The Mandalorian is drawn to the Outer Rim in search of others of his kind.The Mandalorian is drawn to the Outer Rim in search of others of his kind.The Mandalorian is drawn to the Outer Rim in search of others of his kind.
John Leguizamo
- Gor Koresh
- (voice)
Isaac C. Singleton Jr.
- Twi'lek Doorman
- (as Isaac C. Singleton)
Leilani Shiu
- Jawas
- (as Leilani Shui)
Dieterich Gray
- Mos Pelgo Villager
- (as Dietrich Gray)
Karisma Shanel
- Jo
- (as Karisma Gideon)
Dylan Kento Curtis
- Mos Pelgo Boy
- (as Dylan Curtis)
Beni Alexander
- Tusken Raider
- (uncredited)
Janise Anthony
- Human Miner
- (uncredited)
Talin Chat
- Tusken Raider
- (uncredited)
Storyline
Did you know
- TriviaThe Krayt dragon makes the same sound that Obi-Wan Kenobi uses to scare off the Tusken Raiders in order to save Luke Skywalker in Star Wars: Episode IV - A New Hope (1977).
- GoofsEach time "The Marshal" travels on his speeder, his hair does not move in relation to the higher velocities.
- Crazy creditsThe concept art seen during the end credits, in order of appearance:
- Krayt Dragon emerges by Doug Chiang.
- Bantha riders by Christian Alzmann.
- Entering Mos Pelgo by Ryan Church.
- Questioning Gor Koresh by Khang Le.
- Rocket firing Cobb Vanth by Christian Alzmann.
- Meeting Massifs by Christian Alzmann.
- The Scurrier and the Child by Christian Alzmann.
- Tusken campfire by Erik Tiemens.
- Bantha riders closeup by Brian Matyas and Doug Chiang.
- Escape from the Krayt by Christian Alzmann.
- The Nomad by Brian Matyas.
- ConnectionsEdited into Disney Gallery: The Mandalorian: Making of Season 2 (2020)
- SoundtracksMando Is Back
Composed by Ludwig Göransson
Featured review
The Mandalorian goes to Tatooine to find another rumoured to be like him.
This is a strong episode that taps into the nostalgia and familiarity that many fans seek and does it in a way that fits in well with the plot.
The plot has a fairly simple monster-of-the-week structure but we have some nice themes about cultural differences and cooperation for the greater good. All of this is driven by content that provides top quality service to the fans of the original trilogy and the prequel trilogy.
It's opening sequence is superb and is a great example of how to start a series by wowing an audience and hooking them at the same time. It slows down a bit in the middle for some exposition but ends pretty explosively and with a cool reveal.
All performances are good, particularly Timothy Olyphant who could play that type of role in his sleep. I hope we get to see him again in the show.
The visuals are once again fantastic but in this episode it feels even more epic with all these amazing landscapes used to spectacular effect. This series appears to have raised the potential of what a television show does technically.
This is a strong episode that taps into the nostalgia and familiarity that many fans seek and does it in a way that fits in well with the plot.
The plot has a fairly simple monster-of-the-week structure but we have some nice themes about cultural differences and cooperation for the greater good. All of this is driven by content that provides top quality service to the fans of the original trilogy and the prequel trilogy.
It's opening sequence is superb and is a great example of how to start a series by wowing an audience and hooking them at the same time. It slows down a bit in the middle for some exposition but ends pretty explosively and with a cool reveal.
All performances are good, particularly Timothy Olyphant who could play that type of role in his sleep. I hope we get to see him again in the show.
The visuals are once again fantastic but in this episode it feels even more epic with all these amazing landscapes used to spectacular effect. This series appears to have raised the potential of what a television show does technically.
- snoozejonc
- Nov 6, 2020
- Permalink
Details
- Runtime52 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
Contribute to this page
Suggest an edit or add missing content