TI #1_Cover.

final2 10/30/07 12:43 PM Page 1

CRUEL KINK-SEX ART – HARDEST XXX BDSM IMAGES IN PRINT

HUSTLER HONEY BUNS PRESENTS:

TM

DISTRESSED DAMSELS
PUNISHED PONY GIRLS PERVIEST PIX FROM
DUNGEON DEBAUCHERY
SUFFERING SLAVES
FERRES
BABES BEHIND BARS
ROBERTS
TEMPLETON
TABOO ILLUSTRATED $7.99
AGNES
TIM
BADIA
DOVAL
 6 DEATH IN THE HAREM

CONTENTS
Graphic Novel by Ferres–Part 1

16 GALLERY: TIM’S PONIES

Fine Fetish Fillies Flogged to Full-Gallop

26 PONY LIFE
Graphic Novel by Doval–Part 1

36 YAKUZA SLAVES
Graphic Novel by Roberts–Part 1

46 TOONS IN TORMENT
Inside Webmistress Nuria's Cruel Comics Empire
Special Feature by Ernest Greene
Artwork courtesy of www.bdsmartwork.com

52 SLAVEMART

26
Graphic Novel by Erenisch–Part 1

ABOO TM
TIllustrated
62 JUNTA HELL
Graphic Novel by Templeton–Part 1

72 KINK IN INK
Latest Kink-Art Volumes Reviewed:
Von Gotha’s Irrepressible Twenty Visits Roissy,
Lynn Paula Russell’s Punished Pretties
by Ernest Greene

6
76 GALLERY: BADIA–DELICIOUS TORMENT
Dark Dungeons, Deviant Delights

80 THE BANKER
3D Graphic Novella by Agnes

NO ACTUAL TOONS WERE HARMED IN THE MAKING OF THESE COMICS.

80
36

HUSTLER HONEY BUNS PRESENTS: TABOO ILLUSTRATED, No. 1 is published by LFP Publishing Group, LLC at 8484 Wilshire Boulevard,
Suite 900, Beverly Hills, CA 90211. Copyright © 2007 LFP Publishing Group, LLC. All rights reserved. Nothing herein may be reproduced
in whole or in part without written permission of the publisher. Return postage must accompany all manuscripts, drawings, photographs,
etc., if they are to be returned, and LFP Publishing Group, LLC assumes no responsibility for unsolicited material. All letters sent to
HUSTLER’S TABOO ILLUSTRATED will be treated as unconditionally assigned for publication and copyright purposes and as subject to
HUSTLER’S TABOO ILLUSTRATED’s right to edit and comment editorially. Any similarity between persons and places in fictional portions
of this magazine and any real persons or places is purely coincidental.

PRINTED IN CANADA

This publication is 18 U.S.C. §2257 exempt. All characters depicted are adults
over the age of 18. Date of publication is November 20, 2007.
 TIllustrated
ABOO TM

LARRY FLYNT, Editor and Publisher

MICHAEL H. KLEIN, President
JIM CHAMBERLAIN, Executive Vice-President
DONNA HAHNER, Corporate Vice-President
LIZ FLYNT, Vice-President, Administration

BRUCE DAVID
Editorial Director

ERNEST GREENE
Executive Editor
MATTHEW BRAND
Art Director

PHILIP SANGUINET

STRICTLY
Copy Chief WRITE TO US AT:
HUSTLER’S
ARTWORK
TABOO
ILLUSTRATED

SPEAKING
Roberts, Ferres, Doval, Templeton, Agnes, Tim 8484 WILSHIRE BLVD.
SUITE 900
NETWORK SYSTEMS BEVERLY HILLS, CA 90211
Andrea Landrum, network systems director E-mail: [email protected]
Lisa Jones, network systems administrator

N
PRODUCTION “ othing is Real. Everything is permitted.” Thus seventh-century Persian Caliph
Brian Sturzenacker, production manager Hasan-bin-Sabah welcomed his acolytes into the garden paradise he had devised.
Rustin Knudtson, traffic coordinator “Where houris played and fountains gushed sweet-scented waters, where every
sensual wish was granted amid beautiful flowers and gilded pavilions” Hasan
ADVERTISING invented a world so far removed from mundane reality that no rules, physical or moral, could
Allen Maine, national advertising director be said to apply there.
(323) 951-7907 Coming upon the Web site called www.BDSMartwork.com for the first time, Hasan’s words seem
David Thorn, advertising coordinator curiously apt. In this virtual, alternative universe, a circle of extraordinary artists, nurtured by
Gina J. Lee, ad production/pre-press director Webmistress Nuria (profile pg. 48), allow their visions and talents to produce powerful, daring
Wendy Camacho, advertising production coordinator and extreme images of sexual pleasure and pain. Her growing constellation of illustration-driv-
en sites liberates them to portray dazzling damsels in conditions of dire distress and abject
abasement – mythical beings of other-worldly beauty maintained in total, permanent submis-
Gerry Awang, vice-president, circulation & distribution sion to the perverse whims of their creators. Visitors to an incorporeal, electronic universe, we
Art Elizarov, vice-president, human resources too are privileged to entertain our cruelest desires without shame, for they have no conse-
John Lara, vice-president, finance quences to the entirely imaginary characters who “suffer” them for our entertainment and
arousal.
Those characters are, after all, just pictures, as adult minds capable of abstract thought under-
LFP Publishing Group, LLC does not endorse
stand to exist in an entirely different realm from actual human beings. That realm is the imag-
and assumes no liability for any of the products or claims
of service advertised in this magazine.
ination, and it should be bound by no rule beyond Hasan’s dictum. Where nothing is real, every-
thing is permitted.
Though the witty and personable Nuria is no devious Caliph, her active collaboration with us
COVER ART BY FERRES
from the inception of TABOO ILLUSTRATED supports our slightly subversive agenda, inviting
you to entertain entirely vile and reprehensible delights of the mind no decent person would
wish to see, much less attempt, in the real world.
Unlike the shrill critics from whom we fully expect strident attacks for encouraging violence
against women and celebrating virulent misogyny, we give you credit for being able to separate
images from actions, words from deeds. We support freedom of expression, especially when that
expression is challenging and controversial, because we support freedom of thought. Therefore,
we welcome you to TABOO ILLUSTRATED and encourage you to indulge your darkest fantasies.
Special thanks to G. Roberts for all his support. After all, it’s only make-believe.
—Ernest Greene, Executive Editor
 ATH IN THE

HAREM
DE

by Ferres
FERRESART.COM
DOFANTASY.COM

Constantinople was the last bastion of Christendom in the East. A proud, formida-
ble city with seemingly unassailable defenses.
It held fast against the Huns, the Barbarian hordes, the Persian and Arab
armies for hundreds of years. Though it was in conflict with Rome, it was the
shield that protected the gateway to the West and the heart of Christian Europe.
When it finally fell at the hands of the Ottoman Turks, the West trembled. The mighty Ottoman Empire could now
sweep into Europe from the east unchecked.
By the time the last of the city's defenses collapsed, it was but a shadow of it's former glory. A city, exhausted
by centuries of strife, unaided by the western powers, finally gave up the fight. It's walls in tatters, it's towers
broken, it's emperor slain and it's populace enslaved. All that was left for the Turks was the accounting of the
spoils and there were many.
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
 CONTINUED...
DOFANTASY.COM
 Ponies

TIM
If bondage illustration maestro John Willie had enjoyed the freedom to depict his elaborate fetishistic
fantasies of feminine in explicit form, the result might have somewhat resembled Tim’s lovingly-rendered
equine beauties. The scrupulous attention to every nuance of tack and costume, the retro-kink style of
the characters and surroundings and the sly element of social satire that creeps in between the tightly-
focused take on the subject-matter are worthy of JW himself, which is high praise indeed. But Tim ups
the ante with a potent infusion of unrepentant raunch. He shows us just why, other than to make a pret-
ty picture, a diabolic Dom would want to harness up a delectable slave girl and take her out for a trot.
It’s about display and control. The gear shows off the voluptuous bodies to ultimate advantage while at
the same time making them utterly, helplessly available for every kind of depraved dalliance. This work
gives now meaning to the phrase “Hot to trot.”’

BDSMARTWORK.COM
BDSMARTWORK.COM
BDSMARTWORK.COM
BDSMARTWORK.COM
BDSMARTWORK.COM
BDSMARTWORK.COM
BDSMARTWORK.COM
BDSMARTWORK.COM
BDSMARTWORK.COM
PONY LIFE
by Doval
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
CONTINUED...
ROBERTS-ARTWORK.COM
BOUNDNAKED.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM
DOFANTASY.COM CONTINUED...
 TOONS IN
TORMENT
Inside Webmistress Nuria's Cruel Comics Empire
SPECIAL FEATURE BY ERNEST GREENE
Artwork courtesy of BDSMartwork.com
Photographs render perverse fantasies with a realism and immediacy that illustration
can’t match, but ink on paper and pixels on screens allow us to experience our most
extreme sadomasochistic visions free of physical harm, legal risk and moral guilt.
Honesty requires us to admit that we get hot thinking about things we would never
want to see, much less do, in real life.
Upon this insight rests an entire genre of ultrahard BDSM art enjoyed by legions of
enthusiasts, largely courtesy of the Internet’s easy access and relative imperviousness to
suppression. It’s also the organizing principle that’s allowed a soft-spoken, personable
woman named Nuria to grow a small empire from printed comic books to multiple Web
sites characterized by consistently high-quality, fem-sub artwork and an unflinching eye
for the merciless urges underlying our polite practice of consensual kink.
Beginning with the Spain-based, small-format magazine Fansadox a decade ago, she
moved quickly to electronic publishing and the creation of the Web’s most popular destination
for those seeking the most brutal images of sexual domination presented in the highest of
style, www.bdsmartwork.com. From this nexus, Nuria’s realm has expanded to include
satellite sites for her most popular artists, online sales of complete comic books and
novels in PDF format and, most recently, video-game-style 3D animation. Not for the
fainthearted, products carrying Nuria’s Dofantasy imprint are guaranteed As with many other things in my life, I just have an intellectual inter-
to shock even the most jaded sensibilities, which makes her own disarm- est in the subject. I’m too shy to try if myself.
ingly cheery, wryly humorous manner that much more enigmatic and HTI: And yet you’ve built a rather remarkable career around it.
intriguing. Furiously industrious, she generously took time out from her Nuria: I’m here by chance. I travelled to England to buy rights to
labors to offer us a glimpse into the processes by which she continuously books on yachting. Turns out, they were very expensive, and the
reinvents her darkly fascinating alternative universe. market for them wasn’t as reliable as I’d hoped. Disappointed, I
met some guys who were publishing BDSM books in English at the
HTI: So, where did it all begin? pub next to my hotel. I don’t know if it was the Guinness (I don’t
Nuria: I was born in a little village in the French Pyrenees, and I drink usually) or whatever, but they convinced me to translate
now work in the Netherlands. I have a degree in physics (astronomy). their stuff into Spanish, and I started printing BDSM novels in
I started my professional career lecturing on computer science at Spain. Those were tough times. The Internet as we know it now
the university level, then started doing computer engineering for was still in the realm of sci-fi back then, and we had to rely on
American companies. After that, I started a sailboat-charter busi- only paperback sales!
ness in the Med and did some professional ocean crossing. HTI: You moved from dead-tree editions to the Web quite early. How
Finally, up to my eyebrows (literally) in seawater, I switched to my did you come to make that decision?
current career as a publisher. Nuria: I was starving selling paperbacks. I needed a low-cost
HTI: When and how did you become interested in BDSM? Is it a reg- method of delivering products to a larger market. Electronic
ular part of your own life or just your imagination? publishing was the obvious solution.
Nuria: I find BDSM exciting, but I’ve never been involved personally. HTI: How many sites do you operate now?
Nuria: We have a dozen sites, with www.dofantasy.com and would be if we used ugly, badly done guys as main characters in a
www.BDSMartwork.com our flagships. We also manage sites for our comic. Anyway, in many of our comics, men find themselves under
contributing artists Agnes, Cagri, Ferres, QUOOM and Roberts. the thumb of some (very!) bad but lovely and sexy girls.
HTI: Considering how frequently you update, do you have time for HTI: In many ways, America is very conservative about sex of all
anything but business? kinds and BDSM sex in particular. Why do you think Europe is so
Nuria: Well, I’m a mother of two, a 19-month-old and a four-year-old. much more tolerant?
You can take that as an answer. Nuria: I don’t really know the situation in the States. I will tell you
HTI: What qualities do you look for in an artist? that it’s our main customer base. There is nothing to tolerate or to
Nuria: Three things: First, I need to like his or her style. Good story- judge if BDSM stays a fantasy game. Fantasy is a personal option.
telling and realism are the key elements. Second, he or she needs to HTI: In America, the term BDSM is applied to consensual sexual
like or have a feel for or at least understand BDSM. And last but not role-playing, but many if not most of the fantasies you show on your
least, he or she has to be a reliable, serious person. sites involve forced submission. Some are quite violent and abusive.
HTI: Do you know any of them personally, or is everything done by This would be very controversial here, especially for many American
electronics? women. As a woman yourself, what would you say about that?
Nuria: Our contacts are strictly professional and always through Nuria: I’m absolutely against any sort of real violence. Real violence
the Internet. We have artists in faraway places, including the is repulsive to me and makes me deeply sick, unable to feel the
States, Argentina and the Philippines. Only a few are in Europe, slightest sexual excitement. Fantasy is another story. Fantasy harms
so personal contact is very difficult. I hope one day we’re success- no one. I’ve seen some recent U.S.-made porn videos in which the
ful enough to invite all of them to a meeting here in the “submissive” players (usually women) laugh and joke in pre-scene
Netherlands or, even better, in Las Vegas, but this looks a bit interviews, and the action that follows is really brutal, made with real
unlikely right now. people. We only use comic characters. Of course, we could include a
HTI: Almost all the art on your sites features women in the submissive first page with all the characters sitting together just laughing. All of
role. Why did you make that choice? this sounds silly to me….
Nuria: It seemed like a marketing decision at the beginning, but I’m HTI: Some people here believe that viewing images of sexual violence
not sure anymore. Certainly one reason is that artists usually draw will inspire men to commit such acts themselves. Does this possibility
better and sexier women than men. I don’t know how successful we ever concern you?
Nuria: Many psychologists say that providing an abstract outlet for these fan-
tasies will pacify people who may be in the risk of crossing the line into real-
world behavior. The sexual instinct, like other basic human instincts, is quite
simple to satisfy. The safest, easier, fastest, cheapest and sometimes funniest
way to satisfy it may be reading a porn comic. I think we should be more con-
cerned with not making guns available to everybody, especially to youngsters
who may bring them to schools, than with what artists draw in a comic.
HTI: Do you get a lot of communication from subscribers?
Nuria: Some people submit ideas or plots they’d like to see drawn by their
favorite artists. We take our customers’ feedback very seriously. The pity is
that it takes a lot of time to produce a comic page, and we can’t attend to
all the requests. A good page may take a week, depending on the technique
the artist uses.
HTI: Do you get comments from female viewers, and, if so, are they different
from those you get from men?
Nuria: Once they find out I’m a woman, they write more. In general, they’d like to
see more women dominating men, I wonder why! Just joking. I understand the
fantasies they submit better than the men’s fantasies. They are more into the
details, into the feelings of the characters. They’re more interested in the psycho-
logical side of the situations than in the purely physical elements. We’re about to
publish a new book by Fernando (Invaders will be the name,
I think) set in 24th-century North America. Among the
invaders, men outnumber women 100 to one due to incom-
petent social and birth-control policies. The invaders will
use the North American women as slaves. This comic,
which is planned as a series, will be told from the point of
view of the female victims, taking into account many of our
female readers’ fantasies.
HT: You’ve been ahead of the curve in adopting 3D art-
work, and now you’re starting to experiment with 3D ani-
mation. What are your plans for the future?
Nuria: The future is here. We’re now producing our first 3D
movie and posting it at www.BDSMartwok.com in chapters.
The feedback has been very positive, but 3D movies are very
expensive, and producing them is a painstaking job. We’d
like to post a movie every day, but the reality is that we’re
posting minutes per month. Our main focus is not on find-
ing the media we’ll use next year or new Internet gizmos to
deliver our material. Our aim is to produce more and better
BDSM images, which is what our customers expect from us.
In the near future, the female population in creases faster
than the male. As a result of the surplus of available
women, many are kidnapped and sold into sexual slavery.

Finally, feminine enslavement becomes mandatory with

“The Law of Female sage” of 2022. Almost every
woman suitable for sexual service becomes
a negotiable commodity. Private
corporations emerge to capture,
train and sell girls as sex
slaves. Innocent, young
Alyssa finds herself
on sale.

by Erenisch
BDSMARTWORK.COM

Try aisle 5, Master.

A fresh shipment
of appealing
pussies and tits
in the window Welcome to
attracted my Girlmart,
master to the Master.
neighborhood
Girlmart, a new
sex-slave
supermarket. Can this slave
help you find
anything today?

I’m looking for an

18-year-old, preferably
trained and obedient.
 Moisten your
lips, girl. Ah!
You’ll make a
very good
cocksucker.

The store was full of

fresh, beautiful girls,
waiting to be sold.

They had no choice in the matter. All of them

were securely collared and chained.

Hi Jane, Surprised to
see me? Now you’ll
regret refusing to go
out with me, you slut!

Mark! Oh god!
No ...
Please …

BDSMARTWORK.COM
 I need something
Excuse this slave, Master.
young and hot for a
wild orgy.

Of course.

This slave is the

pussy guide, Sir.
What kind of
pussy would you
like to buy today?

Can I interest
you in a nurse,
Master? Or
maybe a
secretary?

Look how cute

these puppies are.

BDSMARTWORK.COM
 None of that. Just show me a young
brunette, a local girl if you have any.
How about
this one?

I’ll take this

too. I’ve never
whipped a
woman before.

Her name is
Alyssa. Hunters
took her
yesterday just
two blocks
from here.

It was the first time I

Please Master, have heard my Master’s voice …
mercy.

When I looked at his lust-filled

eyes, I knew he had decided to
buy me.

Open up,
girl.

Good, full lips.

This is just the
thing I’m looking
for. I like fucking
a pretty face.

… to make me his sex slave, his

Good one. property, his fuck-toy.
Young and
tight. Nice,
full tits.

Please, god,
this must be Come here,
slave. You’re
a nightmare!
mine now to
do with as
I wish.
BDSMARTWORK.COM
 Don’t “Sir” me, bitch.
What is your
I … You’ll call me Master.
name, little
Alyssa,
slut?
Sir.
Yes, Master. I’m
sorry, Master.

Make an effort, girl!

Sucking like this, you’ll die
in your cage before some
idiot buys your ass.

The Bastard pulled me across the hall like an

animal. The sheer humiliation was unbearable.
BDSMARTWORK.COM
 Don’t move,
little slut.

$1200?
Yes, What a
Master. rip-off!

For 1200
bucks, you Damn it. I can’t
better be a wait another
very good second. Open
fuck. your mouth
wide, you dirty
teaser.

Oww!

Now, let’s
register your
cute, little
ass.

Purchased like an animal, now I

would be branded like one.

BDSMARTWORK.COM
 This will
hurt, chick.

You got yourself

a hot piece, man.

Aah!!!

Please …
Master …It
hurts!

Yeah, I guess.
Can you burn an
“R” on her ass?
Make her feel it.

Sure.

Stay still,
bitch.

Now a few Very good. I’ll

pictures be back with the Thanks.
for the I.D. slave ownership
certificate in a
second.

Enjoy your
slave, man.

BDSMARTWORK.COM
 What’s the problem, Here. This collar will let people know that
slave? Never had you are an owned sex property. You’ll never
two fingers up take it off for the rest of your life.
your ass before?

Oh?

Ah … no …
no, Master.

It also has a GPS device and a remote-

controlled pain inducer. Fucking a slave Now, start showing what
is half the fun. The other half is a little slave like you can
hurting her. do for her master.

AAAAAAGH!
PLEEEASE!

What …?

Suck hard, but

slowly. We have
a long ride.

You’ll feel it
whenever you
disobey, or
just for my
amusement.

BDSMARTWORK.COM
 That’s better.

Disgusting
Ooh! pig.
Sorry,
Master!

You have
What are you doing, you no- potential, little
good whore? I don’t want to slut. I’ll train
feel your teeth one more time. you well.

Good. Very good. It’s obvious

that you could stay a virgin
this long thanks to your
cock-sucking skills.

mmmh! …
(slurp)

Here we are. It’s

time to party.

You should be happy to lose

your virginity with a nice,
long, hard gang-bang.

BDSMARTWORK.COM
 That’s enough,
little whore. Don’t worry too
much, slave.

You won’t be
the only meat
to pound. There
will be other
Get up. girls inside.

I was shocked when I entered the room.

Hey guys. You Several young women were already
started with- being fucked by mean-looking men.
out me, eh?

Easy, slave.
Wait your
turn like a
good girl.

Hey Ray. I
see you
brought a
fresh one.

I just bought and registered her.

She sucked my dick the whole
way over.

BDSMARTWORK.COM
CONTINUED...
JUNTA HELL
Clara Roux is an innocent girl caught
up in a seemingly random sweep by the
brutal secret police of a South
American banana republic’s ruthless
Military junta. There is a secret hidden
in her past of which she is unaware.

by Templeton
She will suffer for that secret in
ways she never thought possible. This
DOFANTASY.COM is Clara’s story.

Are you a virgin?

Answer the question!
Clara
Roux, step
forward!

Stand to
attention!
Stick your
breasts
out! Let’s
get a good
look at
you.

The Captain
asked about
your slit,
you bitch!

I’ve only … only

done it with my
boyfriend.
That’s better. A polite
girl replies to
questions...
 Hold this and look at
Now, strip completely Remove her blind- the camera!
naked. Everything off! fold, Rocco.

Yes, yes,
I will,
please!
Don’t hit
me!

Get your
hands down
and show us
your tits.

But...

That’s
right.
You Give us a
heard nice rear
the man, view.
Sweetie.

Turn sideways to the camera.

We want to see it all.

DOFANTASY.COM
 Bend over.
Open your
crack with
both hands!
Pull your
cheeks
apart!

Nice and tight all over.

Looks like she’s a virgin
back here at least.
All yours,
Rocco. Lock
her up.

I... I...
please,
tell me.
Where are
we?

this is your
cell. hope
you like it
‘cause you
gonna spend
some time
here!...

NOOOOO!!!
DOFANTASY.COM
 ...a nice break, sex all
...or it could be the time...
Your life here one big fucking
could be hell vacation...

No...
please, let
me out...
I’m cold.
I’m scared!
Please...

Now keep quiet. And

behave yourself. I I’ll be working on
don’t want you you later. You’ll come
masturbating without DOFANTASY.COM
until you scream.
my permission.
Clara was shut up for two days and nights in At night, the screams of other detainees kept her
the small shower that served as her cell. awake.
She saw no one in all that time.

What are
they
doing to
them?

They’re coming for me...

No, not yet...

I didn’t forget you, Clara. I’ve been

thinking about your fine body all day.

Sorry I couldn’t
get her sooner.
I’ve got a wife
and kids, you
know? I’m a
loyal family
man off the job.

But I’m here

now. Worth the
wait, Eh? Come
here, my
little pet.
DOFANTASY.COM
… hours pass …
AAAIIIIIEEEEEE!!! Bet you need to go
then …
really bad by now, huh?

Better get on with it.

Prisoners aren’t entitled to I CAN’T DO
privacy. Last chance until ANYTHING WITH YOU
tomorrow. You got ten sec- LOOKING AT ME!
onds to loosen up. 10, 9, 8 …

Don’t be shy. I’m

used to it. No
secrets between
you and me.

Time for
SHOW’S OVER. UP
your
YOU GET!
shower.

DOFANTASY.COM
 Captain says I gotta clean you up. Bend over and spread,
Too bad. I like the smell of fear. bitch!
EXCELLENT
ROOM SERVICE,
DON’T YOU
THINK?

And they accuse

us of mistreat-
ing insurgents.
I PICKED IT FOR YOU
MYSELF... A BIT
SHORT MAYBE...
Put this uniform on and quit
LEAVE ME ALONE!
trying to distract me from
NOOOO!
my work. How am I supposed
to concentrate with you
showing off like that?

… but rather flattering, don’t you

agree? Quite inspirational. You’ll be
DOFANTASY.COM getting a good fuck later. That’s a
promise!
 Clara loses all track of time until Rocco returns.
Asshole comman-
dant wants her
for interroga-
tion first, but
I’ve got plans
of my own for
this one.

WAKE UP, YOU

SLUT!!!

Hope you’re
already in
the mood.
We ain’t got Now, about that WHAT D’YOU RECKON?
much time. fuck I promised BEST YOU EVER SAW?
you … IT’S ALL FOR YOU!
NO... NO...
PLEEEEEEEEASE,
NOOOO!!!

DOFANTASY.COM
 AAAAAAAAAAGGHHHH!

I TOLD YOU WE’D

HAVE A GOOD
TIME!

Feeling it are you? Having Too bad the fun’s almost

trouble fitting me in all the over. I can’t hold it any
way? Just too big for you. longer. I’m coming! Ugh!
UUUUUGGH!!!

Oh yes, you’re
a snug fit.
Not much
practice yet.
Lucky you
met an
experienced
shagger!

AAAAAAAAAAGH-
HHH... YOU’RE
HURTING ME!

Noooo! You’re being too

rough! AAAAAGHHHH!!!

A QUICK LICK OF
MY COCK WITH THAT
PRETTY LITTLE
MOUTH AND WE’RE
OFF. YOU’VE GOT
AN APPOINTMENT!

There’s a good girl. After the

interview I’ll be back to visit DOFANTASY.COM
you again.
 MOVE YOUR
CUNT! WE ARE
LATE!

WHERE ARE YOU

TAKING ME? WHERE
ARE WE GOING?

I HOPE SHE’S AS
GOOD AS HER
PHOTO!

SO YOU’RE CLARA!
IT’S A PLEASURE
TO MEET YOU.

DOFANTASY.COM

CONTINUED...
KINK IN INK
Twenty Two
Erich von Gotha
64 pages, color
The Erotic Print Society
17 Harwood Road
London SW6 4QP U.K.
www.eroticprints.org

Beginning with his early work for England’s late, lamented sex-comic mag Torrid, Erich von Gotha has
set the standard by which other sex-toon artists are judged. His latest graphic novel,Twenty 2, does not
disappoint. A sequel to von Gotha’s charming futuristic fantasy Twenty, the new installment returns us
to a sexual utopia in from which technological progress has vanquished STDs and unwanted pregnan-
cy and young collegians are schooled in sexual arts of all varieties. In this ambitious work, storylines con-
verge as Twenty, heroine of the previous volume, now hosts a madly successful live Internet sex show
while her comely cousin Sally still struggles with old inhibitions in a newly-liberated society.
After a quick update of dirty doings at the
adjoining alma maters where Twenty and
her first amour, David, learned their chops,
action switches to the posh suburban digs
of cousin Sal and aspiring swinger hubby
Tony, where tension over the shy wife’s
inhibitions create friction in paradise.With
Twenty’s clever connivance, Sal finds her-
self unexpectedly and repeatedly cast into
seductive situations at strip joints, swing
clubs and, ultimately, at a sex emporium
where the cousins share a hot huddle in a
glory-hole box.
Meanwhile, Twenty does some location
scouting at a BDSM establishment modeled
on Story of O’s Roissy. Not surprisingly, she
finds the pleasures and punishments there
much to her liking and agrees to spend a
week there as an “inmate” at the service of
various Masters and valets bringing Sally
along for company. An abduction by evil
white-slavers is thwarted and all ends well
back at the sex academy, where the cousins
continue their studies.
Surroundings, costumes, hard-core kink-
sex actions of all kinds and lovingly-renders
paper dolls make for the unalloyed viewing
delight we expect from this superb artist.
Not to be missed. –E.G.
Painful Pleasures A deluxe compendium of corporal carnality, this superb collection of Russell’s work, consist-
The Erotic Art of Lynn Paula Russell ing primarily of illustrations originally commissioned by legendary U.K. spank-mags Februs
Lynn Paula Russell and Janus serves as an excellent introduction to the creations of one of the finest genre artists
136 pages, B&W working today. Russell’s naughty girls are uniformly delightful to behold as they take their
The Erotic Print Society licks from stern schoolmarms, seductive sorority sisters and masterful mates.The artist’s style
17 Harwood Road is realistic without being too literal, and the range of sensations and emotions displayed by
London SW6 4QP U.K. givers and receivers alike has the believability that only true-to-life experience can impart. In
www.eroticprints.org the accompanying commentary, which is interspersed with witty CP fiction in the best Brit
tradition, Russell makes no secret of her personal enthusiasm for the cane and the paddle, and
suffers none of the sometimes-annoying reticence spanking enthusiasts exhibit when it comes
to making the direct connection between a well-warmed backside and a wet pussy.
Punishment scenarios ranging from the cozily domestic to the lushly exotic are rendered with
a sophisticated eye and a skilled hand throughout. Faces, bodies, costume details and narrative
situations are all rendered with consistently superior technique and a knowing sensibility that
shocks, excites, entertains and amuses in equal measure. Not just for the preppy punishment
crowd, this volume is a must-have for any serious collection of fetish art at its finest. –E.G.
 Delicious Torment

BADIA
There is a timeless, classically Iberian quality to Badia’s work. His elongated figures, arid, austere settings and
fatalistic acceptance of harsh cruelty as a natural component of living conjure associations with El Greco
and Goya. His obvious empathy for the suffering of the innocent coexists with an unflinching appreciation
for the shameful pleasure to be had at their expense.
And yet there is something distinctly contemporary about his style as well.The contemporary fetishistic
trappings of stiletto heels, corsets, hoods and body harnesses, the lusty enthusiasm of his male and female
dominants, the characteristically modern beauty of his doe-eyed slave girls suggest a more than casual
acquaintance with the kink-sex iconography of our own time.
It’s not hard to see why Badia is one of the most popular BDSM illustrators working today. Here is a
small sampling of the images that make him a favorite.
BDSMARTWORK.COM
BDSMARTWORK.COM
BDSMARTWORK.COM
BDSMARTWORK.COM
THE

BANKER by Agnès
AGNES-ART.COM
BDSMARTWORK.COM

M
en and women alike bow their heads as I pass in the office, but I
know their eyes follow me with lust and curiosity after I clack by
them on my high heels. As the chief financial officer of a large, internation-
al merchant banking concern, I have the money and power to command
anything or anyone I might desire. But none of them can imagine what that
would be. Always cool and correct, I reveal nothing of my true nature, who
and what I really am and why my naked, shaved pussy is wet under my tai-
lored skirt all through a working day. They don’t know about the unpre-
dictable phone calls that keep me here late, or the fear and excitement
pounding in my blood as I leave by the back door.
As always, the car is waiting. My Master opens the door and I climb in
without hesitation. I have no idea where we’re going or what will happen
to me there. I do not question him about these things.
 His manner is relaxed, his every move precise and economical. His voice is low and seductive as he removes the glasses
behind which I hide at work and gives me my orders. They are simple enough. I strip to my shoes and stockings. He
locks the leather collar around my neck, the cuffs on my wrist. By the addition of the leash, I surmise I will be led to
something. Legs open, hands palm up on my knees as I’ve been taught, I tremble all through the drive into the ware-
house district. Master says little. His mind is on what will follow. I try not to anticipate his plans, but my imagination
gives me no rest.

BDSMARTWORK.COM
At the nondescript building where we stop, I see the leather-jacketed men silhouetted in the dimly lit doorway. From their midst, a sinister figure in
an old-fashioned military uniform comes forward to greet my Master, who hands him my lead. Calling me by name, the uniformed man orders me
to crawl on my knees. I obey, hoping Master enjoys the view from behind as I cross the bare ground on all fours.
By the throbbing hard-ons with which the tough, young bikers greet me, I can see what they expect. One of them takes my head and pushes it toward
another’s stiff cock. I reach out to entertain the others with my manicured hands.Around the circle I go, sucking, licking, slurping, stroking.They aren’t
gentle with me, jamming their rigid members to the back of my throat until I gag and choke. At a tap of the evil, slender
dressage whip in the uniformed man’s hand, I bob my head faster, working them frantically with lips and tongue. I hear their heavy breathing, their rude,
barked instructions. Crowding in, yanking me this way and that, they howl their delight like a pack of wolves. Their violent
eruptions flood my gullet and splatter my face. I splutter and gasp, dirty and defiled, my own juices running down my open thighs.
The uniformed man calls me a slut and a whore, hauls me to my feet and snaps my cuffs to a long chain hanging from above.

BDSMARTWORK.COM
BDSMARTWORK.COM
At first, he teases me with the whip, smacking my ass,
tickling my clit. I enjoyed getting a face and belly full
of strange men’s spunk, didn’t I? When I don’t answer,
he suddenly brings the dressage up in a cutting stroke
on my most tender spot. My loud yelp echoes in the
deserted alley. I hear cruel laughter from the departing
gang that used me.They’re done and now it’s this one’s
turn. He works me with merciless precision, striping
me everywhere – tits, ass, back, legs. He saves his hard-
est strokes for my softest, most sensitive parts. I scream.
I beg. I cry. I dance like a mad marionette, continuous-
ly presenting him with a changing array of tempting
targets. He does not stop until I hang limp in my
restraints. I sob quietly, my skin on fire everywhere.
Master appears, freeing my wrists. I sink to the hard
surface and bend low to kiss his boots. Behind me, I
hear the clink of a belt buckle.

BDSMARTWORK.COM
BDSMARTWORK.COM
I do as I have been trained, raising my behind and reach-
ing back to spread my blazing ass-cheeks. Master steps
on the chain between my cuffs, holding my face near his
feet. My tongue laps the smooth leather until it shines
with my spit. I barely feel the head of the uniformed
man’s part my lashed labia before he enters me in a sin-
gle, brutal thrust that goes all the way to my cervix. Slick
inside as I am, I still can’t suppress a startled gasp. He’s
long and thick and hard as a bar of iron.

BDSMARTWORK.COM
BDSMARTWORK.COM
After the shock of his initial pen-
etration, I find that my tormentor
is also a surprisingly good lover.
Having rudely impaled me to put
me in my place, he fucks me in
slow, smooth, rocking strokes that
soon have me moaning with
pleasure. Lifting me back against
the fabric of his tunic, he grips
my whip-scored tits expertly,
squeezing my erect nipples
between his fingers. My hands
instinctively cover his, urging
him on. I gaze up into Master’s
face, my teary eyes filled with
love and longing. No one else
could understand my needs so
well. Never breaking contact, I let
him see it all, my inevitable
orgasms breaking over me in
racking spasms. I hear myself bab-
bling out my gratitude for what
he’s given me. Deep in my
womb, I feel the invading rod
swell and pulsate. My insides
flood with spurt after spurt of hot
cum. It seems to last forever.

BDSMARTWORK.COM
And then it’s over. Soiled inside and out
I lie broken at their feet. Covered in fresh welts, sticky fluids oozing from my
mouth and cunt, stockings ripped and knees raw, I’m reduced to a state of utter,
blissful abasement. Not bothering to say a word, the two men turn and walk
away, leaving me naked on the rough ground. I hear car doors slam, an engine
start. Rising unsteadily to my feet, I dress myself with shaking hands as they drive
away, allowing myself one moment of absurd sadness that Master hasn’t waited
for me. I want to please him in a more personal way, but I know he’s enjoyed me
in a fashion of his own choosing, and that’s why I belong to him. Collecting my
belongings, I start making my way home.
Tomorrow, my other self will appear at the bank, as remote and untouchable
as ever. If only they knew the truth.

BDSMARTWORK.COM
 I
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 TABOO ILLUSTRATED
HUSTLER’S Coming in the Next Issue of

TIllustrated
ABOO
ISSUE #2 ON SALE FEBRUARY 12, 2008.

TM

SERAGLIO SECRETS
Death in the Harem continues with more plunder and pillage, not to
mention sucking, fucking, bondage, whipping, intimate interrogations
and diabolical discipline. When a duplicitous courtier loses his head
over a pretty concubine, the palace guard must get to the “bottom” of
the intrigue by any and all means necessary.

HARNESSED IN HELL
In the harsh, futuristic training facility where teams of girls are ruthlessly
conditioned to serve as beasts of burden and instruments of pleasure for
their heartless keepers, Laurie’s indignities are never-ending. Bitted and
strapped, orifices packed front and rear, she’s subjected to a grueling
workout on the treadmill, with only the promise of even more demanding
labors in store as her trainers use her for their after-hours amusement.

UNIVERSE OF PAIN
Incredibly prolific, fiendishly ingenious and utterly indifferent to
moral convention, artist Hines challenges our comfortable illusions
about human nature. There is a calculated familiarity to his bound
and suffering dolls.Tearful, terrified, bearing the marks of previous
mistreatment and clearly anticipating worse to come, they are the
constants in a realm of ever-changing monsters. He dares us to look
up at the naked face cruel carnality behind the veil of everyday life.