Glenn van Dormolen
I can't believe I've never given this the time of day until now: this is an absolutely mesmerizing death/doom record. The whole album is dripping with atmosphere. King for a Day is probably the best song on the album, those cleans by Marike are insane.
Favorite track: King For A Day (Remix/remaster).
• New version from remixed and remastered original studio tapes
• Newly mixed by Guido Aalbers (Giesound) and the band.
• Mastered by Maor Appelbaum (Voivod, Faith No More, Yes)
• Available on audiophile double vinyl cut on 45rpm for maximum audio quality
• New art (painting and drawing) by Richard Schouten (Acrostichon, Acid King) based on the original artwork.
* Original mix and master produced by Han Swagerman and The Gathering
Engineered by Han Swagerman.
Released on June 9th 1992, Always… by The Gathering is one of the rare albums in metal that turned out to be a game-changer. On the debut album, the young Dutch band blended doom and death metal with prominent keyboard parts. It featured female vocals in an era when the metal scene was still a male-dominated environment. The album showcased how heavy sounds could be enriched by diverse musical influences.
Consequently, Always… laid the foundation for subgenres like gothic metal, often referred to as female-fronted metal or what is now recognized as progressive metal – a term commonly used today. The Gathering were true pioneers, opening doors not only for themselves but also for other Dutch bands such as Within Temptation, After Forever, Epica, Kingfisher Sky, Nemesea, and Delain. In retrospect, their influence extended globally, inspiring acts like the predominantly Finnish Nightwish, the American Evanescence, and the Italian Lacuna Coil.
Above all, The Gathering's debut album is a unique masterpiece, characterized by well-constructed songs and clever arrangements. Upon its release, the album received rave reviews, leading to global commercial success. Always… firmly established The Gathering as the leading band in the flourishing Dutch metal scene of the early '90s. Following the album's release, the band embarked on a remarkable journey, touring alongside Paradise Lost, performing for a massive crowd of 8,000 while opening for Faith No More, and receiving invitations to perform in Israel. All these achievements were realized by a group of mostly teenagers who still lived with their parents and were expected to attend school every day.
credits
released May 4, 2024
Jelmer Wiersma Acoustic Guitar [12 String], Electric Guitar
René Rutten Acoustic Guitar, Electric Guitar
Hugo Prinsen Geerligs Bass, Flute, Triangle
Hans Rutten Drums, Wind Chimes
Marike Groot Vocals [Female]
Bart Smits Vocals, Backing Vocals
Frank Boeijen Keyboards, Grand Piano
Lyrics By The Gathering
New mix by Guido Aalbers at GieSound.
New master by Maor Appelbaum for maorappelbaum.com.
From doom and gothic metal (early years) to triprock with electronic elements and soundscapes; The Gathering's unique sound
has always been hard to pigeonhole. The band has seen various line-up changes over the years and has evolved into an eclectic atmospheric rock band....more
supported by 10 fans who also own “Always... 30 Year Anniversary Deluxe”
me gustan sus atmósferas algunas como Magnolia me llenan de una alegre nostalgia ,otros como winter mas difusas hacia el final como cuando quieres abstraerte definitivamente recomendado negative80
Brighton, UK band leaven surging hard rock with spaced-out stoner-doom on their second LP, recorded in an old chapel on the English coast. Bandcamp New & Notable Nov 9, 2022
UK rock duo Family Man solder hard rock hooks to an industrial pop mainframe; sleek, chromed-out arrangements with a nu metal menace. Bandcamp New & Notable Nov 10, 2021