Film4
Off-air Identity Style Guide
Film4 style guide contents
1. On-air identity style guide
2. Off-air identity style guide
2.1.1 The Logo
2.1.2 Logo keyline
2.1.3 Logo position
2.1.4 Isolation area
2.1.5 Logo misuse
2.1.6 Colour
2.1.7 Billing block alternative logo
2.1.8 Typography
2.1.9 Film4 font
2.1.10 Size
2.1.11 Headline colour
2.2 Print and Poster Advertising
2.2.1 Writing copy
2.2.2 Writing numbers
2.2.3 Advertising signature
2.2.4 Logo position and size
2.2.5 Typography
2.2.6 Headline type position
2. Film4 Off-air style guidelines
The term off-air defines anything
that is produced by Film4 not
shown on television/DVD/cinema.
The first section of the guidelines
describes the broad principles of
the off-air identity.
The subsequent sections describe
in more detail how the brand is
implemented in different areas.
2.1.1 The logo
Where possible the Film4 logo should
always appear in Red but in situations
where colour cannot be used it can
appear as a mono in Black.
The ‘Film’ and ‘4’ of the logo should
always be white and can never be
transparent.
At no time can the logo appear in grey
or as a tint of the red.
Logo size
The Film4 logo has been designed to
reproduce at a minimum height of 8mm.
There is no maximum reproduction size.
8mm
2.1.2 The logo Keyline
The logo should always be used with
a white keyline.
The keyline weight cannot be altered
from the logo provided and therefore
should always be 33% (one third) of
the line width of the white ‘4’.
On a white background the keyline will
become invisible.
33%
2.1.3 The logo position
Where possible, in print, the Film4 logo
should always appear in the bottom
right-hand position of the page.
It should be placed NO closer than
10mm from the trimmed edge.
2.1.4 The logo Isolation logo
The Film4 logo should always be
surrounded by a minimum 5mm area
of space. The area is a minimum and
should be increased wherever possible.
The area of isolation ensures that
text or other visual elements do not
encroach on the logo.
10mm
2.1.5 The logo misuse
As a key representative of the brand,
it is important that the appearance of
the logo remains consistent. The logo
should not be misinterpreted, modified
or added to in any way.
It must never be re-drawn or adjusted
and should only be reproduced from
the artwork provided.
To illustrate this point some of the more
likely mistakes are shown.
Do not use the logo without the box Do not distort the logo Do not use without the keyline
sponsored by
Do not use a different red Do not outline the logo Do not place text on the logo
Do not use grey Do not use a tint of the Film4 red
2.1.6 Colour
Film4 uses red as its core colour and
black if the logo must appear as mono.
No other variants of red can be used
for the logo.
A warm grey can be used for design
elements but should never be used
for the logo.
Pantone 186 C0 M100 Y90 K10 R163 G0 B0 Web 99 00 00
Pantone Black 6 C98 M40 Y0 K100 R0 G0 B0 Web 00 00 00
Pantone 5315 C0 M0 Y3 K10 R211 G210 B222 Web cc cc cc
2.1.7 Alternative logo – for Billing block only
When used in a billing block the logo will
have to appear extremely small. In this
instance only, the alternative logo
should be used to increase the legibility
and presence of the mark.
This version of the Film4 logo must not
be used in any other situation other
than billing blocks.
Both mono and 4 colour versions are
supplied in positive and negative.
2.1.8 Film4
The ‘four’ in Film4 should always be
a numeral and both the word and letter
must sit together without a letter break.
Below is the correct title for the channel.
Correct title
Film4
Incorrect titles
Film 4
FilmFour
2.1.9 Typography
A bespoke typeface has been designed
to be used throughout the channel. It is
called Film4.
Film4 is supplied in the Open Type
Format and is therefore supported
by pc and mac.
Film4 is a clean, modern font and has
been supplied with the following weights
for off-air use:
Film4
abcdefghijklmnopqrstuvwxyzßæoeABCDEFGHIJKLMN
OPQRSTUVWXYZÆOE&0123456789*#@+<=>'"÷±%
‰⁄?£$€ƒ¥¢,.:;...“”‘’«»‹›·‚„!?¿¡(/)[\]{|}®©TMÄÅÂÁÃÀ
ÇÉÊËÈÍÎÏÌÑØÓÔÒÖÕÜÚÛÙŸáàâäãåçéèêëíìîïñøóòôöõ
ùûüÿ†‡§ao¬•¶ı°`~^ˆ?•-–_
Film4 Bold
abcdefghijklmnopqrstuvwxyzßæoeABCDEFGHIJKLMN
OPQRSTUVWXYZÆOE&0123456789*#@+<=>'"÷±%
‰⁄?£$€ƒ¥¢,.:;...“”‘’«»‹›·‚„!?¿¡(/)[\]{|}®©TMÄÅÂÁÃÀ
ÇÉÊËÈÍÎÏÌÑØÓÔÒÖÕÜÚÛÙŸáàâäãåçéèêëíìîïñøóòôöõ
ùûüÿ†‡§ao¬•¶ı°`~^ˆ?•-–_
2.1.10 Typopgraphy
Type should never appear below 5pt. Body copy should always be set using
There is no maximum limit to type size. Film4. As this is a condensed font, body
copy requires more leading and should
Headlines should always be set using be determined by the folowing equation:
Film4 Bold and always in caps. leading = font size +3pt
As they are to appear this way the leading for example:
for headlines should be determined by the font size = 8pt
following equation: leading = 11pt
leading = font size -5pt
for example:
font size = 70pt
leading = 65pt
GREAT FILMS
YOU KNOW
Sub headers or tx details look good in Film4
but words can be picked out in Film4 Bold.
Body copy set using Film4. It is 8pt type with 11pt Curabitur massa justo, pellentesque nec, gravida nec,
leading. Being a condensed font the extra points in hendrerit nec, orci. In purus est, ullamcorper mattis,
the leading helps its readability. semper in, convallis a, eros. Praesent dignissim orci et
tellus. Mauris justo ligula, nonummy et, interdum vitae,
Lorem ipsum dolor sit amet, consectetuer adipiscing elit. elementum non, felis. Suspendisse consectetuer dui at
Sed ut eros vel mi tempor condimentum. Ut nec sapien urna bibendum vestibulum. Ut purus tellus, feugiat vel,
eu sem sollicitudin sollicitudin. Duis tortor arcu, tincidunt pretium sed, vehicula sed, sem. Vestibulum congue
sit amet, consequat sed, lacinia volutpat, sapien. Nam viverra elit. Sed a metus porta justo lacinia interdum.
scelerisque tincidunt magna. Ut eleifend enim a mi. Fus Sed vel nisi. Nunc molestie dolor a lectus. Sed nibh mass,
ce consequat luctus ante. In luctus luctus eros. Duis nulla volutpat eget, rutrum a, tempor tincidunt, enim. In hac
justo, rutrum et, cursus vitae, rhoncus eget, elit. Pendisse habitasse platea dictumst. Praesent lectus metus, tinc
potenti. Proin a turpis nec magna rhoncus vulputate. idunt faucibus, interdum sed, tempor a, augue. Quisque
Fusce tincidunt, orci a porttitor vulputate, turpis ante hendrerit aliquet libero. Maecenas purus. Donec aliquam,
consequat augue, sed congue neque nunc eu magna. diam et semper tempor, dolor nisi tincidunt est, acvest
Mauris cursus lobortis nisl. Phasellus nec ipsum ibulum enim metus vel enim. In mattis feugiat tellus.
2.1.11 Type colour
Headlines should always appear in black,
white or red depending on the colour of
background they are sitting over.
Key words or sentences can be picked
out in one of these colours. There doesn’t
always have be an even split but there are
occasions when this will work better.
JUDE LAW
GETS UGLY
Road To Perdition Saturday at 9pm on Film4
FILM4 IS
NOW FREE
2.2 Print and poster advertising
The following section is a guide
to implementing the new identity
in the medium of print advertising.
2.2.1 Writing copy
The web is written lower case. Other No full stops in acronyms or after initials. em dash (—)
common technical terms are styled as Captions do not have full stops at the end. Sometimes used in place of a colon
follows: CD-Rom, email, voicemail, hi-tech, as punctuation (the work was completed
hi-res, 3D, voiceover, worldwideweb, hyphen (-) — all things had been revised).
website, dotcom. used for words that are broken over two
lines or for fractions (two-thirds) or to Ellipses
Job titles should be written as lower case: join two words (part-time). Avoid hyphens Three points with a small space either
creative director, executive producer at the end of lines in range left copy if at side which signify a missing word...
all possible.
It is preferable to use ‘and’ within text To keep the text area as even as possible
rather than the ampersand (&). en dash (–) it is preferable not to use quotation marks
used in place of ‘through’ in numbers to signify the title of a film. These can be
(10–25) or other measurements of signalled by the use of CAPS.
time (May–June).
...“” ‘’
<>,?!
-–—
2.2.2 Writing numbers
The ‘four’ in Film4 should always be Weights, times, measures and dates
a numeral. should be stated numerically.
However, in general one to ten are to be Add an ‘s’ to numerals and dates to
written out: one, two, three, four, five, six, pluralise them: 1940s, B-52’s
seven, eight, nine, ten.
Four figure numbers don’t have commas.
Number 11 onwards should be written Larger ones do:
in figures: He was 12 years old. 1750 and 50,000
All numbers at the beginning of sentences Decades are written as 70s, 80s, 90s.
should be written out: Two million years ago. Centuries are written as nineteenth
century, twentieth century.
12345
67890
2.2.3 Advertising signature
The url should always be used when there Programme information must
is relevant and corresponding information always be represented in the order
on the Film4 website. The url should of day_date_month_time.
always be range left and can move up
and down the left hand side of the page Abbreviations are allowed in the
to accommodate imagery. following combinations:
It must always be the smallest piece Monday 3 January at 9pm
of information (in size) on the page. Mon 3 Jan 9pm
However care must be taken to maintain 3 January 9pm
the URL’s visibility. 3 Jan 9pm
url construction
channel4.com/film
Poster scheduling examples
Road to Perdition Saturday 26 August at 9pm
The British Connection Tuesdays 11pm
2.2.4 Logo position and size
The logo should retain the lower right The size of the logo is determined by the BILLBOARDS
postion in any off-air advertising format. size of the advertisement. When positioning the logo on 48 or 96
sheet billboards, the right-hand margin
The logo should be placed equidistant LANDSCAPE ADS must be increased to avoid being
from the bottom and right-hand edges. The logo size is calculated as a fifth trimmed off after posting. It is essential
These margins should be a tenth of the of the total height (y). that print specifications are obtained
width of the advert. logo height = 15% poster height before the artwork is produced so that
sufficient margin for error is worked in.
Body text/tx details are left aligned at an PORTRAIT ADS
equal distance in from the left-hand edge. The logo needs to be smaller to avoid
clashing with type.
When advertising is placed on left-hand logo height = 12% poster height
pages in a magazine it may be necessary
to nudge the logo to avoid the fold.
12%
15%
text margin 15%
2.2.5 Typography
There are four levels of typographic
hierarchy:
1. Headline
2. Programme/film title
3. TX information or qualifying statement
4. url or channel details
Ads can exsist with or without a headline
but when set without consider the film
title as a headline.
BRUCE
GOES
BLONDE
FILMS TO SEE BEFORE YOU DIE
Catch the first part of Ford Coppola’s award-winning
The Fifth Element tonight at 9pm trilogy The Godfather, tonight at 9pm.
channel4.com/film channel4.com/film
2.2.6 Headline type position
Headline size can vary depending on For portrait ads the headline copy can
the size of the advertisement and the move up and down the left hand margin
imagery used. However it should be but for all ads or posters that incorporate
larger than the rest of the copy on the the large positive 4s, the headline should
page and always in caps. follow the angle of this design element.
m4
t on Fil
onigh
9pm t
BRUCE
GOES
BLONDE
BRUCE
GOES
BLONDE
The Fifth Element tonight at 9pm The Fifth Element tonight at 9pm
channel4.com/film channel4.com/film
2.2.7 Imagery
Film4 should always produce engaging, original In some situations, the imagery provided
and eye-catching advertising solutions. Images by the film companies may not be that
and headlines should reflect the cool, edgy nature stimulating and this can be helped by
of the channel. using a red tint over the top.
However there will be occassions when film stills Using dramatic and unusual crops of an
must be used. On these occassions the ‘four’ from image can also make the composition more
the on-air animations must be integrated into the interesting.
design, either as a positive or as a negative.
A library of these shapes has been created for
such usage.
shape used as a positive for large media
shape used as a negative for portrait ads shape used as a positive for landscape ads
2.2.8 Black and white reproduction
When full colour repro is not possible,
monochrome printing of the logotype
is acceptable.The black logo with a white
keyline must be used at ALL times and can
never be reversed out.
When the logo and type are placed over a black
and white image, extra care must be taken to
ensure legibility. Darkening panels may help this.
