestigious The Old Globe theatre in San Diego, and the musical has been receiving standing ovations from audiences every single night! Come Fall In Love marks Aditya Chopra’s debut as a director of a musical on stage, and his wife, Rani Mukerji, is traveling to San Diego to watch Come Fall In Love- The Ddlj Musical this weekend and cheer for Adi and the entire team of the production!

Come Fall In Love, the musical, is about the need for cultural unification in a growingly divisive and toxic world. It is about celebrating inclusivity and diversity in...

It’s no mystery why Hulu’s “Only Murders in the Building” is nominated for 17 Emmy Awards including comedy series, actor and guest actor and actress: a delish plot, snappy dialogue, pitch-perfect directing, and a cast to die for led by Steve Martin, Martin Short and Selena Gomez. They are “The Three Amigos” for the 21st century. To celebrate the series, which recently had its second season finale, why not look at some fun facts and trivia of the cast many of whom already have mantle full of honors.

Steve Martin

Talk about a modern-day Renaissance man. Martin is an actor, writer, musician-he plays a mean banjo-composer and ace tap dancers. Is there anything he can’t do? Martin won an honorary Oscar in 2014, the AFI’s Life Achievement Award in 2015, four Grammy Awards including two for best comedy recording in 1978 and 1979, the Kennedy Center Honor in 2007 such critics honors...

Could Sarah Polley join the ranks of Jane Campion, Chloe Zhao and Kathryn Bigelow by becoming only the fourth female filmmaker to win an Oscar for directing? Based on the rapturous reception that “Women Talking” received at the Telluride Film Festival on Friday, it certainly seems possible.

Even if that doesn’t happen, the ambitious film, a drama about a group of women in a tight-knit religious community grappling with a legacy of abuse, has put a stake in the ground as the festival’s first slam dunk best picture candidate. In fact, I think it’s going to be a contender across the board.

In a Telluride lineup that is heavy on documentaries and Cannes titles, Polley’s film is one of only four World Premieres for narrative features. But what a launching pad Telluride is shaping up to be for the film and its director, a critical favorite...

Click here to read the full article.

For a man who spent the bulk of the 1970s standing on stages all by himself, Steve Martin has a remarkable track record with collaboration in Hollywood. From his first TV writing gig to his Grammy-winning musical pair-ups, here’s a look at some of Martin’s most fruitful creative partnerships. (Read THR’s cover story on Steve Martin here.)

Bob Einstein From left: Martin with Einstein

The late comic and writer (right), who’d go on to create the Super Dave Osborne persona, shared a windowless office with Martin while the two wrote for The Smothers Brothers Comedy Hour in 1968. Sharing an Emmy win for writing on the show, they would work together again on The Sonny and Cher Comedy Hour.

Carl Reiner From left: Martin and Reiner

One of Martin’s mentors, the Hollywood legend helped the comic make the transition from stand-up to leading man.

The festival wrapped up its 26th edition on August 3.

Korean action film The Roundup and US sci-fi The Artifice Girl won the gold awards for best Asian feature and best international feature, respectively, at the audience awards for the Fantasia International Film Festival in Montreal, which wrapped its 26th edition on August 3.

Starring Eternals and Train To Busan’s Done Lee as a ‘best of a cop’, The Roundup is directed by Lee Sang-yong and acts as a sequel to 2017’s The Outlaws. The gold winner was also a box office hit in South Korea, recording over 12.5 million admissions (as...

As journalist Carol Wall was birthing her first book — dealing with copyedits, planning for publication — she was dying: the cancer she had beaten into remission years earlier was back. She would be gone just a few months after her book debuted, to glowing reviews. Her husband, Dick, a lawyer, had helped her through the pre-pub work while treatment was fogging her brain, and before she died, she told him, “Take care of our book.”

So he did.

For his third feature documentary, filmmaker Phil Wall — Carol and Dick’s son — hit the road with Dick on his 2015 tour across wide swathes of the US to promote Carol’s book, a memoir called Mister Owita’s Guide to Gardening. It’s not about gardening. “The garden is a metaphor,” Dick explains to the book lovers who come out to meet him. What it is about is among the things Wall holds...

“She was such a trailblazer,” says Carmen Cusack of Clare Booth Luce. The Tony-nominated actress (“Bright Star”) played the multifaceted author and politician in the musical “Flying Over Sunset.” The one of a kind show explores the surprising ways in which Luce (along with Cary Grant and Aldous Huxley) experimented with LSD as a form of therapy. “I couldn’t believe I had never heard of her,” reveals Cusack, “she was doing it all. She was navigating the political climate when there were no other women in that situation.” By exploring Luce’s highs and lows on stage, she developed a deep appreciation for this “fascinating” woman. Watch the exclusive video interview above.

The opportunity to take on this role happened at precisely the right moment. While visiting her father in Seattle, Cusack opened her inbox to discover an unexpected email from James Lapine. The Broadway legend pitched Cusack on...

Jane Campion has always been a film artist who’s gone her own way. With a background in art, Campion soon came to realize that she could better express herself through the medium of film and created a series of short films, one of which, “Peel,” won the Short Film Palme d’Or at the 1986 Cannes Film Festival. In 1989, she segued into feature film direction with “Sweetie,” the first of eight features that she would direct over the next 32 years. Scroll down to see all eight Jane Campion movies ranked from worst to best.

She explored female sexuality in “In the Cut,” “Holy Smoke!,” “Portrait of a Lady” and, most famously in “The Piano,” where Holly Hunter’s character Ada consents to an erotic affair with a frontiersman (Harvey Keitel) which allows her to fulfill her long-repressed sexual desires. (That’s also a theme of Campion’s acclaimed 2013 TV miniseries “Top of the Lake.

The 2022 Oscars were certainly one for the history books.

With multiple historic wins — “Coda” star Troy Kotsur becoming the first deaf man to win an acting award, and Jane Campion becoming the third woman to win Best Director, among others — and plenty of viral moments, the Academy Awards outdid themselves once again by becoming, well, undone.

As Jessica Chastain scooped up Best Actress for “The Eyes of Tammy Faye” and Ariana DeBose followed Rita Moreno’s historic footsteps and won for playing Anita in “West Side Story,” and Will Smith landed his first Oscar for “King Richard,” Hollywood’s biggest night was full of starry surprises.

And “Coda”‘s unprecedented Best Picture win cemented Apple TV+ as a cutting-edge streamer, with the platform becoming the first to take home the night’s top prize.

The film’s writer-director Sian Heder also won for Best Adapted Screenplay, and called “The Power of the Dog...

At this year’s Oscars, movies made by women won top awards for Best Picture (Sian Heder’s “Coda”) and Best Director (Jane Campion for “The Power of the Dog”). But women accounted for only 23 percent of total winners, the lowest ratio since 2018.

And the 94-year trend continued in Best Cinematography, the only Oscar category that has never been won by a woman. This year cinematographer Ari Wegner (“The Power of the Dog”) scored just the second nomination ever for a woman, after Rachel Morrison for 2017’s “Mudbound.”

That stat takes nothing away from the extraordinary work “Dune” cinematographer Grieg Fraser, who won his first Oscar on Sunday night.

Greig Fraser accepts the Cinematography award for ‘Dune’ onstage during the 94th Annual Academy Awards at Dolby Theatre on March 27, 2022 in Hollywood (Getty Images)

In the backstage press room, Fraser was asked by TheWrap about the lack of parity for women in the field of cinematography.

It’s a fitting end for an extended awards season that so often saw “The Power of the Dog” director Jane Campion running off with award after award: The Kiwi filmmaker has won the Oscar for Best Director for her work on the lauded Western drama. The award makes Campion only the third woman to pick up the accolade; she follows Chloé Zhao’s win last year for her “Nomadland” and the first female winner, Kathryn Bigelow, who won for 2009’s “The Hurt Locker.” During an emotional speech, she thanked her cast, crew, family, and Netflix, along with the Academy for “the lifetime honor.”

Campion faced off against Kenneth Branagh, Ryuske Hamaguchi, Paul Thomas Anderson, and Steven Spielberg in the stacked category. Campion and Spielberg were previously nominated together in the category back in 1991.

The filmmaker has long been viewed as the frontrunner in this category, and was also nominated...

“The Power of the Dog” has been the talk of Tinseltown ever since it debuted last fall, but to the masses it may still be something of an enigma. It’s the first film from Oscar-winning “The Piano” and “Bright Star” filmmaker Jane Campion in over a decade, and boasts Oscar-nominated performances from the likes of Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons and Kodi Smit-McPhee.

With the film poised to be a major presence at Sundays Oscars, you may be wondering what it’s about and where to watch it. All your questions answered below.

Where Is “The Power of the Dog” Streaming?

“The Power of the Dog” is streaming exclusively on Netflix, and is a Netflix original film.

What Is “The Power of the Dog” About?

Based on the 1967 Thomas Savage novel of the same name, “The Power of the Dog” takes place in 1925 Montana and opens as the story of two brothers.

Jane Campion has always been a film artist who’s gone her own way. With a background in art, Campion soon came to realize that she could better express herself through the medium of film and created a series of short films, one of which, “Peel,” won the Short Film Palme d’Or at the 1986 Cannes Film Festival. In 1989, she segued into feature film direction with “Sweetie,” the first of eight features that she would direct over the next 32 years. Scroll through our gallery above (or click here for direct access) to see all eight Jane Campion movies ranked from worst to best.

See Who is Performing at the Oscars 2022?: Full List of Presenters and Performers

She explored female sexuality in “In the Cut,” “Holy Smoke!,” “Portrait of a Lady” and, most famously in “The Piano,” where Holly Hunter‘s character Ada consents to an erotic affair with a...

In the 94-year history of the Oscars, there is only one category, besides Best Actor and Best Supporting Actor, that has never been won by a woman. That would be Best Cinematography, which honors a movie’s lighting, framing and camerawork.

Those are hardly gender-specific achievements, though the Oscars, for better or worse, are a reflection of the opportunities offered in the film industry. And as such, there are deep institutional reasons why this specific category has such a poor track record for women.

The trivia stat could change on Sunday night. Ari Wegner, the Australian cinematographer of Jane Campion’s nomination-leader “The Power of the Dog,” is nominated for her thoughtful, intuitive work on the film. TheWrap’s Steve Pond predicts that Wegner will take home the trophy, giving her the edge over “Dune” Dp Greig Fraser (the cinematographer of Campion’s previous movie “Bright Star”), who has scored the BAFTA and ASC precursors.

With “The Batman” upon us, Netflix is responding in due course with a wave of big-budget tentpoles hitting the platform this March. Picking just the seven of the best this month meant leaving off a few — Christopher Nolan’s time-bending World War II epic “Dunkirk” is an honorable mention, as is James McTeigue’s dystopian future vision “V for Vendetta.”

For those who prefer less explosive and CGI-driven spectacle, Jane Campion’s lyrical John Keats and Fanny Brawne romance “Bright Star” arrives on the platform March 31 — right on the heels of the filmmaker’s in-the-bag Best Director win for “The Power of the Dog” at the Oscars March 27.

If you’re in a classic throwback mood, you can’t go wrong with Tom Cruise and Kelly McGillis in “Top Gun,” especially as the sequel “Top Gun: Maverick” is finally set to arrive in theaters… when exactly? It’s slated for...

With a new month upon us, that means Netflix is saying farewell to some favorite films in their library for the time being. And this month, there’s an unusual amount of good movies leaving Netflix. If you’re wondering what to watch before it’s gone, we’ve got a handy guide.

Fans of period dramas and family films, in particular, may find themselves with a lot to catch up on before it leaves Netflix. In the former category, films like “Howard’s End,” “Lawless,” “A River Runs Through It,” “Bright Star,” and “Braveheart” are all expiring in March.

But the Kids and Family section is taking a particularly big hit this month. Animated departures include “Kung Fu Panda,” “Despicable Me” and “Despicable Me 2,” “Happy Feet Two,” a handful of “Pokemon!” movies and series, and meme culture favorite “Bee Movie.” There are also several live-action family classics leaving Netflix in March as well,...

This year’s Oscars Best Cinematography category is another fascinating one, not only due to what was nominated, but also what wasn’t nominated. Of all the black-and-white movies released last year, Joel Coen’s “The Tragedy of Macbeth” was the only one to get a nom. “Belfast” Dp Haris Zamberloukos didn’t make the cut, despite being nominated by the American Society of Cinematographers (ASC).

Gold Derby’s oddsmakers have “Dune” ahead of the pack to win the Oscar with Jane Campion’s “The Power of the Dog” close behind as a possible spoiler on Oscar night, but I’m not here to make predictions, as much as to shine a spotlight on the great work by all five nominees. Quality cinematography is clearly important to the creative success of any film. Here’s why these five contenders are worthy of their accolades.

SEENadia Stacey (‘Cruella’ hair and makeup...

Netflix brings one of its biggest shows back to the streaming service in March with the return of “Bridgerton.” The second season of the 2021 Emmy Award nominee for Best Drama series debuts on March 25. But there are loads of other original shows and movies coming to Netflix in March 2022 – including the Ryan Reynolds blockbuster “The Adam Project” – plus legacy titles such as “Shrek,” “Top Gun,” “My Best Friend’s Wedding,” and “Dunkirk.” Here’s everything coming to Netflix in March 2022 and what’s leaving the service in March as well.

What’s new on Netflix in March 2022

Coming soon

800 Meters

Tomorrow

March 1

The Guardians of Justice

Worst Roommate Ever

21

21 Bridges

A Nightmare on Elm Street (2010)

A Nightmare on Elm Street (1984)

Battleship

Christine

Coach Carter

Due Date

Freddy vs. Jason

Gattaca

The Gift

Redemption

The Replacements

Richie RichThe Shawshank Redemption

Shooter

Shrek

Shrek 2

Sorry to Bother You

Starship Troopers

Texas Chainsaw 3D...

Covid has caused a lot of uncertainty around Broadway. Several shows have had to suspend performances, go on hiatus, or close permanently. And the American Theatre Wing hasn’t announced key dates for this year’s Tony Awards yet. Though with that being said, we are now about halfway through the Broadway season, and there are six productions of musicals set to open this spring. Could we see any of them contend at the next Tonys? Below is a look at the plot of each musical as well as the awards history of their authors, casts, and directors, plus the opening and (where applicable) closing dates.

See‘Mj The Musical’ reviews: Myles Frost ‘mesmerizing’ as Michael Jackson, but musical is ‘surface-skimming’

“Mj the Musical”

This jukebox musical follows the life and career of singer Michael Jackson. Centered around the making of his 1992 Dangerous World Tour, the show offers a rare...

“The Power of the Dog” isn’t just a visual triumph for writer-director Jane Campion: The film became a once-in-a-lifetime acting showcase for Benedict Cumberbatch.

IndieWire is exclusively debuting a conversation between Campion and Holly Hunter, during which Campion detailed working with the “Doctor Strange” star. Watch the video below.

“Casting is so stressful because you’re doing it really when you know the story the least,” Campion recalled of the Netflix film.

Yet Cumberbatch immediately enthralled her, despite not obviously fitting the role of Western rancher Phil.

“Just jumping in there and going, ‘I think this guy can do it. He’s English, he’s got no apparent qualities that would work for the story, except he’s charismatic. How’s that going to work?'” Campion said. “But I put my bets on actors, their ambition and their performance, because I think Benedict, in everything that he’s done,...

Exclusive: Jane Campion will have some new hardware on her mantel come March. The Power of the Dog writer-director and Oscar-winning The Piano scribe is set to receive the Art Directors Guild’s 2022 Cinematic Imagery Award.

She will be honored at the 26th annual Adg Awards on March 5 at the InterContinental Los Angeles Downtown. Nominations will be announced January 24.

“Long a filmmaker’s filmmaker, Jane Campion’s exacting use of design and style to fully realize her storytelling have made a significant contribution to the visual language of film, while authoring and fostering the genesis of environments that extend the audience experience far beyond the page“We are thrilled to fete acclaimed director Jane Campion among our celebrated filmmakers this year,” said Adg President Nelson Coates, who made today’s announcement with Adg Awards Producer Michael Allen Glover. “Her ability to tell stories and capture moments that marry the interior...

Editor’s Note: The following story contains spoilers for “The Power of the Dog.”

Jane Campion is enjoying this moment. After winning the Silver Lion for directing at Venice for “The Power of the Dog,” her triumphant return to feature films after 13 years, and soaking up the New York Film Festival applause at Alice Tully Hall, the director settles into a soft sofa at Netflix’s after-party at Tavern on the Green. She had taken a detour from moviemaking to create eight episodes of Sundance TV’s lauded series “Top of the Lake” (2013-2017), which starred Elisabeth Moss and Holly Hunter, back home in New Zealand. Campion smiles as she tells me about the fun she’s having creating marketing materials for “The Power of the Dog” with Netflix, which won the hardboiled 1920s western in a bidding war at Cannes 2019, before production began in January 2020 in remote Central Otago,...

by Nick Taylor

Happy Holidays! We are celebrating a very dear, tumultuous season - awards season - and the current wave of critics prizes has left us with some very exciting developments. It’s perhaps not the biggest shock that Jane Campion’s austere, sensual Western The Power of the Dog has become such a critical darling. It’s the first time in nearly two decades that one of Campion’s phone is in serious consideration but the film’s remarkable showing with awards bodies and the sheer number of Best Director wins she’s accrued are both tremendously deserved and, given the overall trajectory of her career, something of a surprise.

Releasing her first film since 2009’s Bright Star (and after showrunning the acclaimed series Top of the Lake for two seasons), Campion’s favor with the Academy and critics at large has shifted wildly over the years. As...

Jane Campion is expected to make her triumphant return to the Oscars with her new film, “The Power of the Dog.” The acclaimed director found worldwide success with her 1993 film “The Piano,” which included three Oscar wins — Holly Hunter in Best Actress, Anna Paquin in Best Supporting Actress and Campion herself in Best Original Screenplay. Since then, two of her films, “The Portrait of a Lady” and “Bright Star,” have earned a handful of nominations, but none has had anywhere near the reception of “The Piano.” That will likely change this year with “The Power of the Dog,” which may not only be an across-the-board contender but also replicate “The Piano” with wins in lead, supporting and screenplay.

“The Power of the Dog” earned universal praise when it premiered at the Venice Film Festival in September. The tense Western drama stars Benedict Cumberbatch as Phil, a ruthless rancher who emotionally tortures his sister-in-law,...

Editor’s Note: The following story contains spoilers for “The Power of the Dog.”

Jane Campion is enjoying this moment. After winning the Silver Lion for directing at Venice for “The Power of the Dog,” her triumphant return to feature films after 13 years, and soaking up the New York Film Festival applause at Alice Tully Hall, the director settles into a soft sofa at Netflix’s after-party at Tavern on the Green. She had taken a detour from moviemaking to create eight episodes of Sundance TV’s lauded series “Top of the Lake” (2013-2017), which starred Elisabeth Moss and Holly Hunter, back home in New Zealand. Campion smiles as she tells me about the fun she’s having creating marketing materials for “The Power of the Dog” with Netflix, which won the hardboiled 1920s western in a bidding war at Cannes 2019, before production began in January 2020 in remote Central Otago,...

Dog Days Aren’t Over: Campion Returns with Menacing Gothic Western

Although Jane Campion’s work in television has created an innovative and expansive platform for the auteur with her two seasons of “Top of the Lake,” it’s been twelve years since she’s mounted a theatrical narrative feature, the last being 2009’s Bright Star. With The Power of the Dog, the Palme d’Or winner notably returns to her favored parameter of the period piece, but perhaps even more noteworthy, makes her first stridently masculine focal point in this adaptation of the Thomas Savage novel. Arguably an ensemble piece, especially considering the quartet of principles are each shouldering significant secrets which lends them an insular, cold aesthetic, it’s a poetic, sexually charged odyssey of menace in the vein of Faulkner and Laughton’s classic The Night of the Hunter (1955).…...

Jane Campion’s first film since 2009’s John Keats portrait “Bright Star” is a similarly moody study of masculinity, albeit one supplanting a Montana cattle ranch for early 1800s London. The Oscar-winning New Zealand filmmaker (“The Piano”) crafts an ice-blooded, prickly Western — starring Benedict Cumberbatch, Kirsten Dunst, Jesse Plemmons, and Kodi Smit-McPhee — about love, repression, and, well, power as the title indeed implies. There’s also Jonny Greenwood’s soothing (i.e. deeply unnerving) string-and-guitar score to massage things along as this quartet comes operatically undone at the hands of a terrifying Cumberbatch. Watch the new trailer for the film below.

Here’s Netflix’s official synopsis:

Severe, pale-eyed, handsome, Phil Burbank is brutally beguiling. All of Phil’s romance, power and fragility is trapped in the past and in the land: He can castrate a bull calf with two swift slashes of his knife; he swims naked in the river,...

As 2021 mercifully winds down, the Criterion Channel have a (November) lineup that marks one of their most diverse selections in some time—films by the new masters Ryusuke Hamaguchi and Garrett Bradley, Dan Sallitt’s Fourteen (one of 2020’s best films) couched in a fantastic retrospective, and Criterion editions of old favorites.

Fourteen is featured in “Between Us Girls: Bonds Between Women,” which also includes Céline and Julie, The Virgin Suicides, and Yvonne Rainer’s Privilege. Of equal note are Criterion editions for Ghost World, Night of the Hunter, and (just in time for del Toro’s spin) Nightmare Alley—all stacked releases in their own right.

See the full list of October titles below and more on the Criterion Channel.

300 Nassau, Marina Lameiro, 2015

5 Card Stud, Henry Hathaway, 1968

Alone, Garrett Bradley, 2017

Álvaro, Daniel Wilson, Elizabeth Warren, Alexandra Lazarowich, and Chloe Zimmerman, 2015

America, Garrett Bradley, 2019

Angel Face, Otto Preminger, 1953

Angels Wear White,...