LECTURE 11

Art and History

DR. ALLAN C. ORATE, UE

UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
 OBJECTIVES
a. Relate the study of art to the field of History

b. Survey the historical development of styles or

movements in Western Art.

c. Identify artworks and artists who were major

proponents of art styles.

d. Compare and contrast the various styles of art.

e. Show the history of Western art by means of a

timeline.

f. Create a timeline for Philippine art history.

g. Explain the theory of the death of art.

DR. ALLAN C. ORATE, UE
h. Formulate a historical approach to Art Appreciation.
UE. DR. ALLAN C. ORATE
 READINGS
1.1. “Art History Timeline,” in [Link]/artinsight/
media/[Link].

11.2. Guillermo, Alice C. “Philippine Visual Arts,” in http:

//[Link]/CC01/NLP00VM052mcd/v3/[Link].

11.3. Danto, Arthur (1999). “Hegel’s End of Art Thesis,” in

[Link] pt/Danto%20hegel%20end%
[Link]

DR. ALLAN C. ORATE, UE

UE. DR. ALLAN C. ORATE
 VIDEOS
11.1. “History of Ideas: Art,” in [Link]
com/watch?v=z7ECzdu UWx0.

11.2. “Xiao Time: Mga Interpretasyon sa Parisian Life

ni Juan Luna,” (2015). Part 1, in [Link]
[Link]/watch?v=RUDbg_QEy2M, Part 2, in
[Link] PgU.

DR. ALLAN C. ORATE, UE

UE. DR. ALLAN C. ORATE
 LECTURES

11.1. Styles of Classical Art

11.2. Styles of Modern Art

11.3. Styles of Postmodern Art

11.4. Philippine Art Styles and Movements

11.5. Theory of the End of Art

DR. ALLAN C. ORATE, UE

UE. DR. ALLAN C. ORATE
 STYLE
Mood or Temper
of the Artwork

Determined by
history (time and place), by
the personality of the artists
as well as by the theory of art
HISTORY OF ART
PREHISTORIC ART
(25,000 to 3,500 BC)
Cave Paintings

NON-WESTERN ART
(Beginning 3,500 BC)
Egyptian, Chinese,
Indian, Islamic,
Philippine

WESTERN ART
(Beginning 600 BC)
European and American
 HISTORY OF WESTERN ART
Based on the Development of Movements and
Styles of Art with emphasis on Painting

THREE MAJOR PERIODS

Classical Art
(Beginning 600 BC)
Modern Art
(Beginning 1870’s)
Postmodern Art
(Beginning 1950’s)
CLASSICAL ART
Classicism
Medieval Art
Renaissance Art
Mannerism
Baroque
Neoclassicism
 MODERN ART
Impressionism
Expressionism
Pointilism
Art Nouveau
Fauvism
Surrealism
Cubism
De Stijl
Suprematism
Dadaism
Ready Made Art
Abstract Expressionism
Color Field Painting
Pop Art
Op Art
 POSTMODERN ART
Installation Art and Conceptual Art
Environmental Art or Earthwork
Performance Art
Computer or Digital Art

PHILIPPINE ART
Prehitoric Art
Indigenous and Folk Art
Religious Art and Secular Art
Romantic Realism
Abstraction and Modernism
Social Realism
Magic Realism
 LECTURE 1.1
Styles of Classical Art

DR. ALLAN C. ORATE, UE

UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
Before 600 BC
Prehistoric Art HISTORICAL OUTLINE
Mesopotamian OF WESTERN CLASSICAL ART
Babylonian
(FROM 600 BC TO 1800’s)
Egyptian Art

.
600
.
300
.
1400
.
1600
.
1800

CLASSICISM MEDIEVAL ART RENAISSANCE MANNERISM NEOCLASSICISM

ART BAROQUE
GOLDEN AGE Fall of the Onwards to
300 BC Roman Empire Humanism Napoleonic Modern Art
and Rise of the War
Greek and Christian Church
Roman Art
Christian Art
 CLASSICISM
Beginning 600 BC
This is the style found
in the ancient
Greek and Roman
sculptures.
It is an idealist
imitation of the
beauty and
perfection of the
human body.
The sculptors were
Praxiteles, Polycritus
and Myron.
 DORIC IONIC CORINTHIAN

In architecture, classicism is found in the 3 Greek Orders,

and the additional 2 Roman Orders, indicated
by the designs of columns.
TUSCAN COMPOSITE
This style has religious subjects, and applies flat
projection. The church is the patron of art. The
art forms are mosaic, stained glass paintings,
illuminated manuscripts and calligraphy.

MEDIEVAL ART
Beginning 300 AD
The noted
paintings are
the frescoes
by Giotto de
Bondone
Book of Kells, 800 AD FINEST WORK OF CALLIGRAPHY
 Facade
of Notre
Dame
Cathedral,
1190-1240
Rose Window,
Notre Dame
Cathedral
RENAISSANCE ART
Beginning 1450
Revival of ancient Greek and Roman Art
Discovery and application of perspective
Applied chiaroscuro and sfumato
Triangular Composition
Religious and secular subjects
Patrons of art: The church
and wealthy families
The highest development of art in
the Western world.

Early Renaissance: Boticelli

Flemish School of Painting: Van Eyck
High Renaissance: Florentine School
of Painting: Donatello, Leonardo
Michelangelo, Raphael
Straight Lines and Symmetrical Balance
LINEAR PERSPECTIVE
Michelangelo, Sistine Chapel Ceiling Painting, 1508-1512
The highest development of art in the Western world
 MANNERISM
Beginning 1520
This is an alternative
style to Renaissance
Art. Representations
are stylized with
elongated figures and
usually religious
subjects

Mannerist paintings
are those by El Greco
or Dominikos
Theotokopolus.
 BAROQUE
Beginning 1550
Various subjects presented in highly
realistic way. Application of deep
chiaroscuro. Dominance of curve lines
to suggest motion.

Rembrant van Rijn

Giorgione Castelfranco
Peter Paul Reubens
Jan Vermeer
 Jacopo Tittoretto, The Last Supper, 1592
The curve lines and the diagonal thrust suggest motion
 The sunlight passing
through a window
and entering the
interior of a house, is
typical in Vermeer’s
paintings.

Vermeer
The Milkmaid
1657
 Vermeer
The Music
Lesson
 Vermeer
The Scientist
 Revival of Renaissance & Classical Style
Subject: Ancient Western society
Highly Realistic Representation
Technique: Deep chiaroscuro
Academic art and the Salon
Strict adherence to rules of painting

NEOCLASSICISM
Beginning 1700

Jacques Louis David

Jean Auguste Ingres
Juan Luna
Guillermo Tolentino
David, The Death of Socrates, 1787,
Luna, Spoliarium, 1884, 14 x 25 Feet

NEOCLASSICISM: Academic Art

 LECTURE 1.2
Styles of Modern Art

DR. ALLAN C. ORATE, UE

UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
 600 BC-1800 AD
From Classicism thru HISTORICAL OUTLINE OF
Renaissance Art up MODERN AND POSTMODERN ART
to Neoclassicism (FROM 1850 TO PRESENT)

.
1850
.
1905
.
1920
.
1950
.
1990

IMPRESSIONISM CUBISM DADAISM ABSTRACT NEW

READY-MADE EXPRESSIONISM MEDIA ART
Post- DE STIJL SURREALISM COLORFIELD
Impressionism SUPREMATISM POP, OP ART Computer
EXPRESSIONISM Second World Information
POINTILISM DADAISM War (1939-45) Postmodern Technology
FAUVISM INSTALLATION
ART NOUVEOU First World EARTHWORK
War (1914-18)
Industrial Age
 CLASSICAL MODERN
ART ART
400 BC to 1800 AD 1800 to 1960
Idealist, Imitationism, Formalism, Expressionism,
Representationalism Action Theory, Institutional Theory
Governed by conscious reason and Governed by emotion, passion, and
mathematics (Apollonian Beauty) the unconscious (Dionisian Beauty)
Depicts rest and eternity. Conveys motion and passage of
Suggests motion by curve lines time thru pale colors, blur outlines,
and radial balance multi-view and multi-perspective.
Emphasizes the subject Emphasizes the artist and
and art technique. individual expression.
Creates illusion for realistic effect Eliminates illusion so as art
through perspective and chiaroscuro. is to be seen as art.
IMPRESSIONISM
Beginning 1850
Monet Impression
Claude Monet
Sunrise
Paul Cezanne 1872
Auguste Renoir

Beginning of Modern Art

Subjects taken from
everyday ordinary life
Surface filled with
bursting light of the sun.
Pale colors and blur outlines
indicate movement and
passage of time
Monet, Woman
with a Parasol

IMPRESSIONISM
The use of pale
colors and blur
outlines and the
lack of details
suggest motion.
 Art is an expression of
the artist’s emotion.
Unnatural representation
Symbolic use of color
Dominance of curve lines and
distorted facial expressions
for emotional effect
Heavy impasto paints

EXPRESSIONISM
(Post-Impressionism)
Beginning 1880
Vincent Van Gogh
Edvard Munch
Paul Gauguin
POINTILISM (Divisionism)
Beginning 1885

Uses points or dots as

the main visual element.
Based on the principle of
visual mixing. Subjects
taken from the everyday,
ordinary experiences.
Structurally formal and
visually representational.
The main proponent is
George Seurat
Seurat, Sunday Afternoon in the
Island of La Grande Jatte, 1887
 PRINCIPLE OF
VISUAL MIXING

EYE

PIXEL
(Picture + Element)
Computer Graphics

UE. DR. ALLAN C. ORATE

 Made up of four million dots in 77 square
feet. It took Seurat four years to compose.
UE. DR. ALLAN C. ORATE
The name is from the
French fauve that means
“beast”. It uses unnatural
colors for exciting visual
effect. Subjects are taken
from everyday, ordinary
objects. Paintings by
Henry Matisse

FAUVISM
Beginning 1900
 ART NOUVEOU
Beginning 1900’s

Poster-like paintings for advertisement.

Subjects are women in sensual postures.
Linear composition and flat projection.
Paintings by Alphonse Ma. Mucha
 This has flat
projection, and
uses geometrical
shapes. The
subjects are in
multiview to
suggest motion.

CUBISM
Beginning 1905
Pablo Picasso
George Braque
Fernand Leger
Vicente Manansala
Mauro Malang Santos
Ang Kiokuk
PHASES IN PICASSO’S
PAINTING CAREER
1. Blue Period
2. Rose Period
3. Cubist Period
a. Analytic
b. Synthetic
 Picasso
The Old
Guitarist

BLUE
PERIOD
Picasso
Olga
 Picasso,
The Circus
Performers

ROSE
PERIOD
 Picasso
The Circus
Performers
CUBIST PERIOD
 Picasso, Les
Demoiseles de
Avignon, 1907
Picasso
Portrait of
Vollard
 Picasso, Guernica, 1937

HISTORICAL PAINTING
About the bombing of the Spanish town of Guernica by German planes.
Also called Plastic Art, New
Plastic Art or Concretism,
this is a purely
non-objective painting.
It represents subjectivity
not objects, and
uses rectilinear shapes
and primary colors

DE STIJL OR
NEOPLASTICISM
Founded in 1917

Paintings by
Van Doesburg
Piet Mondrian
 Theo van Doesburg
Rhythm of a Russian Dance
1918
 Mondrian
Composition
with Red,
Yellow and
Blue, 1924
 TRANSITION FROM
CUBISM INTO CONCRETISM
Picasso, The Bull, December 12, 1945
Picasso, The Bull, December 18, 1945
Picasso, The Bull, December 22, 1945
Picasso, The Bull, December 24, 1945
Picasso, The Bull, December 26, 1945
Picasso, The Bull, December 28, 1945
Picasso, The Bull, January 2, 1946
Picasso, The Bull, January 5, 1946
Picasso, The Bull, January 10, 1946
Picasso, The Bull, January 17, 1946
Mondrian, Tree
Mondrian, Tree
Mondrian, Composition
Mondrian, Composition
with Gray and Light Brown
 Mondrian,
Composition with
Color Planes and
Gray Lines
Mondrian, Composition A
 Mondrian
Composition
with, Red,
Yellow and
Blue
 Mondrian
Composition
with Black
and Red
 Mondrian
Composition
with Yellow
Patch
Modrian
Vertical
Composition
Modrian
Vertical
Composition
SUPREMATISM
Founded in 1915
Purely non-objective
Represents pure
subjectivity not objects.
Reduction into most
basic shapes and colors.
Painting becomes true to
itself, finally seen as what
it is—a painting

Suprematist paintings
by Kasimir Malevich
 Malevich
Suprematist
Composition
 Malevich
Suprematist
Composition
1914
 Malevich
Suprematist
Painting
 Malevich
Suprematist
Painting
 Malevich
Suprematist
Painting
 Malevich
Suprematist
Painting
Malevich
Eight Red
Rectangles
 Malevich
Black, Red
Squares
 Malevich
Suprematist
Painting
Malevich
Black and
Red
 Malevich
Yellow
Rectangle
 Malevich
Black Circle
 Malevich
Red Square
Malevich
Black
Square
Malevich
White on
White
THE HISTORICAL EVOLUTION OF ARTISTIC STYLES
 DADAISM
Flourished in 1920’s

From dada, a baby-talk word

It is an “anti-art” movement
The purpose is to “shock”.
Creates art by “destroying” art
Seeks to “destroy” established
traditions and past histories to
bring about new social order

Marcel Duchamp
THE TRADITIONAL STYLES OF ART

DADAISM
 Duchamp
LHOOQ, 1919
Fernando Botero
The Mona Lisa
after Leonardo,
1995
The Smoking
Mona Lisa
The Bona Lisa
The Avatar
Mona Lisa
 Dark Lord,
Funny, Harry
Potter Mona
Lisa
 Pirates of the
Caribbean Captain
Jack Sparrow
Mona Lisa
Vin Diesel
Mona Lisa
Rizalina
Nicole Smith
Mona Lisa
Paris Hilton
Mona Lisa
The Indian
Mona Lisa
The Arab Woman
Mona Lisa
 Mio Akiyama,
Mio Lisa Mona Lisa
Marge Simpson
Mona Lisa
Miss Piggy
Mona Lisa
The Big Foot Mona Lisa
Leonardo, Last Supper
Poker Game Last Supper
Battle Galactica Last Supper
Superheroes, Justice League Last Supper
Lego Last Supper
Cartoon Characters Last Supper
Donkey Kong, Video Game Last Supper
Zombie Last Supper
READY-MADE ART
Flourished in 1920’s
Based on the
Institutional Theory.
Anything may be art.
Ordinary objects are put
in the context of art by the
artist’s authority
and power play.

Marcel Duchamp
Judy Sibayan
Judy Sibayan, From Rags to Riches, 1984
 Art is a revelation of the artist’s
subconscious mind (Psychoanalysis)
Reaction to rationalism & romanticism
Emphasizes passion and imagination,
weird, fantastic and dream-like
presented in highly realistic way

SURREALISM (Beginning 1920)

Salvador Dali
Marc Chagall
Giorgio de Chirico
Rene Magritte
Prudencio Lamaroza
 Based on Action
Theory of Painting
Purely non-objective
Sense of freedom
in the act of
painting

ABSTRACT
EXPRESSIONISM
Beginning 1940’s

Jackson Pollock
William de Kooning
Jose Joya
 Branch of
Action Painting
Mass of colors on
the flat surface

Mark Rothko
Gus Albor

COLOR FIELD
PAINTING
Beginning 1950
 OP ART
Optical Art
Beginning 1960’s

Creates optical
illusion. The illusion
itself becomes the
reality in art

Bridget Riley
Victor Vasarely
 Art taken from images in
popular culture such as
commercial labels and
mass products, comics
and cartoons

POP ART (Beginning 1960’s)

Roy Liechtenstein
Andy Warhol
Lichtenstein,
Wham, 1963
Lichtenstein, In the Car, 1963
 Warhol
Campbell Soup
1962
Warhol, Large
Coca Cola,
1962
 Warhol
Green Coca
Cola, 1962
 LECTURE 1.4
Styles of
Postmodern Art

DR. ALLAN C. ORATE, UE

UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
 Exhibition space
transformed into
work of art. Use of
limitless range of
materials arranged
in place

INSTALLATION ART
Beginning 1960’s
Tracy Emin
Christo Javacheff
Damien Hirst
Ai Weiwei
Medio Cruz
Louie Cordero
Ai Weiwei, Forever, 2014
Cordero, My We, 2011
 Art is more the
idea conveyed by
the work rather
than the physical
product. Has an
scandalizing effect
on people, but,
this art made
them think.

CONCEPTUAL ART
Beginning 1960’s
Christo Javacheff
Antonio Mazoni
Yoko Ono Javacheff, Iron Curtain, 1961
Roberto Chabet
 Manzoni, Artist’s Shit, 1961

The artwork is made up of 90 tin cans, each filled with 30 grams of human feces.
As CONCEPTUAL ART, this is interpreted in relation to Karl Marx idea of commodity
fetishism in highly consumerist society. One tin can sold for 124,000 pounds in 2007.

UE. DR. ALLAN C. ORATE

Roberto Chavet, Conceptual Art
Chabet, Conceptual Art
Chabet, Conceptual Art
Chabet, Conceptual Art
 Also called
Earthwork
Natural things in the
environment used
as the media of art

ENVIRONMENTAL ART
Beginning 1970’s
Robert Smithson
Christo Javacheff
Robert Berks
Greenpeace Philippines, Installation art made up of plastic and trash,
Shore of Naic, Cavite, 2017
NEW MEDIA ART
Beginning 1990’s

General term which

includes digital art,
multi-media art,
computer art,
cyber art,
net art.

Pascal Dombis
Lito de Guzman
 LECTURE 1.4
Styles of
Philippine Art

DR. ALLAN C. ORATE, UE

UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
 HISTORICAL OUTLINE OF PHILIPPINE ART
(FROM 800 BC TO PRESENT)

.
800 BC
.
1521
.
1900
.
1950
.
1970

PREHISTORIC SPANISH ROMANTIC MODERNISM SOCIAL

NEOLITHIC ART CHRISTIAN REALISM Cubism REALISM
Angono COLONIAL ART Abstract
Petroglyphs American Expressionism Martial Law
SECULAR ART Colonization Color Field
INDIGENOUS MAGIC
PRECOLONIAL ART Spanish After WWII REALISM
Tabon Cave Colonization Postcolonial After 1986
Ethnic Art Period
Religious
Sculptures
Paintings
PREHISTORIC ART (900 BC)

Angono Petroglyphs
Cave paintings found in
a cave in Rizal Province

Total of 127 animal and

human figures
Declared as National
Cultural Treasure and
World UNESCO
Heritage Site
 Art before the colonial
period by the indigenous
people and ethnic groups
of the Philippines that
has survived up to the
present time.

INDIGENOUS ART
Beginning 800 BC
Expressions of religious Manunggul Jar,
800 BC, Tabon
beliefs, and used for Cave, Palawan
rituals and ceremonies.
Decorative and
functional
 Bulul, Igorot Art

UE. DR. ALLAN C. ORATE

 Ling Ling O, Art of
the Cordillera Group

UE. DR. ALLAN C. ORATE

 Tinalak, Tiboli Art

UE. DR. ALLAN C. ORATE

 Basey, Art of Colorful Mats from Samar-Leyte

UE. DR. ALLAN C. ORATE

Vinta
Badjao
Art

UE. DR. ALLAN C. ORATE

 Okir, Maranao Art
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 Torogan, Maranao Art

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 Maranao Brassware Art

UE. DR. ALLAN C. ORATE

 Burnay Jars
of Ilocos
UE. DR. ALLAN C. ORATE
 CHRISTIAN PHILIPPINE ART
Beginning 1521

Works of sculptures and

paintings that have
developed after the
introduction of Christian
religion by the Spaniards,
with the church as the
patron of art.

Sto. Nino de Cebu, 1521

Black Nazarene
Quiapo Manila
1606
Damian Domingo,
La Sagrada Familia
1820’s
 The art that developed
outside the confines of the
Spanish Christian Church
in the Philippines, mostly
meant for the elite
illustrado class.

SECULAR ART
Flourished in 1860’s

Miniaturismo
Style of Portraiture
Justiniano Asuncion
(1816-1901), Portrait of Letras y Figuras
Romana Carillo
Asuncion, Portrait
of Aguada Paterno,
1860

STYLE
Miniaturismo
Simon de la
Rosa Flores
Familia de
Quiazon
1860
 Honorato
Lozano
(1821-1885)
Francisco
Garcia Ortiz

LETRAS Y
FIGURAS
 Shows only
aspect of beauty.
Subjects are the
idyllic and exotic
rural sceneries.

ROMANTIC REALISM
Beginning 1920’s
Filled with forms of
light and shadow
Sometimes used for
tourism purpose

Fernando Amorsolo
Fabian de la Rosa
 De la Rosa, View of Santa Ana

UE. DR. ALLAN C. ORATE

 De la Rosa
Pasay Beach
1927

UE. DR. ALLAN C. ORATE

 Amorsolo
Rice Plating
Shows only
aspects of
beauty

UE. DR. ALLAN C. ORATE

 Amorsolo
Bayanihan

Shows
Filipino
CUture

UE. DR. ALLAN C. ORATE

 Amorsolo,
Tinikling

UE. DR. ALLAN C. ORATE

 Amorsolo
Girl Taking a
Bath in the
River

UE. DR. ALLAN C. ORATE

 Amorsolo
Ina at Anak

UE. DR. ALLAN C. ORATE

 Filipino artists
appropriated the Western
modern art and
interpreted it in the local
context in terms of the
subjects as well as some
artistic forms.

MODERNISM
Beginning 1940
Victorio Edades
Vincente Manansala
Cesar Legaspi
Jose Joya
Hernando Ocampo
Manansala, Madonna Carlos Botong Francisco
of the Slums, 1950 Prudencio Lamarozza
Anita Magsaysay-Ho
 Edades, The Builders, 1928

Signaled the coming of Modern Art in the Philippines

 Legaspi
Gadgets
1947

UE. DR. ALLAN C. ORATE

 Manansala
Pila Pila

TRANSPARENT
CUBISM
Manansala
The Fruit
Vendor
 Manansala
Marketscene
Manansala, Mother and Child
Manansala, Mother and Child
Manansala, Mother and Child
Mauro Malang Santos, Carabaos
Mauro Malang Santos, Antipolo
Kiokuk
Man of
Fire
Kiokuk
Dog Fight
 Kiokuk
Dog Fight
Kiokuk
Dog Fight
Kiokuk
Dog Fight
Kiokuk, Fish
Kiokuk, Mother and Child
 Lamaroza
Ecology Series
1978
 Lamaroza
Ecology Series
1978
 Lamaroza
Ecology Series,
1978
Magsaysay-Ho, Women with Birds of Paradise, 1982
Magsaysay-Ho, Women with Baskets
Magsaysay-Ho, Bountiful Harvest
Carlos, The First Mass
Carlos, Tinikling
Joya
Karate

ACTION
PAINTING

ABSTRACT
EXPRESSIONISM
Joya, Granadean Arabesque
Joya, Maranao
Ocampo, Genesis, 1969
Ocampo, Mutant Series, 1978
 Albor
Upward
Duality

COLOR
FIELD
PAINTING
 Albor
Doctrine
 Albor
Untitled,
2007
 Santos, Malumbay si Ina, 1983
With Marxist
orientation, the art
that depicted the social
reality in the country
during the Martial Law
years ruled by
Ferdinand Marcos

SOCIAL
REALISM
Flourished in 1970’s
Antipas Delotavo
Pablo Baens Santos
Onib Olmedo Santos, Malumbay si Ina, 1983
Al Manrique
Brenda Fajardo
Delotavo, Itak sa Puso
ni Mang Juan, 1978
Delotavo
Easterly
Wind
Cabrera From Larawan Series, 1974
Manrique, Bunong Balikat
Manrique, Untitled
Olmedo
Sakada
Fajardo
Sangandaan:
Nakasupot si
Samuel
Fajardo, Babaylan Healer
Fajardo, Mapisan si Mariya
 Santos, Malumbay si Ina, 1983
Subject taken from
everyday lives of
people, and seen with
innocent and fresh
eyes that suggest
fascination with the
ordinary.

MAGIC
REALISM
Beginning 1980’s
Nestor Leynes
Antonio Mahilum
Araceli Dans Leynes, Mag-ina sa Tabi ng Duyan, 1984
Leynes, Duyan
 Mahilum
Portrait of
a Boy
Mahilum
The Unfinished
Maria
Araceli Dans
Panganay
Araceli Dans
Gantsilyo
Araceli Dans, Still Life with Shells and Lace
 LECTURE 1.5
Theory of the
Death of Art

DR. ALLAN C. ORATE, UE

UE. DR. ALLAN C. ORATE DR. ALLAN C. ORATE, UE
 EVOLUTION OF
ARTISTIC STYLES
Subject: Woman
CLASSICISM
MEDIEVAL
ART
RENAISSANCE
ART
MANNERISM
BAROQUE
 NEO
CLASSICISM
IMPRESSIONISM
EXPRESSIONISM
SURREALISM
FAUVISM
POINTILISM
MINIATURISMO
ROMANTIC
REALISM
 ART
NUOVEOU
CUBISM
DADAISM
POP ART
 SOCIAL
REALISM
 MAGIC
REALISM
CONCRETISM
SUPREMATISM
ABSTRACT EXPRESSIONISM
COLOR-FIELD
PAINTING
OP ART
READY-MADE
ART
INSTALLATION ART
NEW MEDIA ART
Is there anything
more to art?
 SOME GREATER
POSSIBILITIES FOR ART
(Present Period)

Burp Art/ Vomit Painting

Tongue/Breast/Penis Painting
Graffiti/ Street Art
MMDA Art
MMDA ART
GRAFFITI ART
 Mille Brown
Nexus Vomitus
2007

VOMIT PAINTING
 BREAST
PAINTING
Kyra Ayn
Varszegi
 PENIS
PAINTING
Tim Patch

TONGUE
PAINTING
Ani Klicks
What else
to art?
 THEORY OF
THE DEATH OF ART
Art has reached all of its possibilities.
It cannot be developed anymore.

Everything in art has already been made,

and nothing new can be done to it!

ARTHUR DANTO
The End of Art
 NON-ART

ART
Closed Concept
NON-ART The production of art NON-ART
has a limit. Everything in
art has already
been done.

NON-ART
ART
 CONCLUSION

Art is the product of

creative human imagination.

Some forms of art may be

scandalizing to the present
generation, but it is only a
vision of what may be
acceptable in the future.
 The unwavering conviction
that we must believe is that,
so long as we live in this
world, art continues to exist
and to develop further into
its highest potential.
THANK
YOU!