1997
Overhead Transparencies
Contents
1. Staves and Clefs 2. Notes and Rests 3. Note Values 4. Time Signatures 5. Music Language
6. C major and C harmonic minor scales 7. G major and G harmonic minor scales 8. D major and D harmonic minor scales 9. A major and A harmonic minor scales 10. E major and E harmonic minorscales
Copyright Beatrice Wilder 1997 Published in 1997 by Music Fun
P.O. Box 342 Katoomba NSW 2780 19 Millyard Lane Katoomba 2780 Australia Phone: (02) 4782 3073 Fax: (02) 4782 6362 Email:
[email protected] Web: www.musicfun.biz All enquiries about the reproduction, communication or transmission of this book should be made to the publisher using the contact details above.
For details of the CAL Iicence for educational institutions contact: Copyright Agency Limited Level 15, 233 Castlereagh Street Sydney NSW 2000 Tel: 612 9394 7600 Fax: 612 9394 7601 Email: [email protected] Website: www.copyright.com.au
1997
Overhead Transparencies No. 1 - Staves and Clefs
Bar Line Staff or Stave
Brace
Bracket
Treble Clef
{ {
Double Bar Lines
Staff or Stave
(the lines and spaces on which we write notes)
Bars (the spaces between the bar lines)
Key Signature
Bass Clef
Time Signature
1997
Overhead Transparencies No. 2 - Staves and Clefs
Semibreve
(or whole note)
Note Rest
Minim
(or half note)
Note Rest
Crotchet
(or quarter note)
Note Rest
Quaver
(or eighth note)
Note Rest
Semiquaver
(or sixteenth note)
Note Rest
1997
Overhead Transparencies No. 3 - Note Values
One semibreve has the same value as two minims
One minim has the same value as two crotchets
One crotchet has the same value as two quavers
One quaver has the same value as two semiquavers
1997
Overhead Transparencies No. 4 - Time Signatures
Two crotchet beats in each bar
=
Three crotchet beats in each bar
=
Four crotchet beats in each bar
=
Three quaver beats in each bar
=
Two dotted crotchet beats in each bar
1997
Overhead Transparencies No. 5 - Music Language
Signs which tell you to play loudly or to get louder moderately loud loud
cresc.
crescendo
very loud
with force
These signs mean: gradually becoming louder
Signs which tell you to play softly or to get softer moderately soft soft
dim.
very soft as soft as possible Signs which tell you to play notes in a short, detached manner
diminuendo
These signs mean: gradually becoming softer
Staccato (short, detached)
MezzoStaccato (moderately short, detached)
Staccatissimo (as short as possible)
Signs which tell you to play notes smoothly or connected
Slur or Phrase Line (play notes Legato or Connected) Accidentals Sharp
A sharp tells you to play a note one semitone higher
A TIE connects notes of the same pitch (play a single note for the combined value)
Flat
A flat tells you to play a note one semitone lower
Natural
A natural cancels the effect of a sharp or flat
Overhead Transparencies No. 6 - C Major and C Minor Scales
1997
C Major Scale
C D E F G A B C
tone tone
semitone
tone
tone
tone
semitone
C Harmonic Minor Scale
E C D
tone
semitone
A F G
tone tone
semitone
B C
tone and a half
semitone
Overhead Transparencies No. 7 - G Major and G Minor Scales
1997
G Major Scale
F G A B C D E
tone tone
semitone
G
semitone
tone
tone
tone
G Harmonic Minor Scale
E C D
tone tone
semitone
F G
tone and a half
semitone
G A
tone
semitone
Overhead Transparencies No. 8 - D Major and D Minor Scales
1997
D Major Scale
F D E
tone tone
C G A B D
semitone
semitone
tone
tone
tone
D Harmonic Minor Scale
C D
tone and a half
semitone
D E F G A
tone
semitone
tone
tone
semitone
Overhead Transparencies No. 9 - A Major and A Minor Scales
1997
A Major Scale
C A B
tone tone
F G D E A
tone
semitone
semitone
tone
tone
A Harmonic Minor Scale
G A B C D E F
tone
semitone
A
semitone
tone
tone
semitone
tone and a half
Overhead Transparencies No. 10 - E Major and E Minor Scales
1997
E Major Scale
F G E
tone tone
C D A B E
tone
semitone
semitone
tone
tone
E Harmonic Minor Scale
F E
tone
D G A B C E
tone and a half
semitone
semitone
tone
tone
semitone
