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 AL
APRIL/MAY 107

VOL 2 1 ! NO 3

sign: Studio Dominici 2002

architectural lighting
V i n t a g e is a f a m i l y o f
pendants, plafoniers and
wall scounces inspired by
authentic Dominici
products f r o m the 60's.
D o m i n i c i is a Brazilian
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in d i f f e r e n t sizes a n d
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EDITORIAL

f r o m 17 t o 4 3 " d i a m e t e r . EDITOR-IN-CHIEF
NED CRAMER
ncramer@[Link]
(202) 729-3612
PRODUCTION
EDITOR
DIRECTOR OF PRODUCTION AND ELIZABETH DONOFF
PRODUCTION TECHNOLOGIES edonoff@[Link]
CATHY UNDERWOOD (202) 729-3647
CUNDERW00D@[Link]
(202) 736-3317 EDITORS AT LARGE
JAMES BENYA. HOWARD 8RANDST0N

PRODUCTION AND
AD TRAFFIC MANAGER CONTRIBUTING EDITORS
BRAULIO AGNESE. RICK BELL.
CHAPELLA LEFTWICH

I
SALLIE MOFFAT, RANDY SABEDRA,
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ASSISTANT PRODUCTION MANAGER EDITORIAL ADVISORS

iVIARK E FISHER GREGG ANDER, FRANCESCA BETTRIDGE,

mfisher@[Link] ROBERT DAVIS, MARK LOEFFLER

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 AL
APRIUMAY I 07

VOL 21 I NO 3

architectural lighting

Tech. HANLEY WOOD B U S I N E S S MEDIA

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and projects come to life without a REGIONAL SALES MANAGER/WEST VICE PRESIDENT/FINANCE
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CONSTRUCTION. THE CONCHETI PRODUCER, CUSTOM HOME, EL NUEVO CONSTRUCTOR. THE JOURNAL OF UQHT CONSTRUCTION. MASONRY CONSTRUCTION, MULTIFAMILY EXECUTIVE. POOL &
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DISCLOSURE Architectural Lighting will occasionally wnte about companies m which its parent organization. Hanley Wood, LLC. has an investment interest. When
ph + 1212) 3 3 4 - 1 0 5 0 - [Link] il does, the magazine will fully disclose that relationship.

PRIVACY OF MAILING LIST Sometimes we share our subscriber mailing with reputable companies w e think you'll find interesting. However, if you do not wish to be
Circle no. 94 or wv/[Link] 'productinfo
included, please call us at 888.269,8410.
 YOUR VISION. YOUR PROJECT. YOUR LIGh IN( SOLUTION.

n D ( » o n AsMKuitos .ii,-hiiKt Asympioie! tiiim RasWa and U r Anno Couiuro Bholoor..phv O2Q06 Etoaboth Fei.

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manufacturers of quality lighting products

 APRIL/MAY I 07

architectural lighting

industry

15 comments
17 briefs / Lighting Loses a Great; Gordon Matta-Clark at the Whitney; and more
27 report / San Antonio Spirit lU
28 report / Lucifer Lighting FD
31 report / A New York State of Mind •
112 exchange / What will be the fate of the incandescent lamp? •

products

35 introduction

36 decorative
46 direct/indirect
52 downlights
58 task
60 track
62 outdoor
68 emergency
70 lamps/baliasts/controls
74 leds
81 fiber optics
84 daylighting
88 specialty FILTERS | FILMS | SOFTWARE { FANS | WIRING

91 I manufacturer index

details

93 method / Mastering Sidelight

99 technology / Material Considerations fO
100 technology / Material Witness •
111 ad index

Cover: A selection of products from Venture Lighting, Electro-Luminex Lighting, Selux, Prudential
Lighting, W 2 Architectural Lighting, Color Kinetics, AE Light, DuPont Corian, and Fontana Arte (left to
right, top to bottom).

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Lighting's step/accent luminaires; Diagram of the dual window strategy for sidelighting; Splitting 10 & 77,
1975, part of the Whitney Museum's Gordon Matta-Clark retrospective. © Estate of Gordon Matta-Clark,
Photograph by Sheldan C. Collins.

Additional information at [Link]

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 comment industry

An Incandescent Truth?
I fear the incandescent light bulb has become the scape-
goat du jour, as w e address and tackle the growing mag-
nitude of our ecological problems. Recent political
a n n o u n c e m e n t s by Australian Environment Minister
M a l c o l m Turnbull and California Governor A r n o l d
Schwarzenegger, calling for a ban on incandescent light
bulbs by 2012, are actually counterproductive to working t o w a r d a viable sustainable future,
because s t a t e m e n t s such as these do not present all the facts or aspects of the issue, and
instead mislead the population into thinking there is a "quick fix" solution.
In particular, this call to arms against the incandescent light bulb has suggested that the
compact fluorescent lamp (CFL) is the answer. But w h a t is not mentioned is that CFLs contain
mercury, and that by potentially solving s o m e of the problems that incandescent sources pres-
e n t — h i g h carbon emissions and electricity output—another equally as serious problem is intro-
duced: A n increased volume of mercury-containing lamps into the marketplace and environ-
m e n t that will need to be properly disposed of so that they do not sit in land fills.
Also absent f r o m the political incandescent/CFL debate is the issue of Quality of Light. CFL
technology is variable, and color temperature ranges limited. In fact, there is a condition k n o w n
as Scotopic Sensitivity Syndrome, w h e r e fluorescent lighting can actually make people sick.
Bottom line: The right source m u s t be used for the appropriate application. To design strictly
based on technical or economic criteria w i t h o u t an awareness of aesthetic issues w o u l d be to
negate design itself.
Rather than treat the incandescent/CFL debate as an "either/or" proposition, w h a t it should
do is encourage us to focus energies on the research of more efficient lighting sources of all
types, including incandescent. The fine print of Philips Lighting's March 2007 announcement of
its support of the newly created Lighting Efficiency Coalition's proposed legislative action (See
Briefs, p. 22), clearly advocates a switch t o more energy-efficient lighting systems, and a struc-
tured phase-out of inefficient incandescent sources, not a c o m p l e t e or immediate ban. The
National Electrical Manufacturers Association (NEMA) has w e i g h e d in as well, supporting ener-
gy-efficient lighting, but arguing that proposed legislation here in the U.S. and abroad, which
suggests an all out ban, is misguided. In a prepared s t a t e m e n t N E M A President Evan Gaddis
points out that product bans " d o not encourage technology innovation, and fail t o take into
account market and application needs of the consumer." It will be interesting to see in the c o m -
ing m o n t h s the market place's Darwinian effect on n e w products and technologies.
Certainly there are instances and applications in which changing an incandescent source to
a CFL makes sense, and there is no doubt that of the approximately four billion screw-based
light sockets in the Unites States, not all need to house incandescent sources, or of the poten-
tial energy savings—approximately $18 billion in the U.S. alone. But if w e are to create a more
socially responsible and environmentally friendly w o r l d , it has to s t e m f r o m more than just a
change in equipment, it has to be a change in attitude, habit, and behavior. It w o n ' t matter h o w
many incandescent light bulbs are changed to CFLs if w e continue to drive oversized fuel-
dependent vehicles instead of favoring mass transit or walking. It w o n ' t matter h o w many
incandescent light bulbs are changed to CFLs if w e continue to avoid researching and funding
viable renewable energy resources. It w o n ' t matter h o w many incandescent light bulbs are
changed to CFLs if we don't each personally c o m e to a better understanding of our o w n con-
sumption footprint. Changing a light bulb is only one piece of a far larger and more complicat-
ed environmental puzzle. To be sure, a first step, but not the only solution.

E L I Z A B E T H DONOFF
EDITOR
 Tough keeping up
with all the energy
legislatiue changes?
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from Leuiton, keeps you
ElUERBY
on track.
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TsCapital, Washington 0.1

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 briefs industry

NG DESIGN COMMUNITY LOSES A GREAT

The lighting aesign community nas lost one of its pioneers—Jules Norton. FIALD. FIES. A recognized
leader in the profession, in 1969 he founded Jules G. Morton Lighting Design in New York; today, the
firm is known as Morton Lees Brogden Lighting Design, with offices in New York, Los Angeles, and San
Francisco. Mr Morton passed away on February 23, 2007. Me was 87. Me will he honored posthumously
at the lALD Awards Dinner in May during Lightfair, and at the Lumen Awards in June, both held in New
York. A | L

The following piece originally appeared in Architectural Lighting's March 2003 issue, on the occasion of
Mr. Morton's induction into A|Ls Hall of Fame.

The word pioneer—\pi'o-nir'\ one who opens or prepares others for a new line of thought or activ-
ity—is definitely synonymous with Jules Morton.
If one were to ask what Jules Morton contributed to the lighting design profession, it would
have to be that he believed in lighting design and its future as a recognized profession. During his
35-year career, he mentored so many of us, not only as designers, but as leaders of the second
and even third generation of lighting professionals. As many in lighting know, Jules used his world-
ly experiences, raw talent, determination, style, and charm often to create exceptional design solu-
tions. Me thrived on challenges and fought for what he believed in—sometimes too hard, and in the
process lost the battle. Although he may have lost some battles, lessons were learned by all of
those who learned from him. We understood his enormous passion for the search in excellence in
lighting.
Jules retired from the profession starting in 1994 and, in 1998. was honored by the lALD in
recognition for his many contributions. At the time, the firm now know as Morton Lees Brogden
Lighting Design Inc. (MLBLD) prepared a list of all those who worked with Jules over the past 35
years and are still in the lighting profession—amazingly, 125 people have crossed paths with Jules
Morton, and many have gone on to become leaders and principals of their own firms or principles
in MLBLD.
As many in the industry may know, Jules was trained as a structural engineer at the Polytechnic
Institute in Warsaw, Poland, and in 1947 came to the U.S. to obtain his master's at Columbia
University. Me earned his Professional Engineer License and designed the radio tower located
above the Empire State Building. Mis passion for art, music, language, and literature connected him
to many interesting circles of friends. One of the most significant people he met was lighting
designer Abe Feder, who introduced Jules to the world of architectural lighting. Me apprenticed
under Abe for several years and eventually left to start a lighting department with Syska &
Mennessey. After several years of working on projects such as the new Madison Square Garden
Jules Horton (above). Horton's portfolio of projects includes: The King
and theTriborough Bridge, he was asked to design the lighting of the Whitestone andThrogs' Neck Abdulaziz International Airport, J e d d a h , Saudi Arabia, 1980 Ibelow); City
Bridges for the 1964 World's Fair. Place. Dallas, 1980 (bottom left); and corporate offices for Wells Fargo, 1983
By the time Jules was ready to open his own firm, he had several large-scale, monumental light- (bottom right).
ing projects under his belt. The firm was launched in 1969 from his living room studio. Me incorpo-
rated the firm in 1970 and opened a studio on Park Avenue South with the commission of one of
his first large-scale projects, for the Dallas Forth Worth International Airport, with [Link] project,
like most airport projects, was several years in the making. Simultaneously, he developed a strong
relationship with several prominent architectural firms across the country, which led to the design
of several international projects including the King Abdulaziz International Airport in Jeddah, Saudi
Arabia, the University of Petroleum and Minerals also in Saudi Arabia, and Tour de Credit Lyonnais
in Lyon, France. Mis European background and fluency in English, Polish, German, Russian, French,
and Italian served him well.
In a conversation with Jules some years ago, he revealed that he was the innovator of the 2x2
lensed fixture used widely in offices in the 1970s, Maving learned that the sign industry had devel-
oped a U-shaped fluorescent lamp for compact signage, he saw an opportunity and went on to
design a white metal box with a prismatic lens to shield the light source. The fixture was used in a
large office project located in New York in the early 70s. It is amazing that his one simple move
would dramatically influence the lighting industry as we know it today. And as anyone who knows
Jules could attest, while he naturally boasts of his many accomplishments in life or often tells sto-
ries of his survival in a Russian labor camp in the Arkhangelsk Islands, Russia, in this case and in
many others, when it came to truly discussing his innovations, he checked his enormous ego and
became almost unaware of the impact that his idea had on today's office environment.
In 1976, he hired Stephen Lees, who went on to become a partner in the firm in 1984. In response
to their West Coast clients, Jules and Stephen opened a San Francisco office in 1984 with Denise
Bruya-Fong. In 1992, Barbara Morton stepped into his shoes as president after many years of being
mentored. As Jules phased out of the business, the two partners expanded the firm once again with
a Los Angeles office headed by Teal Brogden. The firm thrives with over 32 studio members in three
offices—New York, Los Angeles, and San Francisco—and is owned and managed by four principles:
Barbara Morton, Stephen Lees, Teal Brogden, and Angela McDonald.
Since retiring, Jules has stayed quietly at home exploring his passion for music, art, and litera-
ture. Mis travels have been curtailed because of arthritis, which stemmed from knee injuries dur-
ing the war. For those of you who know Jules, this is a terrible thing for him because he so loved
to travel abroad, explore art galleries, attend concerts and opera, and was never daunted by adver-
sity. Me recently began to venture out with the help of an attendant and his world, at almost 84, is
reopening again. BARBARA CIANCI HORTON

ARCHITECTURAL LIGHTING 17
industry briefs

IMMERSIVE LANDSCAPES
FOR THE SEVENTH CONSECUTIVE YEAR, NEW YORK AREA LIGHT-
ing design, architecture, interior design, engineer-
ing, and art students were asked to explore light's
potential as an artistic medium. The 2007 Annual
Illuminating Engineering Society New York Section
(lESNY) Student Competition garnered 47 entries,
which were displayed for three days at Lotus
Space, a gallery venue, in Manhattan's Chelsea
neighborhood. The theme of this year's competi-
tion—Immersive Landscapes—asked students to
envisage an "immersive sensory experience"
through the creation of a three-dimensional space.
First place went to Chung-Jung Liao an MFA
candidate in the lighting program at Parsons, His
project, Mandala in Light, used salt distributed
through funnels to create Mandala patterns—"a
Tibetan Buddhist representation of the cosmos
characterized by a concentric configuration of geo-
metric shapes." Lit from below, depending of the
density of distribution, the salt crystals emit differ-
ent color values. Patterns can be redrawn without
limit. Liao received a $3,000 cash prize and all
expense paid trip to the European Lighting Design
Workshop and Conference in Alingsas, Sweden.
Sara Elizabeth Foley was awarded second Parson's Chung-Jung L i a o s first-place winning entry Mandala in Light
prize for her entry. The Light Prism, a human- (left and top); Cooper Union's Sara Elizabeth Foley's second place project
scale kaleidoscope. The bachelor of engineering The Light Prism {above left); and Parson s Ross Guntert's third place entry
student at Cooper Union used 15, 1W color- Refracted by Levers {above right).
changing LEDs as the illumination source, along
with different patterned screens to change the

Tambient
l i g h t i n g at work"

Lights the ceiling, task and immediate [Link]

surround from one T5 lamp, furniture mounted. Lightfair Booth #3147 m
As low as 0.6 w/sf.
a division of Sylvan R. Shemitz Designs, Inc., makers of elliptipar

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 industry briefs

"mood" within the linear tent-like structure.

Foley received a $1500 cash award.
Undergraduate architecture student Ross
Guntert, received third prize for his project enti-
tled, Refracted by Levers. Consisting of a black
box with a series of levers and a light source,
manipulating the levers altered the intensity of the
refraction of light. Guntert received a $500 prize
for his efforts. Three honorable mentions were
also awarded. The recipients were Wanlop
Chantarakolkit, an MFA candidate at Parsons,
Siriphot Manoch, also an MFA candidate at
Parsons, and Ian Lotto a BFA candidate in the
Architecture program at Parsons.
This year's jury included Frank Conti, presi-
dent of Enterprise Lighting Sales and lESNY
board member; Dennis McKee, director of spe-
cial projects and corporate affairs at Bartco
Lighting; Molly McKnight, associate lighting
designer at the Brandston Partnership; Allison
Ritter, educator and director of ELDA; Joachim
Ritter, editor in chief of Professional Lighting
Design magazine; and Coren Sharpies, principal
of New York-based ShoP Architects. Awards Honorable mention awards were also given to three student projects. From left to right the work of Siriphot Manoch, Ian Lotto, and
were presented on March 14, 2007, at an Wanlop Chantarakolkit.
evening event that included presentations by
artist Ben Rubin (See "Visual Communication,"
Jan/Feb 2007) and Joachim Ritter. For more
information about the lESNY Student
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industry briefs

PHILIPS LEADS LIGHTING EFFICIENCY COALITION LiGHTCONGRESS TURNS FIVE

PHILIPS ELECTRONICS HAS PARTNERED WITH SENATOR MARK PRYOR (O-ARK.), CONGRESSMAN DON MANZULLO CELEBRATING ITS FIFTH ANNIVERSARY, LIGHTCONGRESS, WHICH TOOK PLACE ON MARCH 13. 2007, ONCE

(R-lll.), and the Lighting Efficiency Coalition—comprised of the Alliance to Save Energy, again assembled an impressive line up of speakers. The day began with a keynote
American Council for an Energy Efficient Economy, Californians Against Waste, Natural presentation by Laurie Kerr, Senior Policy Advisor in the New York City Mayor's
Resources Defense Council, and Earth Day Network—to propose legislative measures Office for Long Term Planning and Sustainability. Responding to global trends toward
toward "incorporating high-efficiency lighting technologies in home and office settings." sustainability, and more specifically Mayor Bloomberg's mandate for the city to
The goal of the Philips-led coalition is to encourage an industry-wide initiative to replace reduce its carbon emissions by 30 percent by 2030, Kerr is responsible for develop-
less efficient products that are in use, with more energy-efficient light fixtures and lamps. ing various aspects of the City's plan—PlaNYC-2030—to achieve these goals.
Philips supports the action as the "first lighting manufacturer in North America to seek a Overall, the conference was divided into three major topic areas: Energy
phase-out of inefficient incandescent light bulbs by 2016." Efficiency and Sustainability, Daylighting and Health, and Designing with Light, and
The Coalition's proposal calls for "incentives for consumers and business to purchase included a diversity of speakers. The Daylighting sessions, moderated by Neall
more energy-efficient products." Explains Philips' spokesperson Steve Goldmacher, "Its Digert of Solatube, were particularly strong. Jim Benya spoke about Natural Ambient
about creating performance standards, not bans." Today in the United States there are Daylighting; Dr. Joan Roberts of Fordham University presented on the topic of day-
approximately 4 billion screw-based light sockets that employ "inefficient, old-style gener- light and human health and how light contributes to the treatment of various dis-
al service incandescent lights." If energy efficient sources were universally employed eases; and MatthewTanteri discussed daylighting techniques for K-12 schools.
across the U.S. the result would represent almost $18 billion annually on electricity bills, The afternoon session was devoted to discussions of "Designing with Light,"
and "more than 158 million tons of carbon dioxide emissions and 5,700 pounds of air-born moderated by lighting designer Leni Schwendinger. A particular stand out presenta-
mercury emissions would be eliminated." tion was the work of architect Gustavo Aviles, whose firm—Lighteam—has been
The Coalition's proposal is still in the formative stages as Senator Pryor's office works creating and implementing a master plan for Mexico City.
to draft legislation in the next six months before heading to Senate Confirmations. When LightCongress originally served as a media-preview to Lightfair, the lighting
asked if the lighting design community at large was being consulted, no definitive answer industry's main U.S. tradeshow. Over the past five years, LightCongress has
was provided, rather it was suggested that the lighting design community would have to evolved into a more content dhven event, in order to introduce main stream media
take a proactive stance and reach out to legislators. A | L to the lighting industry and promote lighting issues. As in year's past, the event
was organized by Greystone Partners, along with the support of sponsors—
Sylvania, Color Kinetics, Con Edison, the lESNY, Light Tape, and Lighting Science
CORRECTION: The Editor extends apologies to the architectural firm SANAA. In the
Group—and an advisory board to structure the presentations. Architectural Lighting
Jan/Feb 2006 issue and article "Light, Space and Architecture: SANAA'S Architectural once again supported the program as a media sponsor. For more information visit,
Explorations with Light," the firm name, was incorrectly spelled (SANNA). [Link]. A | L

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 industry briefs

GORDON MATTA-CLARK AT THE WHITNEY

The mythological-lil<e status associated with Gordon Matta-Clark (1943-1978) and his wori<, stems in part from
his pre-mature death at the age of 35, but should not be doubted. That is proved in the current retrospective,
Gordon Matta-Clark: "You Are ttie Measure," at the Whitney Museum of American Art on view through June.
A prolific body of work that spanned a decade, Matta-Clark studied architecture at Cornell, but was frus-
trated by its pedagogical hierarchies. Instead, he used architecture as a base for artistic explorations of space.
Working in New York during the 1970s, Matta-Clark was drawn to the abandoned and deteriorating neighbor-
hoods of the city. Known for his building cuts, these "interventions" challenge traditional spatial understand-
ing. "By opening up these spaces through removal," the exhibition text explains, "he created new views
through space, unexpected perspectives, and new relationships between the standard conditions of architec-
ture: walls, doors, and ceilings," The exhibit conveys Matta-Clark's working process through a combination of
building cut artifacts, drawings, films, photographs, and photocollages, reaffirming Matta-Clark's dynamic
engagement with the built environment, ELIZABETH OONOFF

^ WKR TBI '

Splitting W& 11.1975, Four gelatin silver prints, cut and collaged (left). Gordon Matta-Clark working on the house in Englewood, New Jersey, used for Splitting, 1974 (right),

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San Antonio Spirit CHRIS SCHULTZ

DURING T H E DAV, IT'S ONE OF A HANDFUL OF ROMANTIC PRE-OEPRESSION-ERA SKYSCRAPERS

The city's architectural
gracing the downtown skyline. But at night, ask any San Antonian to name the
most iconographic building of their hometown and chances are good the Tower heritage provides a
Life building will top the list (OK, the Alamo and Tower of Americas are strong compelling backdrop
contenders as well). This octagonal, neo-gothic sliver of brick and terra cotta by for the 2007 AIA
the city's most prominent, and prolific, early twentieth-century architectural
firm—the father-son team of Atlee and Robert Ayers—lights up the sky, it's National Convention.
upper two stages aglow. Visitors to San Antonio for the American Institute of
Architects (AIA) 2007 National Convention and Design Expo will surely agree
that as a marriage of lighting and architecture, Tower Life is hard to surpass.
Except perhaps by another, slightly more diminutive landmark—the Frank
Murchison Tower at Trinity University. An elegantly simple essay in brick, con-
crete, and copper by San Antonio's most charismatic and influential mid-centu-
ry architect, O'Neil Ford, the Murchison Tower is a dramatic presence for com-
muters from the northern suburbs. Ford's ethos of a Rational Regionalism—
combining local materials and the region's rich traditions of handicraft with a
modernist's honesty of expression—still underpins much of the current archi-
tectural exploration in the city.
Aside from Ford's own firm. Ford Powell & Carson, one of the most direct
descendants is LakejFlato, the city's best-known contemporary firm, and
recipient of the AIA Firm of the Year in 2004. A panoply of projects around
town—The Carver Academy the Government Canyon Interpretive Center,
numerous private homes, and an on-going adaptive use project at Pearl
Brewery—highlight Lake|Flato's direct, ecologically sensitive and inventive
approach to designing for the South Texas climate, and often incorporate cre-
ative custom lighting fixtures.
But numerous other firms are gaining acclaim as well. Overland Partners'
expansions of the San Antonio Museum of Art display sophisticated ele-
gance, particularly in their shoji-like cladding of the Asian Wing, while sus-
tainable features are integral to their South Texas Blood and Tissue Center.
Kell Muhoz's Methodist Healthcare Ministries Headquarters and Marmon
Mok's Dreeben Family Pavilion at Temple Beth El display an iconographically
modern sensibility. Alamo Architects enliven many of their inventive forms
with an expressive lightness, as seen in their Humane Society Animal
Shelter. Vbar in the Hotel Valencia, by Parsons 3D/I, integrates sleek color-
changing LED lighting, as does the new Drury Plaza Hotel garage-recladding
project by Sprinkle Robey And though not technically architecture, the new
"Light Channels" public art piece by Bill FitzGibbons, director of the Blue Star
Contemporary Art Center, also employs color-changing LEDs and aluminum
sculptural elements, which dramatically enhance the pedestrian experience
under highway overpasses at Commerce and Houston Streets, immediately
east of the Convention Center.

AN HISTORIC PAST
San Antonio is equally proud of its wonderful collection of historic structures.
San Fernando Cathedral, the oldest Roman Catholic cathedral in the United
States, was recently renovated by Rafferty Rafferty Tollefson of St. Paul,
Minnesota, with San Antonio-based Fisher Heck as associate architects.
Dramatic exterior lighting highlights the 1873 French Gothic nave addition as
well as the older Spanish Colonial dome and apse, while the interior is resplen-
dent with golden retablos and the rich creaminess of the local limestone. The
Maiestic Theater, the queen of San Antonio's atmospheric theaters, designed
by John Eberson of Chicago in 1929. and renovated by local architect Milton
Babbitt in 1988-1989, is a m6lange of Spanish and Moonsh architectural con-
fection, replete with twinkling pin lights and a cloud machine casting a moon-
like luminance across the azure ceiling.
These projects and many more are highlighted in AIA San Antonio's new
guidebook, Traditions & Visions: San Antonio Architecture, premiering at the
Convention and available afterwards at [Link]. The guide contains over
350 of the city's finest designs along with insightful essays tracing the city's his-
torical precedents and current directions in design. But as with all architecture,
it is best viewed in person—when one can touch the stones of San Antonio's
past alongside the concrete and steel of its present. AIA San Antonio invites
everyone to do just that.
The Tower Lite Building stands tall in San Antonio's downtown
and River Walk area (top). The Alamo, site ot the infamous 1836
Chris Schultz, AIA, is a San Antonio native and current AIA San Antonio hattie of the Texan Revolution where 200 Tcxans stayed oft
President. 4.000-plus {Mexican troops for 13 days before finally succumb-
ing, is a San Antonio and Texas icon (above),
more i n f o r m a t i o n ai [Link]

ARCHITECTURAL LIGHTING 27
 industry report

Lucifer Lighting: A Native Son ELIZABETH DONOFF

A KEY FIXTURE IN THE UGHTING AND SAN ANTONIO COMMUNITY FOR THE WST 25 YEARS,
Lucifer Lighting's new headquarters—a 13-acre site, formerly the
Pace Picante production facility—blends thoughtful consideration of
light and architecture, and provides forward thinking illumination to
both interior and exterior spaces for office and factory alike. As
chairman and CEO Gilbert Mathews explains, the company had out-
grown Its downtown location and was looking for the "ideal space"
that would allow the company to unite its administrative offices with
its factory and research and development studios, and "set them for
a number of years." The existing 60,000 square foot Pace factory
has enabled Lucifer to double its existing footprint.
Owing to the company's trademark attention to detail and thor-
oughness in problem solving, it is no surprise that the renovation of
the facility took almost three years from initial concept to actual
completion. As a lighting manufacturer, coupled with his experience
of working with leading architects and lighting practitioners,
Mathews knew the particular people he wanted to work with, and
called on a group of top professionals (Benya Lighting Design,
Atelier Lumiere. Jackson & Ryan Architects, and Gensler) to design
an architectural space integrated with light and with the stunning
surrounding natural landscape. But the project does not stop at
excellence in design; it also represents the company's commitment
to sustainability and education, From the beginning, a significant
amount of time has been spent researching the right "green
design" features to incorporate into the renovated facility, such as
the skylight and "green roof" system of the building's factory area.
To that end, two consulting firms—San Antonio-based 3DI
International and Eugene, Oregon Solarc have been brought on
board to lend expertise in both the LEED process and integration of
sustainable design features. Although the project is seeking a silver
LEED certification, for Mathews the certification will be an extra
bonus, but not what has motivated his decision to proceed on this
course. While the facility does provide a showcase for the company's
own products, what the space really celebrates is light and lighting,
and in turn the company's philosophy of a clean modern aesthetic,
and a responsible corporate citizen engaged with its community.

Lucifer Ligtiting's new headquarters is one of the official AIA

Convention Professional Tours. For more information, visit www.a/a-
[Link].

more i n f o r m a t i o n at A R C H L I G H T I N G . C O M

T. Luciter Lighting Company LOCATION: San Antonio, Texas ARCHITECT:

Jackson & Ryan Architects, Houston INTERIOR ARCHITECT/DESIGNER: Gensler.
Dallas UGHTING DESIGNERS: Atelier Lumiere. New York and Benya Lighting
Design. Portland. Oregon ADDITIONAL CONSULTANTS: 3DI International. San
Antonio. Texas and Solarc. Eugene. Oregon PHOTOGRAPHER: Ross Muir, New York

Clean lines and an elegant, but neutral palene define the aesthetic of
Lucifer Lighting's new headquarters. Natural light r e a c h e s all p a n s of the
building including the reception area (top left) and the break room (facing
page bottom left). An extensive art collection is s h o w c a s e d throughout the
facility, and the ceiling treatment of the corridor adjacent to the main con-
ference room recalls the architectural form of architect Louis I. K a h n s
Kimball Art Museum (right). The main conference room (facing page top
left and right) is equipped for numerous lighting scenarios. Skylights, cou-
pled with high-bay fixtures provide an abundance of light in the factory
(facing page bottom right).

28 AIL APRIL/MAY I 07
 report industry

A R C H I T E C T U R A L LIGHTING 29
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 report industry

A New York State of Mind

Two views of New
York—where architec-
ture and lighting come
together unequivocally.

At night, 7WTC comes alive with the lobby's luminous "light box" ceiling, while outside, an interactive LED light feature adds dimension to the double-
layer metal scrim w a l l (above).

L I G H T A N D T H E C I T Y RICK B E L L

The utterly bearable lightness of being in New York this spring is Building topped the list. Designed by Shreve. Lamb & Harmon and
evident in several new structures, and one classic now topping the completed in 1931, the building was for many years the tallest in
charts. This is a great time to walk the sidewalks of fvlanhattan, the world. The Empire State endears itself nightly to New Yorkers
from Columbus Circle to the Battery, from Harlem to City Hall Park, and tourists by its nightcap of color. Holidays are predictable—red
and green predominates in December But for many baseball fans,
SEVEN IS UP the October blue-and-white lights signify the preeminence of the
BlueiDurple LED lights in the metallic base of the new office build- Yankees, The building won "fave" honors as a supporting player in
ing known as 7WTC (See "A Clockwork Blue," Sept/Oct 2006.) the films An Affair to Remember, King Kong, and Sleepless in
announce that something different has risen at the site of the World Seattle. It is also the fulcrum of New York's striving skyline and
Trade Center. Designed by David Childs, of Skidmore Owings & makes the empirical gesture—onward and upward,
Merrill, Childs called on New York-based Cline Bettridge Bernstein
Lighting Design to turn the architectural concept into lighting reali- THE CENTER FOR ARCHITECTURE
ty. The ground level of the structure also benefits from collaboration The Center for Architecture, at 536 LaGuardia Place in Greenwich
with public artists James Carpenter, Jenny Holzer, and Jeff Koons. Village, benefits from daylighting on all three of its floors. This would
Carpenter's light touch helps dematerialize the otherwise solid not be so unusual, but for the fact that two of these levels are under-
streetwall, enclosing an electrical substation. The 9/11 destruction ground. Open since October 2003. the Center for Architecture, cre-
of the building's namesake predecessor symbolized one of the dark- ated by the AIA New York Chapter (AIANY) and the Center for
est points in New York's history With an exciting new fagade, and Architecture Foundation, also houses the Illuminating Engineering
the lights on in newly occupied offices, including those of the Society of New York (lESNY) among its many professional organiza-
National Academy of Sciences, this American Institute of Architects tion partners. Multi-disciplinary discourse has engendered over 2,000
(AIA) award-winning building expresses resilience and elegance. programs and 70 exhibitions to date. One recent exhibit sponsored
by the lESNY Ligfit / Energy / Impact (May 17 - July 12. 2007). high-
STATEN ISLAND TOD lighted the work of architect and lighting designer Richard Kelly And
The recently revamped Whitehall Ferry Terminal, also known as just this January, London-based LED light-artist Jason Bruges' instal-
South Ferry is an exciting new work of architecture by Frederic lation Visual Echo, co-sponsored by the Royal Society for the Arts,
Schwartz of Schwartz Architects. With embodied photovoltaic panels was on view (See "Visual Echo Opens in New York," Jan/Feb 2007)
facing south to the harbor, the building's shimmering fagade greets During Lightfair there will be new exhibitions on affordable hous-
ferry commuters from Staten Island, as well as visitors from around ing, design excellence, and the history of New York's buildings and
the world who have learned that this cheap ride (round trip for two neighborhoods since 1857 Visit the Center for Architecture
bits) brings people close to the Statue of Liberty and our maritime ([Link]) to get oriented, hear what's happening, and to learn
history The terminal beckons as a portal to the city where water- more about what is most enlightening on the New York architectural
borne transport has been resurgent. A multi-modal facility the new and lighting scene,
terminal straddles the Number 1 Local subway whose trains
screech as they grudgingly make the slow turn to head back uptown.
Ricl< Bell serves as executive director of the New York Chapter of
the AIA where he has worked to raise involvement of the archi-
AMERICAS FAVORITE tectural and design communities on public policy and develop-
In the 2007 Harris Poll of America's Favorite Architecture, com- ment issues. He was elected a Fellow of the AIA in 2000 for his
missioned for the 150th Anniversary of the AIA, the Empire State work in public facility design.

ARCHITECTURAL LIGHTING 31
industry report

Award-winning Lighting Design by New York Designers

ALESSI FLAGSHIP STORE. New York, NY

Lighting Designer: Tillotson Design A s s o c i a t e s (1)

CENTRAL WING SCHOOL OF ARCHITECTURE. Pratt University. Brooklyn, NY

Lighting Designer: Arc Light Design (21

A|L U G H T & A R C H I T E C T U R E D E S I G N A W A R D W I N N E R , J U L V / A U G 2006

SEVEN WORLD TRADE CENTER. New York, NY

Lighting Designer: Cline Bettridge Bernstein Lighting Design (SHOWN ON PAGE at)

CONEY ISLAND PARACHUTE JUMP, Brooklyn, NY

Lighting Designer: Leni Schwendinger Light Projects (3)

THE IRISH HUNGER MEMORIAL NEW YORK. New York, NY

Lighting Designer: Johnson Schwinghammer (4)
A | L UGHT & ARCHITECTURE DESIGN AWARD WINNER, JULV/AUG 2004

ATLANTIC TERMINAL, Brooklyn. NY

Lighting Designer: Cline Bettridge Bernstein Lighting Design '5)
AjL UGHT & ARCHITECTURE DESIGN AWARD WINNER. J U L Y / A U G ZOOS

AUDREY LOUNGE AND CAFE, New York, NY

Lighting Designer: Focus Lighting (6)

CARLOS MIELE. New York. NY

Lighting Designer: Focus Lighting INQT SHOWN)
A | L LIGHT & ARCHITECTURE DESIGN AWARD WINNER, J U L V / A U G 2005
•ii

THE PORTER HOUSE, New York. NY

Lighting Design: SHoP Architects INOT SHOWN)

55 WATER STREET PARK. New York, NY

Lighting Designer: Jim Conti Lighting Design 'NOT SHOWN)

MIXED GREEN GALLERY, New York. NY

Lighting Designer: Tillotson Design A s s o c i a t e s (NOT SHOWN)

POSTCARDS - THE STATEN ISLAND SEPTEMBER 11TH MEMORIAL. Staten Island. NY

Lighting Designer: Fisher Marantz Stone INOT SHOWN)

32 AL APRIL/MAY 107
 11

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Lighting tlie Way RANDY SABEDRA

OVER THE PAST TWO YEARS NEW YORK CITY LIGHTING DESIGNERS HAVE LOOKED BACK AT THEIR HISTORY, conductors. Gone are the simple days of lamps and sockets. The lighting designer's famil-
dealt with the present, and struggled to predict the future. New York City remains the cen- iar set of tools with which to evaluate output, may no longer apply to LEDs. "Seeing is
ter of the lighting industry, and its lighting designers continue to lead the way. believing" and most lighting designers appraise LED performance with their eyes.
As LightFair 2005 packed its bags, the Museum of the City of New York, in conjunc- While New York lighting designers keep up-to-date with revisions to city and national
tion with the Illuminating Engineering Society of North Amenca's (lESNA) Centennial electrical, energy and building codes, no one issue has had as great an impact as sus-
Celebration, showcased, with an extensive exhibition of lighting technology, design, and tainability Designers are experiencing a new challenge: To improve the quality of lighting
fads, an exploration of how illumination shaped the mod- design, while balancing design concerns with the envi-
ern city (See "lESNA Centennial Celebration Recap" ronment. Lighting designers and architects are now
and "The Radiant City," Jan/Feb 2006.) Utilizing timelines asking what it truly means to be "eco-friendly." ponder-
and artifacts, the displays documented lighting's past ing if today's practice of low-energy sources not only
and present, and speculated on the future. In the spring benefit the end user, but also how these products
of 2006, the lESNY's 1996 Richard Kelly exhibit, was impact the entire eco-system from fabrication to ship-
expanded and re-introduced at the AlANY's Center for ping to operation to disposal of light sources and light
Architecture. Enhanced with new materials to introduce fixtures—"cradle-to-grave."
lighting design to a broader public, the installation, enti- Lighting design projects by New York lighting design-
tled Light I Energy I Impact, showcased the work of this
legendary designer, and how he shaped the use of light
H i i cii
ers set new strides and definitions of what Is lighting
design. The integration of light into architecture is much
in the built environment. (The original Richard Kelly stronger than ever before The line defining where archi-
exhibit is now traveling throughout Europe.) tecture ends and lighting begins is vanishing. Light now
Living and working within such a large lighting com- in New York City Is the architecture; light Is the material;
munity, designers benefit from the immediate access to and light Is the environment.
innovative and improved lighting products. LEDs have Light I Energy \ Impact exhibit at the Center for Architecture

had a major impact on the design choices and options of ~ ~ ~ Randy Sabedra, principal of RS Lighting Design, Is an
lighting equipment, but LED technology is a moving target. Lighting designers have a award winning lighting designer and educator In New York City He is a lighting Instructor
love/hate relationship with this constantly evolving technology, Designer's appreciate light at Parsons The New School for Design. The Fashion Institute of Technology, and The Art
emitting diodes' low wattage, long life, and continued improvements in color, size, and Institute. Randy Is currently serving as president of the New York Section of the lESNA.
brightness. However, the technology (developed for the electronics industry) is a convo-
more information a; [Link]
luted learning curve of circuiting boards. Tc-Points. heat sinking, chromaticity and semi-

Cris Glass Shades

European crystal in geometric shapes
for elegance and performance.
For use with the Sirius rail system.

brilliant
S i n u s
THE ANNUAL
PRODUCT GUIDE

THE TOOLS OF THE ARCHITECT AND UGHTING DESIGNER ARE NUMEROUS. IN THIS ISSUE. ARCHITECTURAL LIGHTING'S ANNUAL PRODUCT GUIDE, THE LATEST MANUFACTURER

offerings are presented—over 150 products in 14 categories. Amazing, that there are so many lighting and lighting-related products a
designer can choose from, which all provide technical and aesthetic solutions for a myriad of lighting conditions.
Each year as the editors of A|L sort through the product submissions for this particular issue certain trends emerge, and this year is
no exception. One area of notable new offerings is luminaires designed for healthcare environments, specifically linear fixtures for
patient bed areas that provide indirect and direct illumination for improved task lighting.
After several years of trying to find their place in architectural lighting applications beyond the usual color-changing effects, light emitting
diodes (LEDs) seem to have come into their own. Manufacturers are now utilizing LEDs in luminaries where this type of light source makes
sense— for example outdoor lighting—and issues of maintenance and accessibility come into play Additionally LED white light color tem-
perature range capabilities continue to become more refined, as well as the tools to understand how to modulate this type of light source.
Another trend that should come as no surprise is energy efficiency, and manufacturers continue to call attention to this aspect of
their product offerings, from lamps to controls to whole fixture assemblies. Concurrently categories have emerged, such as Daylighting
and Solar Control, which respond to the integration of sustainable design techniques, and these product offerings have become main-
stream, not relegated to specialty items.
There are sure to be many new luminaries and lighting related products discovered as conference and trade show season begins.
A|L will be your eyes and ears at upcoming events including Euroluce, the Amehcan Institute of Architects National Convention, and
Lightfair. As always, A|L will continue to bring its readers the latest in lighting products and technology Turn the page; the lighting prod-
uct class of 2007 requires your attention. A|L
PRODUCTS

DECORATIVE

ELEEK I W W W . E L E E K I N C . C O M
Product: Calliope C O N - T E C H LIGHTING |
Available in both pendant and chande- [Link]
lier (shown) versions. Calliope is con- Product: Quadris
structed of a hollow globe framed This series of decorative metal faceplate wall
with welded steel. Recycled cast-alu- sconces is suitable for indoor and outdoor
minum clips are attached to the applications and is available with seven stan-
globe's struts and hold a total of 146 dard designs: horizontal, vertical, squares,
pieces of colorful, rectangular art oval, trio, mosaic (shown), and window.
glass, creating a multifaceted lens. Offered in black, stainless-steel, and white
The 33-inch-diameter luminaires can finishes, as well as custom designs and col-
accept both fluorescent and incandes- ors, the fixtures measure 9 3/8 inches wide
cent lamps and are offered in specifi- and 10 1/4 inches tall and accept one 13W,
able colors with optional patinas or 18W, or 26W compact fluorescent lamp.
colored powder coats, CIRCLE 100 CIRCLE 101

FONTANA ARTE |
[Link]
Product: Lounge
Part of the Candle Collection,
the Lounge wall sconce meas-
ures just under 6 3/4 inches
wide and just over 5 inches tall.
Its diffuser is made from
screen-printed methacrylate,
offered in orange or transpar-
ent and affixed to the wall with Product: Slot
an aluminum painted mount- Part of the Tecnica Collection,
ing. Sandblasted glass dif- Slot is a series of recessed indi-
fusers, located on the top and rect wall and ceiling luminaires.
bottom of the luminaire, con- Their metal structure (coated in
ceal an incandescent or fluo- matte white epoxy powder)
rescent lamp. CIRCLE 102 houses one or more dimmable
T5 fluorescent lamps, while
magnets keep the diffuser in
place, making for easy mount-
ing and maintenance. The fix-
tures are offered in approxi-
mately 35 1/2-, 47 1/4-, 59-, and
97 1/4-inch lengths. CIRCLE 104

Product: Duplex
The Duplex pendant comprises a cast-methacrylate diffuser and polished steel
raceway for a minimal industrial aesthetic. Offered in two sizes—the two-lamp fix-
ture measures 7 3/4 inches wide, while the four-lamp version is 15 3/4 inches
wide—the luminaires can be adjusted for either direct or indirect lighting. The dif-
fuser is offered in red, blue, and satin, and houses SOW PAR20 lamps. CIRCLE 103

Product: Globo di Luce

Also part of the Candle
Collection, Globo di Luce is a
pendant luminaire with a metal-
lic-brown glass globe. Offered in
two sizes—approximately 11
3/4 and 17 3/4 inches in diame-
ter—the fixture has an anodized
aluminum internal reflector to
maximize the light from one
halogen lamp. Its transparent
suspension cable is just under
J 98 1/2 inches long. CIRCLE 105

36 AIL
 t 4 / t 6
uminaires

^ea ize u timate perTormance an

atitude from a single lamp type.
The light is crisp and expressive, with excellent Gotham takes full advantage with the industry's
uniformity and color quality. The energy performance most complete family of T4/T6 recessed downlights,
can't be matched. No wonder ceramic metal halide accent and lensed wallwash luminaires, allowing
is becoming a source of choice for retail, commercial you to satisfy an array of lighting applications using
and institutional environments. a single lamp type. Circle no. 33 [Link]/productinfo
PRODUCTS
DECORATIVE

BOYD LIGHTING |
AXO LIGHT I [Link] [Link]
Product: Blum Product: Chenia + Kambuja
A collection of contemporary These white glass table lamps were
direct/indirect pendant luminaires, inspired by stone structures found at
Blum is offered in three large-scale temple ruins in Cambodia. Offered
designs. Characterized by hand- with cased white glass bases, opaque
blown Murano glass molded into white linen shades, and a full range of
two orbital shapes with cutouts and finish options—including antiqued
individual, vase-like diffusers, the Boyd brass, polished brass, polished
fixtures are available in clear, nickel, and satin nickel—they each
chromed glass, and cream-white fin- measure 38 1/2 inches tall and 19
ishes and have interiors of high- inches wide. Lamped with two incan-
reflectance white. Each can be descents, the luminaires include a
lamped with a 25W or BOW incan- frosted Pyrex glass top diffuser.
descent. CIRCLE 106 CIRCLE 109

Product: Piccolo Series

T •
WILMETTE LIGHTING COMPANY | Comprised of three diminutive sconces influ-
[Link] enced by classic Greek architecture, the
Product: Pullman Suspension Piccolo Series measures 10 inches high and 4
A general area light designed to evenly illuminate 3/4 inches wide. Featuring a white linen
ceilings, walls, and floors, the frost-colored shade and three types of bobeche (white
Pullman Suspension luminaire has a classic-shaped flash glass, solid brass, and Strass Swarovski
Holophane prismatic glass shade that diffuses light crystal), each fixture takes one incandescent
to reduce glare and enhance visual comfort. It can lamp, has an optional mirror-mount modifica-
take both incandescent and fluorescent lamps (the tion, and is offered in six finishes including
former comes with a standard incandescent dim- blackened brass, polished nickel, and satin
mer) and is offered in three lengths: 24, 36, and 48 nickel. CIRCLE 110
inches. Antique bronze and polished nickel finishes
are available. CIRCLE 107

DELRAY LIGHTING | [Link]

Product: Cylindro
Available in two 24-inch-diameter models—one that takes five 18W or 26W com-
pact fluorescent lamps and another with RGB and color-sequencing LEDs—the
Cylindro pendant has a matte aluminum exterior and an opal acrylic interior that
provides direct/indirect lighting distribution while creating a play of light and dark.
The LED models can also integrate an optional adjustable monopoint AR111 or
MR16 lamp for task lighting. CIRCLE 108

Product: Catacaos
An updated example of the ancient South American handcrafted technique called fil-
igrana, in which small metallic pieces are combined to create larger surfaces with spi-
ral texture, the Catacaos luminaires come in ceiling, pendant, and sconce versions.
Both the ceiling and pendant fixtures come in 24- and 30-inch diameters with textured
bone white and espresso shades, while the sconce measures 10 inches wide and has
a matte white decorative grill. Each contains a white acrylic diffuser. CIRCLE 111

APRIL/MAY I 07
 PRODUCTS

D'AC LIGHTING I
[Link]
Product: MIni-Davidio
Providing a soft industrial design
aesthetic to intenor spaces, the
Mini-Davidio bell-shaped pen-
dant features an opaque metal
shade and measures just over 9
inches tail. The fixture can be
suspended by height-adjustable
cables or a 1/2-inch-diameter
rigid stem, as well as specified
with modifications that allow DUPONT CORIAN | [Link]
use on low-wattage tracklighting Product: Medusa
systems. It is available with a Designed by Barcelona-based design firm Exposed, the Medusa table lamp was
spun aluminum shade, the inspired by the form of the jellyfish. With swooping curves made of Corian in shades of
inside of which is finished with a brown, the sculptural luminaire is sandblasted on the inside to create a variety of beau-
highly reflective opal acrylic paint tiful patterns when illuminated. CIRCLE 115
for maximum light distribution.
CIRCLE 112

Product: Delirium Yum

Product: Fonari Designer Ingo Maurer created
Fonari pendants cast a broad this table lamp using unusual
beam of direct downlighting components—a conical glass ^ ^ ^ ^
into a space while providing a vase filled with water is placed
clean, contemporary design. on a Corian tray, which lies atop
Along with its shallow, disc- a halogen spotlight and five
shaped spun-aluminum shade control elements including a
offered in a wide range of sat- dimmer. A magnetically-pow-
urated and metallic colors, a ered pole activates the swirling
5-inch round ceiling canopy water, while a mirror at the top
mimics the 21 1/2-inch aper- of the lamp diffuses the light.
ture opening. Illumination is CIRCLE 116
produced by a choice of metal
halide, incandescent, com-
pact fluorescent, and halogen
sources, and a white opal
acrylic lens diffuser distrib-
utes the light evenly and
reduces glare. CIRCLE 113

Product: Mini-Clareta
Reminiscent of industrial lumi-
naire designs of the 1940s,
'50s. and '60s. the Mini-
Clareta pendant provides a
focused, cone-shaped beam
of high-performance light Product: Woven-Light
from its classic bell-shaped Comprised of numerous thin, weaved layers
shade. Suspended via height- of Corian, architect Andreas Hild has creat-
adjustable cables or a 1/2- ed the cylindrical Woven-Light table lamp
inch-diameter rigid stem, a
and highlighted the translucency of the tex-
domed ceiling canopy mimics
tured matenal. Offered in cameo white,
the top of the shade, which
Corian pearl grey and Corian ice white, the
can house a metal halide,
luminaire was part of the Visions of Corian
incandescent, compact fluo-
creative workshop on innovative design held
rescent, or halogen light
in 2006 in Rio de Janeiro. CIRCLE 117
source. Spun aluminum or
solid copper shades are
offered in a variety of finishes.
CIRCLE 114

ARCHITEC 39
PRODUCTS
DECORATIVE

LAMPISTER I W W W . L A M P I S T E R . C O M
HINSON LIGHTING | Product: Damson
212-475-4100 Measuring approximately 14 inches by 14
Product: Hinson Robsjohn-Gibbings inches by 3 1/4 feet, the Damson pendant
Classic Square Marble Table Lamp illuminates with light, color, and sparkle.
Originally designed by TH. Comprised of 60 spheres of Strass
Robsjohn-Gibbings in 1952, the Swarovski Crystal, the fixtures are available
Classic Square Marble Table Lamp in violet, topaz, or transparent glass. Each is
is being re-launched by Hinson suspended by a leather cord in red, black, or
Lighting after 30 years off the mar- white, respectively, and accepts 12 (maxi-
ket. Comprised of a sculptural mum) 20W G4 lamps. CIRCLE 121
square column in black or white
marble and a round or square white
linen or white translucent shade,
the luminaire stands 27 1/2 inches
tall. It has an on/off pull-chain sock-
et and available finishes include
bronze, matte nickel, polished
brass, polished chrome, and hand-
rubbed bronze (white marble only).
CIRCLE 118
Product: Voyeur
Constructed from Strass Swarovski crystals, glass, and steel, this unique orthogonal
pendant conjures an optical illusion with a play on light. When illuminated, the lumi-
naire's exterior seems to disappear, highlighting the crystals suspended inside. The fix-
ture measures approximately 17 inches by 17 inches by 10 1/2 inches and takes one
(maximum) 300W R7S lamp. CIRCLE 122

Product: Josephine
The Josephine collection depicts the
transformation of traditional to contem-
porary with the application of platinum
(shown), gold, black, and white finishes
to its fixtures' ceramic bases. Available
in table lamp and pendant versions, the
collection is also offered in combina-
tions of black and white, and platinum
and black. The table lamp stands 30
inches tall, while pendants are offered
in 30-inch and 70-inch diameters.
Shades are available in white, black, sil-
ver, or gold. CIRCLE 119

Product: Pearl
Inspired by classic, pearl jewelry the Pearl wall sconce has three opaline glass shades
joined together by strands of handcrafted porcelain beads. The fixture measures approx-
LUXO I W W W . L U X 0 U S . C O M imately 3 1/2 feet by 23 inches by just under 8 inches and houses three (maximum)
Product: Vola 60W E27 lamps. CIRCLE 123
Providing high-performance, glare-
free indirect lighting in a dramatic
design, Vola is characterized by its
bulbous-shaped housing and arch-
ing light-diffusing wings. Available in
fixed and mobile styles, the latter
features movable wings with
Memory Metal springs that, when
the fixture is on. expand and raise to
a gliding position. Suspended via
steel wire, the luminaire is com-
prised of a chromed metal struc-
ture, blown glass diffuser, and poly-
carbonate satin-finished wings. It
accepts a 75\A/ halogen lamp.
CIRCLE 120
 [Link]

The Revolution Starts Now.

Cree LED Light. Efficiency, brightness and ROI.

Cree is leading the revolution in LED lighting.

We invite you to see how Cree LED light can
improve your next design.

Please visit Cree at Lightfair Booth #2721

C i r c l e no. 2 6 or [Link]/productinfo
PRODUCTS
ECORAT

LEUCOS I [Link] MEYDA LIGHTING | [Link]

Product: Katerina Product: Wine Bottle Pendants
Featured in the company's Metro line, the Wine Bottle Pendants incorporate authentic
Knife pleats of blown glass give texture to
glass wine bottles as their shades. Offered in green, blue, etched, amber, and white,
this collection of luminaires, all available in
with hand-forged wrought iron accents wrapped around their necks, each luminaire
gloss white or gloss lime green. The small
measures 12 inches tall and 3 inches wide and can be adjusted from 16 to 84 inches
pendant and wall sconce each accept one
from the ceiling. All accept one T6 40W lamp. CIRCLE 127
100W A19 incandescent lamp and measure
8 3/4 inches wide and 9 1/2 inches tall. The
large pendant accepts one 150W G40 incan-
descent lamp and is 19 3/4 inches wide and
12 1/4 inches tall. Both pendants have a cord
length of 78 3/4 inches and all fixtures offer
1
white painted or brushed nickel finishes.
CIRCLE 124

1
Product: Bisquit
Available in table, wall, floor, ceiling, and pendant versions, Bisquit is constructed
of stacked cylinders of hand-blown glass diffusers in combinations of gloss white,
crystal, and transparent wisteria. The unstacked ceiling model measures 13 3/4
inches in diameter and 5 1/4 inches tall, and houses three 40W incandescent
lamps or two, 18W compact fluorescents. Hardware is offered in a brushed nickel
finish. CIRCLE 125

Product: Prodigious Chandelier

Standing over 15 feet tall and 13
feet Wide, the Prodigious, two-tier
24-lamp chandelier (Model
100641) weighs a whopping 550
pounds. Custom crafted of steel
and finished in a warm bronze, the
luminaire features 24 cylindncal-
shaped amber mica shades that
are laced together with leather and
bound on the edges. CIRCLE 128
iJ

MANNING LIGHTING , [Link]

Product: Elements
The Elements pendant, part of
the Ambia Collection, features
rich fabrics, perforated metal,
and graphic elements. Made in NESSEN LIGHTING , [Link]
two sizes—18- and 24-inch diam- Product: Taza
eters—with compact fluores- This ADA-compliant direct/indi-
cent or incandescent sources, rect wall sconce provides softly
the fixture provides both uplight diffused ambient/accent lighting
and downlight. Its heavy-gauge from its 3 1/2-inch-diameter cylin-
spun solid aluminum housing is drical translucent shade.
offered in different colors and fin- Measuring just over 6 inches tall
ishes and, while a white bottom and 4 inches deep, the lamp can
diffuser is standard, a wide vari- accommodate a single 35W r
ety of dual paint finishes, translu- xenon lamp. It has a solid brass
cent resins, and lens configura- backplate and lamp arm construc-
tions are available. tion, which are available in pol-
CIRCLE 126 ished or brushed brass, polished
or satin chrome, polished or satin
nickel, and antique brass finishes.
Optional baked enamel painted
finishes are also offered.
CIRCLE 129

42 AIL \PRlLyMAY
 BE THE FIRST
ON YOUR
BLOCK

QPTtDA C M H
TRACK FIXTURE

THE NEW OPTICA 2 D W C M H M R ! 6 TRACK FIXTURE IS THE COOLEST

LIGHT GOING, A N D N O O N E H A S IT B U T C O N - T E C H . MICRO SLIM DESIGN,

WITH LOCKABLE AIMING FOR 3 5 B ° HORIZONTAL ROTATION A N D 1 BD°

VERTICAL ROTATION. MORE EFFICIENT THAN A HALOGEN LAMP A N D

3 TIMES T H E LAMP LIFE. IT'S METAL H A L I D E POWER IN AN M R ! 6

PACKAGE. AND BEST YET, CON-TECH HAS IT, RIGHT NOW.

RECESSED TRACK RAIL DECORATIVE GLASS SCONCES EMERGENCY

^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ H ^ ^ ^ ^ f c - ^ -.S^^cjdLi^iii^^ ^iUS

[Link] COA/i
L / C H T I l\J O \ makes it better. Li G H T F A i R
aGa-72B-G3 12
BGDTH 1 3 5 7
Circle no. 24 or [Link]/productinfo
PRODUCTS

DECORATIVE

SEA GULL LIGHTING | TECH LIGHTING j [Link]

[Link] Product: New Pendants
Product: Nexus Tech Lighting has added five new pendants to its decorative line of luminaires: Mini
This Energy Star-compliant luminaire can be Larkspur has a cone-shaped glass shade rich in color and pattern; Mini Soda is a per-
installed semi-flush or as a pendant, and fectly proportioned glass shade infused with bubbles; Pompeii is also a cone-shaped
comes with a 12-foot-long wire. Measuring 25 glass shade but with frosted old-world charm; Piper has a sleek tube-shaped metal
inches in diameter by 24 inches in height. shade that provides a crisp downlight; and Mini Noir is made of multi-layered glass with
Nexus features a white-acrylic diffuser and a gloss black outer layer and colored or white inner layer to supply a wash of tinted or
brushed nickel hardware. It takes one 32W or white light. CIRCLE 132
40Wlamp. CIRCLE 130

Product; Fireball
Fireball is available as a mono-point pendant
and a wall sconce. As a pendant it measures 7
inches in diameter and 11 inches in height. The
glass shade houses one (maximum) 100W
lamp and hardware is finished in antique nickel.
The wall sconce is 6 inches wide and 8 inches
tall and can accommodate one (maximum)
60W lamp. Its decorative cap nuts are offered
in antique bronze, Eurotech, and antique nickel
finishes. Also made of glass, the sconce meets
ADA requirements. CIRCLE 131

We like to blend in.

Concealed and Customizable Fire Alarms
& Emergency Lighting NFPA72standards uLusted @

Concealed View Active Views

Now fire alarm and emergency lighting can blend

in, and remain completely hidden until activated.
The door rotates 180 degrees upon activation,
and returns to a closed and flush position when
deactivated. The unit comes in a standard white
powder coat finish, and can be customized to match
your interiors. A new frameless design is now
LIFE S A F E T Y PRODUCTS available too. Call (605) 542-4444, or visit our
[Link] website for more information.

Circle no. 86 or [Link]/productinfo

 PRODUCTS
DECORATIVE

W2 ARCHITECTURAL LIGHTING j
lESCO LIGHTING j [Link] [Link]
'roduct: Java Series 501 Product Architectural Elements
^ coordinated collection of six contemporary cased opal glass pendants, wall sconces, floor, A family of contemporary pendants crafted
ind table lights, the Java Series 501 provides a combination of direct and diffused illumina- with clean lines, Architectural Elements
ion. Its fluted glass shades radiate a subtle, colored iridescence from one incandescent have glossy, cased opal glass shades
3mp. Pendants feature slender, inverted vase-like shapes, which project direct downllght- offered in four different styles, eacn spread-
ig. while the shades emit broader patterns of ambient light. Each fixture has aluminum fit- ing light evenly and minimizing glare. Glass
ings with a satin nickel finish. CIRCLE 133 trims are available in a variety of colors
including blue with white frits, green with
white frits, white with white frits, amber,
blue, and clear. The canopy and socket set
are finished in brushed nickel and the family
can accommodate both compact fluores-
cent and incandescent lamps. CIRCLE 134

Product: Norfolk Architectural Series

Designed to illuminate today's contemporary
commercial interiors, the Norfolk
Architectural Series' gently diffusing bowl-
shaped shades produce soft, even lighting
while their open tops deliver indirect lighting.
Offered in diameters from 24 to 48 inches,
the pendants can be extended from the ceil-
ing with stems. Styles are available with
incandescent or compact fluorescent lamping
options and the series also includes ADA
sconces, ceiling mounts, and close-to-ceiling
luminaires. CIRCLE 135
PRODUCTS
DIRECT/INDIRECT

NEO-RAY I [Link] OXFORD INDUSTRIES I

Product: Straight and Narrow 215.591.2800
The Straight and Narrow family of Product: Aislelux
luminaires includes recessed, pen- Incorporating seven adjustable,
dant, surface- and wall-mounted, addressable, and lockable reflectors
and in-wall configurations. The to maximize horizontal or vertical illu-
recessed fixtures (Series 22 and mination, Aislelux's plug-and-play
23, shown) have T5, T5H0, and T8 design offers tool-free maintenance
capability and can be specified and a "lite-trak," which provides sim-
with either a high-performance par- ple, full-proof positioning of the lamp
abolic louver or a thmless white into the lampholder. Available for T5,
satin acrylic diffuser. The fixtures T5H0, and T8 fluorescents, the fix-
are available in modular lengths of ture comes in recessed, pendant,
2 or 4 feet, which can be installed and surface-mounted versions, and
individually or as runs. Direct, indi- has, according to the manufacturer,
rect, and direct/indirect light distri- an efficiency rate of over 95 percent.
butions are offered. CIRCLE 140 CIRCLE 143

PRUDENTIAL LIGHTING |
[Link]
Product: Snap
Slender and simple. Snap is a low-
profile striplight that can be sur-
face mounted or suspended by
adjustable cables. It offers a dif-
fuse line of illumination via an
impact-resistant, white acrylic
lens held without clips or fasten-
ers. Nominal lengths of 2, 3, 4, 6,
and 8 feet are offered and the fix-
UGHTOLIER | [Link]
ture can takeTS, T5H0, andT8 flu-
Product: HP90
orescents. At 2 1/4 inches wide,
Available in three sizes—2 feet by 4 feet, 2 feet square, and 1 foot by 4 feet—the
the die-formed 20-gauge steel
HP90 line of high-performance recessed luminaires fits both standard and slot grid
housing has aluminum endplates
ceilings. A softly balanced light is created by the even illumination of each fixture's
and is available in gloss white,
curved body and matching-profile prismatic acrylic lens. The luminaires take 28W
textured matte white, pewter, and
fluorescent lamps. Ballasts are accessible through the fixtures' lamp compart-
galvanized finishes, Premium and
ments, and available options include step dimming, occupancy sensors, and day-
custom colors are also offered.
light sensors. CIRCLE 141
CIRCLE 144

Product: Aparia
This fluorescent lighting sys-
tem IS available in two ver-
sions: Glow and Throw. With
Glow, light filters through
translucent acrylic or
punched steel, copper, or
brushed aluminum, while
Throw offers reflectors for
three distribution patterns—
wide, narrow, and stack.
Hanging hardware can be
fixed at any point along the
extruded aluminum fixture,
ENGINEERED LIGHTING PRODUCTS | [Link]
which comes in lengths of 4
Product: Modular Series and 8 feet. All luminaires are
The Modular Series offers adjustable accent, wall-wash, and downlight options finished in polyester powder
that can be individually used or mixed and matched to fit any continuous or pat- paint, with the option of
terned lighting configuration. For accent lighting, modules are 6 inches, 1 foot, and metal finishes and paint col-
2 feet in length with adjustable lamp heads that allow for 358-degree rotation and ors. CIRCLE 145
a 45-degree tilt. Both the wall-wash and downlight options are available in 2, 3, and
4-foot lengths using linear or compact fluorescent lamps, along with vahous reflec-
tors, lenses, and louvers. CIRCLE 142

46 AIL APRIL/MAY 107

 T h e r e is no s u b s t i t u t e f o r Integrity.

I N S GHT

ERIOR & INTERIOR

CHITECTURAL
GITAL LIGHTING

Architectural Digital Lighting

The significance of the TRE'O'^ family of

performance architectural digital lighting is
based upon technology and long term
reliability: the convergence of science, design
and sustainability.

Imagine multiple optical and white light

temperatures, dimming, static color and RGB,
numerous adjustable mountings and the
Insight standard palette of finishes offered
with the highest lumen packages currently
available in a linear configuration. All provided
with a 2 year warranty.
© 2007 Insight Lighting, Inc. All rights reserved.

TRE'O" represents the most complete selection

of digital LED linear lighting: what the
architectural design community had in mind!

For more information, please contact your local I n s i g h t representative. 5 0 5 . 3 4 5 . 0 8 8 8

Circle no. 79 or [Link]/productinfo
PRODUCTS
DIRECT/INDIRECT

FOCAL POINT I
[Link]
Product: Fusion
A blend of highly tooled aluminum and
precision die-cast components, this pen-
dant contains a reflector with a frosted
uplight ring, which is an ideal solution for
highlighting ceilings. Available in one-,
two-, three-, and four-lamp compact fluo-
rescent configurations, it measures |ust
under 19 inches tall and has an anodized
housing with a clear polished satin finish.
The uplight ring comes in white, blue,
and green, while diffusion disks are
offered in white and green. CIRCLE 149

ZUMTOBEL LIGHTING | W W W . Z U M T O B E L . U S
Product: Evio
The Evio pendant, available in both direct and direct/indirect models, has innova-
tive cell louver technology that allows for a smaller luminaire housing and creates
uniform light distribution that eliminates glare. Offered in beechwood, walnut, and
Eternit (a synthetic concrete fiber) finishes, lamping options for the 4-foot direct
model are one 28W T5 or one 54W T5H0, while the 5-foot direct/indirect fixture
can take one 35WT5 or one 80WT5HO. Both models have specular louver optics,
and offer several voltage and mounting options. CIRCLE 146

/
OMEGA LIGHTING | W W W . 0 M E G A L I G H T I N G . C O M
Product: Aspects T5H0
A discrete yet powerful recessed wallwasher that uses a 15 high-output lamp, the
Aspects T5H0 yields smooth vertical illumination from ceiling to floor plane.
According to the manufacturer, the fixture—which is offered in 2 1/2-foot and just
under 4-foot lengths—has an efficiency of over 92 percent. At only 2 inches deep,
the luminaire has a 22-gauge steel housing and includes a clear specular or clear Product: Infinites
semi-specular reflector. CIRCLE 147 The Infinite 3 is a 3-inch, continuous slotT5 fluorescent fixture that contains a one-piece
acrylic lens diffuser with a satin frosted white finish. Staggered lamp configurations
help to eliminate socket shadows and also create an uninterrupted slot of light. The
luminaire and its reflectors are constructed from steel and shielding options include a
lens with regress or flush trim configurations. CIRCLE 150

Product Equation 2x2

Blending sleek aesthetics and uni-
form diffuse illumination. Equation
2x2 has a center divider that fea-
tures MicroGlow prismatic lens
technology, through which preci-
sion-molded conical prisms deliver
92 percent light transmission while
controlling high angle brightness. A
PEERLESS I [Link] OuickLatch hinged diffuser system
Product: Lightfoil Sconce makes for easy re-lamping, and
The latest offering from the Lightfoil family of fixtures, the Lightfoil Sconce con- shielding options include natural
tains a refined optical system for the production of a striation-free beam. Die- anodized and high-performance
formed reflectors combine specular aluminum and white enamel for a nominal white side rails. CIRCLE 151
reflectance of 90 percent. The luminaire can be specified with or without a cylin-
der, accepts 42W and 57W compact fluorescents, and offers white, silver, or
bronze finishes. CIRCLE 148

48 AIL APRIUMAY107
 •'y--tkLl-..i:\Uz:L

Jiiii

wiiiii,.annnif
 PRODUCTS

DIRECT/INDIRECT

VODE LIGHTING | [Link]

Product: BoxRail for MLR System
One of five rail profiles available for the company's Modular Light Rail System—a
flexible lighting system designed for T5 and T5H0 fluorescent lamps—the BoxRail
has an aluminum housing that measures under 1 1/4 inches square. It has an extrud-
ed aluminum reflector and is available in 2-. 3-, 4-, 5-. and 8-foot lengths. Wall or ceil-
ing mounted with projection or suspension lengths up to 96 inches, the fixtures fea-
ture a unique hub design that allows for 370-degree rotation. CIRCLE 152

ambia ARCALUX CORPORATION | [Link]

Product: SmartFixture
c o l l e c t i o n This modular luminaire can be fully
Installed, relocated, serviced, and
modified in place without tools. Its
4 0 n e w lighting p r o d u c t s featuring lenses with e m b e d d e d fabrics,
plug-and-play technology allows
graphics a n d botanicals. See more at m a n n i n g l t g . c o m lamp quality to be increased or
decreased, lamps to be swapped
Manning Lighting Inc. Sheboygan, Wl USA from T5 to T8, ballasts to be
replaced, and lensing to be
p 920.458.2184 f 920.458.2491
changed. It can be modified from
Circle no. 90 or [Link]/productinfo
an acrylic lens to a parabolic louver
or a recessed indirect luminaire and

G
offers up to 12 different lamp con-
figurations in the standard direct
fixture and an additional nine in the
direct/indirect fixture. CIRCLE 153

L i g h t i n g \ ^ <i R O S S C H A N D E L I f H ^—^
LITECONTROL |
Fine Lighting Since 1908 [Link]
Product: ArcosID
This high-performance direct/indirect luminaire
has a compact arcuate-shaped design. Its optical
system can accept one, two, or three T5,T5HO, or
T8 lamps, and offers three diffuser options: semi-
specular parabolic baffle, parabolic baffle finished
matte white, and a white, frosted acrylic lens.
[Link]
Up/down distribution ratios range from 75 per-
cent/25 percent to 63 percent/37 percent, depend-
ing on lamping and diffuser choices, and fixtures
sales@[Link] are available in 4- and 8-foot lengths. CIRCLE 154

•111 ^u Product: Mod2 MR

J3I
St. Louis, MO The newest addition to the company's Mod line, the Mod2 MR provides 100-
percent directional downlight in a small fixture cross-section. The steel fixture
is offered in pendant, recessed, and surface-mounted housing styles, which
800-331-2425
j:3 • • come in 2-, 3-, 4-, 6-, and 8-foot lengths and accommodate from one to eight
« V. Fax 314-631-7800 MR16 lamps. The lamp trim can accept up to three lens accessories, includ-
ing a softening lens, a prismatic lens, a linear spread lens, and a black honey-
comb louver. CIRCLE 155

Catalog and custom lighting to meet your specifications.

Circle no. 74 or [Link]/productinfo
PRODUCTS

DOWNUGHTS

HALO LIGHTING | [Link]

Product: H3 Square Trims
A new line of trims for Halo's H3
small-aperture recessed downlights,
H3 Square Trims are dual-listed for use
with low-voltage 50W MR16 and line-
voltage 50W GU10 lamps. The family
features three styles—adjustable,
adjustable gimbal, and a regressed
lens adjustable shower light—and is
available in satin nickel, antique cop-
per, and Tuscan bronze, as well as
with baffle color options of white with
black, white with white, and black
with black. Trims can be installed into
the company's H3 round aperture
NUTECH LIGHTING | [Link] housings, which allow adjustments
Product: Composite Recessed CFL Downlights for perfect alignment. CIRCLE 163
Constructed of 100-percent, high-impact, corrosion-resistant composite material,
NuTech Lighting's Energy Star-compliant, California Title 24- and NYC Calendar
Number-approved Composite Recessed CFL Downlights are lightweight and, at
only 4 1/4 inches tall, ideal for restricted spaces or angled ceilings. They feature an
ellipsoidal reflector system, twist-on/off flush-mounted trims in 6-inch apertures, GALLIUM LIGHTING | [Link]
and a quick-release lamp system. Appearing as an integral one-piece unit, the body Product: GS6 Series
houses one or two dual- or triple-tube compact fluorescent lamps in many The GS6 Series of square, 6-
wattages. CIRCLE 160 inch, specification-grade LED
downlights is available in stan-
dard and high lumen output
levels in three color tempera-
ARDEE LIGHTING | tures: 3500K, 4200K, and
[Link] 5100K. Each fixture contains
Product: Focus and Varianti 16 LEDs with a CRI of 69 to
A collection of small-aperture 79, and a louvered aluminum
recessed downlights, Focus and reflector, offered in semi-spec-
Varianti provide high-performance ular or white, that provides a
illumination with energy-efficient 45-degree shielding angle.
MRU or MR16 halogen lamps. Heat generated by the LEDs is
Focus provides fixed downlighting dissipated by the company's
in a dual-trim ring design for direct proprietary Heat Ejector tech-
spot lighting, while Varianti offers nology, which maintains proper
aimable downlights and a two-ring operating temperatures. CIR-
design, allowing for 360-degree CLE 164
rotation and 35-degree tilting for
precise placement of light. Each can
accommodate lenses and louvers
for a range of custom effects, and
trims are offered in machined alu-
minum or natural brass in multiple
finishes. Custom combinations can
be specified as well. CIRCLE 161

IRIS LIGHTING | [Link] OMEGA LIGHTING | [Link]

Product: Square Downlight Series Product: 0M4 Low Voltage
Featuring a modular design and a two-stage optical system, the Square Downlight Designed for commercial accent lighting, the 0 M 4 Low Voltage family of 4-inch down-
Series accepts a broad range of lamps and optical elements for open downlight, lights has a depth of only 5 1/2 inches and takes MR16 lamps. Each fixture contains a
adjustable/accent, wallwash, and lens/shower applications. It's steel collar can be die-cast lamp cartridge, nylon guides for horizontal rotation, and an integrated heat
rotated plus or minus 7 1/2 degrees through the 4-inch aperture, providing precise shield that includes a docking station for hot aiming. A wide array of trim options is avail-
alignment. In addition, all tnms can be flush mounted to the ceiling and 2-inch able, including adjustable slot-cut cone, pinhole, lensed wallwash, open reflector, and
square aperture pinhole trims are also available. CIRCLE 162 open baffle. CIRCLE 165

52 AIL APRIUMAY I 07
i I •
 ^rescolite pa n
A B O V E & B E Y O N D

AKTMHT670 2

Prescolite's Signos M metal halide track foundations provide the perfect starting point to create your

own unique style. Contemporary and highly shielded, the final design is up to you. A wide array of models is

available, each designed around the latest ceramic metal halide lamp and electronic ballast technology. Each

features diecast aluminum construction for premium craftsmanship and is available in your choice of three

finishes. Lamp aiming is easy, with fool-less 180° rotational and vertical adjustment. Non-directional sources

are controlled with your choice of spot, medium, or flood reflectors and a series of optional aesthetic elements

is available to further personalize your specification.

To learn more about Prescolite's new Signos M architectural track lighting, contact your local Hubbell

Lighting representative, visit us at [Link] or call 888-PR5-'iTEC.

Circle no. 41 or [Link]/productinfo

A R C H I T E C T U R A L TRACK L I G H T I N G
PRODUCTS

DOWNLIGHTS

PRESCOLITE I [Link]
Product: Architektur 04
TECH LIGHTING | A new collection of 4 1/2-inch-aperture, compact fluorescent, specification-grade
[Link] downlights, the Architektur D4 series incorporates a twist-lock socket mechanism
Product: Element that properly positions lamps of various lengths and Virtual Source, the company's
Element is a recessed down- proprietary optical technology that produces equal cut-off to lamp and lamp image
lighting system that features full at a nominal 45-degree viewing angle. An assortment of trims is available, includ-
locking rotation, tilt, and lens ori- ing clear, champagne gold, wheat, light wheat, pewter, and black. CIRCLE 169
entation, a three-lens capacity,
and a small aperture. Available in
square and round; flanged and
flangeless; and open, lensed,
and shower fixtures with die-
cast trim options in four standard
finishes, the luminaires' housing-
mounted optics reduce glare. A
hot aiming system can adjust the
tilt up to 40 degrees and the pan
to 361 degrees. CIRCLE 166

LUCIFER LIGHTING |
[Link]
Product: DL32DGZ and DL2DGZ
Using concealed internal gear trains for
self-locking adjustment of trim rotation
and lamp holder aim, these downlights
distribute stress load to reduce the Product: A6
chance of ceiling cracks, allow self-level- This 6-inch, specification-grade downlight features 35-degree vertical and 362-
ing, have a low-profile and efficient instal- degree rotational aiming, both of which can be locked in place without tools. The
lation, and eliminate sightlines for a fixture's 20-gauge powder-painted steel housing comes in matte black and can take
smooth, clean finish. The fixtures can PAR30, AR111, and PAR36 lamps. Hot aiming (with trim in place) is standard for all
accept up to three accessories for the trims, and die-cast aluminum flanges are offered in brushed aluminum, black, Zet
control of beam distribution, color, and metallic silver, and white. A variety of trim and reflector finishes are also available.
glare. Square (Model DL32DGZ) and CIRCLE 170
round (Model DL2DGZ) trims are offered.
CIRCLE 167

Product: D4LED and D6LED

An expansion to the Architektur line of downlights, the D4LED (containing four 3W
LEDs) and D6LED (equipped with ten 3W LEDs) fixtures promise (according to the
manufacturer) to provide high energy efficiency, excellent illumination, and lower
operating costs. Both the 4- and 6-inch LED luminaires consist of t w o elements: a
light engine/reflector assembly and a housing. Finishes include specular, semi-
specular, haze, and American matte, while a selection of colors and flange options
are also available. CIRCLE 171

ZUMTOBEL LIGHTING | [Link]

Product: ZLight
This luminaire creates a unique lighting effect by combining direct light with a dif-
fuse lighting component. The result is a bhiliant "corona" only visible from certain
angles. The fixture also combines a square frame and round reflector for integra-
tion into modern architectural styles and additional accent lighting. It is dust-proof
and can be opened without tools, thanks to a swing-down reflector unit and lamp
holder, and can take both metal halide and compact fluorescent lamps. CIRCLE 168

54 AIL APRIL7MAY107
 How t o c o r n e r l i k e a Porsche

Remarkable.
Mark L i g h t i n g ' s revolutionary Perimeter Plus takes corners like a thoroughbred racecar. Inside
or o u t , our factory-prepared corners make e v e r y w a l l - w a s h e r i n s t a l l a t i o n c l e a n and p e r f e c t . Add
in seamless runs along a w a l l up t o forty feet and y o u can see why P e r i m e t e r P l u s has cornered
the market on perimeter installations. You can specify it in a semipecular finish as w e l l as
classic white.

mark architectural l i g h t i n g
3 Kilmer Road
Edison, N.J. 08818
732 985 2600 - P 732 985 8441 - F
w w w . m a r k l i g h t i [Link]
Circle no. 80 or [Link]/productinfo
 PRODUCTS

DOWNLIGHTS
DESIGNERS
AND MANUFACTURERS OF RENAISSANCE LIGHTING |

ARCHITECTURAL LIGHTING [Link]

Product: 4-Inch evo LED Oownlight
This downlight is available in color-
SINCE 1974 changing and white versions. The
color-changing fixture has RGB LEDs
producing over 4 0 0 maintained
lumens, while the high-brightness all-
white version is available in 3000K or
4100K color temperatures. All LEDs within each luminaire are concealed,
creating a smooth, uniform output of light, and a Frame-ln-Kit is included
in each fixture, making it easy to install in most applications. Diffuse or
specular reflectors are offered. CIRCLE 172

BEGA/US I [Link]
Product: Limburg
Characterized by its low profile and shal-
low recessed depth, Limburg is made of
hand-blown 3-ply opal glass in convex or
flat configurations. Its housing measures
just 5 1/2 inches deep to accommodate
shallow plenums and is offered in three
sizes: 9-, 12 1/2-, and 16-inch diameters
for the convex version, and 10-, 14-. and
17-inch diameters for the flat version, The
fixture takes multiple fluorescent lamp
options and two finishes are available for
each glass style. CIRCLE 173

J U N O L I G H T I N G G R O U P | [Link]
Product: Elate
A line of specification-grade com-
mercial recessed downlights. Elate
offers customization capabilities,
providing a wide range of options,
such as open, lensed, and louvered
fixtures, wallwashers, and pull-
down adjustables in uniform aper-
ture sizes. Reflectors come in a
variety of standard colors in both
specular and satin finishes, and fix-
tures can be easily installed with
the company's Tru-Lock mounting
system, which features T-Bar lock-
ing and locator notches for repeat-
able alignment, CIRCLE 174

AMERLUX LIGHTING SOLUTIONS | W W W . A M E R L U X . C O M

Product: Evoke 2.9-Inch Downlight Series
Part of Amerlux's new EcoTectural line—which includes downlights,
BRASS LIGHT GALLERY recessed adjustable accents, pinhole adjustable accents, and lens wall-
wash fixtures with round or square apertures of under 3 inches—the
( o \ i M i K( I \ i • Ri - - i n r x I I \i - \ i \ I \(.i
Evoke 2.9-inch Downlight Series accepts a variety of low-wattage metal
halide lamps. It is available in a range of anodized and baked aperture fin-
[Link] ishes with accessories including louvers and lenses. Depending on the
lamp used, a variety of beam spreads is offered. CIRCLE 175
[Link]: a > m m c i c i a l @ b r a s s l i j i h l . c o m

M i l w a u k e e - H I Souih Isi Siieel • 800.243.t)5<^5

Circle no. 54 or [Link]/productinio

 The l e e d i n g edge i n recessed lighting

Remarkable.
Leave it to Mark Lighting to take the LEED i n energy efficient recessed lighting. Our new LDS
seriesis i s an e n e r g y e f f i c i e n t t a k e on o u r c l a s s i c s i d e - b a s k e t and c e n t e r - b a s k e t designs. We've
replaced the perforated metal diffuser with pigmented high-efficacy acrylic optics to
increase efficiency a nominal 70-80% o v e r the o r i g i n a l . Available in frosted linear r i b b e d and
soft white, Mark L i g h t i n g ' s LDS s e r i e s is a superb choice f o r the enrgy conscious design.

mark architectural lighting

3 Kilmer Road
Edison, N.J. 08818
732 985 2600 - P 732 985 8441 - F
w w w . m a r k l i g h t i [Link]
Circle no. 378 or [Link]/productinfo
PRODUCTS

TASK

LUXO I [Link] HEALTHCARE APPLICATIONS

Product: Air LED
An LED version of the company's Air tasl< light, Air LED incorporates three 3W
LEDs in its ergonomic design. Its light engine features Luxo's proprietary lens COOPER LIGHTING | [Link]
array which converts the normally pinpoint light source into a wider, asymmetric Product: Meditrine Series
beam spread, pushing light forward to eliminate glare. The luminaire has a multi- A line of low-profile, wall-mount-
adjustable, spring-balanced arm that comes in 24- and 35-inch lengths. A weight- ed, hospital-room luminaires. the
ed circular base or mounting clamp is offered, and matte black and gray aluminum Meditrine Series provides reading
finishes are standard. CIRCLE 177 and ambient light and is available
in 36- or 48-inch lengths. It fea-
tures a tool-free mounting system
for easy installation and mainte-
nance, and a multi-position switch-
ing option allows for convenient
control. Three T5H0 or two T8
lamps can be used, various end
cap options are offered, and finish-
es include matte white, almond,
and dark platinum, as well as cus-
tom colors. CIRCLE 180

VISTA LIGHTING | [Link]

Product: AG3700 Series Surgical Troffers
Designed to address infection-control
issues, this low-profile ceiling troffer for sur-
gical suites has spot-welded seams for
SHARER LIGHTING | smooth surfaces that resist particulate
[Link] build-up and closed-cell interior gasketlng
Product: 601 Mirror Luminaire Series to ensure an airtight seal against bacteria
Offering a choice of two integral verti- and viruses that can travel through ceiling
cal T8 lamp extrusions or one top hor- ducts. A silver-based grid pattern on the fix-
izontal lamp extrusion, the newly ture's acrylic lens provides asymmetric light
streamlined 601 Mirror Luminaire distribution for glare-free ambient illumina-
Series is available in three vertical ori- tion; a clear prismatic lens is also offered.
entations and one horizontal orienta- One-piece square and rectangular hous-
tion. Its solid aluminum housing con- ings recess into all standard ceiling grids,
tains a matte white diffuser insert and while piano-hinged lamp access doors
prismatic acrylic lens and is available allow for easy maintenance, CIRCLE 181
in 14 finishes or a custom color. Other
options include a 4- or 6-inch shelf
and a dimmable ballast. CIRCLE 178
ARCHITECTURAL LIGHTING SYSTEMS |
[Link]
Product: Harmony Dual
An alternative to traditional headwall-
mounted patient-room lighting, Harmony
Dual consists of two opposing fixtures
mounted on either side of the bed. With its
linear prismatic lens and a unique arrange-
ment of T5 lamps and reflectors, the lumi-
naire offers three modes of operation—a
soft wash of ambient illumination, crossing
beams of shadow-free examination light-
ing over the entire bed, and the two prior
modes used concurrently. CIRCLE 182

ALKCO LIGHTING | [Link]

Product: Little Inch2 LITECONTROL | [Link]
This undercabinet luminaire has a clean, architectural appearance with no visible Product: Bedlite
hardware. Its full-face, recessed glass lens provides a continuous plane, while Offering flexibility to meet the visual needs of both patient and caregiver, Bedlite is avail-
inside, a full-length specular aluminum reflector produces a uniform distribution of able with two- or three-lamp T8, T5, or T5H0 cross-sections in 3- and 4-foot lengths.
light. Available in 1-, 2-, 3-, or 4-lamp configurations, the fixture is composed of an Separate uplight and downlight chambers allow for varying lighting conditions, and an
extruded aluminum housing and die-cast endcaps. It takes both low-voltage halo- Engage-n-Lock fixture attachment provides quick installation and quick release of the fix-
ture from the mounting bracket, 3Form ecoresin is used for the luminaire's fascia,
gen and xenon lamps and is offered in four powder-coat finishes—white, black,
resulting in a wide variety of colors, patterns, and textures. CIRCLE 183
bronze, and aluminum. CIRCLE 179

58 AIL APRIL7MAY | 07
 Heavy duty die-cast aluminum construction. Closed back eliminates light leaks.

Lockable, adjustable 350° horizontal Aesthetically concealed wiring.

and 90° vertical aiming.

VAMP SPOTLIGHTS
The nev^VV2 track spot series sports an aesthetic developed
specifically for the performance architectural market a tasteful
fusion of smooth cylindncal forms and black silicone accents,
Captive accessory holders accommodate two filter mediums.
ARCHITECTURAL
The ten lamp options include MR 16. metal halide and
L I G H T I N G
incandescent PAR lamps. Tel: 866.788.2100 W2lighting,com
See us at Lightfair. booth #521 and HD, booth #2443.

Circle no. 56 or [Link]/productinfo

i
n E c

e-mtes
hanley^wood

architectural lighting e-notes ARCHITECT

A monthly electronic newsletter designed to keep t o«oLiNei"M«v a«V

' ooV

readers up to date with new content appearing in ihitect

both print and online.

VISIT [Link] FOR NEW WEB SITE FEATURES

• POST READER COMMENTS ATTHE INDIVIDUAL ARTICLE LEVEL

• EXPANDED CALENDAR A N D COMPETITION LISTINGS PROVIDE EVEN MORE LIGHTING A N D

ARCHITECTURE-RELATED EVENTS

• EDITOR'S BLOG: UPCOMING POSTS FROM EUROLUCE, THE A I ACONVENTION, A N D LIGHTFAIR

PRODUCTS

TRACK

W2 ARCHITECTURAL LIGHTING | [Link]

LIGHTOLIER [Link]
Product: Vamp
Product: Tangent
Designed with cylindrical forms and black silicone accents. Vamp is crafted using
heavy-duty, die-cast aluminum construction for durability and is offered in black, A low-profile track system that combines
white, platinum, and black/platinum finishes. Its closed back eliminates light leaks, extruded aluminum and clear polycarbonate.
and accessory holders can accommodate up to two filter mediums, including Tangent can be installed in three configura-
hexagon louvers, cross-blade louvers, color lenses, or dichroic lenses. Each track tions—surface mounted or suspended in a
head has a 350-degree horizontal rotation and a 90-degree vertical rotation and can solid l-Beam or perforated truss. Its "side-by-
accept 10 lamping options. CIRCLE 184 side" busbar design allows the track to be
surface mounted flush to ceilings and walls
in both straight-run arrangements or bent
into architectural curves. A selection of fix-
tures is available, each accepting low-voltage
MR16 and 14 bi-pin lamps, as well as line-
voltage ESI 6 and G9 lamps. CIRCLE 187

LIGHTING SERVICES INC |

[Link]
Product: GR Series
Minimally designed for a high level
of style, the GR Sehes is construct-
ed from die-cast aluminum and can
take MR16, A R I I I , and PAR36
lamps. Each fixture contains a user-
friendly snap-in socket for tool-free
installation of lamps and features
self-locking in all horizontal and verti- ZUMTOBEL LIGHTING | [Link]
cal planes. A variety of beam Product: Vivo
spreads is offered. Available finishes Vivo allows for precise trackhead alignment with tool-free operation and maintenance
include black, white, silver, graphite, due to its proprietary Sgueeze, Move, and Retain (SMART) system. By pressing the
and platinum. Luminaires can integral clip to release the joint, spotlights can be rotated 360 degrees and pivoted up
accommodate all of the company's to 90 degrees. Available in three sizes—3 1/4-, 3 15/16-, and 5 1/8-inch diameters—each
AAA accessories. CIRCLE 185 die-cast aluminum housing can accommodate several lamp types. Spot, flood, and
wide-flood beam distributions are offered, as well as several reflector and filter options.
CIRCLE 188

CON-TECH LIGHTING |
Product: LumeLEX
[Link]
Utilizing Lexel technology—a uni-
Product: Optica 22W Mini MasterColor
versal platform for solid-state light-
Designed specifically for the 22W Philips Mini
ing—LumeLEX provides 1,000
MasterColor ceramic metal halide lamp, this
lumens of light and, according to
lightweight fixture features a compact vertical
the manufacturer, has a light out-
ballast design and provides 360-degree horizon-
put comparable to a 75W PAR
tal and 180-degree vertical rotations. Measuring
lamp. It has a 16-degree beam
2 1/2 inches in diameter, the die-cast aluminum
spread, adjustable though the use
housing is offered in black, white, and silver fin-
of accessory lenses, and can be
ishes and contains a reflector with medium
dimmed down to 10 percent with-
beam distribution (spot and flood are also avail-
out any shift in color temperature.
able). CIRCLE 189
A range of seven white color tem-
peratures are offered, from incan-
descent at 2700K to a daylight
range of 6500K. CIRCLE 186

60 AIL APRIL/MAY I 07
 Locking 361° Pan Rotation

3.5" Trim Detail

Patent-Pending Lens Rotation and Locking System Flanged and Flangeless

Round and Square

Available Finishes

Captive Three Lens System

Lamp Options:
Halogen MR16
i - C M H MR16
designers aim the light
maintenance re-lamps the light
e : i_ ^ M E N T remembers the light
the first downlight with a lens rotation locking system

• I

EILEIMEIN
for more information or a product demonstration visit us at booth #1621 at IUGHTTAIR

[Link]

Certain Icatures shown in this ad are patent pending. Copyright ® 2007 Element. All rights reserved. The "Element" graphic is a registered trademark ol Element.

Circle no. 82 or [Link]/productinfo

P R O D U C T S

-
STERNBERG LIGHTING |
[Link]
Product: Euro
With a bold new look of contemporary
styling, the Euro luminaire has three distinc-
tive optical styles including traditional, con-
temporary downlight, or indirect for glare-
free illumination. Available with the manufac-
turer's proprietary Nightsky Star-Shield and
Opti-Shield roof, louver, and indirect optics
(depending on model), the fixture is offered
in six different configurations and can be
LITE ENERGY | [Link] post- or wall-mounted to a number of deco-
Product: Alphalume Flood Light rative brackets. It conforms to Dark Sky ordi-
Available in small, medium, and large fixtures, the Alphalume Flood Light line fea- nances. CIRCLE 194
tures die-cast endplates, a choice of extruded aluminum and solid or perforated
metal housing constructions, and hands-free installation (with the hinged plate
option). Light can be directed in six ways via a clear impact- and heat-resistant tem-
pered glass lens. Offered finishes include white, black, bronze, silver, and custom
colors, CIRCLE 191

SELUX [Link]
Product: Pro Series Product: Venice
Pro Series precision floodlights are Influenced by Italian street lighting, the
constructed of die-cast, high-purity Venice luminaire comes in two models:
aluminum and are available in three V410, which measures 19 1/2 inches in
sizes with lamping choices that range diameter and 41 inches tall, and V310,
from 13W compact fluorescents to which is 17 1/4 inches in diameter and 35
1000W HID sources. A wide variety of inches tall. It is comprised of the compa-
mounting options, beam patterns, ny's sculpted, cast-aluminum Naples base
lenses, filters, and louvers are offered, (model 1600 for both fixture sizes) and
as well as the company's Cardanic mounting arms. Single, double, or in-wall-
Systems gimbal mounting frames mounted configurations are available and a
(shown) for suspended and pole- variety of optics, lamps, and lenses are
mount applications. CIRCLE 192 offered. CIRCLE 195

Product Greenfield Option

An ideal way to enhance a streetscape, park, or walkway while providing safety
and security, the Greenfield Option is a dual illumination assembly that increases
pathway and area lighting while minimizing fixture glare. The design allows up to
70W lamping in the lower section, providing extra light around the pole base,
where decorative fluting creates a 90- to 360-degree light pattern. Ten different
Product: Notch Bollard styles are available. CIRCLE 196
This extruded aluminum bollard
with a die-cast cap contains 12
high-output LEDs that can be start-
ed and re-started instantly at tem-
peratures as low as minus 40
degrees Celsius. Measuring 7 7/8
inches in diameter, the bollards are
offered in 2-, 3-, and 4-foot heights,
as well as custom heights. A preci-
sion-formed aluminum reflector
gives low-level light output with
Type IV semi-cutoff distribution via a
translucent, one-piece injection-
molded and UV-stabilized polycar-
bonate lens. The fixture's low power
consumption can be further
reduced with an optional Hi-Low
switching option. CIRCLE 193

62 AIL APR
SELUX offers a comprehensive range of high
quality light fixtures.

architects create
Innovative
designed to help lighting professionals and
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luminaires

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PRODUCTS

OUTDOOR

ALLSCAPE I DREAMSCAPE LIGHTING , [Link]

[Link] Product: Avami 9100
Product: Clello Series A series of miniature, flush-
Characterized by a rugged design and mounted, trimless step/accent fix-
constructed of die-cast aluminum for tures, Avanti 9100 luminaires are
high corrosion resistance, the Ciello suitable for wall- and ceiling-
Series provides evenly distributed spot, mounted applications. Able to
flood, or accent lighting and is com- accept both fluorescent lamps
prised of three models—SL50, which and LEDs, each has a U-shaped
has a 3 1/2-inch diameter and takes a white acrylic diffuser and an
low-voltage halogen lamp, and the larg- extruded aluminum housing that
er SL51 and SL52, which have an inte- measures 3 1/2 inches wide and 3
gral spot-to-flood beam adjustment inches deep. Available fixture
mechanism and can accommodate lengths include 7 9, 13, 18, and 22
compact fluorescent, metal halide, inches, and custom lenses and
incandescent, and halogen lamps. All colors are offered. CIRCLE 201
allow for vertical adjustments of 75 or
120 degrees. CIRCLE 197

INVUE LIGHTING [Link]

BEGA/US I [Link] Product: Medium Slide
Product: Linear Elements and Bollard Medium Slide is an architectural
Luminaires area luminaire offering solutions
These rectangular architectural light- for full cutoff compliance, spill-
ing elements are ideal for delineating light control, and path of egress
interior and exterior spaces such as illumination with a choice of five
plazas and building entrances. The high-efficiency, precision-built
Linear Elements have an overall height optical systems. Combining a
of 11 1/2 feet, while the Bollards are sleek optic housing with a dra-
offered in three heights: 36, 47 and 59 matic cast-aluminum cantilever
inches. All have a precision louver and arm assembly, the fixture
linear spread lens to conceal theTSHO accepts metal halide, pulse
fluorescent source, while providing start metal halide, high-pres-
widespread, uniform illumination. sure sodium, and compact fluo-
They also offer both single- and dou- rescent lamps. A twin head
ble-sided distribution. CIRCLE 198 option is offered, as well as
photo control for additional
energy savings. CIRCLE 202

DELTA LIGHT USA j [Link]

Product: Minimal Bollards
Answering the demand for more stylish and attractive bollards, Delta KIM LIGHTING | [Link]
Light has introduced its line of Minimal Bollards, which come in a variety Product: MiniBounce
of basic shapes and scales. Offered in multiple finishes, including alu- This pole- and surface-mounted lantern-
minum, stainless steel, and solid teak, the fixtures accept a wide range of style direct/indirect landscape fixture
light sources such as halogen, fluorescent, HID, and LEDs. CIRCLE 199 maximizes downward light distribution
to site and pedestrian zones with tight-
ly controlled beam spreads for visual
comfort. Constructed of rugged, die-
cast aluminum with a high-perform-
ance, high-efficiency internal spectral
metal reflector, the luminaire is avail-
able with an optional black ballast cover
and full cutoff light distribution for
StarView compliance. Five powder-coat
PRISMA ARCHITECTURAL LIGHTING j
finishes and custom colors are offered.
[Link]
CIRCLE 203
Product: NIKKO+Series
Built to withstand the elements, this family of fixtures
is constructed of die-cast aluminum and pressed glass
with frosted internal surfaces. NIKKO-i- is offered in
three sizes with three faceplate options, and can take
incandescent, compact fluorescent, and ceramic metal
halide light sources. It can be mounted vertically or hor-
izontally and is available as a double-sided mount with
specially designed wall brackets and a post mount in
single or double configurations. CIRCLE 200

AIL APRIL

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PRODUCTS

OUTDOOR

ACCUUTE I [Link] U . S . A R C H I T E C T U R A L LIGHTING |

Product: Alari and Atari Plus [Link]
These high-performance area lighting lumlnalres have a sleek profile design and Product: Scilux
optics e n g i n e e r e d t o m e e t t h e Illuminating Engineering Society (lES) full cutoff A n aerodynamically styled fixture, this sharp
standards. In addition t o standard horizontal lamp m o d e l s — w h i c h c o m e in all cutoff area luminaire is designed for pole
w a t t a g e s — t h e line is offered w i t h vertical lamps up t o 2 0 0 W , W h i l e Alari features m o u n t i n g up t o 40 feet and is offered in one-,
an 86-percent specular a l u m i n u m reflector w i t h standard heat-resistant glass, two-, three-, or four-fixture configurations.
the Alari Plus offers M i r o IV specular a l u m i n u m reflectors a n d a 9 8 percent effi- Constructed f r o m cast a l u m i n u m , t h e fixture
cient high-transmission glass lens, as well as rotatable optics. CIRCLE 204 features ribbed styling details o n the hood that
enhance the design and dissipate heat. Fixture
c o m p o n e n t s can be replaced easily w i t h tool-
free lamp and ballast access, and a variety of
light distributions can be achieved w i t h specu-
lar s e g m e n t e d reflectors working in concert
w i t h a clear t e m p e r e d glass lens. CIRCLE 205

The Oval Series \ DARING TO BE DIFFERENT

B E T A LED |
[Link]
Product: The Edge
O n e in a family of L E D luminaires for general
o u t d o o r illumination. The Edge has a s l i m , l o w
profile design that minimizes wind load
r e q u i r e m e n t s . It c a n house u p t o 10 light bar
modules, which consist of 2 0 LEDs e a c h —
designed to be flexible as technology
advances a n d f e w e r LEDs are required t o cre-
ate t h e s a m e level of light. Using LEDs w i t h a
color t e m p e r a t u r e of 6 5 0 0 K and o u t p u t s of 7 0
l u m e n s per w a t t , t h e f i x t u r e is d e s i g n e d w i t h
a modular thermal management system a n d
an o p e n housing w i t h a m e s h t o p . CIRCLE 206

LUMIERE I W W W . L U M I E R E L i G H T I N G . C O M
Product: Rio Architectural Stepiights
Available in 5- or 7-inch round o r square profiles,
the Rio series has several fascia designs includ-
ing open, cross/guard, and eyelid w i t h diffused
lens and louvered w i t h a clear lens. Its low-pro-
Exclusivity from Lumec
file design features no visible fasteners and can
a c c o m m o d a t e low-voltage h a l o g e n , m e t a l
halide, compact fluorescent, and LED sources.
> I n n O V S t i V C d e s i g n superior photometric performances The durable, corrosion-resistant die-cast alu-
' Ease of maintenance m i n u m alloy housing is available in painted or
Dark Skycomplient natural metal finishes. CIRCLE 207
/ Added value for Leed projects

[Link] I 1; 450.430.7040 I A Genlyte Company Inspired by light

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 Advertisement

Daylighting to Destruction
For m u s e u m s sometimes the brightest idea isn't the best solution!
ith Ellen Miller. DE Business Person of the Year 2000 and President ofNoUVIR Research, has spent years in lightinn design and manufacturing and holds dozens ofU.S. patents. In 2006 NoUVlR was awarded a National
'lamher ofComnwrce Blue Ribbon for excellence. NoUVlR has been featured on PBS television, in best sellers on management and marketing and in college-level entrepreneurial textbooks. - Matthew Scott

S: Ruth Ellen, whal in the world does daylight have to do daylighting can actually make exhibits harder to see. That's that daylighting only
th fiber optic museum lighting? because you sec everything in the 180° in front of you, top-to- promises.
EM: N o U V I R ' s mission is preserving our art and heritage, bottom, side-to-sidc. Want to prove it? l>ook straight ahead. A lot of Lightfair
lat's my mission! I've spent fifteen years in museum lighting, Without moving your eyes, spread your arms to your sides Ls about greea Lower
iking things last, making things beautiful and saving energy. and wiggle your fingers. See them? Now stick your tongue light levels save
I look at lighting from a very different perspective. But that out. See it? You see everything in this circle. energy. Powering 32
rspective works! Our history and our customer list prove it. Put a bright source anywhere in that field of vision and your lights with a single
A lot of whal I see being done in museums doesn't work. It eyes respond to it. The greater the area, like a glass wall, the illuminator saves
istes incredible resources. It damages our heritage. No one more your eyes adjust. This adjustment to light happens in a even more. Every
mits it or talks about the problems. No one explains what is fraction of a second. The recovery, adjusting back to low light watt you take out of
ong. No one shows how to do it right. I want to talk about levels, takes people 10 to 15 minutes. During that time, they a space saves three
:se things, even if I risk offending those involved. can't see. That glare source can be a window, a badly aimed or four more in air
Most of the places track light or even an overly-bright video presenta- conditioning. The
lere daylighting is tion. Poor visibility, particularly in museums, is energy savings of
:d extensively are more often the result of too much light or light in fiber optics can be
sting their time trying the wrong places than it is too lirtle light. substantial.
preserve artwork. The Uncontrolled light makes exhibits hard to see. It is Q. What cracked this priceless painting? We've had utilities
ensity and resulting also resptmsible for irreparable destruction. 4 . IR driven expansion and contraction, docaiment 70% eneigy
ire are just loo great,
M S : B u t . . . I see museums with g l a s s w a l l s all savings in a gallery. I've seen one-year returns on investment.
e had museum staff
of the time. People talk about green, but how many can talk about paying
me that their collee- R E M : People in the twenties thought that putting for lighting hardware in a year or two?
n's worst enemy was radium in drinking water was a great idea. It gave The advantages of fiber optic lighting are awesome. You can
Jr architect! That's you energy. They didn't understand the danger of conceal N o U V I R luminaires [Link] about anywhere. With no
gic. that energy. We don't put radioactive drinking U V or IR, they never get hot. You can put lights inside cases or
The fact is that fiber fountains in historical houses today. Good science shoot tight focus beams across a room with no spill or scatter.
tics, daylighting and trumps historical accuracy. You can individually adjust each beam from 5° to 50°.
other things we Sunlight makes conservation light levels impossible.
In the seventies Westinghouse was saying U V N o U V I R fiber optic lighting lets you do .some amazing things.
; are tools. G o o d Glare and shadows make graphics difficult to read.
didn't cause any appreciable fading. In the eighties MS: This sounds like something designers ought to know about.
igners know their tools. They know what each tool can and
only red light was considered "safe". B y the nineties the Park R E M : That's it exactly! N o U V I R is not the solution to every
't do. If you design to truly meet your customer's needs,
Service was publishing data showing that IR caused 40% of the lighting job. It isn't designed to be. But it's a [Link] tool for
lir lighting choices become obvious.
fading of organic dyes. The Illuminating Engineering Society lighting where control is needed or things are valuable.
Museum lighting goals revolve around three things: presen-
didn't recommend removing all non-visible light energy until What we do particularly w e l l is what I'm doing here,
on. preservation and conservation. [Link] is basically
2000. N o U V I R had been teaching that for years. The point is providing f>eople with the technical data to do good design.
k i n g things look good. Preservation is protection from
that the .science is here now to create good presentation without From the underiying science behind light and lighting to full
p a g e , keeping art and artifacts safe. C o n s e r v a t i o n is
wrecking a collection. We should be using it. product specifications, easy to understand photometry to a pub-
ng this efficiently. Anything else is [Link]. Fiber optics
M S : C a n you identify some recent projects where day- lished price list, the information is on our web sight and it's in
ually accomplishes the things that daylighting is supposed to
lighting is creating these kinds of problems? our catalog. Even better, it's free. Take advantage of it.
but without daylight's serious drawbacks.
REM: At Lightfair? In Architectural Lighting
A lot of design conflicts are artistic. I'm an artist. I under-
id light and shadow and space and feel. But. I focus on foot-
dies, spectral pwwer distribution, color, glare. U V and IR.
|i can quantify those things. Science has optimal solutions.
Magazine? Who's going to protect me from the tar
and feathers? I'm going to make p)eople mad just
questioning glass walls in museums!
RUn THE numB6RS!
What I am getting at here is that clients hire 100 CRl (Perfect Colar)
But architecture is art. designers to think through all of [Link] issues. They
M: I'm not advocating are supposed to know all of the pros and cons.
80^ reduction in light damage
idoning artistic expres- N e v e rtheless. I see a lot of very striking designs that
I told you, I am an don't meet a collection's needs very well. That's
But you mast address 7 3 % reduction in energy costs
both in public museums and the private collections
science. Poor design is
that are going to be tomorrow's [Link].
good art. Destroying a 50 different luminaires
I'm not saying don't use daylight. Just do the
ection for a client is
math. Make sure your customer understands the J, - -
jays, always ugly Tmly
choices. Beautiful buildings add to our life. Most of 10 ~^ warrantg
ant designs a l w a y s
the time though, the collection inside that building
ude practical matters
is far more important and far more valuable. 5 - day order t u n i around
artifact preservation.
Protecting those artifacts should be the priority.
Then is daylighting a
M S : H o w docs fiber optics actually do what 0 proUems
tool?
daylight is supposed to do?
k1: In a museum that
REM: Isn't natural color daylight's big selling
ver is almost always. Poorly planned daylighting can
p>oint? Properly designed fiber optic illumination has
." But only because it actually make things harder to see.
perfect color, the spectral power distribution of sun-
n't fit the job requirements. There's nothing wrong with a
light, but with no U V and no I R , absolutely zero.
|hammer. You just don't want to use one on your laptop.
So artwork looks beautiful and it .stays safe.
Explain that.
I need to limit that to N o U V I R systems. HID
|4: Direct sunlight is roughly 10.000 footcandles. Even if
illuminators have the same problems with color
filter it 90% that's ten times surgical lighting levels. It's a
quality and drift as other gas discharge sources.
sand times museum conservation light levels. A thousand
A d d glass optical fiber and the light gets really
s! That's a hammer! I've seen a library where they actually
green. And, not all [Link] are no U V and no IR.
ko build a tent inside the building to safely exhibit artifacts.
Remember vision and glare? Fiber optics give
)aylight's biggest pmblem is volume. You can have fantastic
you the beam control to eliminate glare. You light
filtering and still be way over what is safe for artwork when
exactly what you want, the way you want, to the
start with 10.000 footcandles. You can't control it. Pure-white, stone-cold, fii)er-aptic i g h t i n g w i t t i n o UV and no IR... NoUVIR!
intensity you want. Avoiding glare sources gives you
low add glare. In a [Link]. if you can see a window, it
mes a source of pure glare. The way our eyes work.
excellent visibility at greatly reduced light levels. NoUVIR Research 302.628.9933
Fiber optic lighting gives you the energy savings leirn more •• w«[Link]>[Link]
Circle no. 39 or [Link]/productinfo
PRODUCTS

EMERGENC

SURE-LITES I [Link] EVENLITE [Link]

Product: StairLiteZ Product: Aperion
Designed for use in stairwells or other areas w i t h low occupancy levels, StairLite2 C o n c e a l e d , r e c e s s e d , a n d f o l d e d into a c o m p a c t h o u s i n g , t h e A p e r i o n e m e r g e n c y
features an integrally m o u n t e d ultrasonic m o t i o n detector, a system display panel, f i x t u r e has fully a d j u s t a b l e m o u n t i n g h a r d w a r e t h a t is s u i t a b l e f o r m a n y applica-
and an optional battery backup. Constructed of 20-gauge steel w i t h high-impact t i o n s . C o n s t r u c t e d of die-cast zinc a n d f i n i s h e d in a w h i t e p o w d e r coat, t h e unit
acrylic lenses and a durable powder-coat finish, the surface-mounted fixture con- c o n t a i n s t w o a d j u s t a b l e 2 5 W h a l o g e n l a m p s a n d a m a i n t e n a n c e - f r e e lead-calcium
tains t w o 4-foot T8 fluorescents and has field-adjustable bi-level or dual lamp oper- b a t t e r y (a n i c k e l - c a d m i u m battery is also available). Its r o t a t i n g door is just 4 inch-
ation. CIRCLE 186 es s q u a r e . CIRCLE 189

CHLORIDE S Y S T E M S | W W W . C H L 0 R I D E S Y S . C O M
Product: Caliber Series
The Caliber Series of edge-lit exit signs offers universal mounting configurations—
recessed ceiling, surface ceiling, surface e n d m o u n t , and surface wall m o u n t — a n d
field-selectable chevrons. According to the manufacturer, high-brightness LEDs
provide illumination levels that exceed 70 candela per square meter. Featuring
dual-voltage input w i t h surge protection and Intelli-Charge for self-diagnostics, the
die-cast aluminum fixture has a high-impact, clear acrylic panel offered in red or
green w i t h optional w h i t e or mirrored inserts. The fixture housing is available in
several finishes. CIRCLE 187

Product: Solaray
Solaray combines a wall-mounted outdoor
luminaire w i t h an integral emergency lamp
for egress and non-egress lighting applica-
tions. One 100W high-pressure sodium (or
metal halide) lamp and a polished specular
aluminum reflector provide regular illumina-
tion, while a 3 5 W instant-strike Xenarc lamp,
powered through a remote emergency bat-
tery unit, provides emergency lighting. A LEDTRONICS | W W W . L E D T R 0 N I C S . C O M
pre-mountable wall box contains a low-volt- Product: EXL-W Series
age emergency power connector and an Offering an alternative t o conventional 15T6 or 20T6 incandescent exit sign lamps, the
integral splice chamber for easy, hands-free EXL-W Series is a line of low-power-consumption, w h i t e LED lamps that are bright, safe,
wall positioning. Made f r o m die-cast alu- and maintenance free. Constructed of flame-resistant polycarbonate resin, the lamps
m i n u m , the 17-inch-wide fixture is offered in
are durable and visible even in bright light. They require no extra wiring t o install, run on
a bronze powder-coat finish. CIRCLE 188
120V put out 12 lumens of unfiltered illumination, and are available in a variety of base
options. CIRCLE 190

68 AIL APRIL/MAY I 07
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L i n e a r T 6 F l u o r e s c e n t SysterJ^)
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Photography: Daici Ano

visit us at LIGHTFAIR booth # 2 9 7 7 and see For more information please call;
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I E-mail: nippo@[Link]
N I P P O E L E C T R I C C O . , LTD.
[Link]/us
Circle no. 95 or [Link]/productinfo
PRODUCTS
LAMPS BALLASTS CONTROLS

O S R A M SYLVANIA | W W W . S Y L V A N I A . C O M
LAMPS Product: Octron Skywhite XP Ecologic
Ideal for applications w h e r e a feeling of daylight is desired, this linear f l u o r e s c e n t T 8
lamp has a color t e m p e r a t u r e of 8 0 0 0 K , w h i c h provides a b l u i s h - w h i t e light, a n d a
CRI of 8 8 . It p r o d u c e s 2,518 m e a n l u m e n s a n d , at t h r e e hours per start on an instant-
start ballast, has a 24,000-hour average rated life (30,000 hours o n p r o g r a m m e d
rapid start). Ecologically s o u n d , this l a m p carries t h e c o m p a n y ' s Ecologic label a n d is
Federal Toxicity Characteristic Leaching Procedure (TCLP) compliant. CIRCLE 213

TCP I [Link]
Product: SuperTB
A linear fluorescent for high-bay lighting,
the high-lumen SuperTS lamp starts at 3,100
lumens, providing (according to the manufactur-
er) 10 percent more light than standard T8 lamps. It
has a color temperature of 5000K and a rated life of
24,000 hours at 12 hours per start. ArmRlux, a shatter-
resistant coating that reduces lumen output by one percent,
is offered as an added feature on select T8 lamps. CIRCLE 210

Product: 54WT5H0
W i t h a slim profile and shorter length to allow for a variety of uses, the 5 4 W T 5 H O
lamp has a CRI of 85. Offered in 3500K, 4100K, and 5000K color temperatures, the
lamp provides 5,000 initial lumens—making it ideal for high ceiling applications—
and a rated life of 30,000 hours. CIRCLE 211

BALLASTS

ADVANCE I W W W . A D V A N C E T R A N S F 0 R M E R . C O M
Product: e-Vision Mini 20W
This 120V e l e c t r o n i c H I D ballast f o r c e r a m i c m e t a l halide l a m p s has a c o m p a c t ,
versatile h o u s i n g that m e a s u r e s a p p r o x i m a t e l y 4 1/4 inches by 1 1/4 inches by 1
1/4 inches. It delivers l a m p w a t t a g e r e g u l a t i o n t o o p t i m i z e l a m p color quality a n d
r e d u c e l a m p - t o - l a m p variations, a n d has a 9 0 - d e g r e e - C e l s i u s m a x i m u m c a s e t e m -
p e r a t u r e rating t o e n s u r e l o n g l a m p life. S a f e t y features i n c l u d e a u t o m a t i c l a m p
p o w e r c o n t r o l , l a m p end-of-life d e t e c t i o n , a n d l a m p m o n i t o r i n g . CIRCLE 214

Product: e-Vislon Mini Square and TrakStick

Two n e w compact and lightweight additions
t o the e-Vision line of HID electronic ballasts.
Mini Square and TrakStick, for 3 9 W and 70W
ceramic metal halide lamps, offer superior
performance, long life, and design flexibility.
Both deliver lamp wattage regulation, feature
IntelliVolt (Advance's proprietary multiple-volt-
age technology), and have all-metallic clo-
sures for superior heat transfer and universal
VENTURE LIGHTING | W W W . V E N T U R E L I G H T I N G . C O M
code compliance, along w i t h a 90-degree-
Product: Uni-Form MP 575
Celsius m a x i m u m case temperature rating
This energy-saving, pulse-start metal halide lamp, part of the company's Super Site
and multiple safety features. CIRCLE 215
Lighting System, produces 60.000 initial lumens and embodies the manufacturer's
proprietary tipless. formed-body arc tube technology for improved thermal charac-
tenstics. resulting in greater light output. Each lamp features weldless technology
for reliable and consistent optical precision and has a rated life of 20,000-plus
hours. CIRCLE 212

70 AIL APRIL/MAY I 07
 It a l l f i t s t o g e t h e r . . .

Components for Discharge Lamps As a global leading manufacturer of components for lighting tecfinology,
• Electronic Bollosts
• Lompholders Vossloh-Schwobe prides itself in providing its notional and international

C o m p o n e n t s f o r CFL/FL L a m p s customer base with a practically unsurpassed range of products.

• Electronic and Electromagnetic Ballasts
• Lampholders
The company has based its operations on the simple principle of

Components for Halogen Lamps "quality first" for 85 years. And even today, as a member of the
• Transformers
• Lampholders Matsushita Electric Works group, we still pursue this tradition as the basis

C o m p o n e n t s f o r Edison Lamps for both our excellent reputation and the popularity of the VS brand.
• Lampholders

Our extended five-year warranty option delivers further proof of our

C o m p o n e n t s f o r LED A p p l i c a t i o n s
• Built-in PCB Lighting Modules dedication to ensuring premium product quality at all times.
• Lighting Modules
• Electronic Converters
• Connecting Technology V o s s l o h - S c h w a b e : A New Lighting Experience

Visit us in N e w York

May, 8th to 10th 2 0 0 7

Circle no. 48 or [Link]/productinfo
Jacob Jovits Center
V o s s l o h - S c h w o b e , I n c . • 5 5 Mayview Rood • Lawrence, PA 1 5 0 5 5
Booth 1 5 4 6

\&3
Th« 'ututt. t luminatea
Phone: 7 2 4 - 7 4 3 - 4 7 7 0 • Fax: 7 2 4 - 7 4 3 - 4 7 7 1 • [Link]
PRODUCTS
LAMPS BALLASTS CONTROLS

ADVANCE I FOSTER T R A N S F O R M E R |
[Link] [Link]
Product: e-Vision Compact 150W Product: Dimmable LEO Power Supply
For the operation of 150W metal halide T h e D i m m a b l e L E D Power S u p p l y c a n b e
lamps, this low-profile electronic HID bal- d i m m e d w i t h a standard h o u s e h o l d d i m -
last IS 20 percent smaller (at approxi- m e r a n d features a s h o n circuit a n d over-
mately 6 1/4 inches by 3 1/2 inches by 1 load p r o t e c t i o n . Encapsulated in e p o x y
1/2 inches) and 3 percent more efficient a n d h o u s e d in a stainless-steel enclo-
than the company's previous 150W offer- s u r e , t h e u n i t is virtually i m p e r v i o u s t o
ing. It features IntelliVolt multiple-voltage dirt, m o i s t u r e , a n d corrosive elements,
technology t o enhance ease of ordering m a k i n g it ideal for use w i t h signage, light-
and reduce stocking requirements, as ing, a n d o t h e r industrial, c o m m e r c i a l , a n d
well as provide lamp wattage regulation. institutional applications. It can w i t h s t a n d
The ballast offers a m a x i m u m case t e m - a d i r e c t s h o r t in e x c e s s o f 15 days, w i t h
perature rating of 85 degrees Celsius and n o external f u s i n g r e q u i r e d , a n d a c c e p t s
has a cold-start capability of minus 2 0 i n p u t v o l t a g e s including 120V, 240V, a n d
degrees Fahrenheit. CIRCLE 216 277V CIRCLE 219

Product; e-Vision 2X39W CONTROLS

Designed to support the market for multi-
lamp 3 9 W metal halide fixtures, this elec-
tronic HID ballast operates t w o 3 9 W metal LEVITON I W W W . L E V I T 0 N . C O M
halide lamps, which can result in the reduc- Product: Decora Wall Switch Sensors
tion of up-front product and installation Available in o c c u p a n c y and vacancy
costs. Measuring approximately 4 3/4 inch- sensing models, the Decora Wall
es by 3 1/2 inches by 1 1/2 inches, it can eas- S w i t c h S e n s o r s c o n t a i n an L E D night-
ily blend into m o d e m fixture designs and light t h a t u s e s a p h o t o c e l l t o a u t o m a t i -
features IntelliVolt multiple-voltage technolo- cally i l l u m i n a t e a r o o m b a s e d o n its
gy as well as metallic closures for m a x i m u m a m b i e n t light level. B o t h m o d e l s use
performance and reliability. The ballast also p a s s i v e infrared d e t e c t i o n technology
incorporates lamp p o w e r control and lamp a n d f e a t u r e a 1 8 0 - d e g r e e f i e l d of v i e w
end-of-life detection. CIRCLE 217 w i t h a p p r o x i m a t e l y 1,200 f e e t o f cover-
age. They also p r o v i d e s m a l l motion
d e t e c t i o n , capable of s e n s i n g e v e n t h e
slightest movement. The sensors
m e a s u r e )ust over 4 inches high a n d
c o m e in w h i t e , ivory, grey, a l m o n d , a n d
light a l m o n d . CIRCLE 220

THOMAS R E S E A R C H PRODUCTS | W W W . T H 0 M A S R E S E A R C H P R 0 D U C T S . C O M
Product: ESP-Auto Quartz Restrike System
A compact, current-sensing, cylindrical device that wires directly to HID lamp circuits or
to an emergency power generator, the ESP-Auto Quartz Restrike System is an auxiliary
instant-on lighting system for all HID lamps in the event of failure. It can be used w i t h
any HID lamp or ballast on circuits f r o m 3 9 W to 1000W, in both indoor and outdoor instal-
lations, and operates auxiliary halogen quartz lamps f r o m 100W to 250W. CIRCLE 221

O S R A M SYLVANIA | W W W . S Y L V A N I A . C O M
Product: Quicktronic QHE i l l
Pan of the high-efficiency Dulux L 2 8 W Supersaver T5 Compact Fluorescent
System, this instant-stan, universal-voltage ballast will operate Dulux L 2 8 W
Supersaver Ecologic TT5 compact fluorescent lamps as well as FT40DL lamps.
Proprietary Quicksense circuitry provides end-of-life protection and, according to
the manufacturer, the ballast will produce energy savings of up to 6 percent over
its standard electronic counterpans. It has a 0-degree-Fahrenheit starting temper-
ature, is lightweight, and operates quietly. CIRCLE 218

APRIL/MAY I 07
 PRODUCTS
LAMP S BALLASTS CO

BODINE I W W W . B 0 D i N E . C O M
Product REDiTEST LP600STU
Offering a combination of features sucti as self-testing/self-diagnostic operation,
low-profile design, universal input, high lumen output, and suitability for d a m p loca-
tions, t h e REDiTEST LP600STU can operate one 14W to 5 4 W (2- t o 4-foot) T5 or
T 5 H 0 , one 15W to 5 5 W (2- to 5-foot) T8 o r T B H O , and one 3 6 W to 5 5 W W (4-pin)
long c o m p a c t for at least 90 minutes. It provides up to 1,325 initial lumens of
e m e r g e n c y liglit output and includes ttie manufacturer's end-of-lamp-life circuitry
protection. CIRCLE 222

A C U I T Y B R A N D S LIGHTING | W W W . A C U I T Y B R A N D S . C O M
Product: SimplyS Lighting Intelligence
Built on thie premise ttiat lighting controls should be simple to design, specify, use,
and maintain, Simply5 is an intelligent lighting control s y s t e m that easily incorpo-
rates features such as daylight harvesting and local d i m m i n g , w h i l e offering a high
degree of control over any environment. Integrated plug-and-play control elements
allow for flexibility and reconfiguration, as c o m p o n e n t s can be added or removed
at any t i m e , w i t h o u t any special communication cable or device. CIRCLE 223

LUTRON I W W W . L U T R 0 N . C O M
Product: ZIP
Suitable f o r b o t h c o m m e r c i a l and r e s i d e n t i a l a p p l i c a t i o n s , ZIP is a m u l t i - l o c a t i o n ,
t o u c h - c o n t r o l d i m m e r t h a t p r o v i d e s an easy w a y t o s e t light levels. T h e u s e r n e e d
o n l y t o u c h t h e h i g h e s t p o i n t o f t h e p a n e l f o r 1 0 0 - p e r c e n t b r i g h t light, o r t h e l o w e s t
p o i n t for 1-percent light. L E D s , available in g r e e n , w h i t e , a n d b l u e , indicate t h e light
level a n d a s t a t u s indicator s h o w s w h e n t h e lights are on or off. In a d d i t i o n , t h e
panel m a k e s a s o f t click to c o n f i r m t h e s e l e c t i o n m a d e a n d d o u b l e s as a n i g h t l i g h t .
CIRCLE 225

Product: GRAFIK Eye GS

As the next-generation GRAFIK Eye, the GS contains more options. It allows for the con-
trol of both lighting scenes and individual fixtures, can incorporate an optional c o l u m n of
buttons that control shades independently of lights, and provides p o w e r and c o m m u n i -
cation for occupancy sensors. In addition, a new user-friendly display (with backlit but-
tons) makes it easier to read energy savings, light levels, and t i m e clock information. It
is offered in 30 colors and finishes. CIRCLE 226

PHAROS A R C H I T E C T U R A L CONTROLS | W W W . P H A R 0 S C 0 N T R 0 L S . C O M
Product: Audio Visual Controller
Designed to c o m p l e m e n t the Lighting Playback Controller (LPC), t h e A u d i o v i s u a l
Controller is a compact, solid-state device that, w h e n used w i t h t h e LPC, can be
used t o program lighting, audio, and visual e l e m e n t s as part of the same t i m e -
line. Pharos Designer Software incorporates t h e simulation of both lighting and
video so that the entire presentation can be m a p p e d out, and the design proven
at t h e specification stage, CIRCLE 224

[Link] LIGHTING 73
PRODUCTS

LEDS

HESSAMERICA | COLORMOTION LED SOLUTIONS | W W W . C O L 0 R M O T I 0 N . U S

[Link] Product: Par 196 LED Par Lights
Product: Ledia C o m p a c t a n d b u l l e t - s h a p e d , t h e PAR 196 LED PAR L i g h t s p r o v i d e h i g h - p e r f o r m -
Comprised of LED-illuminated, flush- ance, RGB i l l u m i n a t i o n via 196 L E D s in s e v e n circles, a n d can b e a f f i x e d t o ceilings,
m o u n t e d fixtures for indoor, outdoor, walls, floors, suspended, or direct
and underwater use, Ledia c o m e s in m o u n t e d . The L E D s are c l u s t e r e d in
t w o styles: Ledia LF, a tile-light sys- evenly spaced patterns for optimal
t e m offered in four sizes that can be light o u t p u t , t h r o u g h w h i c h a wide
used in r o w or grid configurations, range of simple or complex color
and Ledia LL, a series of striplights m i x e s , f i x e d color p r o j e c t i o n , or color
available in four lengths, f r o m 9 1/2 c h a n g e s in t i m e d , d i m m i n g , or quick-
inches to just under 40 inches. Each flash sequences can be achieved.
style features stainless-steel hous- Each f i x t u r e is individually address-
ings with tempered glass lenses able a n d Is m a d e w i t h a n o n - c o r r o d -
bonded to the frame and the choice of ing c o m p o s i t e h o u s i n g . CIRCLE 233
red, blue, green, amber, white, or
color-changing LEDs. CIRCLE 230

COLOR KINETICS | W W W . C 0 L 0 R K I N E T I C S . C O M
Product: iColor Accent Powercore
A n evolution of t h e company's iColor Accent fixture, iColor Accent Powercore is an
LED-based alternative to neon suited to create seamless columns of color and
color-changing effects. Its control resolution has been brought d o w n to under 1 1/4-
inch increments, allowing the fixtures to run video, graphics, and intricately
designed effects. Using Powercore technology t o accept line voltage, eliminating
the need for external power supplies, fixtures are available in 2- 4-, and 8-foot CREE I W W W . C R E E . C O M
lengths and can be easily connected for continuous runs. CIRCLE 231 Product: Warm White XLamp LEDs
Providing an ideal color for a full range of
h o m e and office task and accent light-
ing, the W a r m W h i t e XLamp LEDs are
available in the X L a m p XR-E and XR-C
power LED families and c o m e in a color
temperature range from 2600K to
5000K. The lamps can achieve up t o 124
lumens at a correlated color tempera-
ture of 3000K while maintaining a uni-
f o r m w h i t e light output. CIRCLE 234

Product: Color Compensation

A n e w technology for ERCO's LED varychrome luminaires. Color Compensation allows
designers to produce exactly the same hue of light f r o m all fixtures of the s a m e type.
Product: eWFIexSLX To ensure precise and consistent color, the luminous flux and dominant wavelength of
A strand of 50 w h i t e LED nodes (each each color-compensated luminaire are measured and adjusted individually, then c o m -
containing five 2700K or 4200K LEDs) pared to prescribed specific values. Based on this comparison, compensation factors
that use Color Kinetics' Chromasic- are calculated and permanently stored in each control gear unit and identified o n each
based intelligence for individual control, fixture label. CIRCLE 235
the e W Flex SLX is durable and flexible,
and can be installed across nearly any
interior or exterior surface. Each node
can generate fully dimmable light and is
available in t w o models, clear flat or
translucent dome. Nodes can be
arrayed in 4- or 12-inch increments along
the three-wire cable. CIRCLE 232

APRIL/MAY I 07
 Your i m p r e s s i v e lighting d e s i g n

will o n l y be s u r p a s s e d b y y o u r c u s t o m e r s ' a p p l a u s e !

Kramer Squares
System
TM

mthHe}N Slideways

Patented Slideways
system provides easier
access from below than
other products.

A specification grade of square aperture downiights to satisfy your exacting design criteria.
Achieve desired illumination with a Vdricty of HID, CFL or incandescent lamp sources.
Create your mood, emotion and atmosphere with a wide selection of aperture sizes, trim colors and textures.
Kramer robust design assures long life and worry-free, specification Confidence.
Kramer delivers unparalleled product availability to meet your tightest project requirements.

Blend your sophisticated designs with

performance, practicality and personality. kiQinef
L I G H T I N G

k r a m e r l i g h t i n g . c o m
Circle no. 69 or
[Link]/productinfo
For detailed information visit our website or contact your local Kramer Lighting representative.

©2007 Kramer Lighting

PRODUCTS
LEDS

NEXXUS LIGHTING | OPTEK TECHNOLOGY A N D IRC ADVANCED FILM DIVISION |

[Link] [Link] AND W W W . I R C n . C O M

Product: Savi LED Lamps Product: LED Design Kit

Savi LED lamps offer an alternative Providing the necessary resources to create products for solid-state lighting applica-

t o traditional i n c a n d e s c e n t lamps tions, t h e s e t w o companies have collaborated t o develop an LED Design Kit. Combining

a n d are d e s i g n e d t o last u p t o five IRC's A n o t h e r m technology a thermally conductive aluminum alloy substrate, and

years, even when operated 24 Optek's LEDs, the kit consists of lighting modules, assemblies, components, and

hours a day. T h e lamps have accessories. The assemblies feature 1 W LEDs available in yellow, blue, green, red, and

durable polycarbonate lenses a n d a w h i t e , and offer a full 120-degree viewing angle. CIRCLE 239

proprietary heat sink a n d t h e r m a l

m a n a g e m e n t s y s t e m , a n d contain
h i g h - p o w e r e d w h i t e LEDs. The line
includes IV1R16, R16, R20. R30, and
R 3 8 reflector l a m p s f o r d o w n l i g h t -
ing a n d tracklighting applications,
G i l and G25 w h i t e globes, as w e l l
as bent tip a n d f l a m e tip cande-
labra-based l a m p s f o r chandeliers
a n d a c c e n t lighting. CIRCLE 236
OPTEK

BARTCO LIGHTING | W W W . B A R T C 0 L I G H T I N G . C O M
Product: Re LED Component System
Simplifying the use of LEDs in b o t h n e w construction and retrofit applications, t h e Product: VLED Lab
Re LED Component System is comprised of eight, high-brightness LEDs packaged A n in-house visible LED lab designed to assist c u s t o m e r s in developing solutions for
in standard fluorescent formats and coupled w i t h low-profile drivers. Conforming applications involving solid-state lighting, the VLED Lab offers the ability to compare tra-
t o the dimensions of a G5-based linear T5 lamp, a n d fitting into virtually any exist- ditional lighting solutions to solid-state designs, as well as compare LEDs and assem-
ing 2 8 W luminaire design, the Re-LT5-28 has an extruded a l u m i n u m body that pro- blies side by side. The lab equipment includes a thermal imaging camera, a scanning
vides an efficient heat sink for 5000K LEDs. CIRCLE 237 electron microscope, a luminous flux and wavelength tester, and a spectroradiometer
system. CIRCLE 240

FAIL-SAFE I
[Link]
Product: CIrcadian Series
The Circadian Series of LED night-
lights and chart lights (shown w i t h
an illuminated push button for easy
identification) feature aluminum
faceplate designs that allow for a
soft, low-level even distribution of
light. Available w i t h a louvered or
scoop design, each fixture measures
5 inches tall a n d 3 inches w i d e and
provides up to 4 watts of light. LEDs
are offered in w h i t e , amber, and red.
while faceplates c o m e in a standard
w h i t e finish. C u s t o m colors are also
available. CIRCLE 238

76 AIL APRILyMAY 107

 u
DESIGN

OUR
EXPERTISE

ISION A C C O M P L I S H E D

Industry defining technology that has transformed

over 15,000 installations worldwide

Complete system solutions that address a broad

7,.
range of lighting applications

A worldwide service and support network

committed to real-time response

Rigorous product testing and verification ensuring

exactly what you expect, every time

T When you select an LED systems provider,

select the trusted leader: COLOR KINETICS

I-

COLOR
KINETICS
TRANSFORM YOUR W O R L D ' '

[Link]
[Link] RGB

Circle no. 84 or [Link]/productinfo

©2007 Color Kinetics Incorporated. All rights reserved.
iBfl
 PRODUCTS

LEDS

PHILIPS LIGHTING COMPANY | W W W . L I G H T I N G . P H 1 L I P S . C O M

O S R A M SYLVANIA | W W W . S Y L V A N I A . C O M Product: LED Low Bay

Product: HF2 Family The LED Low Bay is designed for use in warehouses, parking garages, and other appli-
T h e HF2 Family of high-flux LED m o d u l e s has an average rated life of 5 0 , 0 0 0 cations that require reliable low-maintenance lighting. W i t h its cool w h i t e light, high
h o u r s a n d is c o m p r i s e d of t h e f o l l o w i n g seven p r o d u c t s : HF2 Chain, an alterna- color rendering index, and instant on/off capabilities, the luminaire provides a clean
tive to n e o n in an e x t r e m e l y flat m o d u l e ; HF2 Stick, w h i c h c o n t a i n s six L E D s a n d design and optics that provide excellent visibility for improved safety. It can also be eas-
c a n b e u s e d in place of f l u o r e s c e n t ; HF2Stick XB, t h e h i g h - b r i g h t n e s s alternative ily retrofitted to replace older, less efficient lighting s y s t e m s . CIRCLE 244
t o the HF2 Stick; HF2 Eye, a c o m p a c t s o u r c e for s p o t l i g h t i n g applications; HF2
Linear, similar t o t h e HF2 Stick; HF2X, w h i c h offers i n t e n s e light for specialty illu-
m i n a t i o n ; a n d H F 2 N a r r o w Flood, w i t h a l u m i n o u s i n t e n s i t y o f u p t o 7 0 0 c a n d e -
las for w h i t e light. CIRCLE 241

Product: LED Floodlight

Integrating advanced technologies such as high-power LEDs and an internal thermal
monitoring system, the LED Floodlight offers a range of exterior spot and flood lighting
^ snvAniiAm in t w o sizes—with 30 LEDs at 13 1/2 inches and w i t h 60 LEDs at 21 inches—and t w o
beam spreads, narrow at 10 degrees and w i d e at 25 degrees. LEDs are offered in RGB,
w a r m w h i t e (3000K), neutral w h i t e (4000K). and other colors by request. CIRCLE 245

Product: BACKiight 2G BL04

A n alternative t o neon, the BACKiight
2G BL04 is suited to fit contours and
curves w i t h its narrow w i d t h s (less
than 1/2 inch) and flexible w i r i n g that
can be bent up to 180 degrees. Each
reel is made up of t w o 8-foot LED
modules equipped w i t h self-adhesive
backing and mounting holes to allow
for installation by screw, rivet, or
snap-in spacers. LEDs are available in
green, w h i t e , and blue, a n d provide a
120-degree viewing angle CIRCLE 242

Product: LINEARIight Power Flex

Available in three color temperatures of w h i t e — 4 7 0 0 K , 5400K, and 6 5 0 0 K — w i t h a
viewing angle of 120 degrees per LED, the LINEARIight Power Flex is offered on a Product: LED Linear
nine-foot reel consisting of 120 LEDs. It can be cut in the field into strips of six The LED Linear is a sleek indoor/outdoor architectural luminaire ideal for grazing, back-
LEDs and each flexible printed circuit board has a self-adhesive backing for easy lighting, covelighting, and wallwashing applications. Available in RGB, w a r m w h i t e
installation. The w i d t h of the m o d u l e is under 1/2 inch. CIRCLE 243 (3000K), neutral w h i t e (4000K), and other colors by request, the fixture offers t w o beam
spreads (narrow at 10 degrees and w i d e at 30 degrees) and nominal lengths of 1, 2, 3,
and 4 feet. It's anodized a l u m i n u m housing is 3 inches w i d e . CIRCLE 246

78 AL APRIL/MAY I 07
 ^ On the
High Power
LED
heatronxom

HcfeRON
Heatron is the quickest, most efficient and cost-effective vehicle on the
road to new High Power L E D product development.

• Wide range of design and development services

• AcctLE^^ftffffrHE HIGH PC nvtR LED RE\-OLI rn )\
• Technology competencies including optics, thermal management,
power sources and drivers
PIBBBi Come Visit
• Cost effective production and assembly capabilities ILIGHTFAIR (Jg
• In-depth industry and technology expertise
May a. 10
p o n ' t make a wrong turn along the way... Let Heatron put you in the NYC C R g f L u M , . e o s g ^

priver's seat to "Solid State Lighting City", circle no. 89 or [Link]/productinfo Booth #2309 OSRAMfBEBDauiST)
 PRODUCTS
LEDS

OPTEK TECHNOLOGY | W W W . 0 P T E K I N C . C O M
Product QVTLOILGAxS Series
This 1W surface-mount LED device can be m o u n t e d flat on a printed circuit
board and provides high luminance, low thermal resistance, a water-clear lens,
and a long lifespan. In addition, the series offers a full 140-degree viewing angle
a n d LEDs are available in amber, blue, g r e e n , red, cool w h i t e (7000K), and day-
light w h i t e (5500K). CIRCLE 247

ew Oriorf White LEDs

deliver more light
with less power]
W I N O N A LIGHTING | W W W . W I N 0 N A L I G H T I N G . C O M
Product: V-Line Gen2 and Gen3

Will ))mi f^ffl^Jfi T w o p r e c i s i o n linear lighting s y s t e m s , t h e V-Line G e n 2 o f f e r s high o u t p u t

f o r wall grazing, w a l l w a s h i n g , a n d g e n e r a l i l l u m i n a t i o n , w h i l e t h e G e n 3 is
ideal for h i g h l i g h t i n g architectural f e a t u r e s . They offer b e a m s p r e a d s of 15,
30, 65, a n d 8 2 d e g r e e s a n d 3 0 , 4 5 , 65, a n d 8 2 d e g r e e s , respectively. Each
Whether you are designing a new fixture or updating a
is available w i t h w h i t e ( 3 0 0 0 K a n d 6 2 0 0 K ) , a m b e r , o r a n g e , r e d , g r e e n ,
classic, these new high-efficiency Citizen LEDs offer high cyan, a n d b l u e LEDs, a n d f e a t u r e internal S m a r t D r i v e r s w i t h built-in d i m -
ming. CIRCLE 248
performance and design flexibility, to give you an edge.
Efficiency is greater than many fluorescents, and other
LEDs. Lead-free and environmentally friendly

ORION,
CITIZEN ELECTRONICS

New CL-652S Orion LEDs New CL-L100 ultra-flat,

offer 851m (70lm/watt) 2451m LEDs (70lm/watt)

14x14mm 50x7mm

The Orion offers trend- The CL-L100 packs a

setting brightness with super luminance flux
unheard of efficiency. of 2451m with high
Product: STEP01 Square
Luminous Flux: cool white efficiency. Space-
O n e in a f a m i l y of LED s t e p l i g h t s , t h e
is 851m {70lm/watt). Warm saving thin package surface-mount STEP01 Square
white model is 571m releases flat, well m e a s u r e s j u s t over 4 1/2 inches a n d
h a s c o n c e a l e d o p t i c s . Eight L E D c o l -
(47lm/watt). Draws 1.2 dispersed illumination.
ors are o f f e r e d — w a r m w h i t e , cool
watts. Configure as 8 Power consumption is w h i t e , a m b e r , blue, c y a n , g r e e n , r e d -

junctions in series for 3.5 watts. 50x7mm. o r a n g e , a n d r e d — a n d are available in

both normal and high-output configu-
just 44mA or in parallel rations. T h e fixture provides three
for 350mA. 14x14mm. light d i s t r i b u t i o n p a t t e r n s : s h o r t for
narrow corridors, m e d i u m for wide
c o r r i d o r s , a n d long for large area illu-
mination. It's faceplates are con-
& CITIZEN ELECTRONICS CO., LTD. CITIZEN s t r u c t e d of solid a l u m i n u m , brass, or
s t a i n l e s s s t e e l . CIRCLE 249

Specifications: [Link]
S a m p l e Requests: e m a i l : info@[Link]

Phone
North America • +1-847-619-6700 Asia +852-2793-0613
Japan +81-3-3493-2081 Singapore- +65-6734-1398
Europe +49-69-2992-4810
Circle no. 22 or [Link]/productinfo
 PRODUCTS

FIBER OPTICS

NOUVIR RESEARCH | [Link]

Product: Fiber-Rail Banister
This 2-inch-diameter, freestanding, 8-foot fiber optic Banister module
requires only an electric outlet. The self-contained unit has a fiber optic
projector concealed in its base and adjustable spotlights mounted within
the Banister behind a polycarbonate lens. One projector can illuminate up
to 32 individual spotlights, whose 100 CRI, 3200K soft-edged beams can
be aimed from 15 degrees to 50 degrees with no spill light. The con-
nectable modules are finished in bronze with a clear powder coat for dura-
bility; stanchions, joining hardware, and decorative end caps are also avail-
able. CIRCLE 137
C F L
5 X 1 8w / 26w

WYBRON I [Link]
Product: Transition
This CMY fiber illuminator is
ultra-bright and uses a dichroic
color mixing technology that
offers smooth color changes
with nearly infinite color choic-
es and silent operation. Its
compact design measures less
than 6 inches wide, and the
unit weights less than 8
pounds. Using a 150W com-
pact UHI light source, the fix- CD m
ture accepts 17mm to 34mm
common-end fiber bundles.
CIRCLE 138

FIBERSTARS | [Link]
Product: EFO 3+3 Illuminator
Fanless, noiseless, and UL listed for damp and wet locations, the EFO 3+3
Illuminator contains one 70W metal halide lamp and produces 61 lumens
per watt. It has t w o
ports, each capable of
connecting up to three
large-core fibers, for a L E D
total of six fixtures per
illuminator. It weighs 14
RGB color mixing
pounds and is made of
99.5 percent recycled
aluminum and injec-
See if at Lightfoir booth # 2 6 8 1
tion-molded plastic.
CIRCLE 139

w w w . d e l r a y l i g h t i n g . c o m

Circle no. 28 or [Link]/productinfo

 L
H LIGHT & ARCHITECTURE M

design awards ft^

ENTRY D E A D L I N E M a y 2 4 , 2 0 0 7 P O S T M A R K E D LATE ENTRY J U n O 1, 2007 ( S 2 S FEE PER ENTRY)

Architectural Lighting magazine announces the Fourth Annual A | L Light & Architecture Design Awards honoring

outstanding and innovative projects in the field of architectural lighting design. The A | L Design Awards recog-

nize and reward excellent lighting within criteria relevant to individual categories. To acknowledge issues of

notable importance in today's practice of lighting design, and design techniques particular to lighting, A | L will

also present the A | L Virtuous Achievement Awards (ALVA), which recognize projects that achieve the Best Use

of Color; the Best Incorporation of Daylight; and the Best Lighting Design on a Budget. All winning projects will

be published in the July/August 2 0 0 7 issue of A | L and be featured on [Link].

Q u e s t i o n s ?

Contact: Elizabeth Donoff, Editor edonoff@[Link]

FORMS ARE AVAILABLE FOR DOWNLOAD AT [Link]

 Bright Ideas^ Bald Innovations

The Days of Halogen MR16 Are Numbered

22% less energy

4x the light output
2x the life
CRI of 90+

Visit Us at LightFair (boofh 509) and at AIA (booth 11285) and

Discover the Possibilities

800-451-2606
FAX: 8 0 0 - 4 5 1 - 2 6 0 5 E-MAIL: venture@[Link]

Circle no. 70 or [Link]/productinfo

l . c o m VENTURE
© 2007 Venture Lighting International.
Venture is a registered trademark of Venture Lighting International VLI-0833A4-0407
PRODUCTS

DAYLIGHTING

NATURALITE SKYLIGHT SYSTEMS | VISTAWALL ARCHITECTURAL PRODUCTS [Link]

[Link] Product: Solar Shelf

Product: Versalean-To-Glass Skylight (VL2G) This architectural light shelf (for use with
This preassembled, pre-glazed skylight is the company's CW-250 and Reliance cur-
a lean-to product that can be installed tain wall systems) is field-installed onto
from a vertical wall to a curb. It uses a the interior of a curtain wall to deflect
split rafter to conceal the unit's expansion daylight deeper into a building in order to
joints, and pre-glazed sections can be reduce electric lighting. Comprised of
joined together in the field to accommo- extruded aluminum struts with panels
date any desired length. Standard glazing set between a wall mount and continu-
options include insulating glass units, ous cover, the shelf comes in depths of
multiwall polycarbonate panels, and up to 30 inches with three standard cov-
translucent fiberglass panels. VL2G is ers, or custom covers. All extrusions and
offered in 20 standard colors, as well as panels are offered in factory anodized or
custom colors, bronze, and clear anodized painted finishes. CIRCLE 253
finishes. CIRCLE 250

SKYWALL TRANSLUCENT SYSTEMS | W W W . S K Y W A L L C O M WATT STOPPER/LEGRAND [Link]

Product: Skywall Conventional Skylight (SCS) Product: LS-101
Featuring the Skywall/Acrylit weather The LS-101 is a single zone,
erosion barrier system, the Skywall on/off daylighting controller that
Conventional Sylight (SCS) goes can be installed in open- or
through a stringent quality control closed-loop applications to turn
process to ensure a high-quality prod- lights off automatically when
uct with quick, easy installation fea- sufficient natural light is present.
tures. Lightweight and virtually mainte- It consists of an advanced digital
nance free, the SCS offers protection multi-band photosensor posi-
against yellowing and fiber bloom, as tioned behind a 100-degree cone
well as providing better light transmis- that cuts off unwanted light to
sion and diffusion. CIRCLE 251 prevent false triggering, an on-
board microcontroller, and an
LCD display for quick, easy, and
accurate adjustments. The
device measures 2 1/2 inches in
diameter and is certified to meet
California's Title 24 require-
ments. CIRCLE 254

M E C H O S H A D E I [Link]
Product: AAC SolarTrac 3.0 WindowManagement & Daylighting Automated Shade System
A software-based control system designed to automatically adjust the position of
STELLARIS [Link] shades incrementally throughout a building in accordance with sky conditions, the AAC
SolarTrac WindowManagement system maximizes views and daylighting while protect-
Product: ClearPower Solar
ing people and work surfaces from direct sun. It integrates digital light sensors that
Making solar power affordable while improving aesthetics, ClearPower Solar tech-
detect excess glare and change the shade heights to assure comfort; 3-D modeling that
nology uses passive concentrating optics and unique assembly techniques for a
raises the shades when a zone is in shadow; and manual overrides and sensor data are
product that can be incorporated into skylights and building curtain walls as well as
logged, correlated, and periodically analyzed, CIRCLE 255
in standard photovoltaic modules. It reduces cost by decreasing photovoltaic mate-
rial requirements, increases electrical output by reducing optical inefficiencies,
minimizes maintenance cost by eliminating mechanisms that track the sun, and
augments energy protection on cloudy days. CIRCLE 252

84 AIL APRILVMAY I 07
 esig
witi

The West Midtown Intermodal Ferry Terminal, NYC, N)

Architect: William Nicholas Bodouva & Associates
50 Monumental Shades: 25' high

|\ N e w V i s i o n
/VindowManagement™ Solutions 6 : MechoShade^
II The Architect's Choice'."
Daylighting Controls MechoShade Systems, Inc.
yiecho75 with EcoVeil™ - the first complete 718-729-2020 • [Link]
Circle no. 78 or [Link]/productinfo
vindow treatment to receive "Cradle to Cradle
•MBDC Cp GreenSpec*A
ilver Certification from MBDC
[Link]

us at:
AIA National Convention & Design Expo - Booth 10197 © 2007, MectioStiade Systems, Inc. All Rights Reserved.
LightFair International 2007 - Booth 1659 Ptiotograptiy: Jim Roof Creative, Inc.
PRODUCTS

DAYLIGHTING

LUTRON ELECTRONICS |
[Link]
Product: Sivoia QED
The newly enhanced Sivoia QED (Quiet
Electronic Drive) drapery track system now
has a narrower drive that is flush with the
width of the drapery track. It also boasts a 30-
percent increase in torque, allowing the sys-
tem to carry heavier drapes (a maximum of
110 pounds on a 9-foot track), With straight,
curved, or split drapery track options, the sys-
tem still offers one-touch operation and multi-
location programming through a keypad or
infrared remote control for fully open, fully
closed, or preset positions. CIRCLE 256

Product: Sivoia Manual Shades

Ideal for both commercial and residential spaces, the Sivoia Manual Shades share hardware
with the Sivoia QED Roller 64 provides easy conversion from manual to electronic control
if [Link] manual shades have a universal, multi-position clutch and spring-loaded idler,
so shades can be quickly repositioned on site for bottom, front, or back chain drop.
Maximum shade size is 8 feet square and a full line of Lutron fabrics are offered, including
SheerShade, Designer SheerShade, Privacy and Blackout fabrics. CIRCLE 257

HUNTER DOUGLAS CONTRACT |

[Link]
Product: GreenScreen Platinum
An optimized version of the compa-
ny's GreenScreen Eco line of solar
shading fabrics, GreenScreen
Take the unpredictability out of your site-specific designs... Platinum is metalized on one side to
AND THINK 2030! reduce solar heat gain, reduce glare,
and increase visibility outward. The
line is available in four colors—char-
coal, bronze, pewter, and pearl—and,
being PVC-free, is highly recyclable
and reclaimable, CIRCLE 258

Circle no. 97 or [Link]/productinfo

Visit us at Booth #14275
at the AIA Show May 3 - 5

Any Career Site | [Link] |

Get out of the crowd, and into a job

At [Link].
To advance your career in commercial or landscape architecture or CAD design, you need to look where the jobs are:

[Link]. We're the official career site of Architect and residential architect magazines. Which means all

our job listings are in your industry from the highest concentration of architects available online. Unlike general job sites,

we offer exclusive industry content that helps you research prospective employers, plus valuable career advice and

nationwide salary comparisons. So visit [Link] today And leave the mass market job sites to those

other characters.

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Ji

ARCHITECT OBSO

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PRODUCTS

SPECIALTY

FILTERS FILMS

ELECTRO-LUMINX LIGHTING | W W W . L I G H n A P E . C O M
AE LIGHT I W W W . A E L I G H T . C O M Product: Light Tape
Product: Color Filters Flexible, thin, and bright. Light Tape is an electroluminescent light that can be made in
A colorful collection of filters that enhance any size or color. It is manufactured in lengths of 300 feet and in widths from 1/4 to 24
HID Powerlight applications, the line includes inches, and is illuminated by activating a phosphor layer with an alternating current. Four
the following: an IR filter calibrated to 850nm Light Tape products are offered: Extreme, Signage, Mobile, and Shapes. All are glass-
for covert operations; an amber filter to help and gas-free, and generate no heat. CIRCLE 263
penetrate smoke, fog, and dust; a red filter for
traffic control and better night vision; a blue fil-
ter for forensics; a green filter for signaling,
traffic control, and night vision; and a diffused
lens to widen the fixture's beam by approxi-
mately 65 degrees. All are mounted in rubber
holders for easy installation. CIRCLE 260 o o

OPTIVEX I [Link]
Product: UV Glass Filters
Optivex UV Glass Filters block 99 percent of harmful UV radiation while transmit-
ting high quality visible light with minimal color distortion. Coated on 3/3mm
Borofloat glass for maximum heat resistance, the filters enable a broader range of
light sources to protect valuable objects, art, textiles, or historical documents. They
can be custom ordered in any size or shape from 1/2-inch to 30-inch diameters for
both retrofit and new lighting systems. CIRCLE 261 SOFTWARE

RENAISSANCE LIGHTING |
[Link]

Product: evo Color Manager l>AII 'V K

A method for managing an evo light fixture
through either a Bluetooth or an RS232
hardwired connection, the evo Color
Uiipnircrlrd Arrwrnw Manager is designed to operate on a
Hewlett Packard iPAQ PDA (or equivalent).
I 'udiriir from vour true colors can he Offering the ability to control the color and
heatitifui as long as it isn't your art. intensity of one or more luminaires—the
software enables setting the color to any
one of 16 million hues and the color temper-
ature from 2000K to [Link]—-the Manager
provides six separate screens to perform
TRIPAR INC [Link] various functions. CIRCLE 264
Product: Light Projection System
An accessory that converts any small recessed halogen fixture into a projector, the
Light Projection System clips onto a wide variety of recessed lighting trims, from
4- to 5 1/2-inch round and 4- to 4 1/2-inch square. It includes three pattern motifs:
the moon and stars, sun and
palms, and musical notes. In
addition, three color filters TRIMS
are included, allowing up to
six different colored light
FOCAL POINT ARCHITECTURAL PRODUCTS |
projections. Wide or narrow
[Link]
beam-width models are
Product: Focal Finish
available and finishes include
A new line of faux finish options for medallions.
white, black, polished
Focal Finish features 10 hand-applied, artistic fin-
chrome, and polished brass.
ishes on more than 30 medallion styles, from 12
CIRCLE 262 ^
inches all the way up to 41 1/2 inches. Designed
to complement popular lighting fixtures, the fin-
ishes are offered in brushed opulence, dis-
tressed silver, sierra, regal gold, sunset, imperi-
al gold, weathered bronze, burnished bronze
crackle, gilded mahogany, and oil-rubbed
bronze. CIRCLE 265

88 AIL APRIL/MAY I 07
 PRODUCTS

SPECIALTY

FANS

MONTE CARLO |
[Link] WIRING
Product: Sleek
This modern fan suits sophisticated tastes and
measures 52 inches wide. It has a 12-degree ETCO INCORPORATED | [Link]
blade pitch for maximum air movement, preci- Product: Flat-Snap
sion-balanced motor and blades for smooth oper- Changing out electronic components can often be time consuming with the cutting of
ation, and extra long 79-inch leadwires for high wires and re-crimping, but the Flat-Snap electronic connection makes it possible to con-
ceiling installation. Sleek comes with a 40W fluo- nect wires with one quick snap, making it easier for assemblers to overlay two unisex
rescent light kit, a three-speed reversible motor, connectors and pull them securely into each other—they can also be easily discon-
and includes a wall-mounted remote control. nected by simply reversing the motion. The Flat-Snap can be customized and insulated.
Three finishes are offered: a brushed steel hous- CIRCLE 268
ing and silver blades, and a Roman bronze and
white housing and blades. CIRCLE 266

(
Product: Stirling Castle
Stirling Castle measures 60 inches wide and is
comprised of carved tung wood blades, cham-
pagne Scavo glass, and hardware with a British
: bronze finish. It contains a heavy-duty torque-
induction motor with three speeds and is pre-
cision balanced for smooth operation. The fan
includes three 60W downlights and four 25W
candelabra uplights for a dramatic feature, and
includes a wall-mounted remote control with
reverse operation capability CIRCLE 267

VISIT US AT
Sentri
V
LIGHTFAIR 2 0 0 7
Electri
BOOTH 1362

Y o u r V i s i o n . . . 0 u r E x p e r t i s e

Luminaires Poles Bollards Accessories

NEW CATALOG
For more information, call Sentry Electric, LLC
AVAILABLE SPRING 2 0 0 / at 5 1 6 . 3 7 9 . 4 6 6 0 , or visit us at [Link]
Circle no. 46 or [Link]/productinfo
RESERVE YOUR
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COPY NOW 185 B u f f a l o A v e n u e Freeport, N e w York, 11520
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-rt Ic
f'on.
•Com

f
 EXPANDING
MANUFACTURER INDEX
THE REACH OF
LOW VOLTAGE
MANUFACTURER CATEGORY PAGE MANUFACTURER CATEGORY PAGE
LEDs ...
AccuLite Outdoor 66 Litecontrol Task 58

Acuity Brands Lighting Lamps/Ballasts/Controls 73 Lucifer Lighting Downlight 52

Advance Lamps/Ballasts/Controls 70 Lumiere Outdoor 66

Lamps/Ballasts/Controls 72 Lutron Electronics Daylighting 86

A E Ught Specialty • Filters 88 Lamps/Ballasts/Controls 73

Aikco Lighting Task 58 Luxo Decorative 40

ALLScape Outdoor 64 Task 58

Amerlux Lighting Solutions Downlight 56 Manning Lighting Decorative 42

Arcalux Direct/Indirect 50 MechoShade Daylighting 84

Architectural Lighting Systems Task 58 Meyda Lighting Decorative 42

Ardee Lighting Downlight 52 Monte Carto Fan Company Specialty - Fans 89

Axo Light Decorative 38 Naturalite Daylighting 84

Bartco Lighting LEDs 76 Neo-Ray Direct/Indirect 46

Bega/US Downlight 56 Nessen Lighting Decorative 42

Outdoor 64 Nexxus Lighting LEDs 76

Beta LED Outdoor 66 NoUVIR Research Fiber Optics 81

Bodlne Lamps/Ballasts/Controls 73 NuTech Lighting Downlight 52

Boyd Lighting Decorative 38 O m e g a Lighting Direct/Indirect 48

Chloride Systems Emergency 68 Downlight 52 CLIKSTRIP^'' HPL

Color Kinetics LEDs 74 Optek Technology LEDs 76

Colormotion LED Solutions LEDs 74 LEDs 80

Con-Tech Lighting Decorative 36 Optivex Specialty - Filters 88 a better performing LED

Track 60 Osram Sylvania Lamps/Ballasts/Controls 70 for accent and display lighting
Cooper Lighting Task 58 Lamps/Ballasts/Controls 72

Cree LEDs 74 LEDs 78

d'ac Lighting Decorative 38 Oxford Industries Direct/Indirect 46

designed for new and
Delta Light USA Outdoor 64 Peerless Lighting Direct/Indirect 48
retrofit applications
Dreamscape Lighting Outdoor 64 Pharos Architectural Controls Lamps/Ballasts/Controls 73

DuPont Corian Decorative 39 Philips Lighting Company LEDs 78

operates on standard
Eleclro-LuminX Lighting Specialty - Films 88 Prescolite Downlight 54
AC magnetic transformers
Eleek Decorative 36 Prisma Architectural Lighting Outdoor 64

Engineered Lighting Products Direct/Indirect 46 Prudential Lighting Direct/Indirect 46

Erco LEDs 74 Renaissance Lighting Downlight 56 warm and cool white light
ETCO Specialty - Wiring 89 Specialty - Software 88 color temperatures
Evenlite Emergency 68 Sea Gull Lighting Decorative 44

Fail-Safe LEDs 76 Selux Outdoor 62

Fiberstars Fiber Optics 81 Shaper Lighting Task 58 wide beam delivers

Focal Point Direct/Indirect 48 Skywall Translucent Systems Daylighting 84 smooth illumination
Focal Point Stellaris Daylighting 84

Architectural Products Specialty - Trims 88 Stemberg Lighting Outdoor 62

Fontana Arte Decorative 36 Sure-Lites Emergency 68 focusing lenses available

Foster Transformer Lamps/Ballasts/Controls 72 TCP Lamps/Ballasts/Controls 70
for spot lighting
Gallium Lighting Downlight 52 Tech Lighting Decorative 44

Halo Lighting Downlight 52 Downlight 54

HessAmerica LEDs 74 Thomas Research Products
smart circuit board maintains
Lamps/Ballasts/Controls 72
Hinson Lighting
constant current and light output
Decorative 40 Tripar Inc Specialty - Filters 88
Hunter Douglas Contract Daylighting 86 U.S. Architectural Lighting Outdoor 66
Invue Lighting Systems Outdoor 64 Venture Lighting Lamps/Ballasts/Controls 70 intelligent lighting by
Iris Lighting Systems Downlight 52 Vista Lighting Task 58 Ardee Lighting.
Jesco Lighting Decorative 45 Vistawall Architectural Products Daylighting 84
Juno Lighting Group Downlight 56 Vode Lighting Direct/Indirect 50
Kim Lighting Outdoor 64 W 2 Architectural Lighting Decorative 45
Lampister Decorative 40 Track 60
LEDtronics Emergency 68 Watt Stopper/Legrand Daylighting 84
Leucos USA Decorative 42 Wilmette Lighting Company Decorative 38
Leviton Lamps/Ballasts/Controls 72 Winona Lighting LEDs 80
Lighting Services Inc Track 60 Wybron Fiber Optics 81 [Link]
Lightolier Direct/Indirect 46 Zumtobel Lighting Direct/Indirect 48 1-888-442-7333
Track 60 Downlight 54 Genlyte Group LLC. All rights reserved.

Lite Energy Outdoor 62 Track 60

Litecontrol Direct/indirect 50

rdee
Circle no.50 or [Link]/productinfo
 ^ r _ . i'.

f f

1;. -iv M M M W 0 M
/•':'<•'• 'i',Cy

BASE BOARDS - CHAIR RAILS - CROWN MOLDING - STAIR RISERS - BACK SPLASHES

LuMiERE T I L E
F I B R E D P T I C B A C K L I T T I L E S

877-723-2900 - w w w . L u m i e r e T i l e . c o m
Circle no. 3 7 9 or w w w . a r c h l i g h t i n g . c o m / p r o d u c t i n f o
 method details

Mastering Sidelight MAHHEW TANTERI | ILLUSTRATIONS BY VICKY PANG AND MAHHEW TANTERI

THE INTERRELATIONSHIP BETWEEN A DAYLIGHT SOURCE, WINDOWS, AND A ROOM.

rightness distribution o

Figure 4: Sky brightness distribution on an o

TODAY A WORKING KNOWLEDGE OF DAYLIGHTING NEEDS TO BE PART OF Although it sounds simple and straightforward, cre- THE SOURCE
every lighting designer's skill set. But in fact, ating a visually comfortable luminous environment by Sun, sky, and reflected light are all components of day-
Daylighting is a broad term that encompasses many directing light from one side of a room to the other is an light. But there is another element that is part of all
methods and techniques. This article explains some of artful challenge. For example, imagine if a lighting three—heat. For a standard window, skylight is typically
the fundamental principles of daylighting with win- designer tried to construct the electric lighting equiva- the preferred source due to its high light-to-heat con-
dows and clerestories, aptly termed Sidelighting, lent of a typical window using some type of lensed flu- tent, all day availability, and absence of direct sun—the
along with a set of important strategies. The concepts orescent troffer recessed into a wall at eye level. Now ultimate source of both heat and glare. Another ideal
presented are applicable to a wide range of project consider the apparently conflicting requirements: source that can minimize the amount of heat entering
types where daylight enters the building from the Occupants viewing computer displays seated anywhere the building envelope is sunlight reflected from an exte-
perimeter—from the open plan office in a multi-story from 2 to 20 feet away from the lighting set-up, who in rior surface, for example, from an adjacent building.
office tower to the single room classroom. turn must receive glare-free, adequate illumination, yet However, since the sun is moving, its availability may be
The first step toward mastering Sidelighting is to of shorter duration and needs to be carefully planned.
also maintain an eye level view of the light fixture. Do
realize that it is literally "light from the side." It is basi- not fear, this article will provide at least one or two cre- Daylighting strategies vary with the light source.
cally a two-part process. The first task is to admit the ative ideas on how to make this lighting condition a Each site has a predominant sky type and set of site
proper amount of light into the interior by adjusting the more favorable situation. conditions that a designer needs to define as they
size and transmission of the window aperture relative to conceptualize and facilitate their design. Two impor-
the room area. The second task is to apply an optimal THE BASICS tant sky characteristics to consider are brightness dis-
combination of room-related design decisions to guide Sidelighting is about controlling the interrelationship of a tribution and variability.
and maximize the primarily lateral flow of light away daylight source, window(s), and a room. Here is a All skies are not created equal. There are an infinite
from the window wall, deep into the interior. detailed look at each of these elements. variety of skies that must fit into three standardized

ARCHITECTURAL LIGHTING 93
details method

workplane

• •I-ll irHlI<l(4:ir
••imililTliillTilll

Figure 7: Wall opposite window should have at least 50% reflectance Figure 8: Ceiling should have at least 80% reflectance

conditions: clear, overcast, and part-

ly cloudy. A good illustration of this
is the inverse brightness relation-
ship of a clear versus an overcast
sky. See Figures 2 and 4. For a clear
sky. the area near the horizon is
about three times brighter than the
sky overhead. For an overcast sky
the inverse is true. For Sidelighting,
the resultant effect is that clear
skies tend to provide more illumina-
tion per window area than overcast
skies since the window's vertical
aperture faces a region of sky of
higher luminance. Each sky type
also has some unique and subtle
brightness variations. The bright-
ness gradient of an overcast sky is
radially symmetric, while the bright-
ness distribution of the other two
sky types distribution are asymmet-
ric. For a clear sky the darkest part
of the sky dome is the area 90
degrees opposite the sun. For a
partly cloudy sky, the same area is
usually the brightest part, not
including the sun, due to sunlight
reflected off clouds. Since the sun
is moving, these areas of light and
dark may move with it and may be
right in front of your window.

Obstructions outside the window

are another modifying factor. If they
rise more than 25 degrees above
the center of the window it is high-
ly probable that daylighting with
skylight alone will not be feasible
since a significant portion of avail-
able daylight is lost. This obstruc-
tion limit is based on a general rule:
The minimal amount of overcast
sky that a window needs to be
exposed to, to admit sufficient day-
light is 65 degrees. See Figure 14.
However, if there is a clear or partly

Circle no. 91 or [Link]/productinfo

 method details

Figure 9: Dual Window Strategy = Daylight Window (top) + View Window (bottom) I Figure 10: Dual Window •«• Exterior Light Shelf

+ Interior Light Shelf

cloudy sky and the building has a

high reflectance exterior surface,
the building may become brighter
than the sky and provide an ample
supply of reflected light.
Variability is another major con-
cern. Overcast skies, as well as
regions of clear skies that do not
contain sun, are fairly constant, but
partly cloudy skies are highly vari-
able, they cause constant patterns WE PROMISE.
of change in interior brightness
many times over the day, hour, and
minute as clouds of varying density
NO B O R I N G
pass in front of the sun. These
changes may seem more pro-
C O N T I N U I N G ED.
nounced near the boundary of the
daylight zone, since illumination is
far from its source and it can be AIA continuing education courses produced
compared with the constant output
through Haniey Wood/Architect CES
of electric light. Here a continuous
get better results because courses are
dimming system is an ideal solu-
tion, where photocells, dimming more compelling, memorable, entertaining
ballasts, and control systems work and relevant t o today's architects.
together to modulate electric light Plus, they're delivered in your choice of formats:
to maintain a prescribed light level print, online, or lunch and learn PowerPoint.
in response to available daylight.
For more information on sponsoring a course,
THE WINDOW contact Russ Ellis today at 202.736.3310.
Until the day designers are able to
control sky and sun, the window will
remain a first line of control. Every
element of its design, from its size
and location, to the type of glazing
selected and the detailing of the TTTTTTTTTf
aperture itself has some effect on
the distribution, quantity, and color
of daylight admitted.
i Course development and content management provided by

Let's start with distribution the

most oft-repeated Sidelighting rule ARCHflE CES
of thumb: Daylight illuminates an
interior to a depth approximately haniey'^ w o o d
twice the height of the window. See
Figures 5 and 6. Looking at the win-
dow wall in section, the rule makes
 details method

ght Window - Less View Wind

Figure 15: Window Area = 25% Floor Area Figure 16: Window Area £ 35% Wall Area

perfect visual sense. Light from the sky enters the win- even the occupants. ed into two so that each part may be optimized to serve
dow at a downward angle, so the higher the window is The ideal sidelighted room is proportioned so that its the intended function. The upper half of the window,
above the floor, the further daylight extends into the depth is not much greater than its width. Even though located high on the window wall, is designated the day-
interior. By locating windows on opposite sides of the daylight can penetrate a substantial room depth, a light window and outfitted with high transmittance clear
room you effectively double the daylighted room depth, designer does not want to create a tunnel-like effect. or translucent glazing. The lower half of the window,
Following this principle, if a vertical aperture is designat- Room surface finishes are next for consideration. By located somewhere around eye level, is designated the
ed to provide daylight only, locate it as high on the wall selecting a higher than 50 percent reflectance color for vision window. See Figure 9. It's glazing is given a lower
as practical in order to maximize daylight penetration. the wall opposite the window, we can help guarantee visible transmittance that balances the brightness of the
Right-sizing is an essential to all fenestration design. that an occupant will perceive the room as bright, rather exterior with that of the interior wall surfaces surround-
It is the principle of adjusting window area and the glaz- than gloomy. See Figures 7 and 8. A ceiling with a high ing the aperture to enable the view. Since the area of
ing transmittance to control the amount of light flowing reflectance value, greater than 80 percent, also both apertures combined are limited by the room's wall
into a space. For example, a large area window with low improves the apparent brightness of the interior, but it area as we mentioned earlier, the most judicious
transmittance glazing may provide an equal quantity of really helps with evening the distribution of illumination approach is to dedicate more fenestration area to day-
light as a small window with high transmittance glazing. through the depth of the room. As a general rule, use light function than view function. Separating daylight
A general rule for a well-positioned window with clear high reflectance finishes throughout the intenor since and view windows into two distinct sets of fenestration
glazing is: The amount of glass area needed to daylight they increase the number of times light rays interflect is a creative variation. For example, daylight fenestration
a room is approximately 25 percent of the room's floor before being absorbed by the room itself. may be a band of 18-inch-tall clerestory windows that
area. If low transmittance glazing such as grey-tinted Size and placement of furniture in the room also run along the window wall hght below the ceiling with
glass is used, the fenestration area can increase propor- need to be well considered so as not to inhibit the later- an exterior overhang to provide solar control. For view
tionally, however it is wise, and often code required, to al flow of light. For example, if the room is a library with function, individual, smaller area windows may be
limit the window-to-wall area to around 35 percent to book stacks, ohent them perpendicular to the window strategically placed in the lower part of the wall exactly
prevent excessive heat transfer through the building wall so light passes through them. The same is true for where they are needed.
envelope. See Figures 15 and 16. rows of shelving in retail and warehouse scenarios. If
Aperture ohentation and exterior surface characteris- the room is an open plan office, try to use low partitions ESSENTIAL ELEMENTS
tics are also important elements to consider in relation so light can flow over them, and deeper into the space. SHADING DEVICES
to the "color" of daylight. Each cardinal sun direction If it is a band of perimeter offices with full height walls All windows incorporate some type of solar shading into
has a particular overall color due to the amount of running parallel to the window wall, designate the upper their design, Shading may be accomplished by the
atmosphere that sunlight passing through absorbs, or part of the partition a clerestory to allow adjacent position of the window itself, for example by locating
more accurately scatters, blue light. North exposures spaces, such as corridors, to borrow light. it high up, or in a northern corner of a room. However
have cool-toned light lasting all solar day (duration of Developing a select set of daylight-friendly details is in most windows, shading is addressed separately
daylight from sunrise to sunset). South exposures have a good way to bring room elements together. For exam- from the aperture itself using a shading device.
warm-toned light lasting most of the solar day. East and ple, canting the ceiling to meet the top of a window Horizontal elements such as overhangs and light
west exposures have even warmer-toned light, but it eliminates the dark corner between window wall and shelves work well for orientations within 45 degrees
only lasts half the solar day Since a window aperture of south since the sun is high in the sky. Vertical ele-
ceiling. It also maximizes daylight penetration since it
ments work well for elevations within 45 degrees of
sees both direct and reflected light, the colors and sur- effectively raises the height of the window. Splaying the
east or west since the sun is low in the sky. Shading
faces that make up the exterior, from green grass to opening around the window reduces contrast between
devices serve a dual purpose: To reduce heat and to
freshly fallen snow, will influence how daylight renders window glazing and the interior surface of the window
prevent glare. The most efficient way to manage the
interior surfaces and objects, even including the com- wall, making the view out more comfortable.
solar heat gain absorbed by the shading device is to
plexion of skin.
keep it outside of the building envelope. To control
A PARTING STRATEGY
glare, consider the brightness of the room side view
THE ROOM The Dual Window concept is key to all Sidelighting
of the shading device in comparison to the surround-
The room element is all encompassing since it includes strategies. It enables a window to provide two primary
ing room interior, and use surface finish and geometry
everything else besides the window: room geometry, functions: daylight and view. Since each requires a dif-
to keep within an acceptable brightness ratio.
interior surfaces and finishes, partitions, furniture and ferent set of glazing characteristics, the aperture is divid-

96 AL APRIL/MAY 107
 method details

LIGHT SHELVES vaiue, will work to keep this passive

Light shelves are functional for collection of energy inside the build-
fagades oriented within 90 ing envelope.
degrees of south. The exterior Clear Sky — Partly Cloudy Sky
portion of the shelf shades the INTEGRATE ELECTRIC LIGHT
lower window from direct sun to In order to maximize your daylighted
reduce the transfer of heat into floor area, daylight first, then sup-
the building envelope when it is plement with electric light. After
not needed. Extend the shelf into this, explore using light for general
the interior to prevent glare in illumination during the day, which at
near-window task areas by redi- night can be lowered or completely
recting sunlight up on to the ceil- removed, as a person's eyes adapt
ing plane. See Figure 13. It is to lower light levels in preparation
important to note that a standard for sleep periods. Whatever your
light shelf does not increase over- strategy, make sure to implement a
all daylight in the room; rather it daylighting control system, whether
decreases illumination near the it is a combined daylight and occu-
window wall where it would oth- pancy responsive dimming system,
erwise be the highest. By doing 5 or a person whose sole responsibili-
so, it fulfills its phmary function ty is to switch light fixtures and
Sunset
to even out the illumination gradi- operate shades.
ent from the window to the rear Remember, if the building's electrical
of the room. demand for light and heat is not being
Figure 17: Length of Solar Day reduced, it is not daylighting. Keep
DESIGN FOR CLIMATE ZONE these basics in mind and you too will
The action of the shading device, the ability of the glaz- make a building less dependent on its mechanical sys- master the age-old art of this renewable energy source.
ing to reject solar heat gain and resist the transfer of tems and save energy. In regions where heating is a
heat through the building envelope, are all performance major cost, allowing sunlight into the interior building Matthew Tanteri and Chris Meel< will present "Advanced
cliaracteristics that can be optimized to suit a particular envelope to heat a large mass that in turn releases heat Sidelighting." a 3-hour workshop covering lighting and shad-
climate zone. In an area where cooling is a major build- long after the sun has set, is a well established passive ing, energy performance, and IHVAC integration on
Monday, May 7, 2007, from 9a.m. to noon as part of the
ing expense, shading window apertures throughout the solar heating strategy. Using a window system with a
Lightfair Daylighting Institute. For more information visit
cooling period and using sun-protecting glazing will high resistance to the transfer of heat, measured by U-
www. lightfair com.

Circle no. 38 or [Link]/productinfo

 AL A a U P P L E M E I M T TO A R C H I T E C T U R A L UIGHTIIMG

R E N T I A L
A S H O W C A S E FOR INNOVATIVE
R E S I D E N T I A L LIGHTING D E S I G N
P R O J E C T S AND P R O D U C T S .

E D I T O R I A L C A L L FOR S U B M I S S I O N S
I N Q U I R I E S : E L I Z A B E T H D O N O F F , E D I T O R E D O N O F F @ H A N L E Y W O O D . C O M
 technology details

Material Considerations J A M E S R. B E N Y A

THESE DAYS, THERE IS AN INCREASING EMPHASIS ON MAKING EVERY- nivorous fish. As with many resources, this illegal process benign (even with high lead content), and when the
thing we do sustainable. Competition in the marketplace remains widely practiced because it is more profitable product life ends, glass can be recycled and used to
has taken us well beyond LEED, and in order to be "green- than more environmentally responsible methods. make other products. The trade-off is that plastics, while
er" than one's rivals, it helps to be able to embrace as posing an environmental issue from "cradle-to-grave."
many life cycle and environmental issues as one can. THE ANATOMY OF A LUMINAIRE offer superior resistance to breaking and shattering.
Architect William McDonough and chemist Michael Almost every luminaire uses a metal housing. The most Plasrics used in lighting seldom end up recycled.
Braungart's "cradle-to-cradle" philosophy which advo- common material is steel, and because lighting is sel- Then there are the electrical components. Because
cates a "reduce, reuse, recycle" approach to the environ- dom structural, using thin gauge and/or recycled materi- UL and other regulations are so specific, it will be diffi-
ment and our consumption of materials, is a starting point al is a good start. The side effects of iron mining and pro- cult to choose internal components from a sustainable
for how involved in this we, as both designers and citizens cessing are substantial. Aluminum is another popular standpoint. Still, where you have choices, make them
of the planet, have to be. choice, but in addition to the impacts of mining, alu- carefully. For instance, use the "efficient" ballasts forT8
When it comes to lighting, it's important to remember minum has an extremely high-embedded electrical ener- lamps—they save at least 10 percent of the energy of
that first and foremost, the greatest impact to the envi- gy use. Recycled aluminum is available and represents a the 78 system.
ronment is energy consumption. Unless the energy
source is totally sustainable, such as wind or solar, the SUSTAINABLE PRACTICES

greenhouse gases and air pollution resulting from electri- Perhaps the best way to ensure the most sustainable
cal energy generation are by far the most significant Among the potential benefits of LEDs is the elimina- lighting is to ensure that the manufacturer's practices are
impact caused by electric lighting. Moreover, even with tion of mercury. But LED lamps pose other environ- sustainable. Domestic and European lighting manufactur-
sustainable sources of power, using light needlessly or mental issues. Here are several issues associated ers are required to meet comparatively rigid environmen-
inefficiently is depriving the nation's electrical grid of valu- w/t/j LEDs that could tarnish their green halo. tal restrictions. Many have taken additional steps to follow
able watts that could be used for more-pressing demands. ISO 14000/14001—a series of international environmental
-> A t present, LEDs are not overlv energy efficient, and
Conservation through the use of daylighting, lighting con- w i t h t h e exception of a few o u t s t a n d i n g uses (like exit management systems—and other standards including
trols, and efficient sources still remains lighting's principal signs and color effects), LEDs probably w o n ' t save energy environmental auditing, environmental performance evalu-
sustainability consideration. compared to fluorescent alternatives. At least, not yet, ation, environmental labeling, and life-cycle assessment.
The next largest consideration is mercury High effica- As a minimum, these mean the use of environmentally
-> LED f a b r i c a t i o n is a f o r m of electronics m a n u f a c t u r -
cy light sources including fluorescent and metal halide rely favorable materials, design and manufacturing processes,
ing The process involves e n v i r o n m e n t a l hazards i n c l u d -
upon it. And while significant reductions in mercury have ing t h e use of plastics, volatile chemicals, and heavy packaging and transportation methods, installation and
occurred in mainstream T8 and T5 lighting systems, the m e t a l s . A lot o f LED processing occurs in Asia, in part t o maintenance procedures, and disposal and recycling pro-
mercury content in compact fluorescent lamps and metal avoid t h e high costs of e n v i r o n m e n t a l l y regulated s e m i - grams. Products from Asian manufacturers, including
halide remains a lot higher. Recycling of spent lamps is conductor m a n u f a c t u r i n g .
major components and subassemblies, should be careful-
essential. However, until there is a more efficacious ly checked to determine whether the factories and busi-
-> There is considerable energy use expended in m a k i n g
choice, remember that the mercury emissions of coal LEDs, w i t h s o m e products literally traveling once around ness practices meet these and other U.S. or European
burning power plants, which place mercury throughout t h e world before ending up on a jobsite Union standards.
the environment, are a bigger threat, so don't start a "Ban Finally evaluate how far the products are shipped. In
-> LED lamp life is probably far shorter t h a n t h e 100,000
the Bulb" campaign just yet. Instead, emphasize low-mer- LEED 2.1. rewards were given to the use of indigenous
hours w e ' v e always been t o l d . Practical systems could
cury T5 andTS lamps in as much of your design as possi- last as l i t t l e as 10,000 hours. And generally, you d o n ' t and locally manufactured products. Given the global mar-
ble. And, of course, make sure mercury is not part of any change t h e " l a m p " - m o r e t h a n likely, you'll replace all of ket of lighting, with lamps coming from Eastern Europe
control system or component. t h e electronics, t h e housing, and maybe even t h e wiring. and ballasts from Korea, it's hard to say where a lighting
Once these issues are resolved, it's time to focus on How green is t h a t ?
product is made. As a suggestion, try specifying products
the details of the lighting system. There are a number where the final point of assembly is in the U.S. or North
-> Finally, when LED lighting systems end up in t h e trash,
of things you can do to make your design even green- so do t h e electronics, including copper, solder, and plastic. America, or if you're really aggressive—within a short dis-
er, as follows. tance to the project. When shipped, ensure that the pack-
The LED industry has a chance to solve all of this before
aging materials are recyclable and require the contractor to
the problems get out of hand Let 's hope it does.
MATERIAL CONSIDERATIONS follow through. And finally, require the contractor to meet
When evaluating the sustainability of a luminaire, it or exceed all LEED-standard jobsite practices.
helps to address every material, with specific attention
to the following key issues: moderately responsible choice. But for all forms of MAINTAINING A GREEN PERSPECTIVE

metal processing, about 12 percent of the cost is for oil- The recent political climate change is likely to create a new
-> Is the material renewable or depletable? based solvents and chemicals. You might consider wood group of novice greenies, as well as ardent politicians,
-> How much energy is expended acquiring and luminaires, but be sure to employ rapidly renewable who will seize apparent "sustainable" opportunities to
processing the raw material? wood and non-volatile organic compound (VOC) finish- make a point. For example, there is a growing worldwide
-> How much environmental damage is done obtaining es. Perhaps the best advice is to use smaller, lighter sentiment to ban the incandescent lamp. (At least one
the material? weight fixtures—the less material, the better. state considering such a ban—Connecticut—had previ-
-> How far does the material need to be transported? The luminaire's reflective surfaces are often metal- ously worked toward banning mercury-containing lamps).
-> When the material is mined, processed, or finished, backed as well. Today's highly reflective (95%+) polished Therefore, it's possible that future laws will dramatically
does it require the use of heavy metals or volatile and finished aluminum and extremely white paints are change our choices, and even on a modem project, some
chemicals? If so, are they thoroughly and essential in making efficient luminaires. Anodizing alu- popular "sustainable" generalizations will force a variety of
environmentally contained? minum uses considerable electrical power, while pow- lousy design choices.
-> When the life of the luminaire ends, what happens to der-coat painting, an otherwise environmentally friendly To prevent the lighting designer's work from "green"
the material? process, uses petroleum byproducts and electrical ener- misdirection, it is necessary to develop and maintain a cur-
gy. Water based paints probably won't hold up well rent and thorough green perspective. For the foreseeable
To assess these issues well, it will take a lot of home- enough for this application, but traditional high-VOC future, energy and mercury should dominate decisions
work. As an example, gold is used to make critical con- paints and finishes should be avoided unless environ- about lighting. Once these issues are under control, then
nectors for, among other things, lighting and control sys- mentally contained and rendered benign. foray into the wide world of products and all that goes into
tems. When mined, gold is often amalgamated with mer- Next up is refracting media. Plastics are widely them. As a guiding light, start with "less is more"—that
cury to form solid nuggets. For every gram of gold employed in lighting, but the fossil fuel base, shipping will be a hard adjustment for our industry but it's a truly
obtained using this technique, 1 to 3 grams of mercury are issues, embedded energy, and environmental short- green ethic we need to learn.
washed into the watershed, in turn becoming the neuro- comings are significant. Consider glass: It has high
toxin methyl mercury and accumulating in the flesh of car- embedded energy, but it is generally environmentally
more information cH [Link]

ARCHITECTURAL LIGHTING 99
technology details

Material Witness B R A U U O A G N E S E

THROUGH HIS R E S E A R C H , HIS W R I T I N G , AND HIS D E S I G N , A R C H I T E C T B L A I N E B R O W N E L L IS CHANGING

T H E P R O F E S S I O N ' S A W A R E N E S S OF BUILDING PRODUCTS AND M A T E R I A L S .

/I

77i/s article originally appeared in the Nov/Dec 2006 issue of Architect Magazine. rials, not products. He uses a mix of media—e-mails, blogs, and more recently a book,
Transmaterial: A Catalog of Materials that Redefine Our Physical Environment—la con-
PRODUCTS ARE THE STUFF OF ARCHITECTURE, IN A VERY LITERAL SENSE, AND YET IT"S FAIR TO SAY THAT THE vey a new message about materials: That they can be exciting, surprising, and. perhaps
building products industry and the profession of architecture maintain an awkward most important, of benefit, not just to buildings, but to people and to the environment.
alliance. As a rule, architectural education prioritizes abstract principles over real-world These days, Brownell is on a leave of absence from NBBJ. Having received a
applications, and in practice, the process of design generally takes precedence over Fulbright fellowship to research sustainable design and material innovations in Japan—
the selection of products. On the other side, manufacturers are creating innovative which he first experienced as the son of a Fulbright grantee and where he worked as
products all the time—the kinds of things architects should be enthusiastic about— an architect in 1991 and 1997—he's moved his family to Tokyo until next July.
but they have difficulty getting the attention of designers and specifiers. "The thing that drives me," says Brownell, "is not the subject matter so much as
Enter Blaine Brownell, an associate at NBBJ's Seattle office who keeps busy in his the potential. New materials can be fun to study, but they get really exciting when we
off-hours transforming the profession's perception of building products. Given that the use them. And if we can harness the creative energy stored in these new products to
disconnect is partly a matter of marketing, of architects and manufacturers speaking dif- create a technologically advanced, intelligently crafted, and ecologically proactive
ferent languages, Brownell's accomplishment begins with a shift of word choice: mate- world, wouldn't that be a marvelous thing?" Indeed.

100 AIL APRIL/MAY I 07

 technology details

A NAMl Entiy's ImdBmarked name

0. NiiMlif II Entry's nino-digil identilication number

C. Df SCRlPTlON A brief explanation o1 the entry

0. CATICORV Raters to the basic matenalily ot the

emry described: the primary means of organisa-
tion in Transmaurial

r, SIIMMARV A basic description of the entry

F. TREND Each entry is assigned one of seven

trends, ultraperfomiing, multidimensional, repur-
posed, recombinant, intelligent, transformation-
al, or intertacial

C. TYPI Defines each emry as a material, product,

or process

H, ADDITIONAL DA1A Additional information to

more fully describe each entry

Despite its bright cover (above leh). high-quality paper, anii four-color printing, Transmaterial is not your typical architectural book.
Sized and styled more like a travel guide, it places maximum importance on informing readers without a lot of distractions, a s can
be seen in a typical spread (below). Reinforcing the idea that this is a book to be carried around, thumbed through, marked up, and
otherwise used instead of admired, Brownell provides a key (above right), to help readers decipher each entry's numerous elements.

Oianpml •• • •mOml PMII im- fnit) •>•>•• w wani Hm Ml

• •MM4-1'IW /•!

OF B O O K S A N D B L O G S can understand ,.. innovative materials, the sooner we

From the first, Transmaterial was intended to be a wallet- can spread innovation within our physical environment."
and satchel-friendly addition to the libraries of architects, He seems to have struck just the right note. The
students, and even nondesigners. "My colleagues, pub- Product of the Week e-mail has 4,000 subscribers, and Brownell is a blogger. twice over. Transmaterial (top) is
lisher, and I agreed that ... to have a significant positive Transmaterial is already into its second print run after his continually updated joumat of innovative products
influence, [the book] would have to be accessible, the initial 10.000 copies sold out, "It's one of our best- (none of w h i c h appear in the book). Transstudio (bottom) is
portable, and affordable," says Brownell. And if the book's selling titles," says Katharine Smalley Myers, publicity a more philosophical effort aimed at engaging people in
pages appear similar to the entries on his Transmaterial director at Princeton Architectural Press. A second vol- conversation about diminishing natural resources, the
blog ([Link]/tm)—small images, to-the-point ume is in the planning stages. man-made world, and how w e can effect positive change.
descriptions—well, that was by design too. Brownell's other blog, Transstudio ("a forum for the As he notes in his first entry. "Design will play a funda-
The entire project started about six years ago as an major environmental, social, and economic issues that mental role in this new epoch, and creativity w i l l be the
occasional e-mail, called "Product of the Week," that are transforming our physical world"), is for the ultimate criterion for s u c c e s s . Since new problems will
resulted from Brownell's work as a materials researcher, moment on the back burner as he focuses on his require new solutions, we c a n only preserve the future by
(In November 2005, he started posting his e-mails as blog research in Japan and maintaining his product e-mails. letting go of present conventions,'
entries.) Ultimately, the digital medium inspired its paper But he has every intention of rejuvenating it, "It's actu-
counterpart, 'After all," Brownell says, " Transmaterial is ally part of a long-term plan to write a book on the sub-
[meant to be] a gateway to resources, Tne sooner people ject," Brownell says.

ARCHITECTURAL LIGHTING 101

technology details

KEEP IT SUSTAINABLE
As awareness about humanity's impact on the health of the planet continues to grow, green design and sustainability have
become hot topics for the architectural community as well as for those who work, live, and play in and around its structures.
Buildings utilize almost half of all resources, notes Brownell. If architecture is ever going to maintain an ecological foot-
print more in balance with the requirements of its context, he says, then change needs to begin with the people who create
the built environment. "(Wei must place as much emphasis on research and teaching as |we] do on practice," he says. "In
addition to function and form, I believe that architecture must have foresight." As he defines it, foresight considers the "entire
ecology" of the material and energy resources that go into a building.

, 1 , . ,

PRODUCT: ERCO Virtual Luminaires

WHAT IT IS: Models for digital lighting simulation
ENVIRONMENTAL ASPECT Simulation studies may pre-
vent wasted energy from poor lighting solutions

Energy-Efficient Lighting Controls

stop energy waste

PRODUCT: Sphelar
WHAT IT IS: Spherical micro solar cells
ENVIRONMENTAL ASPECTS: Renewable energy source;
less embodied energy; fewer materials than conventional
photovoltaics

I specify daylighting controls from

Watt Stopper/Legrand because they
are easy to commission, enable code
compliance and save energy to help
improve building energy performance.

Our daylighting control system, based on advanced Get information on our new LS-101 simplified
technology photosensors, can improve a building's ON/OFF daylighting controller and a complete
energy performance well above prerequisite stan- product selection guide.
dards and will reduce its environmental impact 800.879.8585 I [Link]/psg
regarding energy usage.
• Single or multi-zone control Complete lighting control solutions for every build-
• Stand alone or networked control ing.
• Low-profile design that blends into Occupancy and Vacancy Controls I Daylighting
building decor Controls I Lighting Control Panels 1 Wireless RF
• More choice from the brand professionals Lighting Controls
trust PRODUCT Panelite
WHAT IT IS: Insulated glass unit with tubular polycar-

fWattStopper
bonate core
ENVIRONMENTAL ASPECTS Recyclable components;
natural daylighting; efficient use of materials

P U T T I N G A S T O P TO E N E R G Y WASTE' • legiand

Circle no. 75 or [Link]/productinfo

 technology details

To that end, throughout his book Brownell makes a point of noting, v/hen applicable, the environmentally friendly aspects
of a product or material—whether it's how it is manufactured; the benefits it confers to buildings, their users, and the sur-
rounding environment; or how it can be put back into the production stream. Shown on these two pages is a small sample
of what he's discovered.

Green and sustainable products come in many forms and exist for every part of a building: inside, outside, and within the ceilings, floors,
and w a l l s . Some, like ERCO Virtual Luminaires (facing page top) can be used before the first shovel breaks ground. Others, like Panelite
(facing page bottom), are among the last things to be put in place.

PRODUCT Geometrix
WHAT rr IS Lightweight recycled metal ceramic tiles
ENVIRONMENTAL ASPECT: 90 percent recycled content

L
Ihe best vjewj aren't dlwciyj outside the window

PRODOCT: UltraTouch
Niitiiral cotloii-filior
ENVIRONMENTAL A S P E C T S : R e c y c l e d content; no
volatile organic compounds or harmful chemicals

Siidpe. color and installdtion

eaje come toqether Ifi liqhtinq

systems so perfectly suited to

" 1 settirKj the style, you won t

want to look at anythinq else.

A M B I A N C E
P n O U C T : Solarwall
LIGHTING SYSTEMS
WMDT FT IS Solar air panels
ENVIRONMENTAL ASPECTS; Lowers energy load; Sea Gull Lighting Products, LLC
reduces fossil-iuel dependency and carbon emissions A Generation Brands Company

[Link]

Circle no. 45 or [Link]/productinfo

 technology details
EMBRACE
THE PAST.
FUTUREWORLD

Not everything in the Transmaterial universe has an obvious use. Throughout Brownell's book and blog are entries
on products and materials with names like Body Index. Aegis Hyposurface. Dimension Elevator, Super Cilia Skin,
Lumalive. and Cubix. Reading the descriptions and looking at the images, you might think these high-tech, odd, or
flat-out mysterious items came from the pages of a science-fiction novel or an episode of Banlestar Galactica. But
they are very real.
Yet Brownell, although enthusiastic about advances in manufacturing and application, prefers not to see tech-
nology as an end in itself. "I think we must maintain a critical distance," he says. "Technology can bring us amaz-
ing things, but we should always be vigilant about where it is taking us, Marshall McLuhan said that the artist is
essential to society because he/she can foresee the changes tedinological development will bring about."
And by informing other architects and lighting designers about the progress thai researchers, manufacturers,
and designers are making—whether it's a bleeding-edge use of computer-aided design or a new application of an
existing material or product—Brownell hopes they will begin to think this way too.

I LI e information • ARCHUGMTING COM

MATERIAL: Aegis Hyposurface

WHAT IT IS; Environmentally respon-
sive architectural surface
APPUCATIONS: Interactive art. fea-
ture wall

MATERIAL: Wood.e
WHAT IT IS: Electrified preformed wood
APPLICATION: Furniture
WHILE FLIRTING
WITH THE F U T U R E . MATERIAL: Protrude. Flow
Rejuvenation offers a wide variety of WHAT IT IS: Magnetic fluid art
APPUCATIONS: Exhibits, interactive art
, , early to mid-twentieth century light
fixtures w h i c h are now C o m p a c t
Fluorescent compatible. By utilizing state-of- MATERIAL: Interactable
the-art ballast technology our selection of WHAT IT IS: Interactive table

compact fluorescent lamps provide increased APPLICATIONS: Conference rooms,

showrooms, exhibitions
energy efficiency with no design
compromises. Now you'll be able to meet
environmental building standards w i t h o u t
sacrificing period-authenticity To see over
5 0 0 early t o m i d - t w e n t i e t h century light
fixtures and house parts or to learn more
a b o u t our line of C o m p a c t Fluorescent
fixtures, call 888-401-1900
[Link]. We'll be happy t o send you
or visit
m
a free catalogue or specifier's binder.

-HEJPENATION
3 0 T H A N N I V E R S A R Y

Circle no. 92 or [Link]/productinfo

 [Link]

AL
architectural lighting

ARCHITECTURAL LIGHTING'S 6th Annual

ACE Awards allot

ARCHITECTURAL LIGHTING'S
Readers' Choice for Excellence

Awarded by ARCHITECTURAL LIGHTING

Recognizing exceptional product durability,

customer sen/ice, value and design.

Now in its 6th year, A|L's

[Link] Awards have become
the mark of distinction and
dependability.
Go to [Link] or fax your ballot pages to 202.736.3470 llghling

How The Program Works Methodology

1. Take a few minutes to review the list of manufacturers. The ACE ballot manufacturers' list appears in the April/May
2. Circle the 10 manufacturers that meet or exceecj the and June issues of A R C H I T E C T U R A L L I G H T I N G , each reaching
standards indicated in the voting criteria. the 25,000 nationwide circulation. In addition, e-mail
3. Of the companies you've selected, indicate your campaigns are conducted to ensure the broadest base
choices for Most Innovative, Most Respected, and of response. Ballots are provided at the AIA, Lightfair and
Most Specified. other industry conferences. A|L also conducts random
4. Go to [Link] or fax your ballot pages sampling, consults with industry experts, and the list
to 202.736.3470. of nominated manufacturers is subject to review by an
in-house publishing team.
Voting Criteria
Select the manufacturers who have provided you and your Results Will Be Announced In The
projects with: November/December 2007 Issue.
Exceptional Durability
Your votes must be received by July 6, 2007.
Exceptional Customer Service
Superior Product Value
Advanced Designs

Deadline: July 6, 2007

3G Lighting Bega Lighting D'ac Fabbian USA Hubbell

3M Light Fiber Beta-Caico Daslight FAD lighting Hubbell Building Autom.
Aamsco Lighting Beta Lighting Davis/Muller Lighting FC Lighting HUNT Dimming
Acrilex Birchwood Lighting Day-Brite Lighting Fiberstars Hunter Douglas Contract,
Delray Lighting Fine Art Lamps Solar Control by Nysan
Advance B-K Lighting
Delta Light USA Finelite Hydrel
Alanod Aluminum Blauet
Derek Marshall Lighting FLOS Icon International
Alera Lighting Boca Flasher
Dernier & Hamlyn Focal Point lEPC Corp.
Alkco Lighting Bodine
Designplan Lighting, Inc. Forecast IL America Inc.
A.L.P. Lighting Boyd Lighting
ALS-Architectural Lighting Brass Light Gallery Dialite Forms & Surfaces ILEX
Bruck Lighting Systems Domenici Foscarini iLight Technologies
Systems
Donovan Lighting Gamma 3 Luce Illuminating Experiences
Altman Lighting C.W. Cole & Co.
Gardco Lighting Illumination Lighting
Ambiance Lighting Systems Capri Omega Lighting Dreamscape Lighting
CECOL e:cur GE Consumer & Industrial Induction Lighting
American Fluorescent
Eclipse Lighting Inc. Lighting Industry + Design Light
American Glass Light Charleston Gas Light
Edison Price Ginger Indy Lighting
Amerlux Chloride Systems
Elko Ltd. GKP Insight Lighting
Anafol International Cole Lighting
Electrix Gotham Architectural Intense Lighting
ANP Lighting Color Kinetics
Downlights 10 Lighting
Architectural Area Lighting Columbia Lighting Elec, Theatre Controls (ETC)
Guth Lighting IP44
Architectural Landscape Conant Custom Brass, Inc. Eleek
Lighting H.E. Williams IRIS
[Link] Lighting Elite Bohemia/Bar Del Int'l,
Ardee HADCO Ivalo Lighting
Con-Tech Lighting Elliptipar
Arroyo Craftsman Halo Jesco Lighting Group
Contrast Lighting Encelium Technologies
Aurora Lighting Hampstead Lighting JJI Lighting Group
Cooper Lighting Engineered Lighting
Artemide Products Hatch Transformers Juno Lighting
Corelite
AVR USA ERCO Lighting USA, Inc. Heatron Kenall
COTCO
Axo Lighting ESTILUZ, Inc. Hemera, Inc. Kichler
Cree
B-Light Eureka Hessamerica KIM Lighting
Crestron
Baldinger Eurofase, Inc. High End Kingbright
Custom Lighting Concepts
Bartco Lighting ExceLine Highlights Kramer Lighting
Cyclone Lighting, Inc.
Beacon Products, Inc. Holophane
 bte For The Top 10 Compani
Go to [Link] or fax your ballot pages to 202.736.3470 •rchileclur8{ lighting

Kurt Versen Lutrex Phillips Advance Transf. Serralunga Traxon USA

Lam Lighting Lutron Phoenix Products Co. Sharper Lighting Trend Lighting Co., Inc.
Lamina Ceramics Luxe Corporation Phoster Lighting Sill Tridonic, Inc.
LBL Luxe Italiana Planlicht Sirius Lighting Trilux Lighting Limited
Ledalite Lyric Lighting (Seagull) Precision Architectural Sistemalux Troy-CSL Lighting
LEDtronics Inc. Manning Lighting Lighting Sirmos Unilight Ltd.
Legion Ligliting Mark Architectural Lighting Prescolite Solara Lighting Universal Lighting Tech.
Leola Martin Architectural Primelite Solatube International, Inc. Ushio America
Leucos USA McGraw Edison Prisma Architectural Space Lighting Valmont Industries, Inc.
Lighting
Leviton MechoShade Systems, Inc. Spark Lighting Vantage
Progress Lighting
LexaLite International Mercury Special FX Lighting, Inc. Varon Lighting
Prudential lighting
Light Craft Manufacturing Metalumen Specialty Lighting Ind. Venture Lighting
Pure Lighting
Lightech Metalux Spero Lighting Viabizzuno
Q-Tran Inc.
Lighting by Bushfeld Meyda Lighting SPI Lighting Visa Lighting
Quality Lighting
Lighting Services Inc. Mills Architectural Lighting Spring City Elec. Manuf. Co. Visio Lighting
Reggiani Lighting USA
LightLight Morlite Systems Square D Clipsal Vistawall
Renaissance Lighting
Lightolier Mule Lighting Starfield Vossloh Schwabe
Renova Lighting Systems,
Lightolier Controls Neoray Starfire Lighting W.A.C Lighting
Inc.
Light-Project International Nessen Steng Light W2
Rockscapes
Linear Lighting New Metal Crafts Sternberg Wagner
Rosco Laboratories, Inc.
Litecontrol Nicolaudie Stingray Lighting Waldmann
Rotaliani
Litemakers Nora Lighting Studio Due s.r.l The Watt Stopper
RSA
Lithonia Lighting NouVIR Research Studio Italia Design USA Weaver & Ducre
Schmitz
Lithonia Controls Nutech Lighting Supervision (NEXXUS WE-EF Lighting USA
Schneider Electric
Liton Oggetti Luce Lighting) Wilshire Manufacturing
Schonbek Woridwide Light
Louis Poulsen Lighting 0 Luce Sure-lites Company
Schnott-Fostec LLC
Luceplan USA, Inc. Orbit North America Tambient Winona
Schott North America
Lucien Gau OCL - The Original Cast Targetti North America, inc. Xilver BV
Schreder
Lucifer Lighting Lighting Tech Lighting, LLC Zaneen Lighting
Se'lux U.S.
Lumca Osram Sylvania Teka Illumination, Inc. Zoltan
Sea Gull Lighting
Lumec Pathway Lighting Terzani Zumbotel
Selecon
Lumiere PCI THHC Lighting
Semper Fi Power Supply
Luminis Peerless Times Square Lighting
Sentry Electric Corporation
Luraline Products Co. Pennsylvania Globe Tivoli, LLC
Serien
Philips Lighting Translite Sonoma

Of the companies you have selected, which in your opinion is the:

M o s t INNOVATIVE

Most RESPECTED

M o s t SPECIFIED

w o u l d also like t o nominate t h e s e manufacturers (not listed) for t h e A C E .

Your N a m e

Title

Company

City/State
 FECIAL ADVERTISING SECTION

Ambiance Lighting by Dominici

UJ Sea Gull Lighting
Vintage is a family of pendants, plafoniers and wall
Ambiance Lighting Systems by Sea Gull scounces inspired by authentic Dommici products from

< Lighting delivers the right light for dramatic

effects. Miniature recessed fixtures deliver dra-
the 60 s. Dominici is a Brazilian brand with more than 50
years of tradition. Great for ambient lighting, the products
matic, crisp, white light - perfect for highlighting are hand made in different sizes and heights. Pendents
architectural and design features. range from 17 to 43" diameter. Phone: 954-889-7118
[Link] [Link]/usa sales@[Link] CIRCLE 306
O A Generation Brands Company CIRCLE 300

Ardee Lighting Edison Price Lighting

Focus and Varianti decorative recessed downlights Q-Tran has created the transformer for MR-16 fix-
provide cnsp-white. high-performance illumination in tures; silent, even when dimmed, and brighter,
a contemporary, precision-machined aesthetic. The without the light loss inherent with conventional
collection is suited for use galleries and museums, transformers. Edison Price Lighting is impressed
upscale hospitality venues, kitchen, dining and living enough to use them, exclusively, as the magnetic
areas, professional and executive offices, reception option for our MR-16 Darklite downlight. wallwash-
areas, specialty retail and the like. Ardee Lighting, telephone; 704 482- er and Anglux accent light. Visit [Link] <http;//[Link]/>
2811 [Link] CIRCLE 301 keyword Q-Tran. for spec sheets. CIRCLE 307

Cecol (Citizen Electronics) Electrix, Inc.

Electrix. Inc. builds a wide range of linear indirect
New low-profile high brightness LEDs cove lighting for architectural and commercial appli-
Users say this low-profile LED is a "best-kept cations. In addition to flexible and field curveable
secret," The super luminance flux CL-L100 has 2451m cove lighting, we manufacture specification-grade
with high efficiency (70lm/watt at 3,5 watts). Space- custom, indirect, LED and wall mount light fixtures
saving package releases flat, well dispersed illumination. One-third power using energy-efficient fluorescent, metal halide.
consumption of incandescent lamps; smaller and safer than fluorescents. halogen and incandescent lamps and LED's.
50x7mm. Visit [Link] or call 847-619-6700, CIRCLE 302 For more information, please contact; [Link] Phone; (203) 776-5577
CIRCLE 308

Cooper Lighting Erco

Halo Statis Ceramic Metal Halide Track Lampholders Characterized by its patented reflector design, the
Halo has added ceramic metal halide track lampholders to Grasshopper family features the innovative Spherolit
its popular Stasis line. Providing significant energy savings technology, which allows the option of spot, flood or
compared to halogen sources, the new 505 Series is avail- wide-flood, utilizing new miniature 20 watt / 39 watt
able in Accent and Wall Wash models and accepts 20W metal halide lamps. Suitable for outdoor use (IP65)
MR16. 39W and 70W PAR30 or T6 CMH lamps. the die cast Grasshopper offers unique mounting
[Link] P; 7704864800 F: 7704864801 CIRCLE 303 versatility for Lighting Professionals. CIRCLE 309

Cree X L a m p ' L E D Eutrac

EUTRACIDALI
Cree is leading the lighting revolution. Cree's award- EUTRAC*|DALI "the intelligent track*" offers specifi-
winning XLamp LEDs are the industry's highest per- cation grade 1 and 2 circuit track systems tnat
formance power LEDs in a rugged, reflow-solderable include DALl enabled low voltage data bus. EUTRAC
surface mount package optimized for design flexibili- adapters can accommodate virtually any OEM track
ty, ease of use, and thermal efficiency. To discover light fixture. The Light Composer* is available for
the future of LED lighting for yourself, visit complete control of individual light fixtures for custom dimming, scenes and
[Link]/xlamp. or call 800.533.2583. CIRCLE 304 interactivity. EUTRAC Corporation (845) 691-9030 [Link]/usa
LIGHTFAIR booth #2768 CIRCLE 310

D6LED/D4LED Heatron: Accelerating the High Power LED Revolution

Prescolite's new Architektur 6 inch and 4 inch LED Heatron offers a wide range of
downlights. D6LED and D4LED are designed from design, development, and
the ground up around cutting edge Luxeon K2 LEDs manufacturing services, tech-
from Lumileds. Architektur LED downlights provide nology competencies including
the benefits of LED technology to today's general optics, thermal management,
lighting applications. 32 input watts (6 inch), power sources and drivers, cost effective production and assembly capabil-
15 input watts (4 inch). 50.000 hours at 70% maintained ities, and in-depth industry and technology expertise. Heatron's new LED
lumen output. Visit [Link] CIRCLE 305 Design Center offers industry-leading design facilities to accommodate the
most complex projects. CIRCLE 311

108
 Lumec W2 Architectural Lighting -a
The Oval Series-DARINGTO BE DIFFERENT JJ
Bridging function and design, W2 Architectural
Pure, sleek lines give the Oval its individuality. The O
Lighting introduces "Archi-tectural Elements," a family
asymmetricalshape of the Oval Series represents a a
of contemporary pendants crafted with a sleek design
new era in architectural design. Its elliptical profile
offers a bold alternative in a world of circular and
and scale for large,challenging commercial spaces, at c
Lightfair. W2 Architectural Lighting, a division of W.A.C.
rectilinear products. Superior photometric performances/Easy mainte- o
Lighting, offers specification grade products for com-
nance/Dark Sky compliant at 450-430-7040 or [Link]
mercial, hospitality and retail applications. W2 Architectural Lighting Tel;
H
CIRCLE 312
1.866.788.2100 [Link]. CIRCLE 318 O
>
Luraline m
73
Vanguard vapor-tight lighting fixtures are ideal for
industrial styled interiors and exterior settings requir- H a n l e y W o o d Salutes t h e W i n n e r s o f t h e
<
ing extra protection. Suitable for use in w e t locations,
all fixtures are fully gasketted to withstand moisture

Jesse H. N e a l
and the elements. Offered in pendant, surface and
wall-mount configurations with incandescent, compact fluorescent or
H.I.D. lamping. Also available is the new Vanguard-E specification-grade,
compact-fluorescent pendant with integrated electronic ballast. Phone;
800-940-6588 or [Link]/vanguard. CIRCLE 313
Awards
Lutron

Lutron's EcoSystem solution provides daylighting, Hanley Wood's leading

automated energy management and personal control
in a cost-effective system that makes fluorescent
magazines are based
lighting control easy to design, install, and maintain on our commitment
for any size project. Its devices employ revolutionary
t o publish quality con-
technology allowing each device to listen, think,
decide and remember. EcoSystem sensors and con- tent that serves the
trols are free from interfaces and power packs, pro-
unique information needs of
viding a convenient and simple energy-saving solution. CIRCLE 314
construction industry professionals. We congratulate
our award-winning editors and all the winners of the
Nexxus Lighting prestigious Jesse H. Neal Awards.

Savi LED™ lamps with TRUE WHITE TECHNOLOGY™

ensure reliable operation for up to 50,000 hours, offer
the equivalent lumen (light) output of incandescent CUSTOM H O M E
BUILDER
bulbs but reduce energy costs by 75%, and last 15 to Winner, Best Single Issue Finalist Best Department or Column, 2006
25 times longer than traditional incandescent bulbs. of a Magazine, 2006
Winner, Best Departmentor Column. 1999
The complete line of bulbs can be viewed on the Finalist Best Subject-Related
Series of Articles, 2004 residential architect
Company's website at [Link] Finalist Best Single-Theme
Finalist Best Single Issue
CIRCLE 315 Issue, 2006
of a Magazine, 2004
Finalist Best Staff-Written
Finalist Best Staff-Written Editorials, 2005
Editorials, 2004
Finalist Best Single-Theme
Finalist Best Subject-Related Issue. 2004
Sentry Electric Series of Articles, 2003
Winner, Best Staff-Written
Finalist Best Single Issue Editorials, 2003
of a Magazine, 2003

Sentry offers a comprehensive line of lumi- fina//st Best How-To Article.

MUUTFAMILY ExECimvE
naires from classic designs to contemporary 2003 Finalist Best Feature Series. 2006

and modern. Sentry offers a wide selection of Winner, Best Subject-Related Finalist Best Single-Theme Issue. 2005
matching poles in a full range of heights. Series of Articles, 2001
Finalist Best News Coverage, 2005
Matching bollards are available as unlit or light- Finalist, Best Single Issue
Tcx)Ls OF THE TRADE
of a Magazine, 2001
ed models. Sentry offers a wide selection of Finalist. Best How-To Article, 2005

wall brackets, cross arms and accessories. 516- Finalist Best Single Issue Winner, Best Department
of a Magazine, 2001
379-4660 [Link] CIRCLE 316 or Column. 2003
Finalist Best Staff-Written Finalist Best Staff-Written
Editorials, 2000
Editorials, 2001
Finalist Best Single Issue
of a Magazine. 2000 AQUATICS INTERNAHONAL
Special FX Lighting Finalist Best News
REMODELING Coverage, 2003
Finalist Best Department
Product; Color Correction or Column, 2004 BIG B U I L D E R

Our color correction coatings can be made to any Winner, Best Department
Finalist Best Single Issue of a
Magazine, 2005
intensity or hue. High transmission colors are or Column, 2000
Finalist Best Single-Theme
used to trim the blue/green halide spectrum, Winner, Best Department Issue. 2005
or Column, 1999
creating warmer lighting. From full CTB and CTO to Neutral Density filters,
BUILDER ONLINE
w e provide color correction for all light sources. 435-635-0239 Finalist, Best Feature
Article, 1999 Finalist Best Web Site. 2004
[Link] CIRCLE 317
Winner, Best Web Site. 1999

109
 THE FIRST A N N U A L

R+D AWARDS The awards will be judged in three

categories, reflecting different
stages of the research and
development process:

• Protoype—Products, materials,
and systems that are in the
prototyping and testing phase

• Production—Products, materials,
The awards are equally open to Winners will present their ideas
at the first annual R+D Summit, and systems that are available
architects, designers of all disci-
which will occur at SCI-Arc in for use
plines, engineers, manufacturers,
researchers, and students. Los Angeles on October 4-5,2007. • Application—Products, materials,
For more information about the event, and systems as used in a single
visit [Link] or architectural project or group
Eric Owen Moss email r+dsummit@[Link]
of related architectural projects
Principal, Eric Owen Moss Archi-
tects, Culver City, Calif.; director. The jury will consider new materi-
Southern California Institute of Friday, May 18,2007 als, products, and systems as well
Architecture (SCI-Arc), Los Angeles regular submission deadline as unconventional uses of existing
(postmark) materials, produrts, and systems.
Tuesday, May 22,2007 Entries will be judged for their
The winning entries will late submission deadline potential or documented innovation

<
appear in the September 2007 (postmark, additional fee in fabrication, assembly, installation,
issue of ARCHfiicr, both in is required) and performance. All entries will be
print and online. judged according to their potential to
advance the aesthetic, environmental,
Subscribers: $100 first entry sodal, and technological value of
architecture.
Non-subsaibers: $140 first entry
(includes a one-year subscription
to ARCHITEQ)

Additional entries: $75 each

Late entries: $50 additional
fee per entry by May 22,2007

Application forms and submission

requirements are available for
download in PDF format at
[Link]

NEW TECHNOLOGIES ARE REVOLUTIONIZING THE

PROCESS AND PRODUCT OF ARCHITECTURE. TO

CELEBRATE ADVANCES IN BUILDING TECHNOLOGY,

ARCHITECT AND HANLEY W O O D PROUDLY ANNOUNCE

THE R+D AWARDS. THE AWARDS HONOR INNOVATIVE

MATERIALS AND SYSTEMS AT EVERY S C A L E - F R O M

HVAC AND STRUCTURAL SYSTEMS TO CURTAIN-WALL

AND CEILING-PANEL ASSEMBLIES TO DISCRETE BUILDING

)R MORE INFORMATION EMAIL:

MATERIALS SUCH AS W O O D COMPOSITES AND TEXTILES. DAWARDS(g)[Link]

 ad index details

PAGE ADVERTISER CIRCLE NO, PAGE ADVERTISER CIRCLE NO.

103 Ambiance Lighting Systems by SeaGull Lighting 45 86 Kalwall 97

2-3 Amerilux 99 75 Kramer Lighting 69

91 Ardee Lighting 50 14 LBL Lighting 377

11 Banco Lighting 21 C4 Leviton 35

23 B-K Lighting 23 9 Lightolier 36

56 Brass Light 54 66 Lumec 98

80 Cecol 75 92 Lumiere Tile 379

77 COLOR KINETICS 84 C4 Lutron 37

19 Columbia Lighting 85 50 Manning Lighting Inc 90

44 Concealite 86 55, 57 Mark Lighting 80, 378

43 Con-Tech Lighting 24 85 MechoShade 78

33 Cooper Lighting 25 97 Meyda Lighting 38

41 Cree 26 25 MIRO 83

81 Delray Lighting Incorporated 28 94 Nexxus Lighting 91

6-7 DeltaLight 30 69 Nippo Electric Co., Ltd 95

8 Dominici 376 67 NoUVIR Research 39

30 EFO 94 C3 Original Cast Lighting 81

45 Electrix 72 65 Precision Architectural Lighting 40

61 ELEMENT 82 65 Prescolite 41

20 Eiliptipar 96 22 Prudential Ltg 42

24 Engineered Ughting Products 73 104 Reiuventation 92

C2-1 ERCO 77 63 Se'lux 53

13 Focal Point 49 89 Sentry Electnc, LLC 46

10 FontanaArte 94 34 Sirius 59

50 G Lighting lA 18 Tambient 29

26 Gardco Lighting 32 21 Translite Sonoma 71

51 Ginger 88 47 Treo 79

37 Gotham 33 83 Venture Lighting 70

79 Heatron 89 71 Vossloh-Schwabe 48

4-5 Hubbell 55
59 W2 Architectural Lighting 56

49 Intense Lighting 58
102 WattStopper 75

Publisher is not liable for errors or omissions.

P.m,«l m USA POSTMASfER S«nd c«„noes of add„ss ,o ^ * n « , l u , a l L,oh„no, PO B o . 'oii- k l , II OOOTft^M. ° ^ . " ^ ' ^ Fo._8ubacnp„on inqumo,, .ddre»s [Link]=, and sinolo copy aato. ,S7 .n ,h« US. $7 . [Link] out„de .ho US,
advancol wnio to Alchllocluinl LighllnB. PO B o . 1061, Skokio IL 60O7G-BOO1 oi aill Wmcn-imi

2007H(iniw\Abod,aC
industry exchange

What will be the fate of the incandescent lamp?

W i t h so many recent proclamations t o "Ban the Bulb," politicians and manu- Architectural Lighting invites responses from all members of the architec-
facturers seem to have made a cut and dry case against incandescent ture and lighting design communities. To be considered for inclusion in the June
sources. But is there a legitimate complaint? Are compact fluorescent lamps print issue of A|L, responses must be received by May 18. 2007 All responses
the solution, as this "Ban" would advocate? Or is it a far more complex issue appear online at [Link]. Reply to exchange@[Link] or
with numerous factors that go well beyond the simple incandescent lamp edonoff@[Link].
I t s e l f , which has served us for the last 125-plus years? Jeff Miller, President-
elect of the International Association of Lighting Designers, starts the conver-
sation this month.
m more i n f o r m a t i o n ni ARCHLIGHTING COM

JEFF MILLER, PRESIDENT-ELECT lALD, DIRECTOR | PIVOTAL UGHTING

Edison cried. No not really but I am sure that The Wizard has been twisting in his grave with news of the cur-
rent surge of global pronouncements declaring the impending death of the incandescent light bulb. Suddenly
it seems the filament lamp has become the low hanging fruit of energy efficiency, where politicians, needing
to earn their 'green' chops, have made commitments to replacing the light bulb with 'newer technology' It's
been said, by the likes of Australian Environment Minister Malcolm Turnbull that banning incandescent bulbs
could cut Australia's greenhouse gas emissions by 4 million tons by 2012. California Governor Arnold
Schwarzenegger is exploring similar proposals, and in early March 2007 Philips announced support of a
"phase-out of inefficient incandescent light bulbs by 2016." Unsaid is that the proposed bulb ban. is a distrac-
tion from the real environmental damage caused by automobiles and dirty coal-fired plants worldwide.
What has also not been said is that people hate fluorescent lighting, that LEDs represent an immature
technology which may never yield great energy savings, or become a general illumination light source, and
that no one will be using metal halide in their boudoir. Attacking the incandescent light bulb is easy, but mis-
guided, as it is an inextricable part of modern living.
The incandescent light bulb, yes, the plain old warm, dimmable A-19 lamp is a cultural touchstone. The
cool compact fluorescent lamp will never be the intimate friend that is Edison's (and Swan's) lamp. Maybe
this is nostalgia, after all commercial and institutional buildings have been lit primarily as fluorescent for
more than sixty years. Who needs the bulb? Maybe only eccentric romantics.
It can also be argued that the incandescent bulb is quite environmentally friendly. Unlike higher tech-
nology lamps, the simple filament bulb does not require rare earth gases and phosphors, leaches no mer-
cury and requires no proprietary manufacturing patents. The incandescent light bulb is produced world-
wide, and is often a local product, which requires less packaging and less fuel for transport from low-wage
factories to high-profit markets. Take a look at your next compact fluorescent package and see if it wasn't
made in Hungary China, or Vietnam, If total embodied energy were included in the calculation, would the
compact fluorescent lamp still be the great white hope?
But let's be grateful for this debate, as it has awakened many professionals, and hopefully members of the
general public to a certain sustainable myopia that has grasped the microphone, a monologue focused most-
ly on ecological sustainability and less on the necessary balance of economic and social sustainability goals.
The Three-Dimension Concept as outlined in the United Nation's 1992 "Declaration of Rio on
Environment and Development," recognized that sustainable development was a balance of three dimen-
sions; environmental protection, economic growth, and social development.
Indeed, in their Declaration of Interdependence for a Sustainable Future, the Union of International
Architects (UIA)/American Institute of Architects (AIA) World Congress stated in 1993. "...Buildings and the
built environment play a major role in the human impact on the natural environment and on the quality of
life; sustainable design integrates consideration of resource and energy efficiency, healthy buildings and
materials, ecologically and socially sensitive land-use. and an aesthetic sensitivity that inspires, affirms, and
ennobles; sustainable design can significantly reduce adverse human impacts on the natural environment
while simultaneously improving quality of life and economic well being."
In our world of lighting design, this means that Quality of Light must receive greater attention, as a bal-
ance to those committed to regulating light as a quantity. This is a critical time for our profession to broad-
cast its most knowledgeable and passionate voices, as we are in a full swing round of new energy code
revisions that threaten to be a serious assault on the visual environment. Does "banning the bulb" and
reducing lighting power densities really ".,,improve quality of life and economic well being?"
With a narrow stringency and utility, government rule makers are in an expedited flurry to further lower light-
ing power densities (LPDs) across many building types with little regard for the quality of lighting environments
these regulations will produce, giving little acknowledgement to the cost of these actions to businesses and
the citizenry Many of the proposals represent significant cuts—20 percent reductions for California Title 24
rules for retail lighting, and 30 percent across-the-board cuts for ASHRAE 90,1, effective 2010.
I fear that buildings designed under these code conditions will be compliant spaces that may 'hit the
numbers', functional but without celebration, embracing an ethos of gray scarcity rather than a future filled
with color and vitality. It is possible to create lighting designs that are energy efficient without degrading
the quality of the places where we live, work, and associate? Fortunately there are many people in our light-
ing community who are advocating wisely for the broader use of daylighting strategies, incentives for the
wider use of lighting controls, and abandonment of LPDs, which address only connected loads, in favor of
methods that focus on actual electrical usage. These professionals know that light is more than the elec-
tricity that produces it. and sustainability is about more than carbon footprints.

Ik
 rnentary School SeoMle. Woshin

ain Gall'jry •

Emerson Elementary School Seattle. Washington Sumner LibTi' v

Over the post thirty years. OCL has supplied the light fixtures for thousands of architectural
projects. Though the projects vary greatly. OCL's qualify adheres to the some high standards
Whether the fixture is indoor or outdoor, for a restaurant or for o school. OCL has o solution.
Circle no. 81 or [Link]/productinfo

[Link] 63-3278
Lutron^ EcoSysternxM light control solution
The only fluorescent light control solution that makes it easy to
save energy, and gives users complete control of their light in a
constantly changing commercial building.

mm

e best technology Tor our campus

renovation, and we chose EcoSystem from Lutron." I
Jeff Choma, Manager of Mechanical and Electrical Systems
Georgian College, Ontario, Canada

What Jeff says about EcoSystem: The technology behind it:

Save time - "It fits well into our constantly changing environment. • Sensors and controls connect to fixtures with low-voltage wires
When we remove or add walls, we simply remove or add devices and a PDA-style programmer assigns them to any fixture(s).
without power rewiring or changes to conduit."

Save money - "EcoSystem has saved the college $137,000 • Combine tuning, occupancy sensing, daylight harvesting and
annually on lighting." manual dimming at any time, any location.

Satisfied employees - "People love having lighting customized • Employees can control their own light, or facility personnel can
just for them." do it for them with the wireless programmer.

World-class quality and support - "Lutron simply has the best • Lowest field return rate in the industry.
product and support." • Factory service, start-up and training.

Learn more See us at Lightfair Booth #1638.

at [Link].
For immediate consultation,
call 1.866.898.3615. OLUTRON
© 2007 Lutron Electronics Co., Inc.
Circle no. 37 or [Link]/productinfo