User reviews

This movie was a huge letdown , publicity made me believe that this will be final piece of the puzzle which will connect all the previous movies, so i was at least expecting something more intelligent and a shocker twist of an ending, what we got instead seemed to be a rushed attempt to close all loopholes from the previous chapters.

I followed this SAGA not just because of the gore but also the story which i thought would end in a very epic scale ,this final chapter just offered more gore and took the simplest and easiest way out of the story, It felt like wasting a 7 year long wait for a good ending and instead we get a mediocre and Pointless one.

What can one attribute to another entry into the "Saw" franchise? Number 7 comes right on the heels of the 3D craze and purports to be its final chapter. So Jigsaw (Tobin Bell) is still dead and but his legacy still goes on in flashbacks. And in a protégé, Hoffman (Costas Mandylor). And in his widow, Jill (Betsy Russell). The entire soap opera of Jigsaw's family and professional life carries a narrative that attempts to reconcile the final film with the beginning of the franchise, and it definitely does seem to have recapitulated rather well for both hardcore fans as well as fairweather ones. But it has to be said that the films have been on a downward spiral since its fantastic first installment. It delivers the gore in more elaborate ways than the past few films have -- considering how quickly they were rushed out -- but loses that sense of cleverness and more importantly, that sense of menace that the franchise has always attempted to retain.

After the previous six films, the franchise does not so much look through the eye of the victims anymore as it does its villains who have an entire mythology unto themselves. And "Saw 3D" almost solely focuses on Hoffman, who it really has to be said, is a sad substitute for Jigsaw. He carries on his messiah's waning moralistic philosophy by continuing to find victims in need of a baptism by blood but finds himself hindered by Jill who is now cooperating with the police and giving them everything she knows to spite her husband's latest protégé. Add to this one Bobby Dagen (an actually funny Sean Patrick Flanery), who has written a best-selling book and sold DVDs about being a Jigsaw survivor and profiting from Hoffman's hallowed gift of life. Suffice to say, he (and his wife) quickly becomes the main plaything of this film's grand guignol torture play with 60 minutes set on the clock.

Now, even with the requisite twists and better-than-expected inventiveness of its traps, "Saw 3D" does not deliver in the least with its titular promise -- it's 3D sets yet another low standard for the technology. If the onus on watching this film is to attempt a different perspective, then it never quite reaches the mark. But who are we really kidding here? It's just one more excuse to milk this cash cow. The franchise has truly run its course. If you watched and enjoyed all seven of its films, at least you can be proud of that. Right? Anyone?

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In keeping with the annual Halloween tradition, producers decided to bring their audience this allegedly final installment of the unsettling series, and apparently wanted to go out in style with what has fast become an overused technique in three-dimensional effects. The "story" centers around a self-help author who purportedly survived the deceased Jigsaw's deadly game, and now tries to preach a message of strength to those around him. His newfound strength is put to the test however when he becomes the target of a new game, one which will also determine the fate of those close to him. Meanwhile, the cold-blooded Detective Hoffman tries to settle a score while evading the dogged pursuit of his fellow officers. After so many films, so many traps, and so much of the relentless evisceration, it would be pointless to complain about the film's content, but beyond a few startling 3-D moments, and even despite a relatively short running time, the whole thing feels like a prolonged, protracted, and downright boring exercise in this tired genre. Tries to wrap things up nice and neatly in the end, yet still can't hide the fact that this series has long run out of steam, or that this project is clearly uninspired. *½

The seventh and last installment lays down all its cards... or at least the rest of its cards. The series certainly went out with a bang to say the least. Fans and/or gorehounds will love it, and there's enough entertainment for some of those who aren't overly familiar with the series or forgot a thing or two in the previous six films. It is possibly the most appealing "Saw" film, knowing that it's ACTUALLY the finale. But where does that leave us with quality? For a ninety minute film with numerous returning characters and just as appealing brand new characters, not to mention the burden of trying to keep originality with a redundant back-story, "Saw 3D" does pretty good given the obstacles it's forced to work with. What most people will probably criticize is the lack of twists and turns that made us love the original so much... but lets be honest, has there even been any jaw dropping twists in the series since "Saw IV" or even as far back as "Saw II"? It's up for debate, but the story in the seventh installment is pretty straight forward and that may let some people down. Given that it's a seventh film in a series with impressive continuity, "Saw 3D" is actually a really great film for what it is.

*** (out of four)

For this review I am going to provide a guide as to how you can ensure that a franchise will never continue. But first the plot if you can call it a plot.

Detective Hoffman is still alive. Jill's attempt to kill him backfired when he found a way out of his supposedly inescapable trap. Whilst Hoffman is out to kill Jill he has to contend with setting up another set of traps for the lying Bobby Dagen and his friends. If Bobby is to make it to the end and save his wife, he will have to push himself to the limit.

Step 1: The plot. Ensure your plot is convoluted and does not make sense in the slightest. If you are worried that it does, then provide meaningless flashbacks. If it ain't broke don't fix it. Why change the format when it worked for Saw IV, V and VI. Just rinse and repeat.

Step 2: The main character. Who wants motivation, plausibility and character development? The answer nobody! Ensure your character is as bland as humanely possible. The make him unlikable, arrogant and self-absorbed. If he possesses any humanity wipe it out immediately!

Step 3: Jigsaw. The main villain is not Jigsaw anymore. To let your audience know this, have Tobin Bell dress as a gangster for one scene so that he can embarrass himself. Then watch the less interesting Hoffman blunder from scene to scene.

Step 4: The script. Make sure your script consists of lines that would make Sylvester Stallone worried. Fill it with profanity and the screams of human beings. When you have ninety pages of Horror clichés, you are almost ready to begin.

Step 5: The Acting. Ensure your actors are human and made of meat and bone; if they can scream louder than a toddler hire them forthwith.

Step 6: The camera work. The reason these films make so much money is because of their budget. You spent it on the traps, so borrow the cheapest hand held camera you can find and film all scenes in one take.

Step 7: The length. Make your film as short as possible, but feel ten times the length. Your audience will wonder how it lasted so long.

Step 8: The traps. Have as many traps as you want; the more the better. Who will notice pink blood? A lack of invention and tension? Nitpickers, that's who. If your audience is not sick within the first five minutes then you have failed them as a Director.

Step 9: Closure. Do not allow for closure. Provide questions with no answers. This will mean that if a sequel is green light then you can slowly divulge the answers in Saw M.

Step 10: The Obligatory Twist Ending. If the climax does not leave you scratching your head then change it again. Have characters you thought dead return, just so that you can destroy the brains of the audience.

If you follow all of these steps, you can guarantee the death of a franchise. Or for a few years at least until, it is re-made, re- envisioned, re-booted or all of the above.

It's what you expect. There is no shock factor. Die hard fans that know every little thing about the movie will see this ending coming. I think they should have taken more time to plan out the games and come up with a larger shock. It seemed forced but maybe my expectations were too high for what the final project should have been in my mind. The 3D factor was fun but it seemed that the movie was revolving around the 3D concept more than the story line. Finally it was way too short, it felt like they were already dragging out what they did have. I believe the writers were just in a hurry to tie up all the loose ends, but then again, many liked the "Final Chapter". I Love "Saw" and I always will but by far, this is the worst one.

There is no denying the impact the Saw series has had on not only the horror genre, but movies in general. Starting off as a little low-budget psychological thriller centred around two guys in a basement, this series has smashed box office records and created a new horror villain in Jigsaw. Since 2004 audiences have flocked to watch new victims meet their demise in an inventive and cruel way while relishing the inane plot twists and convoluted story, whilst others have condemned the series as "torture porn" and nothing but sick people coming up with sick traps for sick audiences.

This latest entry stays true to its predecessors and delivers over-the-top, ultra-violent death scenes accompanied by a plot full of flash backs, surprise revelations and an overuse of the main theme. To explain the plot of Saw 3D is silly, as the whole point of a Saw film is to go in having no idea about any of the trips or twists and to enjoy them as they come at you from every which way. I will say; however, that the film does end well, and the story is wrapped up fairly nicely with no obvious need for a sequel (as this is hopefully the "final" film).

Overall the film is very much the same as Saw VI (2009) which was also directed by Kevin Greutert. Like many of the sequels this has multiple stories going at once, but it doesn't quite gel. It all feels very choppy, and after awhile the sheer amount of changing scenes can get quite annoying as it takes away from the suspense which is often built up quite well. The editing, lighting, camera-work and music is all the same as the other entries, by now it is stock standard Saw settings. Jigsaw's traps are back and they are as nasty as ever, if there is one thing this movie delivers on, is fantastic gore. A word of caution (although you may be expecting this now): the 3D is a total waste of money and there are one or two cool effects utilised in the whole 90 minute movie. Do NOT expect something cool just because it was filmed in 3D, cos it ain't any better than the post-conversion films.

On a final note, I have never been a huge fan of the Saw series, but looking back it has been an interesting ride. The first film, although flawed, had a great new concept and a shocking twist. Unfortunately the sequels took away from the first, creating a story based around traps and trying to fit as many twists in as possible. These last two entries by Greutert have been two of the strongest (as well as Saw III), but there are still glaring issues that prevent it from being a great movie. Saw fans will not be disappointed, anyone else should probably stay away unless you like buckets of blood and don't care about understanding the story! 3/5

It was not a perfect movie by any means, but Saw VI was the first Saw movie that really surprised me. Where the other films quickly became standard exercises in torture and brutality, it was the first film in the series that really made an attempt at building and elaborating the overarching storyline that had been developed over the entire series. Instead of merely hinting at things, we were getting full explanations, things began to make sense, and the movie on the whole was just a very satisfying and very enjoyable film. But much like its predecessors, it ended on a bit of a cliffhanger moment – leading us directly into Saw VII, or as it is more sadly referred to, Saw 3D.

After barely surviving a trap meant to murder him, Hoffman (Costas Mandylor) is out for revenge on Jigsaw's (Tobin Bell) ex-wife Jill (Betsy Russell). But Hoffman is not just out for her blood – he has set-up a new game for Bobby Dagen (Sean Patrick Flanery), a survivor of a Jigsaw trap and self-help guru.

If that does not sound like much, it is because there is not much to Saw 3D. Outside of the long awaited (and unfortunately spoiled) return of Dr. Gordon (Cary Elwes), there is nothing really notable about the film. Jigsaw, a character who must hold some sort of record for remaining the lead despite having died four movies ago, merely appears in an extended cameo. Jill was always a supporting player, but her screen time and presence has been drastically reduced even further. Hoffman's revenge ploy may drive the film, but he too barely appears. So much was tied up, answered and completed in Saw VI that this film feels merely like a film going through the motions to what should be the finale of the series.

Instead of focusing on any of these characters for longer than a few seconds at the time, the film pays attention mostly to Flanery's character and a new detective, Gibson (Chad Donella). Both are described and developed in the quickest and most superfluous of ways (although there could have been a touch more explanation for the importance of Gibson to the storyline), and then help fill in the gaps on the way to the film's conclusion. Neither character or actor is strong enough to carry the movie, and having them help drag the film's running time out just made the film weaker at every interval. Worse yet, the script and story give no reason for the audience to invest any sort of feeling towards either character. Each Saw film hinged on one or an assortment of characters going through some form of game set up by Jigsaw or Hoffman, but there was a grand purpose in the end for why they go through that struggle. Here, the actions of these two characters seem inconsequential. You may hold out hope that there is some reason for their inclusion and participation in the grand finale, but in the end, there is nothing.

The deaths are a bit of a mixed bag. On one hand, the film seems to have wisely amped up the victims "working together" motif for almost every trap scene in the film. It makes for a couple of interesting moments, but inevitably still ends with the requisite brutally gory deaths. And a few of the traps are interesting as well – particularly one involving a love triangle, saws, and a public display. And for fans of the series, one notable death involving a rather specific "device" will undoubtedly give cheers, laughter and nausea all at once. But outside of these notable tidbits, the creativity, originality and even the morbid "fun" that come from these traps and deaths seems to have been sucked out of the film. Much like the storyline, it all felt like filler padded out to fill gaps. It was a disappointment to say the least after the go-for-broke style of Saw VI, and only shows that the filmmakers are really starting to show how exhausted their imaginations are in this once gloriously and creative realm. The much hyped 3D does almost nothing for these traps and death scenes either. It is an amusing addition at first, but after getting a character's innards thrown at you for the third time, it starts to get a bit old and silly.

But for everything else that is done so wrong, and so haphazard, the filmmakers manage to concoct an incredibly satisfying and wild shock of an ending. On one hand, it is without any doubt, the standout sequence of Saw 3D. Remember the awesome twists this franchise was originally known for? This one takes the cake, and brings the film more in line with the original films than the later ones. The sheer surprise and audacity of it all is just too good, and feels like it belongs in a significantly better film. It practically cheats the audience into sitting through such a horribly disappointing film just so they can get to this one moment of sheer greatness. On the other hand, it stands as an awesome conclusion and finale to the entire franchise. If the ads are correct and this is indeed the final chapter of Saw, then this may just be one of the most enjoyable and entertaining endings ever created. It just may force you to rethink everything that has come before it.

I hate to say it, but Saw 3D is the worst and most disappointing film in the franchise. It will leave a rotten taste in your mouth, and just feels rushed, disjointed and convoluted. Saw VI showed a renewed creative vigor that just failed to connect with this film. The ending is the film's only real redeeming moment, and nearly makes up for everything that precedes it. Let's just collectively hope a reboot does not ruin its greatness.

5/10.

(This review also appeared on http://www.geekspeakmagazine.com).

This seventh chapter of the Saw series is billed as "The Final Chapter". Whether the series producers are true to their word (remember, the FOURTH Friday the 13th film carries the same billing) doesn't really matter all that much anymore. The story has been effectively driven into the ground with this terrible effort.

There are so many things this movie does wrong that it's easier to just use a list to describe some of them:

-The acting is atrocious. I'm not just talking in comparison with the other films. The acting in this one is some of the worst I've EVER seen.

-Because it was made in 3D, the graphics are cheesy and the gore effects are all pinkish and over-the-top. The last bastion of reason to watch a Saw film (those brutal trap scenes) are effectively ruined by the 3D.

-Whereas I thought this movie was going to really wrap up the series in a meaningful way, it instead has its own plot line for 80 minutes and lazily wraps up the "big picture" stuff in the final 10. Even the big "surprise" in the final minutes actually turned me off instead of provoking the desired "wow" effect.

Essentially, a franchise that once re-invented and then rule the horror genre couldn't find a way to go out on a high (or even decent) note. The series should have ended after the third part, instead it muddled around in 4-6, and then dropped the final "stink-bomb" here. Avoid this film at all costs and remember the "good times" of the series instead (go re-watch 1-3).

Jill goes into protective custody, but after trying to kill Hoffman, he sets his sights on getting her. Jigsaw puts survivor and now successful author Bobby Dagen into the game.

I know before I even start that this one is regarded as the weakest in the franchise by many, check out most of the online rankings list, and most are harsh on this one.

I'm glad they toned down the soft focus flashbacks, 4 and 5 are full of them, they're too much, there are a few, but they're tolerable.

For me, this one is still better than Saw 4, and possibly Saw 5. It's trashy, it's tacky, the story doesn't make sense, and some of the games are silly, but there are some pretty cool sequences.

I've always liked the scene with the racist guy and his band of followers, that car seat scene is gross. Some of Bobby's games are pretty cool too.

I loathed that opening game, it seemed so unlikely that Kramer would have put a game on for the public, everything had always been done in closed, shut off spaces, it felt at odds with his character, as did the hugely vindictive vendetta against Dagen, I know he lied, but compared to what some of Jigsaw's targets did, it seemed excessive.

It is great to see a few faces from the show's past, and it was nice to see them play a part in the shocking twist. I also liked the twist from the original Saw movie.

6/10.

I know is always "hip" and "chic" to dis a movie (specially a sequel), but whatever, I'm used to that and don't mind it, there will always be those... but I can tell you that I liked it a lot, and that it DOES indeed ties a lot of loose ends (the last 2 or 3 minutes of it are PURE GOLD)... no room for another sequel (unless they REALLY want it, but it would be like forcing it), this one DOES finish the whole arc of the story in a magnificent way. LOTS of GORE (more than usual, I would say); and yes, at some point you feel betrayed because it moves from the "Saw style" into the "slasher" genre, but just when you think that it will suck.. kaboom! It goes back to the SAW style we love and delivers the FINAL twist (with the "Hello Zepp" score!). Loved it! I will watch them all again once it hits DVD! GO WATCH IT!!!

Pros:

A good storyline with plenty of twists.

Some of the most creative traps to date.

I really liked the scenes outside rather than always being set in the dark dingy rooms (excluding flashbacks) like in the other movies.

Good ending.

Cons:

Some of the acting was a little off, Chad Donella (Who played Gibson) did not do a very good job, I sometimes could not tell if he was trying to be sarcastic or if it was just bad acting before including no... he is just a dodgy actor. The scene during the television interview also displayed some terrible acting from the characters behind the camera crew as well as the woman interviewing 'Bobby'.

The 3D was disappointing.

At times there seemed to be too much going on at once with too many cuts to different locations

Finally saw all the 'Saw' films prior to seeing 'Jigsaw' (as part of my wanting to see as many 2017 films as possible this year, during a quieter and less intensive period). Heard a lot about the films, good and bad, but wanted to see them for myself to know what to expect.

The films as an overall series are a very mixed bag. While not without its faults, the first film is the best, followed by the second and sixth, while the just straining average fourth film is bang in the middle and the fifth and especially this being the weakest. 'Saw 3D: The Final Chapter' couldn't have been a more underwhelming finish to a variable franchise and evidence of the novelty of a great premise being now well and truly dead. All the mistakes seen in the third and fifth films are repeated here and amplified while more is made on the way.

'Saw 3D: The Final Chapter' is not a completely irredeemable mess. The music score is still eerie and in something of a miracle Tobin Bell cuts a malevolent presence despite Jigsaw being even more underused and misused than in 'Saw V'. Sean Patrick Flanery is also pretty good.

Everything else fails. Visually, 'Saw 3D: The Final Chapter' is the worst-looking of the series. It's neither elaborate, claustrophobic or atmospheric, instead it's just extreme shoddiness and not only was the 3D very amateurishly constructed and poorly used it was completely pointless. Had a hard time believing that the same director who did so well in the previous instalment in tightening and steadying things and toning down what was done excessively in 'Saw III' and 'Saw V' also directed this film, almost like 'Saw VI' had been forgotten.

Performances-wise, only Bell and Flanery are good. Everybody else has to work with thinly sketched characters that are either dull, annoying or both and a script that has replaced 'Saw V's' as the dreariest, most fatigued and contrivance-heavy one of the series. The excessively bland Costas Mandyler and irritating Chad Donella are especially poor.

Mystery, suspense and creepiness are also completely missing, thanks to the shoddy production values, the over-reliance on gratuitously gruesome gore and violence, the serious lack of credibility and the severely rushed pacing. Although 'Saw 3D: The Final Chapter' has the highest trap/death count, it's also the most illogically and repetitively plotted 'Saw' entry. There is nothing clever or imaginative about the traps and demises (a huge problem when the whole film was basically a series of them), no surprising or logical twists and the ending has to be one of the most anti-climactic ones in horrordom.

Overall, what started as a promising franchise completely petered out in the flattest of ways here. 2/10 Bethany Cox

Ever since James Wan left the director's chair following Saw III, the whole thing has been falling apart. With Saw 3D it finally hits rock bottom.

On screen performance is just lame, including Jigsaw. The story is as shallow as it can probably get and the direction looks like a cheap B Grade flick.

Its just not the worst of the SAW Series .. No .. its the worst of its genre. Its an appeal to the people behind the franchise : "please stop!" .. the audience has made their choice.

Please don't bother us with any more sequels.