Trumpet Lyrical and Flow Studies A Collection From Various Sources Based on the Teachings of Vincent Cichowicz Compiled and Edited by Larry Knopp In Conjunction With Vincent Cichowicz, Barbara Butler, and Charies Geyer For Educational Purposes OnlyFORWORD These studies are an important medium in which to develop a free, exible production of sound upon which all aspects of trumpet technique depend. It would be a mistake to view them solely as a means fo develop finger dexterity, Herbert L. Clarke. who deplored so called “Jong tone” studies, espoused the practice of material with movement instead of long tones (ie; Technical Studies) and is the forefather of this concept, These studies are an extension and elaboration of this Principle. They are most effective when practiced at moderate speeds, taking care to produce a clear flexible sound, and that the connection of the notes be smooth and without distortion. I view finger dexterity as a collateral benefit rather than the main purpose of these eludes. Further benefit may be had by utilizing varied articulations and transpositions, vc.Slurs - Group A Tempo Ad Libitum i be a© William Fielder 1988 Mat Mubings Aporos vel - : Descent Crom. by 1/2 steps 1H de Sn : 2 | S L i r© William Fielder 1988Slur Exercises V.Cichowicz (1972) Stanton F I = ee Blow Very Full—— = 7 7 = == é te So Be - eet = Fat hay = = =e eS8 a f a a > 4% — === os Pt == ee SS = DS. al Fine ~ D.Gatti 2 2 2 2 =Altegre mosso. 235 mf terse BAGANTZ — —_—_—‘BREE RE & & 4 a 4 gS "8 24252 8 _ 10 P eres, —— (Cont,)nrOTrTrlUC CUCOrhrTlCU OrlUC Oc CUTPHGATTER Tm 12nz nf OED (COA SO oo oePresto (= 132) = err 2s a , PT sempee legateoo tf x : Allegro =, aot ereae* (Cont,) “ans iy: i Ble |ae ae Con moto.a a2 f@ 207 EF20 Moderato. “4 =a ea Ss 2 2 8Presto Wf ya Ey gm SS t ag ao See SS sempre legate ~~ — tf . string & tempo. = EOE tie tas [oe23 = eee pas Rh be wie bo rialog thot he bes 2 SSS calands = —_ SS ee Le | |a. Vivace mUeAy == = z SE SSS Pe leggero 2 ee Tt = jo SS ee Se eS 7Fine, a “eas een ae PSPS Reese D.S. of Fine,26 1Presto at fe = oy Ke > = Parse: att SSS ee e Toe xt = qe erie Tee Gee pe apo ieee = == oS28 Agilmente Fipocsas KOAAP I feSC go etre ———— SS SS ed ome ae = = — a = = 7 aaef articulationspoco resc, 36 Scherzo . P - ————— rd ‘aim ; : = a a a (Cont.)Shes gevesereoe p= z Fa aoeC MAJOR Allegro moderato (ket.4. 120) Z % x is Seo Se ae Sa “P P = ‘ = ees Sag Fe a IT SS SS SSe = ses c% =v ¢= SPST EE tae pa tg Pp et > v= = a 7 _ TFTR$THHHw®y#@w7#f©40 Allegro v f = SSS aris Spt on aaa etre ~ <=: Kote tote = a EEE Es arya ea tes aad aes sModerate (M.M. 15: = rs ’ —s44 Scherzo, ee Fae ee oeera fe fixie rot a ieaP oe] = TAllegro moderato, faba = dolce (sweetly) , PTFPoeEenrtenmnmthm fwAllegretto. 47 AS Se = pare theterete Pes parr eer —= > aaa dere eae sees ae poco classes tere | 2 1Mlegretto non troppo. Galbay 3 ==>, —===— eS. SS hp os SS SS49Legato molto Pe EP PeeAllegro con spirito SSE Seer eS me,BANGKOK‘Tempo di Valse diz an pT rHaTFRterHtEeft=(fet, d= 80)AppassionatoCommodo (¢-+ 50)57 1. BEHCEHBOPE Allegro moderato [Ynepexso cmopo} fee =—=—=>>_ wae Le —=H. RATSEP Commodo [CaoSozno, renpamyxénao) fPresto w a — a rai pp nr lc OUP OZ,60 Allegre giusto coy 2 SS eS SS SS Fa af Sia ye veeeicerer reese = at Tempo! Rao SSS : == nea eee ae eareeebearesriiaees i SS =—S= oe £e eS Leg eee Sera i Z —— 7 _S_ acee eee ‘ - Ee ee 2S See Se Ss se phetobe — Se as SSS a —= det aeioy, tinh alabe = ae we aero geeks eee bo : SaaS SSS —= atte | - a ene)Moceato det! A == ee, ile Fie 2 =Pnergdipe seme . » ei a Ss Sa eS ee = — Bear See goes = ae goer SS ea art et Sa ite oS aa 72S SSS en ia — tie SSS ne Sb ao a re oe cet Una GC i. Fag epee er ane, 5 ee prea cep Pi RES ep eee2 ——— = isi Die $ ee ee eS & ——= woe Ee : = paaeat teAndante 4 este soeterts a ws Te SFXAllegro =] = See@ -— nreneiege & =’ ‘j 4= (Met. dat38) ea ee Seer sip cteyets Se —— —————— : SSS === SS SS SS = owe eee dares greg Se ——— Z of , | xiii aes : a> ga SS eg HEAllegro non troppo 4-96Met. dene 7 4 ee a ara Fee ererer Ser # Sa, #@ Bae Se eS. Tempo di Valse Fipocaas KOAAP IK a i = Z9 Commodamente (Leisurely,- easily) Je 60-72 : i a Pair ee fp 5 SE Se ie eee « = Ce ee : ‘ ape Se | i cas - FAndantino JSF4.60 plese = = . f DP espressiveAndante 82Andante J=ca.88 B——e 84 SONATA Trumpet unaccompanied JOANN SEBASTIAN RACH adapted by James Mckee ae = — 2S SSS = . oes — Ir f = ho 5 + ial es Se =e a OCoryrien 1978 by the tmternstional Trumpets Gail AW eapaIe sererved. Ubed by permission,‘This transcription, of the Adagio from Bach's Sonata No. 1 in G minor (for solo violin) was done by James McKee while he was a student of mine at Indiana University, The change of key (o E minor is appro- priate for B-flat or C trumpet. This transcription serves 2 pedagogical rather than a soloistic purpose. Through the inherent beauty of Bach's melodie writing, the Adagio can be used to develop musical sen sitivity (o phrasing and endurance. Thave fotind this piece useful to my students, and throveh,this IG publication and Mr. McKee's willing: ness to share this transcription, it is hoped that many others will enjoy this work —-Charles Gorham, Professor of Trumpet, Indiana University The Intemational Trumpet Guild, copyright owner of this transcript, grants permission to the general public to make any numiber of copies of this work as long as our copyright notice is affixed,ee (Pp tres égal. Very equal Sebi gleichaissty 3 z A = nm Be Se ——_ wee ae = apg gee ee ee lanrement7 == —-~-S GRRE TT & Larghetto oo {moto cartabile = q ——_——_- Ff ——~» S,~ #——# bel, — sel —~ , pe 0 poco cin poco a poco ores f ‘ e (poco a poco cresc. par) ome Foe , ~ = hf poco a poco dim. ppAdagio P coleI ae achn as as sea aes! lUmelUC CC CU CUhv hE RSE eeeAndante con espressivo ae péolee See 2 tempo —— et Tempo 1 FEES x F Ci i= =— Se elt, ERS] x =Cantabile con espressivo |Adaglo (Meqaennol Sa S=] E.BAADTED >" CF 2 = | i l i) \[b | — 2 SSS ft ope Eos f # S ad f cresc. i = ranen “Gk A Fe f=e Tt} £ x =| | ; TOF van esprnesione f ae oa —— Spe == mt —=—_ 7 + be si Se SS nf crese. Lf ° =—=—_—=——_> oe crese ia Hoamopumn ¢ naeaaa 60 caged, loner” - — alll @SOG@EeS8e«@ @ 8 BSB SB -—- SB — — — SB KBR BA95 Adaglo (Moxzennol B. MAADTER —= TORTI me [e enndyuraronuesn} P aS, ———__ pfrase. nt = o-oo om een. KAligEP: HE I Uh fs tt 1 SSess SERS SS + + Ff dotea (nexeno)Andante (iteropoununo} B. 97 BARICEDIN xe ie ptDpaimenRmRtPenmnErkhhnt =98 Lento (Meanenno} B. BAAD EDI CSF =| doled (resend) allargandor premnpmay = R= @D. BAKE DIN Andante con molo Meroponsuse, xo monunacra} (at “oe ? ———— = r Saf dolen (unsexa) = aif doten (uaxwe) Seseaeaa = Ete rf 991. BARKED Andante con moto (icroponrioo, 10 ™ a | (= LLaE ies ELA i" _ Pagtee (nasenn) ~ Ges = : eeyo sane TRA Lento (Meg etna} 7S Po erase cresc, ——> fee — Pp = == erase. a tempoBe BAAD NI Etmes | Lento (Monacuno) = ty aE SE . Pvate see a gostenvel = Fy, - Ei re = _ =e slringendo (yenopaay f 4 on : erent we ae ETLento (Mexnenno} ewe Pele =e SaaS € nf . dolea po eee eae a Lempo ate - Hoyas of $e LG SS |104 . ! Lento (Meqaenno) nh, DAAKEDHT i 3 = eft Z— pFU accclorando (ycnopaay a —o—©. nEticnndOh Andante con moto (Keropoitanno, no nogni xno) eS Daryessionaty Capen -