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To Basics Approach 5Th Edition
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Product ID: 10372

ISBN-10: 013547194X
ISBN-13: 9780135471944
Category: Test Bank and Textbooks
File format : PDF, AWZ, .MOBI, .EPUB, .FB2. etc
Author: Stuart Reges, Marty Stepp
Pages: 922
Year: 2016
Language: English
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(Ebook Pdf) Building Java Programs: A Back
To Basics Approach 5Th Edition

Ebooksecure
Stuart Reges, Marty Stepp
 Table of contents

Chapter 1 : Introduction to Java Programming

Chapter 2 : Primitive Data and Definite Loops
Chapter 3 : Parameters and Objects
Chapter 4 : Conditional Execution
Chapter 5 : Program Logic and Indefinite Loops
Chapter 6 : File Processing
Chapter 7 : Arrays
Chapter 8 : Classes
Chapter 9 : Inheritance and Interfaces
Chapter 10 : ArrayLists
Chapter 11 : Java Collections Framework
Chapter 12 : Recursion
Chapter 13 : Searching and Sorting
Chapter 14 : Stacks and Queues
Chapter 15 : Implementing a Collection Class
Chapter 16 : Linked Lists
Chapter 17 : Binary Trees
Chapter 18 : Advanced Data Structures
Chapter 19 : Functional Programming with Java 8
Chapter 20 : Graphical User Interfaces
Chapter 21 : Appendices
This 5th edition of 'Building Java Programs: A Back to Basics Approach'
provides a comprehensive introduction to Java programming, emphasizing
fundamental concepts and problem-solving skills. Using a layered approach,
it starts with procedural programming before transitioning to object-
oriented design. The book features extensive practice problems, case
studies, and a focus on debugging and program development, making it ideal
for introductory computer science courses.

(Ebook Pdf) Building Java Programs: A Back To Basics Approach 5Th Edition
is authored by Stuart Reges, Marty Stepp and is currently provided and
distributed at [Link]. This resource is highly valuable for
enhancing your knowledge and professional expertise in the relevant field,
while also expanding your analytical thinking and ability to apply theory
to real-world practice. The content is presented in a systematic, logical,
and accessible manner, making it suitable for both beginners and those
seeking to deepen their specialized understanding. Through core concepts,
illustrative examples, and detailed guidance, the material helps learners
strengthen their foundation, develop problem-solving skills, and improve
overall academic and professional performance.
Preface
The newly revised fifth edition of our Building Java Programs textbook is
designed for use in a two-course introduction to computer science. We have
class-tested it with thousands of undergraduates, most of whom were not
computer science majors, in our CS1-CS2 sequence at the University of
Washington. These courses are experiencing record enrollments, and other
schools that have adopted our textbook report that students are succeeding
with our approach.

Introductory computer science courses are often seen as “killer” courses with
high failure rates. But as Douglas Adams says in The Hitchhiker’s Guide to
the Galaxy, “Don’t panic.” Students can master this material if they can learn it
gradually. Our textbook uses a layered approach to introduce new syntax and
concepts over multiple chapters.

Our textbook uses an “objects later” approach where programming

fundamentals and procedural decomposition are taught before diving into
object-oriented programming. We have championed this approach, which we
sometimes call “back to basics,” and have seen through years of experience
that a broad range of scientists, engineers, and others can learn how to
program in a procedural manner. Once we have built a solid foundation of
procedural techniques, we turn to object-oriented programming. By the end of
the course, students will have learned about both styles of programming.

The Java language is always evolving, and we have made it a point of focus
in recent editions on newer features that have been added in Java 8 through
10. In the fourth edition we added a new Chapter 19 on Java’s functional
programming features introduced in Java 8. In this edition we integrate the
JShell tool introduced in Java 9.

New to This Edition

The following are the major changes for our fifth edition:

JShell integration. Java 9 introduced JShell, a utility with an interactive

read-eval-print loop (REPL) that makes it easy to type Java expressions
and immediately see their results. We find JShell to be a valuable learning
tool that allows students to explore Java concepts without the overhead of
creating a complete program. We introduce JShell in Chapter 2 and
integrate JShell examples in each chapter throughout the text.
Improved Chapter 2 loop coverage. We have added new sections
and figures in Chapter 2 to help students understand loops and
create tables to find patterns in nested loops. This new content is based on
our interactions with our own students as they solve programming
problems with loops early in our courses.
Revamped case studies, examples, and other content. We have
rewritten or revised sections of various chapters based on student and
instructor feedback. We have also rewritten the Chapter 10 (ArrayLists)
case study with a new program focusing on elections and ranked choice
voting.
Updated collection syntax and idioms. Recent releases of Java have
introduced new syntax and features related to collections, such as the
“diamond operator;” collection interfaces such as , , and ;
and new collection methods. We have updated our collection Chapters
10 and 11 to discuss these new features, and we use the diamond
operator syntax with collections in the rest of the text.
 Expanded self-checks and programming exercises. With each new
edition we add new programming exercises to the end of each chapter.
There are roughly fifty total problems and exercises per chapter, all of
which have been class-tested with real students and have solutions
provided for instructors on our web site.
New programming projects. Some chapters have received new
programming projects, such as the Chapter 10 ranked choice ballot
project.

Features from Prior Editions

The following features have been retained from previous editions:

Focus on problem solving. Many textbooks focus on language details

when they introduce new constructs. We focus instead on problem solving.
What new problems can be solved with each construct? What pitfalls are
novices likely to encounter along the way? What are the most common
ways to use a new construct?
Emphasis on algorithmic thinking. Our procedural approach allows us
to emphasize algorithmic problem solving: breaking a large problem into
smaller problems, using pseudocode to refine an algorithm, and grappling
with the challenge of expressing a large program algorithmically.
Layered approach. Programming in Java involves many concepts that
are difficult to learn all at once. Teaching Java to a novice is like trying to
build a house of cards. Each new card has to be placed carefully. If the
process is rushed and you try to place too many cards at once, the entire
structure collapses. We teach new concepts gradually, layer by layer,
allowing students to expand their understanding at a manageable pace.
 Case studies. We end most chapters with a significant case study that
shows students how to develop a complex program in stages and how to
test it as it is being developed. This structure allows us to demonstrate
each new programming construct in a rich context that can’t be achieved
with short code examples. Several of the case studies were expanded and
improved in the second edition.
Utility as a CS1+CS2 textbook. In recent editions, we added chapters
that extend the coverage of the book to cover all of the topics from our
second course in computer science, making the book usable for a two-
course sequence. Chapters 12 –19 explore recursion, searching and
sorting, stacks and queues, collection implementation, linked lists, binary
trees, hash tables, heaps, and more. Chapter 12 also received a
section on recursive backtracking, a powerful technique for exploring a set
of possibilities for solving problems such as 8 Queens and Sudoku.

This year also marks the release of our new Building Python Programs
textbook, which brings our “back to basics” approach to the Python language.
In recent years Python has seen a surge in popularity in introductory computer
science classrooms. We have found that our materials and approach work as
well in Python as they do in Java, and we are pleased to offer the choice of
two languages to instructors and students.

Layers and Dependencies

Many introductory computer science books are language-oriented, but the
early chapters of our book are layered. For example, Java has many control
structures (including for-loops, while-loops, and if/else-statements), and many
books include all of these control structures in a single chapter. While that
might make sense to someone who already knows how to program, it can be
overwhelming for a novice who is learning how to program. We find that it is
much more effective to spread these control structures into different chapters
so that students learn one structure at a time rather than trying to learn them
all at once.

The following table shows how the layered approach works in the first six
chapters:

Chapter Control Data Programming Input/Output

Flow Techniques

1 methods literals procedural ,

decomposition

2 definite variables, local variables, class

loops ( ) expressions, , constants, pseudocode

3 return using objects parameters console input, 2D

values graphics (optional)

4 conditional pre/post conditions,

( ) throwing exceptions

5 indefinite assertions, robust

loops programs
( )

6 token/line-based file file I/O

processing

Chapters 1 –6 are designed to be worked through in order, with greater

flexibility of study then beginning in Chapter 7 . Chapter 6 may be
Calmissime, entrambe.
La zia Balbina era in funzione. Già da dieci minuti il suo dito
s'addentrava sapientemente nella piaga.
— Capirai che giudico per conto mio, senza preoccuparmi delle ciarle
altrui. Sei mia nipote e tanto basta. Ma non avrei mai creduto che
potesse nascere la necessità di tutelare il decoro di una donna della
tua età e del tuo senno, di fronte ad un... scusami, monello di quella
specie.
La guardava dall'alto in basso, così dicendole, con una posa da
grande inquisitrice.
Elisa ricamava con molta diligenza.
— Il mio decoro? — ripetè, guardando bene in volto, anch'ella, la
sua interlocutrice. E nel suo accento c'era una vibrazione che zia
Balbina udiva per la prima volta in quella voce.
— Sì — ripetè severamente — il tuo decoro! Credi che faccia
bell'effetto vederti quel blanc bec sempre appiccicato alle tue gonne?
La tua condotta, mia cara, è per lo meno assai leggera.
Una lieve tinta di porpora salì alle gote di Elisa.
— Le piace giudicarlo tale, — rispose pacatamente. — Me ne duole
assai, ma mi permetterà di farle osservare, cara zia, che sinora...
— Sinora, per l'appunto. Ma sinora non è tutto nella vita. Si è
sempre a tempo per far ridere la gente. E tutto ciò, sai, ha un po' di
ridicolo... non ti pare?
Avanti, zia Balbina, coraggio. Un altro millimetro. A momenti ci
siamo, al punto voluto. Guarda com'è già pallida la donna a cui stai
parlando.
— La prego, zia, — disse Elisa brevemente, — vogliamo lasciare
quest'argomento?
— No, — rispose zia Balbina, — bisogna esaurirlo anzi. Son venuta
apposta per sincerarmi.
— Ah! — disse Elisa, con un lieve accento ironico. — E adesso, si è
sincerata?
Voleva provarsi a giuocar d'audacia. Ma non era il suo forte. Un
tremore nervoso agitava il suo labbro.
— Mi sono sincerata — continuò tranquillamente l'altra — che hai
avuto molto torto di non seguire i miei consigli, e che ti trovi adesso
assai imbarazzata.
— Io? — ribattè Elisa con un tentativo di allegra protesta.
— Sì... lo sei. L'hai sbagliata sin dal principio. Colle tue ubbie di
sviscerata amicizia per Tecla e coll'incaricarti di quel ragazzo
impertinente, che, fra parentesi, mi pare abbia tutte le prerogative di
un bellimbusto di provincia e sia indietro in parecchie, anzi in
moltissime cose, hai presa la tua parte sul serio. Il ragazzo... si sa...
si è montata la testa... ci vuol tanto, a quell'età! E tu invece di
canzonarlo bellamente...
Elisa depose il suo ricamo con uno sguardo che produsse una
leggera alterazione nel piano del discorso di zia Balbina. L'egregia
donna ebbe un piccolo impeto di tosse, esaurito il quale, proseguì:
— Senz'accorgerti, dico, hai lasciato ch'egli si montasse la testa.
Sfido io... la prima donna che si è occupata di lui. E poi, ben inteso,
la donna... non una donna, come accade alla sua età. Sei ancora
abbastanza conservata per piacere, e... insomma... è naturale sino
ad un certo punto che egli sia innamorato di te. Ma s'egli è un
ragazzo, tu non lo sei, mia cara. Hai per lo meno l'età della ragione!
Hai trentanove anni, mia cara. Non si direbbe, certe volte, ma li hai.
Oh! li porti benissimo ed è una eccellente età, relativamente. L'ho
sempre detto, anzi, che dovresti rimaritarti, e giacchè ho già una
volta la mano così buona...
— Zia, — interruppe Elisa con un movimento così vibrato che fece
quasi trasalire la zia Balbina. Oh!... Oh! quella sua nipote, che vampe
aveva gettate dagli occhi! che vibrazioni aveva in tutta la persona.
— Oh, — ribattè zia Balbina, cercando di dissimulare col sarcasmo lo
stizzoso stupore che l'invadeva, — non temere. Lo so che una
fortuna come quella che dovesti a me non capita due volte ad una
donna, neppure quando abbia il buon senso di apprezzarla. Ma ciò
non entra nel mio argomento. E non discuto neppure sul resto, sai?
Volevo solamente chiederti, e ti chiedo: cosa conti di fare?
Finalmente aveva toccato il fondo, quel dito sagace. C'era e non si
moveva più.
Elisa incrociò le braccia con un calmo gesto di stanchezza.
— Nulla! — rispose laconicamente.
Un momento di cupo silenzio regnò nel salotto, e una nuvola calò
visibilmente sulla fronte di zia Balbina. Le parve che pungesse un
pochino, là dove aveva messo il dito. Prese una grande risoluzione.
— È la tua ultima parola? — chiese categoricamente ad Elisa.
— L'ultima.
La zia Balbina si sgomentò. Aveva tentato il categorico imperativo di
Kant, coll'assoluta certezza di vincere. Ma questa era una Elisa
nuova, ch'ella non conosceva, che si difendeva con delle armi ed un
volere inaspettato. Che fare ora? Battere in ritirata?
Ebbe una subita ispirazione.
— Quella che avresti risposto a tuo padre?
Ora, aveva colpito giusto. Un estremo pallore sostituì sul volto di
Elisa la fiamma della ribellione.
Alzò il capo, e lo sguardo pieno di angoscia incontrò sulla parete il
quadro entro cui campeggiava la bianca testa sì nobile, sì dolce.
Un'onda di ricordi le si affollò al cuore, destandovi un subito
ravvivarsi di appassionato rammarico, il senso di un supremo
bisogno di simpatia, di consiglio, d'aiuto, quale lui, lui solo, avrebbe
potuto darle.
— Papà, — mormorò. — Oh!... padre mio!... — Ed era piena di
lagrime, d'intimo ed umile sgomento, quell'unica frase. Ah! se fosse
stata sola, con quale impeto Elisa si sarebbe gettata ai piedi di quel
ritratto, quale ardente sfogo di pianto avrebbe sollevato il suo cuore,
forse rischiarata la notte di incertezze crudeli in cui si dibatteva
quella povera anima appassionata!
Ma ciò non si poteva fare. C'era zia Balbina che detestava le scene. E
quella sarebbe stata per l'appunto una scena...
Elisa vinse dunque quell'impeto, e rivolse a zia Balbina uno sguardo
calmo e quasi sottomesso.
— Zia, la prego... lasciamo per ora questo argomento.
— No, mia cara, — ribattè zia Balbina. — L'abbiamo intavolato, e
voglio che ne tocchiamo il fondo. Sei mia nipote e devi ascoltarmi.
Per questa volta... perchè poi sarò io che non te ne parlerò più. È
necessario che tu prenda una decisione. Sei in una posizione falsa e
ridicola, e ci sei per colpa tua, unicamente tua. Capirai che non
discuterò con te le cause di un'infatuazione assurda da tutti i lati e
sotto tutti i riguardi, e per la quale nelle tue circostanze non esiste
una sola scusa plausibile, nè ammissibile. Ora, ciò deve cessare. È
duopo far intendere a quel ragazzo che ormai le sue visite sono di
troppo, e, se non vuoi farlo tu, me ne incarico io.
Elisa andò diritta verso la zia. Una formidabile ira splendeva nei suoi
occhi, qualcosa come un'irradiazione di magnifico orgoglio, sì fiero, sì
determinato che zia Balbina indietreggiò involontariamente d'un
passo, e s'accorse di aver commesso un errore.
— Mia cara zia, — disse Elisa con somma calma, — lei non farà
nulla, assolutamente nulla di simile. Le sono grata della sollecitudine
che dimostra per ciò che mi riguarda, ma la prego di credere, al pari
di me, che io sola ho il diritto di giudicare delle cose mie. E questo,
zia Balbina, una volta per tutte.
Zia Balbina non rispose. Sulla sua fronte rugosa, sulle magre gote
era salito quel rossore cupo d'ira repressa ch'è così penoso a vedersi
sul volto dei vecchi. Ella si sentiva vinta.
È
— Sta bene — disse. — È quello che, si doveva, naturalmente, al mio
zelo per il tuo decoro. Ma ti considero quale sei, una povera illusa.
Come capirai, io non rimarrò qui a presenziare le assurde...
sconvenienze sulle quali tu non ammetti discussioni. Parto
domattina.
Oh, l'inesprimibile sollievo per Elisa! Ma in pari tempo che improvviso
senso di rimorso! Era sua zia, la sorella di suo padre, l'unica parente
che avesse dopo tutto.
— Oh no — mormorò sotto l'impero d'un subito pentimento e con un
accento pieno di sincera emozione — non faccia questo... la prego!
Zia Balbina dissimulò un sorriso di trionfo.
— Lo farò infallibilmente, mia cara. Domattina colla prima corsa.

*
* *
Era per tempo assai, la prima corsa. Ma sin dalla sera avanti la zia
Balbina aveva fatto preparare il suo baule dalla cameriera. Il treno
partiva alle sette e quaranta, ed erano testè scoccate le sei e mezzo.
La luce mattina era ancora troppo fioca per rischiarare sola gli ultimi
preparativi della partenza. Due candellieri accesi ardevano sul
tavolino, e china su una grossa sacca da viaggio di zigrino nero, la
grossa Viola, la cameriera di zia Balbina, insaccava colla massima
diligenza l'immenso materiale che la padrona giudicava necessario al
comfort dei suoi viaggi. La delicata operazione era sorvegliata da lei
col solito corredo di raccomandazioni e rimbrotti pel ritardo.
Un lieve colpo, picchiato all'uscio, fe' volgere il capo a zia Balbina.
— Avanti! — disse.
L'uscio s'aprì e diè adito alla contessa Elisa.
Era completamente vestita da viaggio, col cappello in capo. Dietro la
veletta si vedeva una faccia pallida e sbattuta, la faccia di chi ha
passata una notte insonne.
will be given. A foundation Form in place is shown in the photograph. Note the simple and easy
method of bracing. Also note how lumber is saved from cutting by allowing the sides to project, as
well as the studding.
For this building, 18 by 24 feet, trench 18 inches wide and 2 feet deep—total cost of setting
forms $4.00. The lumber was all on hand and can be used again.
 How to Place Concrete
No time should elapse between the “mixing” and the “placing.”
Directions for placing must of necessity be general, and the farmer
must use his own judgment as to how to handle this part of the
concrete work, in connection with whatever particular job he has on
hand. The important thing to remember is, that the materials should
not separate in placing.
You may shovel the concrete off the board directly into the work;
you may shovel it into wheelbarrows, wheel it to position and dump,
or you may carry it to the proper place by buckets and hoisting
apparatus.

Directions for Placing

Ordinarily speaking, concrete should be deposited in layers about
6 inches thick.
After placing concrete in the Form, it should be “tamped” lightly
with a wooden or iron tamper (or rammer) until the water shows on
the top and no stones are left uncovered by mortar.
In order to obtain a smooth face on the concrete, the mixture
should be carefully “spaded” immediately after “placing”—on the
side next to the Form where the finished concrete will be exposed to
view. By “spading” is meant the working of a spade or a beveled
board between the concrete and the side of the Form, moving it to
and fro, and up and down. This forces the large stones away from
the boarding, or Form, and brings a coating of mortar next thereto,
thus making the face of the work present an even, smooth
appearance.
 The Necessary Tools
On certain jobs—as, for instance, in the case of a 6-inch silo wall
—a spade cannot very well be used, on account of the narrowness
of the concrete section. In this event, use for surfacing, a thin
wooden paddle, made from a board 1 inch by 4 inches, and
gradually sharpened to a chisel edge at the end. The sharpening
should be on one side only, and in using this paddle place the flat
side against the Form, as shown in illustration.
When the mixture is a dry one, great care must be used in this
“spading” or surfacing, in order to obtain uniform results, but in the
case of a wet mixture, spading is only required as an added
precaution against the possibility of voids in the face of the work,
and in many cases it is not necessary at all.

Protection of Concrete after Placing

 Green concrete should not be exposed to the sun until after it
has been allowed to set for five or six days. Each day during that
period the concrete should be wet down by sprinkling water on it,
both in the morning and afternoon. This is done so that the concrete
on the outside will not dry out much faster than the concrete in the
center of the mass, and should be carried out carefully, especially
during the hot summer months. Old canvas, sheeting, burlap, etc.,
placed so as to hang an inch or so away from the face of the
concrete will do very well as a protection. Wet this, as well as the
concrete. Often the concrete Forms can be left in place a week or
ten days; this protects the concrete during the setting-up period and
the above precautions are then unnecessary.

Points to Remember
It may be well, in summing up, to emphasize the following
points:—

1st. The materials must be perfectly clean.

2d. The mixing must be in proportions carefully determined.
3d. The mixture must be used while absolutely fresh.

Good results cannot be obtained unless you use a good cement,

nor will the work be at its best unless care is taken in the selection
of clean sand and clean stone.
Among the uninitiated, there is an all too prevalent idea that
anything is good enough for the making of concrete. Some will tell
you that sawdust, shavings, mud, clay, etc., will do to complete the
mixture, but the absurdity of this notion will very soon become
evident to anyone who neglects the precautions which have been
above pointed out.

Reinforcement
Principles involved
 Concrete and steel render valuable assistance to each other in
the support of heavy burdens. On a solid foundation, loaded from
above and thus under direct pressure, a concrete column will
withstand the strain of an enormous load. A much smaller load so
placed as to cause stretching or bending toward one side of the
same column may cause it to snap off, for concrete is strong, but
brittle. On the other hand, steel is tough and elastic. In the form of
rods or wire, steel withstands massive loads that tend to stretch it,
and thus displays a kind of strength directly opposite to that of the
plain concrete column. In modern construction these two valuable
properties of concrete and steel are utilized by combining them in
what is called reinforced concrete. With steel properly buried in the
concrete, the column withstands not only the load which might
otherwise snap it, but one many times larger, and even though it is
applied at any place along its length.
Reinforcement, therefore, is steel in the form of rods, bars or
wires, buried in concrete to take up and to withstand the strains
which tend to stretch or to bend the concrete. A concrete fence post
is merely a small concrete column. Reinforced, it easily stands the
strain from usage in a fence line.

The value of reinforcing concrete posts properly may readily be

seen in the figure. If a load (L) is raised so that its weight is
supported on one side by a wooden post, the post will bend. The
fibre in the wood on the side away from the load may be tough and
elastic enough to prevent the post from breaking, and when
released the post will spring back into its former position. In the
third figure a No. 9 wire (W) is fastened securely to the wooden post
at the top and at the ground surface, and is supported along its
length by the struts (S). If the same load is applied, the post will not
bend, because the wire takes up the bending or stretching strain.
This is precisely the case with the reinforcement in a concrete post.
Supported along its length by the concrete, the wire (W) or steel in
other shapes takes up the bending or stretching strains. Since the
load which causes bending or stretching may come from any
direction, concrete posts are reinforced on every side; otherwise
they might break in a manner somewhat similar to that in which the
wooden post bends when the reinforcement is not on the proper
side of the post.
In the effort to be safe it is a common fault to insert more
reinforcement than is absolutely necessary. This adds needlessly to
the cost, for concrete becomes stronger as it grows older.

Kinds of Reinforcement
With regard to the roughness of the outside, metallic reinforcing
materials are divided into two classes, smooth and corrugated or
deformed. The general result of the many tests carried on in testing
laboratories seems to indicate that in strength of bond, if the
concrete is sufficiently rich and well mixed, smooth surfaces give
satisfactory results. Two kinds of reinforcement are much used—bars
and wire.
Bars.—Round bars three-sixteenths or one-fourth of an inch in
diameter are the size and kind most used on the farm. The stock on
hand at blacksmith shops and hardware stores is generally from
steel that stretches too easily and therefore is not the best for
reinforcement. Companies which make a specialty of reinforcing
materials can furnish both rods and bars which stretch only under
very large loads.
Wire.—The development of the wire fence has produced a
material well suited for reinforcing purposes. Of equal size, such wire
will produce a stronger reinforcement than the material above
described. In order to obtain straight wire of the necessary length,
the coils ordinarily placed on the market should not be straightened
out. Straight wire can be obtained from dealers in the same manner
as baling wire; that is, either single or twisted into two or three-ply
cables, and of the length desired. The plain, ungalvanized fencing
wire is the proper kind, for galvanization adds nothing to the
strength, and the metal will not rust when incased in the concrete.
 Concrete Sidewalks and Floors
Concrete floors are nothing more than sidewalks of large size,
and are formed by casting slabs in place.
The description given is an economical and practical method of
laying sidewalks or floors, easily adapted to any use where concrete
is found advantageous. This description will therefore apply not only
to the building of sidewalks, but to all flat surfaces of concrete
resting on the ground.

Lasting Qualities
Concrete floors must remain hard and in position to be
permanent. To accomplish this, good materials must be used, and
proper methods of mixing and placing must be followed. Only in this
way can settlement cracks, upheaval by frost or roots of trees,
contraction cracks, crumbling, and general failure be avoided.

Settlement Cracks
To avoid settlement cracks, thoroughly ram the ground after
excavating for the foundation. This gives a solid bearing to the
concrete slab.

Upheaval by Frost
To prevent upheaval by frost a foundation formed of crushed
stone, hard furnace cinders, brick bats broken to about a 2-inch size,
broken tile or any other hard porous material, should be laid in such
a way as to obtain perfect drainage. Never use ashes.
kept climbing on top of it until they could reach the hole and climb
through.
As they crawled into the hole something warm and sticky flowed
by them, so they hurried back into the room from which they had
just come. It was lucky for them that they did, for the sticky stuff
poured from the hole in a stream and mixed with the white stuff
which now nearly filled the room.
“It’s molasses!” Gran’pa cried, as he tasted it.
“And the white stuff is popcorn!” Gran’ma cried in turn, as she
took up a handful and squeezed it together into a popcorn ball.
The molasses candy continued to pour from the hole until the
popcorn was covered with it. Then the room began to sway back
and forth, gently at first, then faster and faster, until Gran’pa,
popcorn and Gran’ma were shaken up and rolled about much the
same as popcorn is in a shaker. Both Gran’pa and Gran’ma were
covered with molasses and popcorn when the room ceased shaking.
“Dear me suz!” Gran’ma exclaimed. “The stuff is all in my hair!—
This is a mess!”
“Yes, but just taste it, Gran’ma!” Gran’pa said. “It’s fine!”
Again the room began shaking and the air grew much warmer.
“We’d better get out of this!” Gran’pa said. “There must be a fire
under the room!”
So they crawled through the hole again and now the molasses
candy had grown hard and did not stick to their hands.
“This must be the place the molasses came from,” said Gran’ma,
as they came to another room, the sides of which were covered with
candy.
There seemed to be no opening at the top for the candy to
come in and Gran’pa soon discovered that it came in from the
bottom.
Through the hard candy at the side of the room Gran’ma
thought she saw a light, and when Gran’pa pried a large piece away
with his cane they saw another long, narrow opening.
 Through this they crawled until the passageway widened and
they could stand up and walk.
After walking down this passageway for five or ten minutes
Gran’pa and Gran’ma came to a room filled with purple light, and in
the center of this room stood a large Green Jar.
“Well I won’t be foolish enough to look in this one!” Gran’pa
said, as he walked right past it and opened a door upon the other
side. “Here we are, Gran’ma! I can see daylight, and the steps lead
up to the top of the ground.”
“If that is the case, I shall take a peep in this Green Jar!”
Gran’ma said.
“Don’t do it, Gran’ma!” Gran’pa cautioned. “Profit by our last
experience!”
“Yes, but the other was a pot, and pots are always apt to boil
over or do something of the sort,” Gran’ma answered. “I shall look
into this Green Jar and you can hold the door wide open, like this, so
it won’t take a moment to drop it and hurry up the steps and escape
if it begins to blow popcorn or do anything of the kind.”
 “Did you open the Green Jar?”
the Beautiful Girl asked. (page
65)

Gran’ma took the lid from the Green Jar and thick red smoke
came whirling up from it.
Gran’ma wished to run, but her knees would not let her, so she
sat right down, smack! upon the floor and watched.
When the smoke thinned out Gran’ma saw the hands, then the
arms, then the head of a Beautiful Girl appear above the edge of the
Green Jar.
She raised her arms above her head and yawned.
When Gran’pa saw what was coming from the Green Jar he
came back and helped Gran’ma to her feet.
The Beautiful Girl turned and looked at them. “Who are you?”
she asked.
“Gran’ma and Gran’pa Huggins!” Gran’pa said.
“Did you open the Green Jar?” the Beautiful Girl asked.
“Gran’ma did,” Gran’pa answered, “but I advised her not to!”
“Well, seeing that she opened it anyway I shall forgive you,
Gran’pa!” the Beautiful Girl laughed.
 “Shall we help you out?” Gran’ma asked, as she held out her
hands.
“Mercy, how sticky you are!” the Beautiful Girl cried. “We were
caught in a popcorn machine!” Gran’pa laughed.
When the Beautiful Girl had been helped from the Green Jar,
Gran’pa led the way to the door and up the stairs to the ground
above.
Gran’pa, Gran’ma and the Beautiful Girl came right out where
Janey and Johnny were hiding. The children flew to the old people
and threw their arms around their necks.
“Old Jingles sent the Wolf Pack after us,” Johnny said, “for we
saw him flying this way after you two had crawled into the cave!”
“Perhaps he will follow us into the cave!” said Gran’ma.
“I hope he sticks fast in the molasses candy if he does!” said
Gran’pa.
“Let us fill the opening here with stones!” Johnny suggested, “so
if he does follow you through the cave he will have to go all the way
back for his trouble!”
So they all carried sticks and stones and filled up the mouth of
the cave. When that was finished Janey asked where they had found
the Beautiful Girl.
“Let us travel from here as fast as we can!” said the Beautiful
Girl, “and I will tell you the story as we go along!”
As they hurried through the giant mushrooms and bushes the
Beautiful Girl told them the following strange story.
“I live in the City of Nite,” she began, “or at least I did live there
until I was shut up in the Green Jar. I was out walking one day near
the river, and as I stopped on the bank to gather some beautiful
flowers growing there I came upon a Queer Horse standing in the
water. At first I thought he could not be alive, for he stood so still
and he had no head; but as I stood gazing at him in wonderment he
switched his tail and knocked some flies from his back, and I heard
him say, ‘There now! I hope I switched all of you off!’
 “‘Dear me!’ I cried out aloud. ‘A horse without a head talking!
Whoever heard of such a thing!’
“At this the Queer Horse came out of the water and sat down
upon the bank.
“‘I don’t see how you are able to travel about without a head!’ I
said.
“‘Well, it is a handicap,’ the Queer Horse answered, ‘but I have
grown used to it!’
“‘Where is your head?’” I asked him.
“‘I ate it off!’ he answered.
“‘Ate it off!’” I exclaimed in wonder.
“‘Yes!’ he replied. ‘You see, I was always a sort of pig when it
came to eating, and one day a Strange Man came up to me and hit
me with his cane and cried, “If you don’t quit your eating you’ll
burst! I believe if you were given all you could eat, you would eat
your head off!”’
“‘I should like to have a trial at it!’ I answered the man.
“‘Then,’ he said, ‘You shall have it!’ and he led me to a field
where hay and corn and oats grew thick! ‘Now,’ said the Strange
Man, ‘Eat!’
“‘So I ate and ate, until I really did eat my head off!’
“And,” continued the Beautiful Girl, “I felt so sorry for the Queer
Horse I went up and patted him where his head should have been,
and, lo! and behold, his head came into view!
“At this the Queer Horse was very happy, and told me he was
very grateful to me. ‘If I can ever be of assistance to you, I shall be
very glad!’ he said.
“And as we stood there talking the Strange Man came up to us
and said, ‘Why did you pat the Queer Horse where his head
wasn’t?’”
Gerstensorten aus. Stets ist es die kurze sechszeilige Gerste, das
Hauptgetreide der Pfahlbauern, welche wir neben dem Weizen
deutlich erkennbar auf den griechischen Münzen abgebildet finden.
Sie ist es, die wir auf den ältesten, nur auf einer Seite geprägten
Münzen aus dem 6. Jahrhundert v. Chr. (Münzen der griechischen
Stadt Metapontion am Meerbusen von Tarent in Unteritalien) in Form
einer prächtig ausgeführten, langen, begrannten Ähre als das
Symbol der pólis, des städtischen Gemeinwesens, abgebildet finden.
Ein Vierdrachmenstück einer andern griechischen Stadt, nämlich
Leontinon auf Sizilien, aus dem fünften vorchristlichen Jahrhundert
zeigt um einen Löwenkopf herum vier einzelne Körner derselben
Getreideart. Zwei Münzen aus Skotussa und Methydrion in
Thessalien geben Abbildungen eines einzelnen Ährchens des
grannenlosen Winterweizens wieder, während ein Obolos von
Orchomenos in Böotien ein einzelnes Weizenkorn derjenigen Abart
des gemeinen Weizens zeigt, welche gegenwärtig als englischer
Weizen bezeichnet und heute noch vorzugsweise in den
Mittelmeerländern angebaut wird.
Auf einer zweiten Münze von Metapontion aus späterer Zeit als
die erstgenannte, sitzt auf der dichtgedrängten kurzen Ähre der
sechszeiligen Gerste eine Wanderheuschrecke, auf der Rückseite
aber ist Apollon mit dem Lorbeerzweig, der die Gerstenfelder vor der
furchtbaren Heuschreckenplage bewahrende Gott, dargestellt. Auf
einer anderen Münze aus dieser unteritalischen Stadt ist neben der
Gerstenähre eine Zwergmaus auf einem Gerstenblatte dargestellt
und auf der Rückseite Ceres, die Beschützerin der Gerstenfelder vor
der Mäuseplage, in deren Haar die Ähren derselben Gerstenart
geflochten sind. „Selbst in diese kleinen Ähren, wie in die fast
ebenso kleinen auf campanischen Münzen — neben dem Pferdekopf
—“ sagt der verstorbene Züricher Botaniker Oswald Heer 1865, in
einer Arbeit über die Pflanzen der Pfahlbauten, „wußte der Künstler
den Charakter der heiligen (kurzen, sechszeiligen) Gerste zu legen,
während auf modernen Münzen, so denen der französischen
Republik von 1848, kein Mensch zu unterscheiden vermag, ob
Gerste, oder Weizen, oder Roggen dargestellt sein soll.“ Auf einer
andern Münze von Metapontion ist der Sperling, dieser stete
Begleiter des Getreides, auf einer weiteren die Getreidemücke neben
der Gerstenähre deutlich erkennbar abgebildet. Daraus können wir
schließen, daß das Getreide schon damals unter denselben tierischen
Feinden wie heute zu leiden hatte. Wenn nun auch aus den
metapontischen Münzen nicht zu entscheiden ist, welche Art von
Gerste gemeint sei, so zeigen uns diejenigen von Leontinon nach der
Gestalt der einzelnen Körner, daß wir es hier mit der kleinen, kurzen,
sechszeiligen Gerste zu tun haben, wie sie schon von den
neolithischen Pfahlbauern angebaut wurde, die also der Urtypus der
heiligen, auf den altgriechischen Silbermünzen dargestellten Gerste
ist.
Die Griechen der homerischen Zeit, zu Ende des vorletzten
Jahrtausends v. Chr., übten schon längst den Anbau dieser Gerste
neben demjenigen von Weizen aus. In der Ilias und Odyssee ist
neben dem Weizen (pyrós) vielfach von der Gerste (kri), bei den
späteren Griechen krithé genannt, die Rede, die fast stets den
schmückenden Beinamen „die weiße“ (leukón) trägt. So werden in
beiden Epen die Pferde mit Gerste und ólyra, das ist eine Art Spelt,
gefüttert. Dioskurides sagt uns nämlich in seiner Arzneimittellehre,
daß die ólyra zu derselben Pflanzenart wie der Spelt (zeiá) gehöre,
aber etwas weniger als dieser nähre. Auch aus ihm werde Brot
gebacken. Der eigentliche Spelt (zeiá) kommt nicht in der Ilias,
sondern nur in der jüngeren Odyssee vor. Als der Atride
Agamemnon, dem Sohn des Odysseus, Telemachos, bei seinem
Besuche in Mykene als übliches Gastgeschenk Pferde schenken
wollte, sagt dieser zu ihm: O Sohn des Atreus, willst du mir ein
Geschenk machen, so möge dies klein und wertvoll sein. Die Rosse,
die du mir schenken willst, möchte ich lieber nicht annehmen. Sie
bleiben besser bei dir, denn du herrschest über weite Gefilde, wo viel
Klee wächst und Weizen, Spelt (zeiá) und weiße Gerste; Ithaka
dagegen ist (weil gebirgig) nicht für Rosse passend, dagegen für
Ziegen.
In der Ilias wird „auf der Tenne die weiße Gerste leicht von den
Füßen der darüber getriebenen Ochsen ausgedroschen“, und im
ganzen griechischen Altertum galt die „weiße Gerste“ als besser als
die „rötliche Gerste“, wie schon Theophrast unterscheidet. Und der
griechische Arzt Dioskurides im 1. Jahrhundert n. Chr. sagt: „Die
Gerste ist am besten, wenn sie weiß und rein ist. Sie enthält zwar
weniger Nahrungsstoff als der Weizen, doch ernährt ein aus
gerösteter Gerste gekochter Trank (ptisánē, woraus bei den Römern
z. B. Plinius tisana, und daraus unsere Bezeichnung Tisane nicht nur
für eine Gerstenabkochung, sondern für jede durch Abkochen von
Arzneistoffen hergestellte Flüssigkeit wurde) doch stark, weil sich
beim Kochen viele Teile der Gerste ablösen. Man braucht übrigens
die Gerste (auch als Arznei) in verschiedenen Zubereitungen
innerlich und äußerlich.“
Im ganzen Altertum war vornehmlich g e r ö s t e t e G e r s t e ein
außerordentlich wichtiges und verbreitetes Nahrungsmittel; ja sie
dürfte überhaupt eine der frühesten, wenn nicht die früheste
Zubereitungsart des Getreides zur Nahrung des Menschen darstellen,
von der wir Kunde haben. So hat schon der vorhin genannte
Züricher Botaniker Oswald Heer zu Anfang der 1860er Jahre bei der
wissenschaftlichen Untersuchung der aus den schweizerischen
Pfahlbauten herrührenden Getreideüberreste festgestellt, daß in der
neolithischen und noch zur Metallzeit aus der Gerste keinerlei Brot
hergestellt wurde, sondern daß dieses so überaus häufig kultivierte
Getreide, das, wie gesagt, die wichtigste pflanzliche Nahrung jener
vorgeschichtlichen Mitteleuropäer bildete, stets nur geröstet
gegessen worden sein muß. Erst durch das Rösten wurden die
Grannen und Hülsen der Gerste so brüchig, daß sie leicht entfernt
werden konnten. Dies ließ sich auf keine andere Weise
bewerkstelligen. Das ist auch der Grund, weshalb die geröstete
Gerste noch im ganzen Altertum eine so überaus wichtige Rolle
spielte, und, als sie die Menschen nicht mehr aßen, sie dieselbe nach
altgeheiligter Sitte noch ihren Verstorbenen in die unterirdische
Behausung als Totenspeise mitgaben und den Göttern opferten.
Während also die Gerste von den Pfahlbauern stets geröstet
gegessen wurde, verfertigten sie aus den übrigen Getreidearten Brei
und flaches, nur 1,5–2,5 cm hohes, fladenartiges Brot, und zwar
außer Weizen- auch Hirsebrot, welch letzterem meist auch
zerquetschte Weizenkörner mit Leinsamen zur Erhöhung des
Wohlgeschmacks beigemischt wurden. Diese rundlichen Brotfladen
der Pfahlbauern, von denen sich mehrere Überreste bis auf unsere
Tage erhielten, sind auf der oberen Seite ganz unregelmäßig
runzelig, auf der unteren Seite dagegen, wo sie auf dem
heißgemachten Stein auflagen, glatt und hohl. Die sonst kaum zu
schälende Gerste aber wurde durch Rösten genießbar gemacht und
so gegessen; aus ihr verfertigte man keinerlei Brot, sonst hätte man
Überreste davon finden müssen. Auch die ältesten Ägypter aßen die
Gerste geröstet und gaben sie geröstet ihren Toten zu deren
Speisung im Geisterlande mit, wie uns zahlreiche Gräberfunde
kundtun. Auch bei den alten Juden spielte die geröstete Gerste, kali,
d. h. Geröstetes genannt, eine sehr wichtige Rolle neben dem aus
Weizen und Spelt gebackenen Brot, das auch bei ihnen gebräuchlich
war. Die uns allen von Jugend auf bekannte, idyllische Geschichte
der Moabiterin Ruth, die nach dem Tode ihres Mannes nach
Bethlehem (d. h. Brotstadt) kam und durch ihre Verheiratung mit
Boas die Stammutter des Davidschen Hauses wurde, spielt zur Zeit
„da die Gerstenernte anfing.“ Auch ihr wurde wie den anderen an
der Einheimsung der Ernte Beteiligten kali, also geröstete Gerste
verabreicht. Der junge David, der seines Vaters Herden weidete,
brachte seinen im Felde lagernden Brüdern Brot aus gerösteter
Gerste (kali), und auch dem vor Absalon fliehenden David, wird
außer Weizen, Gerste, Mehl, Saubohnen und Linsen, geröstete
Gerste (kali), gebracht, und auch von den Linsen wird ausdrücklich
gesagt, daß sie geröstet gewesen seien.
Auch bei den Griechen der homerischen Zeit spielte die geröstete
Gerste, von ihnen álphiton genannt, eine wichtige Rolle und wurde,
wie in der Odyssee geschildert wird, in ledernen Schläuchen (meist
aus Ziegenfell) statt des Brotes auf die Reise mitgenommen. Auch
Odysseus Sohn Telemachos befiehlt, als er seine weite Reise nach
Mykene antreten will, der Dienerin Eurykleia (der „weithin
Berühmten“) 20 Maß alphiton, d. h. von den Hüllen befreite und
grob gemahlene, geröstete Gerste in wohlgenähte Lederschläuche
zu tun, um sie zur Wegzehrung für sich und seine Begleiter
mitnehmen zu können. Stets wird in der Odyssee beim feierlichen
Opfer geröstete Gerste auf das zu schlachtende Rind oder sonstiges
Opfertier als Opfer an die Gottheit gestreut, und als die Gefährten
des Odysseus auf den Rat des Eurylochos frevelhafterweise einige
dem Sonnengotte gehörige Rinder schlachten und den Göttern als
Opfer darbringen wollten und es ihnen dazu an „weißer Gerste“
gebrach, so bestreuten sie dieselben wenigstens mit Eichenblättern.
Als Nestor einen Ochsen schlachten wollte, brachte Aretos in einem
Becken Weihwasser herbei und hielt in der anderen Hand ein
Körbchen mit gerösteter Gerste. Da nahte auch Thrasymedes mit
einer scharfen Axt in den Händen, um den Ochsen niederzuschlagen,
und so begann der alte Nestor die feierliche Handlung, indem er
seine Hände wusch und geröstete Gerste auf das Tier streute.
Noch in viel späterer Zeit bildete geröstete Gerste auch bei den
Griechen eine wichtige Nahrung des Menschen. So bestand noch in
der klassischen Zeit in Athen eine vom berühmten Gesetzgeber der
Athener, Solon (639–559 v. Chr.), einem der sieben Weisen,
erlassene Verordnung, wonach jede junge Frau bei ihrer
Verheiratung ein phrýgetron genanntes Gefäß zum Rösten der
Gerste in den jungen Hausstand mitzubringen hatte. Und als die
Griechen sich nach und nach von dieser altertümlichen Nahrung
emanzipierten, durfte geröstete Gerste wenigstens bei keinem Opfer
fehlen. In den Traditionen des uralten Kultes der Demeter (soviel als
Gē-mḗtēr, d. h. „Mutter Erde“ als Hervorbringerin der Brotfrucht) auf
Kreta wie in Eleusis bei Athen galt die Gerste als das „älteste Korn“
und „geröstete Gerste“ als die einst von den Ahnen gegessene
wichtigste Speise aus dem Pflanzenreiche als die unerläßliche
Grundlage im Opferritual. Dabei wurde die meist schwach geröstete
Gerste, zwischen den Mahlsteinen enthülst und grob zerkleinert, mit
Wasser angerührt und allein oder mit Zutat von Leinsamen oder
Olivenöl gegessen.
Noch der 79 n. Chr. beim Vesuvausbruch, der Pompeji und
Herculaneum verschüttete, als Befehlshaber der beim Kap Misenum,
bei der gleichnamigen Stadt stationierten Flotte umgekommene
ältere Plinius sagt in seiner Naturgeschichte: „Schrot (grobes Mehl)
von gerösteter Gerste (polenta) ziehen die Griechen dem aus
anderem Getreide hergestellten Schrote vor. Sie übergießen die
Gerste mit Wasser, trocknen sie eine Nacht hindurch, rösten sie am
folgenden Tage und schroten (frangere, d. h. brechen) sie auf der
Mühle. Manche rösten die Gerste stärker, besprengen sie dann
nochmals mit Wasser und trocknen sie wieder, bevor sie dieselbe auf
die Mühle bringen. Zu 20 Pfund Gerste werden 3 Pfund Leinsamen,
½ Pfund Koriander und ein acetabulum (ein kleines, auf dem
Ständer mit Essig und Öl stehendes Salzschälchen) voll Salz
genommen. Das alles wird geröstet und in der Mühle mit der Gerste
vermengt. — In Italien wird die Gerste nicht angefeuchtet, nur
geröstet und dann zu feinem Mehl (farina, im französischen farine
noch erhalten) gemahlen (molere); man gibt ihr dieselben Zusätze
und fügt noch Rispenhirse (milium) bei. Die Alten aßen Gerstenbrot;
jetzt dient es fast nur noch zu Viehfutter; dagegen wird eine
Gerstenabkochung (tisana) für stärkend und heilsam gehalten. Der
berühmte Arzt Hippokrates (460 v. Chr. auf der Insel Kos geboren,
bereiste Griechenland, Kleinasien, Skythien, starb 364 in Larissa in
Thessalien, führte die Geheimnisse der Ärzteschule der Asklepiaden
ins Leben ein, begründete die Lehre von den Krisen und die Diätetik)
hat dieser Gerstenabkochung ein eigenes Buch (Schriftrolle)
gewidmet.“
 Tafel 5.

Moderner Dampfpflug von J. Kemna in Breslau, der

eine Leistung von bis zu 100 Morgen im Tag erzielt.
❏
GRÖSSERES BILD
 Tafel 6.

Siebenschariger Dampfpflug von J. Kemna in Breslau,

der eine Arbeitsbreite von 2,5 m besitzt und mit einer
Geschwindigkeit von ca. 2,5 m in der Sekunde gezogen
wird.
❏
GRÖSSERES BILD

Wie bei den Griechen und Römern war ihrem ganzen Stamme,
den ältesten Indogermanen, die Gerste das „Korn“ schlechthin,
dessen einzelne Körner bei ihnen das kleinste Gewicht und
Längenmaß bildeten. Wäre der Weizen damals deren Hauptkornart
gewesen, so wäre das Weizenkorn und nicht das Gerstenkorn zu
einem solchen Zwecke herangezogen worden. Nur bei einem Zweige
derselben, bei den Römern, wurde die Gerste sehr frühzeitig aus
ihrer Rolle als Hauptnahrungsmittel durch den von ihnen far
genannten Spelt verdrängt, und so diente bei ihnen tatsächlich das
Speltkorn als Maßeinheit. Doch wurde bei ihnen neben dem Spelt
auch noch in späterer Zeit die zweizeilige Gerste als Sommerfrucht,
die sechszeilige Gerste dagegen als Winterkorn gebaut. Die
 “‘I don’t know!’ I replied. ‘I just felt sorry for him and wished to
pat him!’
“‘You’ve spoiled my magic!’ the Strange Man said, ‘and as
punishment you will have to be shut up in the Green Jar!’ And he
struck me with his cane.
“I did not know another thing until you took the lid off the
Green Jar,” the Beautiful Girl told Gran’ma, as she ended her tale.
“And you don’t know how long you were in the Green Jar?”
asked the children.
“No, I have no recollection of any time at all. It just seems as if
I had gone to sleep and just awakened.”
“I never knew such things were possible,” Gran’pa exclaimed,
“until we came here, to the Magical Land of Noom!”
“Don’t you live on the Moon?” the Beautiful Girl asked.
“No,” Gran’ma answered, “we just came to the Moon. We live
upon the Earth, and we shall be very glad when we can get back
there, too, I tell you!”
 “Why don’t you return to the Earth?” the Beautiful Girl inquired.
“Old Jingles, the Magician, took our Flying Boat!” said Gran’pa.
“And we are trying to escape from him now, or get our Flying Boat
back, or do something, so that we can return to the Earth.”
“Listen!” the Beautiful Girl cried suddenly. “What was that?”
“It sounded like thunder,” Janey said. “There comes the storm
cloud!”
“Let us hasten!” the Beautiful Girl cried. “Perhaps we may find
shelter somewhere!”
So, catching hold of hands, they all ran as hard as they could
until they came to a village.
“Here’s a good place!” the girl cried, as she ran in at an open
door.
They reached shelter none too soon, for the storm was upon
them.
Essa andò diritta verso zia Balbina.
Qualcosa nello sforzo, nell'espressione affranta del passo della
nipote, fece vibrare nell'animo della zia una corda che ben di rado
soleva vibrare in lei. Ed era del pari stanca, come sfinita, la voce che
disse tranquillamente:
— Zia... parto con lei.
La presenza di Viola rendeva impossibile una spiegazione.
— Certo — disse soltanto zia Balbina — che bella sorpresa!
E partirono assieme, veramente.

*
* *
Solo più tardi, alla stazione di Pisa, quando la cameriera scese per
andar a prendere qualcosa per le signore rimaste nel vagone, zia
Balbina si rivolse ad Elisa:
— Vieni da me — ben inteso!
— Sì, per qualche giorno.
La zia trattenne una smorfietta; avrebbe preferito una misura più
radicale. Stava per dire. — E poi? — ma si trattenne con uno sforzo
così tradito e così meritorio che Elisa ebbe un pallido sorriso.
— Andrò alle Celle per una settimana o due. Poi farò un giretto a
Milano, sui laghi, dai Plana forse, non so.
Zia Balbina non fe' commenti. In fondo il suo scopo era ottenuto. E
l'istinto del suo vero buon senso le suggeriva di lasciar in pace sua
nipote e di non provocare spiegazioni.
Il treno correva, celere, per l'ammirabile paesaggio alpestre della
linea Firenze-Bologna.
Le due signore e la cameriera occupavano una carrozza riservata, e
non avevano a temere moleste intrusioni di viaggiatori. Nessuna di
esse parlava. Viola per un eccellente motivo, perchè dormiva. La zia
Balbina, comodamente rincantucciata in un angolo, soccombeva
gradatamente alla stessa tentazione, ma la sua posa era dignificata
dal giornale: L'Univers, che tuttora trattenuto fra il seno e le braccia
incrociate, le copriva buona parte del volto.
Il rombo cadenzato del treno scorrente sulle rotaie metteva nell'udito
come l'impressione di una melopea, ripetuta all'infinito, il solfeggio
ritmico di un eterno ritornello musicale.
Sulle ginocchia di Elisa stavano libri e giornali, ma ella non leggeva.
Voltata di fianco, nel suo angolo, teneva la fronte poggiata al
cristallo della finestrina, seguendo collo sguardo abbandonato la
vicenda incessante degli splendidi quadri del paesaggio, alternati ai
bruschi periodi di oscurità prodotti dal passaggio nelle gallerie. Fuori,
all'aperto, era la primavera montanina, ancora un po' in ritardo e in
tutta la delicata poesia dei suoi primordi. Sui declivi dei vecchi sterri,
sulle balze, dovunque, nell'intenso del primo verde, era una matta
sterminata fioritura di primole, d'anemoni, di viole. Poi, ad un tratto,
la notte soffocante, il cupo rimbombo delle gallerie, col loro senso di
isolamento, di tenebra, di caos.
Elisa aveva tanto pensato la notte scorsa, tanto ragionato, tanto
predicato a sè stessa, che ora, nel suo cervello stanco, i pensieri non
si concretavano più in forma definitiva. Ella aveva solo una vaga
impressione di strazio sofferto, di suprema gioia rinunziata, le pareva
che, quando il treno correva all'aperto, quel tal ritornello nella sua
eterna canzone dicesse sommessamente: con lui, e quando entrava
nel buio: senza di lui. E una volta o due, quando un attrito delle
ruote sulle rotaie produsse nella carrozza una repentina scossa
oscillatoria, una grossa lagrima che Elisa non sapeva di avere
tremolante sul ciglio, se ne spiccò bruscamente, e andò a cadere
sulle inerti mani di lei...
 XIV.

La contessa Elisa Serramonti possedeva parecchie ville.

La più importante, la vera tenuta della famiglia, era nella Liguria,
sulla Riviera, ed ella soleva passarvi l'estate. L'autunno lo spendeva
per lo più in qualche viaggetto all'estero, ma trovava sempre una
ventina o trentina di giorni da dedicare alle Celle.
Come possessione, le Celle non avevano grande importanza. Era un
piccolo ed antico convento di suore, che il padre di Elisa aveva
comperato, quasi a caso, per una subita simpatia del luogo
pittoresco, lontano da cittadi e da villaggi, come la dimora del Sonno
nell'Orlando Furioso. L'acquisto era stato fatto negli ultimi anni della
sua vita e coll'idea di formarsene una specie di romitaggio, destinato
all'assoluta quiete ch'egli desiderava pei suoi studi storici. Senonchè,
un'altra quiete, la più assoluta, la più infallibile fra tutte, aveva tosto
sopraggiunta quella gentile anima di gentiluomo.
Egli aveva detto un giorno ad Elisa che le Celle dovevano essere
lasciate così precisamente, col loro carattere di piccolo chiostro
antico, e l'amoroso culto di tutto ciò che era stato un pensiero del
padre era in questo caso l'avvaloramento di quanto le avrebbe
inevitabilmente suggerito il proprio senso estetico.
Non aveva recato alle Celle nulla dell'elemento mondano e della
moderna eleganza di comfort, che soleva essere altrove come un
indispensabile quadro della sua finissima personalità. L'antico
chiostro colla sua cappella tuttora ufficiata da un cappellano, titolare
del beneficio mantenuto dalla contessa, se ne stava in cima ad
un'altura contornata da monti, che gli formavano al nord uno sfondo
skipped, although the case study in Chapter 7 involves reading from a file,
a topic that is covered in Chapter 6 .

The following is a dependency chart for the book:

Supplements
[Link]

Answers to all self-check problems appear on our web site and are accessible
to anyone. Our web site has the following additional resources for students:

Online-only supplemental chapters, such as a chapter on creating

Graphical User Interfaces
Source code and data files for all case studies and other complete
program examples
The class used in the optional graphics Supplement 3G

Our web site has the following additional resources for teachers:

PowerPoint slides suitable for lectures

Solutions to exercises and programming projects, along with homework
specification documents for many projects
Sample exams and solution keys
Additional lab exercises and programming exercises with solution keys
Closed lab creation tools to produce lab handouts with the instructor's
choice of problems integrated with the textbook

To access instructor resources, contact us at

authors@[Link]. The same materials are also
available at [Link] To ask other
questions related to resources, contact your Pearson sales representative.
MyLab Programming
MyLab Programming is an online practice and assessment tool that helps
students fully grasp the logic, semantics, and syntax of programming. Through
practice exercises and immediate, personalized feedback, MyLab
Programming improves the programming competence of beginning students
who often struggle with basic concepts and paradigms of popular high-level
programming languages. A self-study and homework tool, the MyLab
Programming course consists of hundreds of small practice exercises
organized around the structure of this textbook. For students, the system
automatically detects errors in the logic and syntax of code submissions and
offers targeted hints that enable students to figure out what went wrong, and
why. For instructors, a comprehensive grade book tracks correct and incorrect
answers and stores the code inputted by students for review.

For a full demonstration, to see feedback from instructors and students, or to

adopt MyLab Programming for your course, visit the following web site:
[Link]/mylab/programming

VideoNotes
We have recorded a series of instructional videos to accompany the textbook.
They are available at the following web site:
[Link]

Roughly 3–4 videos are posted for each chapter. An icon in the margin of the
page indicates when a VideoNote is available for a given topic. In each video,
we spend 5–15 minutes walking through a particular concept or problem,
talking about the challenges and methods necessary to solve it. These videos
make a good supplement to the instruction given in lecture classes and in the
textbook. Your new copy of the textbook has an access code that will allow
you to view the videos.

Acknowledgments
First, we would like to thank the many colleagues, students, and teaching
assistants who have used and commented on early drafts of this text. We
could not have written this book without their input. Special thanks go to
Hélène Martin, who pored over early versions of our first edition chapters to
find errors and to identify rough patches that needed work. We would also like
to thank instructor Benson Limketkai for spending many hours performing a
technical proofread of the second edition.

Second, we would like to thank the talented pool of reviewers who guided us
in the process of creating this textbook:

Greg Anderson, Weber State University

Delroy A. Brinkerhoff, Weber State University
Ed Brunjes, Miramar Community College
Tom Capaul, Eastern Washington University
Tom Cortina, Carnegie Mellon University
Charles Dierbach, Towson University
H.E. Dunsmore, Purdue University
Michael Eckmann, Skidmore College
Mary Anne Egan, Siena College
Leonard J. Garrett, Temple University
Ahmad Ghafarian, North Georgia College & State University
Raj Gill, Anne Arundel Community College
Michael Hostetler, Park University
David Hovemeyer, York College of Pennsylvania
Chenglie Hu, Carroll College
Philip Isenhour, Virginia Polytechnic Institute
Andree Jacobson, University of New Mexico
David C. Kamper, Sr., Northeastern Illinois University
Simon G.M. Koo, University of San Diego
Evan Korth, New York University
Joan Krone, Denison University
John H.E.F. Lasseter, Fairfield University
Eric Matson, Wright State University
Kathryn S. McKinley, University of Texas, Austin
Jerry Mead, Bucknell University
George Medelinskas, Northern Essex Community College
John Neitzke, Truman State University
Dale E. Parson, Kutztown University
Richard E. Pattis, Carnegie Mellon University
Frederick Pratter, Eastern Oregon University
Roger Priebe, University of Texas, Austin
Dehu Qi, Lamar University
John Rager, Amherst College
Amala V.S. Rajan, Middlesex University
Craig Reinhart, California Lutheran University
 Mike Scott, University of Texas, Austin
Alexa Sharp, Oberlin College
Tom Stokke, University of North Dakota
Leigh Ann Sudol, Fox Lane High School
Ronald F. Taylor, Wright State University
Andy Ray Terrel, University of Chicago
Scott Thede, DePauw University
Megan Thomas, California State University, Stanislaus
Dwight Tuinstra, SUNY Potsdam
Jeannie Turner, Sayre School
Tammy VanDeGrift, University of Portland
Thomas John VanDrunen, Wheaton College
Neal R. Wagner, University of Texas, San Antonio
Jiangping Wang, Webster University
Yang Wang, Missouri State University
Stephen Weiss, University of North Carolina at Chapel Hill
Laurie Werner, Miami University
Dianna Xu, Bryn Mawr College
Carol Zander, University of Washington, Bothell

Finally, we would like to thank the great staff at Pearson who helped produce
the book. Michelle Brown, Jeff Holcomb, Maurene Goo, Patty Mahtani, Nancy
Kotary, and Kathleen Kenny did great work preparing the first edition. Our
copy editors and the staff of Aptara Corp, including Heather Sisan, Brian
Baker, Brendan Short, and Rachel Head, caught many errors and improved
the quality of the writing. Marilyn Lloyd and Chelsea Bell served well as
project manager and editorial assistant respectively on prior editions. For their
help with the third edition we would like to thank Kayla Smith-Tarbox,
Production Project Manager, and Jenah Blitz-Stoehr, Computer Science
Editorial Assistant. Mohinder Singh and the staff at Aptara, Inc., were also
very helpful in the final production of the third edition. For their great work on
production of the fourth and fifth editions, we thank Louise Capulli and the
staff of Lakeside Editorial Services, along with Carole Snyder at Pearson.
Special thanks go to our lead editor at Pearson, Matt Goldstein, who has
believed in the concept of our book from day one. We couldn’t have finished
this job without all of their hard work and support.

Stuart Reges
Marty Stepp
Location of Video Notes in the Text

[Link]

Chapter 1 Pages 31, 40

Chapter 2 Pages 65, 76, 92, 100, 115

Chapter 3 Pages 146, 161, 166, 173, 178

Chapter 3G Pages 202, 220

Chapter 4 Pages 248, 256, 283

Chapter 5 Pages 329, 333, 337, 339, 362

Chapter 6 Pages 401, 413, 427

Chapter 7 Pages 464, 470, 488, 510

Chapter 8 Pages 540, 552, 560, 573

Chapter 9 Pages 602, 615, 631

Chapter 10 Pages 679, 686, 694

Chapter 11 Pages 723, 737, 745

Chapter 12 Pages 773, 781, 818

Chapter 13 Pages 842, 845, 852

Chapter 14 Pages 897, 904

Chapter 15 Pages 939, 945, 949

Chapter 16 Pages 982, 989, 1002

Chapter 17 Pages 1048, 1049, 1059

Chapter 18 Pages 1085, 1104

Brief Contents
Chapter 1 Introduction to Java Programming 1

Chapter 2 Primitive Data and Definite Loops 63

Chapter 3 Introduction to Parameters and Objects 142

Supplement 3G Graphics (Optional) 201

Chapter 4 Conditional Execution 243

Chapter 5 Program Logic and Indefinite Loops 320

Chapter 6 File Processing 392

Chapter 7 Arrays 447

Chapter 8 Classes 535

Chapter 9 Inheritance and Interfaces 592

Chapter 10 667

Chapter 11 Java Collections Framework 722

Chapter 12 Recursion 763

Chapter 13 Searching and Sorting 840

Chapter 14 Stacks and Queues 892

Chapter 15 Implementing a Collection Class 931

Chapter 16 Linked Lists 975

Chapter 17 Binary Trees 1028

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