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Shivranjani Raga Notations and Songs

The document provides information about the raga Shivranjani in Hindustani classical music. It summarizes the notes of the Aroha and Avaroha, as well as analyzing a tune composed in this raga played on a synthesizer covering two octaves. The tune includes repeating patterns of notes and segments played in both the Aroha and Avaroha. Lyrics and songs featuring this raga are also listed.

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Captain_sak2000
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18K views2 pages

Shivranjani Raga Notations and Songs

The document provides information about the raga Shivranjani in Hindustani classical music. It summarizes the notes of the Aroha and Avaroha, as well as analyzing a tune composed in this raga played on a synthesizer covering two octaves. The tune includes repeating patterns of notes and segments played in both the Aroha and Avaroha. Lyrics and songs featuring this raga are also listed.

Uploaded by

Captain_sak2000
Copyright
© Attribution Non-Commercial (BY-NC)
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOC, PDF, TXT or read online on Scribd

Aroha and Avaroha notes and other attributes of raga Shivranjani as per Hindustani Classical

Music are as follows:

Aroha: SA RE ga PA DH SA
Avaroha : SA DH PA ga RE SA

Analysis on musical notations of Shivranjani tune on Synthesizer: (based on Black 5 of


Mandra Saptak or first octave as SA. So the following notations are based on this SA ):

In this tune composed by me, I played the tune so as to cover the range from Madhya Saptak
(second or middle octave) to Tar Saptak (third octave).

In this tune, I have repeatedly played a musical pattern of 4 segments of 6 notes each, which
are as follows:

|SA RE ga PA ga RE | ga PA DH SA DH PA | PA DH SA RE SA DH |

|DH SA RE ga RE SA| in Aroha.

Then in this tune, I have played a pattern of 6 segments of 3 notes each which are as follows:

SA RE ga | RE ga PA | ga PA DH | PA DH SA | DH SA RE | SA RE ga| in Aroha and played


back the same pattern in reverse in Avaroha .

hen in this tune, I have hit the same note three times in Aroha and Avaroha for 8 notes which
are follows:

SA RE ga PA DH SA RE ga in Aroha
ga RE SA DH PA ga RE SA in Avaroha

| Me re e e | nai na | sa aa wa na | bha do vo |
|PA DHA SA DH | SA DH | RE SA DH PA | PA DH PA |

---------------------------------------------------------------------------------------
| Phir bhi | mera | man | pyaa sa | aa aa |

| PA DH | PA | ga | RE ga | RE SA |

| Phi ra bhi me | ra aa aa aa aa | ma na | pyaa aa sa |

| SA RE ga PA | DH PA ga DH PA | ga RE | ga RE SA |

Jaane Kahaa Gaye Wo Din


Kahate The Teree Raah Me
Najaron Ko Bichhayenge
Chaahe Kahee Bhee Tum Raho,
Chaahenge Tum Ko Umarbhar
Tum Ko Naa Bhool Paayenge

Mere Kadam Jahaa Pade,


Sajade Kiye The Yaar Ne
Muz Ko Rulaa Rulaa Diyaa,
Jaatee Huyee Bahaar Ne

Apanee Najar Mein Aaj Kal


Din Bhee Andheree Raat Hai
Saayaa Hee Apane Saath Thaa,
Saayaa Hee Apane Saath Hai

Mere Naina (Film: Mehabooba)


Jane kahan gaye vo din (Film: Mera Naam Joker)
Lage na mora jiya (Film: Ghunghat)
Awaaz deke hamen tum bulavo (Film: Professor)
Baharon phool barasavo (Film: Suraj)
Rim Jhim ke geet savan gaaye (Film: Anjaana)
O mere sanam (Film: Sangam)
Dil ke zarokhemen (Film: Brahmachari)
Tere mere beech me (Film: Ek Duje Ke Liye)
Kahin deep jale kahin dil (Film: Bees Saal Baad)
Piya milan ki aas (Film: Piya Milan Ki Aas)
Mujhe kuch kehna hain (Film: Mujhe Kuch Kehna Hain)
Dhak dhak karne laga (Film: Beta)

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