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Chapter 6 - Part 1

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0% found this document useful (0 votes)
51 views29 pages

Chapter 6 - Part 1

Uploaded by

bernaozgen0
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd

Memory

Chapter 6
Part 1

Psychology: An Introduction 1
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Memory
 The ability to remember things we have experienced,
imagined, or learned
 Scientific research on memory began with Ebbinghaus’s
experiments in the nineteenth century.
 Information-processing model - describes how
information is encoded, organized, and stored in
memory, and how it is retrieved from memory.
 Memory is often seen as steps in an information-
processing model
 Encoding
 Storage
 Retrieval

Psychology: An Introduction 2
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Sequence of Information Processing

Psychology: An Introduction 3
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
The Sensory Registers
 1st stop for all sensory information
 Entry points for raw information from
all the senses.
 If we do not process this information
further, it disappears.
 The sensory registers are very large, but
information stays for only a very short time

Psychology: An Introduction 4
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Visual and Auditory Registers
 As new visual information enters the registers,
old information (the icon, or visual image) is
"masked" almost immediately and disappears.
 Otherwise, the registers would overload as visual
information piled up and became scrambled.
 Icons normally last about ¼ second in the visual
register
 Auditory register holds echoes of sound
 Auditory information fades more slowly; the echo may
last for several seconds.

Psychology: An Introduction 5
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Initial Processing
 From the mass of incoming
information, we select elements and
hold them for further processing.
 In this process we also give meaning to
the information - attention

Psychology: An Introduction 6
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Attention
 Selects certain information for further
processing
 We normally pay attention to only a small
portion of incoming information

Psychology: An Introduction 7
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Filter Theories of Attention
 Filter
theories describe the selection process
 Broadbent (1958) – there is a filtering process at
the entrance to the nervous system
 allows only those S that meet certain requirements to
pass through
 Those S that get through the filter are compared
with what we already know
 so that we can recognize them and figure out all other
conversations taking place around you

Psychology: An Introduction 8
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
The Bottleneck Theory of Attention
 also known as the “filter” or “stimulus
selection” theory
 serial processing model
 3 assertions
 allsensory stimuli reside briefly in sensory memory
 information that is attended to is placed in STM and
compared to information stored in LTM
 information that is not attended to is lost before it can
be stored in STM because of a “filtering” mechanism

Psychology: An Introduction 9
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Selective/Divided Attention
 in dichotic listening task, subjects were required to
attend to a message presented to the right ear
(attended ear), while ignoring a different message
presented to the left ear (unattended ear)
 of the message presented to the unattended ear,
subjects were able to detect:
 gender of the voice
 their own names (Moray, 1959)
 out of a sea of voices a person is able to focus on a
single conversation

Right Ear Left Ear


(Attended Ear) (Unattended Ear)

Psychology: An Introduction 10
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Cocktail Party Phenomenon (Cherry, 1953)
 Investigated how effectively people can ignore
irrelevant conversations
 In a cocktail you are surrounded by people
 There are two sources of noise
1. Your partner
2. Others
 Your attention is concentrated on your partner
 All of a sudden someone talks about you, you detect
your name, your attention switches there, you turn
there and listen to them.
 You lose your attention to your partner.
 You find yourself unable to understand what your
partner says.
 Typical example of divided attention situation
Psychology: An Introduction 11
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Short-Term Memory
 Information that we attend to enters STM,
also called primary memory or working
memory.
 contains everything that we are
consciously aware of at any instant.
 not only briefly stores information but also
processes that information further.

Psychology: An Introduction 12
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Capacity of Short-Term Memory
 STM has its limits.
 Early research indicated that STM can hold 5-10 bits of
information
 Researches have found that STM can hold only as much
information as can be repeated or rehearsed in 1.5 to 2
seconds, which is usually 5 to 10 separate bits of
information.
 We can process more information by grouping it into
larger meaningful units, a process called chunking
 e.g. TVJFKFBIUSA → TV JFK FBI USA
1881191919201923 → 1881 1919 1920 1923

Psychology: An Introduction 13
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Encoding in Short-Term Memory
 Information can be encoded for temporary
storage in STM phonologically (according to the
way it sounds), in visual form, or in terms of its
meaning.
 Research has shown that memory for visually
encoded information is better than
phonologically encoded information
 Phonological coding
 Visual coding
 dual coding of images - why it is sometimes
helpful to form a mental picture of something you
are trying to learn.
Psychology: An Introduction 14
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Maintaining Short-Term Memory
 Information can be held in STM by using
rote rehearsal, also called maintenance
rehearsal
 Rehearsal is conscious repetition of
information
 To maintain it in consciousness
 To encode it for long term storage
 Thistechnique is not very effective in
creating long term memories
Psychology: An Introduction 15
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Rote Rehearsal
 Through rote rehearsal, or maintenance
rehearsal, we retain information in STM for
a minute or two by repeating it over and
over again.
 However, rote memorization does not
promote long-term memory.

Psychology: An Introduction 16
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Elaborative Rehearsal
 Elaborative rehearsal, or "the linking of new
information in STM to familiar material stored in
long-term memory," enables us to retain
information for a longer time in STM.
 We process new data in a deeper and more
meaningful way than through simple rote
repetition.
 An accident or severe interference can make
unrehearsed information disappear.
 Retrograde amnesia (the inability to recall events
immediately preceding an accident or injury) is
caused by an interruption in elaborative rehearsal.

Psychology: An Introduction 17
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Retention and Retrieval in STM
 Material in STM disappears in 15 to 20 seconds unless it is
rehearsed or practiced.
 According to decay theory, material is lost from STM simply
because of the passage of time.
 Interference theory contends that interference from other
information leads to forgetting from STM.
 Memory loss from STM is permanent. This prevents us from
becoming overwhelmed with a mass of irrelevant, trivial, or
unrelated data.

Psychology: An Introduction 18
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Long-Term Memory
 LTM is more or less permanent and stores
everything we "know.“
 Unlike STM, LTM is a large-capacity system
 Capacity of long-term memory
 No known limits to capacity
 Vast amounts of information may be stored for many
years
Psychology: An Introduction 19
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Encoding in Long-Term Memory
 Some information is stored verbatim, some in
terms of nonverbal images, however most of the
them seems to be encoded in terms of meaning.
 Through rehearsal, we extract the meaning of
information and link it to as much material that is
already in LTM as possible.
 The way in which we encode material for
storage in LTM affects the ease with which we
can retrieve it later on.

Psychology: An Introduction 20
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Mehmet

On
Campus Ayşe Beatiful

Dormitoires

Psychology: An Introduction 21
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Serial Position Effect
 https://www.youtube.com/watch?v=lreVhYo6V_E
 First, the remembrance of items occurring towards the
beginning of a list is referred to as primacy effect
 On the opposite end, remembering items at the end of a
list is recency effect.
 Both of these effects have been empirically supported
through hundreds of experiments and regardless of
whether lists are visually or verbally presented
 In summary, people tend to recall the first items (primacy
effect) and last items (recency effect) in a list
 Demonstrates how short- and long-term memory work
together
 Primacy effect reflects long-term memory
 Recency effect reflects short-term memory
Psychology: An Introduction 22
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Serial Position Effect

Psychology: An Introduction 23
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Maintaining Long-Term Memory
 Rote rehearsal
 Repetition can result in long-term memory
 Only effective if there is intent to learn material!!!
 Standard method to store away largely meaningless
material e.g. phone numbers, computer passwords,
birthdays etc.
 Imp. for mastering skills e.g. playing a piece of Mozart
on the piano
 Automaticity – achieved only through long, hard, repetitive
practice
 It’s
not the amount of rehearsal but the type of the
rehearsal that increases memory

Psychology: An Introduction 24
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Maintaining Long-Term Memory
 Elaborative rehearsal
 Process of relating new information to
information already stored in memory
 Meaning is assigned to new information and
then linked to as much existing knowledge as
possible
 The more links or associations you make, the
more likely you are to remember the new
information later

Psychology: An Introduction 25
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Types of Long-Term Memory
 Explicit memory allows us to recall information
that is intentionally committed to LTM and
retrieved from LTM.
 Memory for information we can readily express
and are aware of having
 Episodic and semantic
 This information can be intentionally recalled
Psychology: An Introduction 26
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Explicit Memory

 Episodic memories
 Memories for personal events in a specific time and
place – what you ate for dinner last night

 Semantic memories
 Memory for general facts and concepts not linked to a
specific time – the value of 2 times 7, who Ataturk is

Psychology: An Introduction 27
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Types of Long-Term Memory
 Implicit memory refers to memories for
information that either was not intentionally
committed to LTM or is retrieved unintentionally
from LTM.
 Memory for information that we cannot readily
express and may not be aware of having
 Cannot be intentionally retrieved
 Procedural and emotional
Psychology: An Introduction 28
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall
Implicit Memory

 Procedural memories
 Motor skills and habits – how to ride a bicycle, swim,
write your name
 Emotional memories
 Learned emotional responses to various stimuli –
being ashamed of something you did

Psychology: An Introduction 29
Charles A. Morris & Albert A. Maisto
© 2005 Prentice Hall

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