Dark symphonic and depressive. And how could it be otherwise in view of the infinite ugliness of the godless and technocratic modern world and its inhabitants, who can largely only be described as soulless shells.
Sinke Düs is right, because ‘That Which Was Lost’ could well be lost forever. Our connection to God and nature, an honourable spirit and a will to action steeled for survival. I interpret ‘Arkasia’ as a farewell to this world, which is well deservedly stumbling into total oblivion.