Park_Min

Impressively, it was a meaty 167 episodes daily drama that left me with conflicting feelings. To get some positives out of the way, I much appreciate the roughness and scuffiness of older dailies over the jaded cleanliness and overly-sanitized modern dailies. It's a good thing that conflicts don't last a long time in this lengthy drama, but this also created a problem I'll talk about later. The drama took advantage of its length in regards to the main point of tension with the objecting parents of the ML, simply, let the girl hang around long enough until they get used to her. Now, let's get into the underlying problems. There was a love triangle involving the 70ish elderly father, his 50ish son, and the restaurant lady, I've never seen such an absurd, trashy and distasteful love triangle like this one before. It's shocking how much screen time they dedicated to that which was for almost the entire runtime. Due to its length, the drama was somewhat divided into 2 halves that were different enough to consider one a downgrade over the other. The exact point that split it into 2 halves was when the pseudo love triangle/square over the FL was resolved. In comparison, the most glaring difference was with the characters' writing of the duo Uk Yeong & Yun Jeong, they made them dumb, quirky, and borderline retarded, just because they were out of the circling conflicts from the first half and had no other roles to justify their existence in the drama. It's clear that its length was problematic. There was a shocking lack of material to fill the runtime. Initially, it had many small side plots that seemed promising but were completely dropped off after a handful of episodes, for example, the rouge sister Yun Ji and her ostracized family. There was only 2 main plotlines running in parallel, whatever was the FL involved in and the repulsive elderly love triangle. This could've been easily fixed since they already had enough pieces laid out. For example, give Shin Hyeong a full family background dynamic to interact with everyone rather than being a random employee with no attachments to anything, replace the elderly love triangle with another involving Wu Suk and other characters, despite the established premise but giving the female lead some familial connections would strengthen her character's existence, and lastly give the lead couples more problems to overcome rather than a couple of elongated ones. Finally, there was a huge lack of affection from the female lead while the male lead was always loud, clear and persistent about his love, she couldn't reciprocate his feeling with the same level if any at all, leaving a constant weird imbalance in their relationship. As if she was pressured to accept his love and run with it, nonetheless, this was less of a problem later on. At the end of the day and despite everything, this was just an okay vanilla daily drama.

Right from the first 8 minutes introduction they failed to.... no, just failed. The entire story's setup involving the kids was absurd even for a silly makjang. It quickly became apparent that the drama was attempting to do something different from other daily makjang but the execution was nothing but comical, even while adding hints of unintentional parody. I couldn't stand how the drama was structured with its storytelling, it was really tiring how every single key information had 3 layers of truths that kept throwing the blame onto 3 parties. It was really exhausting repeating the same pattern 30-40 times. There's a lot to be said while breaking down everything but I would be repeating myself so here are some random bits. I found it particularly cringe when characters called themselves and each others witches with nicknames, for example 'The White-Haired Witch'. Despite being the face of the drama, Yoo Kyung's lifelong revenge wasn't finalized due to some events which is disappointing. It felt like the male lead suddenly confessed his love with no proper build up or showing prior interest beyond some sympathy, it happened too early in the story even though he was a womanizer a couple of episodes ago. Moreover, the male lead was mostly useless and didn't play as big of a part as most of the other characters. Midway through he was just there wasting time while occasionally being an unfunny clown. I guess he was just there to give the female lead a hug every now and then. On the flip side, the other male lead, Ji Ho, was in every other scene more than any character in the drama. One last thing, the overall vibe and tone later on was very detached and different from the few first episodes (after the kids story setup). If I had to mention something positive other than the cinematography being up to the modern standard with the majority of projects, that would be how secrets don't linger for too long which is because of the aforementioned repeated pattern.

Whip out your makjang bingo card (easy misunderstandings, cut short scenes/dialogues, holding back when scolded, wrongfully convicted, extremely incompetent police, extremely capable characters with pulling any string, eavesdropping at the right moment like a superpower, triple birth secret, pseudo incest, comeback as rich, fake death, too many crimes with little to no punishment... ) honestly you could fill a stack of bingo cards. Given its length there was obvious planning issues, the drama hit a major road block at episode 66 and had to hard press the reset button, setting everything back 20 steps. That wasn't enough as the drama, once again, soft hit the reset button at episode 105 and one more time at episode 114 to buy more time. This drama wasn't different from the ones alike it at all but there was a serious drop in overall quality in the second half. It got seriously sloppy and lacked the slightest attention to details. One example is how important scenes are empty, such as the company's 30th celebration had a couple of tables and only the family was there, yet they were delivering a speech as if it was a major event for the entire company. Another one with the investors voting where they showed only one investor. There were many other examples were the drama needed to hire a few random extras to fill some gaps. On a side note, where did Bae Dal Bong disappear? Per usual, character stop showing up suddenly with no explanation has become a normal occurrence with modern daily makjangs. I could go on forever but everything can be boiled down to the fact that if the drama kept its consistency from the first half it wouldn't have been as bad. One final thing, while Uhm Hyun Kyung is mostly fine but she lacked a tiny bit of oomph to better sell the revenge story here.