YAMAHA TABLE DE MIXAGE MISCHPULT OPERATING MANUAL MANUEL D'UTILISATION BEDIENUNGSANLEIT UNG‘Thank you for purchasing the Yamaha KM802 Household Mixer. The KM802 is a compact 8 in 2 cut mixer especially designed with today’s multi-effector setups in mind. It features three sends for channels 3-8, ith stereo return for each. A unique space-saving design with a hand rest pad and highly visual faders make it a pleasure to use. In order to obtain the highest possible performance and make the most of the KMB02's features, please read this owner's manual carefully. CONTENTS FEATURES ....... eee CONTROL PANEL OPERATION INPUT SECTION MASTER SECTION . BLOCK DIAGRAM . REAR PANEL .... EXAMPLE SETUP SPECIFICATIONS Dan PRECAUTION LOCATION Avoid placing the KM802 in direct sunlight or close to a source of heat. Also, avoid locations in which the device is likely to be subjected to vibration, excessive dust, cold or moisture. HANDLING Avoid applying excessive force to the switches, dropping or rough handling. While the internal circuitry is of reliable, integrated circuit design, the KM802 should be treated with care. POWER CORD Always grip the plug directly when removing it from an AC receptacle, Removing the plug from ‘the AC receptacle by pulling the cord can result in damage to the cord, and possible a short circuit. It is also a good idea to disconnect the KM802 from the AC receptacle if you don’t plan to use the device for an extended period of time. CONNECTIONS Before plugging or unplugging inputs, turn the power off or the volume down. DO NOT OPEN THE CASE There are no user-serviceable parts inside. CLEANING Use only a mild detergent on a cloth, and dry with a soft cloth. Never use solvents (such as benzine or thinner) since they can melt or discolor the surface,FEATURES Three post- Unique space-saving design, of the same width as t \der sends on each channel (channels 3-8) respond to the trend toward multi-effector setups, Three stereo effect returns let you enjoy the full spacious sound of effect devices with stereo outputs. Highly visible fader position markers let you see volume settings even on dimly lighted stages. Stereo headphone monitoring jack with volume control independent from main output. the TX7 and QX21 for easy stacking. SAFETY Read Instructions—All the safety and operating instruc: tions should be read before the appliance is operated. Retain Instructions—The safety and operating instruc: tions should be retained for future reference. Heed Warnings—All warnings on the appliance and in ‘the operating instructions should be adhered to. . Follow Instructions All operating and use instructions should be followed. Water and Moisture—The appliance should not be used near water —for example, near a bathtub, washbowl, kitchen sink, laundry tub, in a wet basement, or neat a swimming pool, et. . Carts and Stands—The appliance should be used only with a cart or stand that is recommended by the manufacturer. /. Wall oF Ceiling Mounting—The appliance should be mounted to a wall or ceiling only as recommended by the manufacturer. |. Ventilation—The appliance should be situated so that its location or position does not interfere with its proper ventilation. For example, the appliance should ot be situated on a bed, sofa, rug, or similar surface that may block the ventilation openings; or, placed in @ built-in installation, such as a bookcase or cabient that may impede the flow of air through the ventilation openings. 1. Heat—The appliance should be situated away from heat, sources such as radiators, heat registers, stoves, or other appliances (including amplifiers) that produce heat. © Explanation of Graphical Symbols ‘The tightning fash with arrowheod symbol, ‘The exclamation point within an equ triangle ie intended to alert you to the ‘of important operating and maintenance {servieing) instructions inthe literature accom- anving the appliance INSTRUCTION 10. Power Sources—The appliance should be connected to power supply only of the type described in the ‘operating instructions or as marked on the appliance. Power-Cord Protection—Power-supply cords should be routed so that they are not likely to be walked on or inched by items placed upon or against them, paying particular attention to cords at plugs, convenience: receptacles, and the point where they exit from the appliance. Cleaning—The appliance should be cleaned only as recommended by the manufacturer. Nonuse Periods The power cord of the appliance should be unplugged from the outlet when left unused for a long period of time. Object and Liquid Entry~Care should be taken so that objects do not fall into and liquids are not spilled into the inside of the appliance. Damage Requiring Service—-The appliance should be serviced by qualified service personnel when: ‘A. The power-supply cord or the plug has been dam- Te 2 13, 14 18. aged; or Objects have fallen, or liquid has been spilled into the appliance; or ‘The appliance has been exposed to rain; or ‘The appliance does not appear to operate normally Cr exhibits a marked change in performance; or ‘The appliance has been dropped, or the enclosure damaged. ‘Servicing~The user should not attempt to service the ‘appliance beyond that described in the operating instructions. All other servicing should be referred to ‘qualified service personnel 8 c. D. e 16.CONTROL PANEL OPERATION INPUT SECTION © GENERAL SETTINGS OF INPUT LEVELS POSITION OF GAIN CONTROL INPUT SOURCE Low-level microphone (Dynamic type) High-level microphone (condenser type) Electrical, electronic musical instruments Low-level line (audio processing) Electrical, electronic musical instruments Inputs 1, 2 Inputs 1 and 2 are ideal for use with microphones or other low level sources, since they have adjust- able gain and a clip indicator. @ cup These LEDs will light when the input signal reaches 3dB below clipping level. @ GAIN ‘This lets you adjust the input sensitivity to cover a wide range of sources. Gain is adjustable from —50 to —10dB. Microphones will require the most gain, so set this control to the right. Line-level instru ments such as synthesizers already have a high output level, so set this control to the left. You can get the best signal-to-noise ratio for each source by adjusting gain so that the clip LED lights only ‘occasionally. @ Hi and LOEQ ‘These alter the frequency response of the channel with up to +15dB of shelving equalization at 10kHz (HI) and 100Hz (LO). (See the diagram.) Center position is normal (no effect). @ Aux3 This sends the post-fader signal to the aux 3 output. © PAN This sets the stereo position of the post-fader signal @© CHANNEL FADER This controls the output of the channel. Inputs 3-8 @ AUX1,2,3 These send the post fader signal to the aux outputs 1, 2and3, @® PAN This sets the stereo position of the post-fader signal. @ CHANNEL FADER This controls the output of the channel, {0 MARKING SPACE ‘You can ID the channels by writing on masking tape.CONTROL PANEL OPERATION/ BLOCK DIAGRAM MASTER SECTION YAMAHA KM@oS Ieee eee eer BLOCK DIAGRAM @ LED LEVEL METERS ‘These show the level of the stereo out. When the ‘output level reaches Odb, the LEDs will indicate OVU. Setting the stereo output faders so that the level meters usually read between —10 and OVU will result in the best S/N ratio and the least distortion. @ AUX RETURN 1, 2,3 These determine the level at which stereo signals received at aux return 1, 2 and 3 will be added to the stereo busses. @ STEREO MASTER FADER L, R ‘These determine the final level of the stereo output. PHONES FADER his determines the level of phones output. The phones output is independent of the stereo master. >> os Pon oa tH PHONES.REAR PANEL @ aud - 860 a or) ® e000] c000 06666666060 POWER SWITCH hen the power is turned on, the first segment of the LED level meters will light. @ PHONES This outputs the stereo signal from the phones fader. Any standard stereo headphones can be used. INPUT 1, 2 tandard 1/4"” phone plug for less than 10k-ohm line or 50-600 ohm microphone input. @ INPUT 38 Standard 1/4” phone plug for less than 10k-ohm line input. © @ @ STEREO OUTL, R This outputs the signal from the stereo master fader L and R. © AUX SEND 1, 2 (channels 3-8), 3 (channels 1-8) ‘These output the combined signals of the channel aux send controls. @ AUX RETURN 1, 2,3 (L, R) als input here are sent to the aux returns 1, 2, 3. If only one source is plugged in (L or R), it is treated as. a mono source and sent to both L and R of the aux return,EXAMPLE SETUP Since the KM802 has stereo return for each aux send, it is especially useful with effects that have a stereo output. Here is an example using two stereo effectors and a reverb unit. You could set one effector to an echo effect and the other to a chorus effect. Adjusting the channel aux controls would determine the level of effect for that channel, and aux return 1, 2, 3 would determine the overall level of the effect. Music Computer STEREOOUT AUX SEND AUX RETURN Rea ea: RZ [Link] _ | SPEAKER This setup shows how you can use the KM802 to mixdown a multi-track sequence. Using FM Music Composer with the Music Computer (and FM Sound Synthesizer Unit), you can program a song with up to 8 parts. This can be synchronized with external MIDI instruments such as a Synthesizer, Rhythm Programmer and Tone Generator. For instance the Synthesizer might be set to play the melody and the Tone Generator a piano backing. The remaining parts could be played by the Music Computer's internal Tone Generator. The Rhythm Programmer would receive the MIDI synchronization signal from the Music Computer and keep perfect time with the song, You can connect the KM802 L and R outputs to a tape deck and mix everytl recording, while you and a friend sing along using the microphones, 1g down to a 2-track masterSPECIFICATIONS FREQUENCY RESPONSE (10 k-ohms _OdB (STEREO OUT) —10dB (AUX SEND 1-3) 20Hz ~ 20kHz (+1, -2B) TOTAL HARMONIC DISTORTION (20Hz ~ 20kHz, 10 k-ohms, +10dB) Less than 0.05% HUM & NOISE (20Hz ~ 20kHz) Rs=150 ohms, GAIN=MAX. (CH 1, 2) Input Noise (CH 1, 2) —1224B Equivalent Residual Output Noise (STEREO OUT) 9008 STEREO OUT Master fader at nominal and all CH fader —76d8 at minimum STEREO OUT Master fader and CH 1 or 2 fader at nominal = —72dB level AUX SEND All CH AUX level controls at minimum level. —88dB AUX SEND CH 1 or 2 fader and AUX level control at —8248 nominal level, CROSSTALK (1kHz) Adjacent Input —60d8 Input to Output —60dB MAXIMUM VOLTAGE GAIN CH 1,2 IN to STEREO OUT 6208 CH 3.8 IN to STEREO OUT 2208 AUX RETURN to STEREO OUT 32dB CH 1,2 IN to AUX SEND 52d8 12dB CH 3-8 IN to AUX SEND CH 1,2 EQUALIZER HI: 10kHz shelving LO : 100Hz shelving POWER REQUIREMENTS (UL, U.S.A.) (General) DIMENSIONS (Wx H x D) WEIGHT. +15dB Maximum AC120V, 60Hz AC110, 120, 220, 240V, 50/60Hz 354 x 85 x 303 mm (13-15/16" x 3-5/8" x 11-15/16") 2.6 kg (5 Ibs. 7 02.) + Hum & Noise are measured with 6dB/octave filter at 12.7kHz: equivalent to a 20kHz filter with infinite dB/octave attenuation. ** OdB is referenced to 0.775V rms.INPUT CHARACTERISTICS jeelaltial Gain | Actual Load For Use With Input Level iiaeracaet ‘Fim |‘Aripencs | hemi aaa Nona wax bwowere | sae ~e2as (062mv) | ~s0d8 (25mv) | ~2808 SEV) 8 Input 1, 26h tok ohms | E980Dohm mies 8 | S288 = HEE Em Phone Jack Taaae (eam) | =tode asm) | 11208 G.1V) CH Input 38 ch 10k ohms | 6000hm Lines | ~224B 62mv)_| ~1038 @¢5mv) | Phone lok "AUX RETURN 19 (L, A) 1Okotms | 6000hm Lines | -246 10mv) | ~2098 (TAmv) Phone lack (1) Sensitivity is the lowest level that will produce an output of OdB (0.775V), or the nominal output level when the unit is set to maximum gain. OUTPUT CHARACTERISTICS connection ‘wal Sours® |For Use With Nominal $< en en Se] comer Mae STEREO OUTIL A) | _6000hme 10k ohm Lines | _0d8 (0.776v) | _+17.548 (BV) Phone JACK AUXSENDIS {600 ohms 10k ohm Lines | —10d8 (245mv) | _+17.508 (5.8V) Phone JACK PHONES OU 100 ohms Gohmphones | 2248 (616mv) | #508 4G2mv) | STEREO Phone Jack (2) 0dB is referenced to 0.775V. SERVICE ‘The KM802 are supported by Yamaha's worldwide network of factory trained and ‘qualified dealer service personnel. In the event of a problem, contact your nearest Yamaha dealer.YAMAHA YAMAHA CORPORATION POBox, Hamamatsu. Japan ([VB68175} 901 © Printed in Japan