were-jaguar
This is absolutely perfect! Aphex Twinesque rhythmic textures with polyrhythms galore that move you every which way.
Favorite track: Bell Ghost.
Based in Kampala, Arsenal Mikebe are a groundbreaking Ugandan ensemble who playfully dance around the fringes of of acoustic and electronic music, infusing tempo-fluxed polyrhythms with dizzying chants and ghostly synthetic drones. The band is made up of percussionists Ssentongo Moses, Dratele Epiphany, Luyambi Vincent de Paul and was co-founded by Portugese sonic alchemist Jonathan Uliel Saldanha, together they straddle a unique custom instrument dreamt up by Ugandan master sculptor Henry Segamwenge, better known simply as Sega. By reverse engineering Roland's iconic TR-808 beatbox, they devised a steel-cast "percussion machine" that allows Arsenal Mikebe to seamlessly integrate bass-heavy electronic sounds into their frenetic performances, and it's this device that lies at the core of their debut album.
'DRUM MACHINE' is a rhythmic masterclass that's impossible to slot into any particular niche or other. Moses, Vincent and Dratele's kinetic beats appear to bisect each other, slipping between time signatures as fluidly as they pierce the membrane between the organic and the digital. On opening track 'Okuleekaana', brushy high-end hits coalesce into quivering patterns that bounce off the trio's guttural chants before the track's shuttled into peak-time by an ear-splitting distorted kick. Harsh death metal-style growls echo and spiral into the distance, and Sega's percussion machine is nudged into overdrive, its smorgasbord of distinctive pulses lifted skyward by glassy, evocative synths and resonant twangs.
It's extreme music, in a sense, but Arsenal Mikebe command startling dynamics, veering off course whenever possible. 'Omuzimu' is the perfect example, a labyrinth of itchy rhythms and anxious pauses that only slowly converges into a discernible beat, with its jerky bumps and muted crashes underpinned by eerie, almost inaudible B-movie whines and stifled shouts. And on the lengthy 'Boiller Omukka', the trio sing soulfully and wordlessly over feverish hollow thuds and cowbell knocks, referencing traditional Ugandan song forms while simultaneously excavating the bones of techno. It all builds up to the rubbery, intense 'Bell Ghost', that carves energetic vocal snippets into an undulating rhythmic concertina and fractalizes the atmosphere with swirling, psychedelic flutes and haunted intonations.
credits
released September 6, 2024
Produced, recorded and mixed by Jonathan Uliel Saldanha
Drums by Ssentongo Moses, Dratele Epiphany and Luyambi Vincent de Paul.
Percussion unit constructed by Henry Segamwenge
Mastered by Matthias Heinstein
Vinyl Master by Declared Sound
Graphic Layout by Marc TSQ
Photography by Blackbeast & Jonathan Uliel Saldanha
Nyege Nyege Tapes is a Kampala based label exploring, producing and releasing outsider music from around the region and
beyond.
We fulfill orders twice weekly, so most items will be shipped out within 3-5 days of your order being placed, with tracking provided automatically. We ship all records in whiplash mailers with extra cardboard protection.
i was digging around bandcamp last night looking for new artists to listen to and WOW did i hit the jackpot. love the growling vocals on 'no one seems to bother' and mc yallah's infectious energy on every track. cthuwu
The Congolese-Canadian musician's latest is a sensual delight, smooth and funky electronic pop with Congolese folk styles in its DNA. Bandcamp New & Notable Aug 9, 2017