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Non-Linearity in Amplifiers Explained

The document discusses non-linearity in amplifiers and its effects. It describes how non-linearity can be modeled using Taylor series expansion. Key effects of non-linearity include harmonic distortion, gain compression, cross modulation, and intermodulation distortion. It also discusses the input referred third order intercept point metric used to characterize intermodulation distortion.

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Ahmed Shafeek
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0% found this document useful (0 votes)
49 views14 pages

Non-Linearity in Amplifiers Explained

The document discusses non-linearity in amplifiers and its effects. It describes how non-linearity can be modeled using Taylor series expansion. Key effects of non-linearity include harmonic distortion, gain compression, cross modulation, and intermodulation distortion. It also discusses the input referred third order intercept point metric used to characterize intermodulation distortion.

Uploaded by

Ahmed Shafeek
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

ECE484

LECTURE 2: NON-LINEARITY

Mohamed El-Nozahi
Associate Professor
Electronics and Communications Department
Ain Shames University
A. Non-linearity
• Consider a non-linear amplifier

Vin Vout

• The amplifier non-linearity can be modeled by Taylor series


expansion as:
vout (t ) = α 0 + α1vin (t ) + α 2 vin2 (t ) + α 3vin3 (t ) + L

–  is the DC term,  is the AC small signal gain

• Example: Find the non-linearity coefficients in a CS amplifier with


resistive load

M. El-Nozahi 2
1. Harmonic Distortion
• Is more dominate at low frequencies
• Can be explained using a single tone

vin = K ⋅ cos(ωt )
vo = α 0 + α1 ⋅ K ⋅ cos(ωt ) + α 2 ⋅ K 2 ⋅ cos 2 (ωt ) + α 3 ⋅ K 3 ⋅ cos3 (ωt ) + L
 α2K 2   3 3 α2K 2 α3K 3
vo =  α 0 +  +  α1 K + α 3 K  cos(ωt ) + cos(2ωt ) + cos(3ωt ) + L
 2   4  2 4

M. El-Nozahi 3
1. Harmonic Distortion
• The non-linearity results in:
– A DC term at the output of the amplifier (not an issue in low-IF receivers)
– Gain depends on the input amplitude of the signal:
3
G = α1 + α 3 K 2
4
• For small amplitudes the gain is the small signal gain

– The output spectrum contains the harmonics of the signal


• Is an issue for baseband blocks
• For RF part in the receiver is not an issue at it is outside the desired band
• Is an issue for power amplifiers as the harmonics may interfere another standard
at the harmonics of the transmitted power

M. El-Nozahi 4
2. Gain Compression
• From the previous analysis the gain is given
by Vout
3 1 dB
G = α1 + α 3 K 2
4
– This equation indicates that the gain reduces as
the signal amplitude increases
Vin
• The 1 dB compression point (P1dB) is the
power of the input signal at which the gain
drops by 1 dB
3
20 log α1 + α 3 Ain2 ,1dB = 20 log α1 − 1dB
4

α1
Ain2 ,1dB = 0.145
α3
M. El-Nozahi 5
2. Gain Compression
• Notes:
– The 1 dB is an important measure in power amplifier
– The expression gives the peak value
– Typically, the Pin,1dB in CMOS amplifier is about -15 to -25 dBm
– Important of Pin,1dB appears in:
• Digital modulation of QAM signals
• Gain desensitization due to a nearby interferer
– Signal could be blocked

Vout Vout

Vin Vin

M. El-Nozahi 6
3. Cross Modulation
• The modulation of the interferer may move to the original signal
• Is clear from the gain expression that the gain is proportional to the
largest amplitude
• If the largest amplitude is modulated, so will be the gain
vin = As ⋅ cos(ω s t ) + AI ⋅ cos(ω I t )
 3  m 2
m 2


vo = L +  α1 + α 3 AI 1 +
2
+ cos(2ωmt ) + 2m cos(ωmt )  cos(ωt ) + L
 4  2 2 

M. El-Nozahi 7
4. Intermodulation Distortion
• Happens when there exist two interferers (blockers)
B1 B2 B1 B2

Signal

• Mathematically, consider both interferers only

vin = AI 1 ⋅ cos(ω I 1t ) + AI 2 ⋅ cos(ω I 2t )


– The non-linearity will produce several components

M. El-Nozahi 8
4. Intermodulation Distortion
HD2 HD2
IM2 IM2
IM3 IM3

f2-f1 2f1-f2 f1 f2 2f2-f1 2f1 f2+f1 2f2

3 3
@ fundamental : ω1 → α1 AI 1 + α 3 AI31 + α 3 AI 1 AI22
4 2
3 3
@ fundamental : ω2 → α1 AI 2 + α 3 AI32 + α 3 AI 2 AI21
4 2
@ Second order Intermodulation IM2 : ω2 ± ω1 → α 2 AI 1 AI 2
3
@ Third order Intermodulation IM3 : 2ω1 ± ω2 → α 3 AI21 AI 2
4
3
@ Third order Intermodulation IM3 : 2ω2 ± ω1 → α 3 AI 1 AI22
4
M. El-Nozahi 9
4. Intermodulation Distortion
• Why IM3 is important?

IM3 IM3

∆ ∆ ∆
2f1-f2 f1 f2 2f2-f1

– The IM3 components could lie on top of the original signal


– The IM3 usually happens due to in-band blockers which is hard to filter
– Usually, in baseband a filter is used to relax the IIP3 requirement

M. El-Nozahi 10
4. Intermodulation Distortion
• The measure of the two tone
distortion is usually called input
referred third order intercept
point (IIP3)

4 α1
IIP3 = [mW] or [V2]
3 α3

• In terms of IM3 component

3 Abloc ker − IM 3 dBm


IIP3 = dBm
2

M. El-Nozahi
4. Intermodulation Distortion
• IIP3 Measurements:

M. El-Nozahi
4. Intermodulation Distortion
• Cascaded blocks IIP3:

M. El-Nozahi
Examples
• Find the IIP3 for the following two cases:
– Check Board

M. El-Nozahi 14

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