Using and Adapting The Course
Using and Adapting The Course
Evaluating coursebooks
Cunningsworth (1995) proposes four criteria:
They should correspond to learners needs. They should match the aims and
objectives of the language program.
They should reflect the uses that the learners will make of the language.
Textbooks should be chosen that will equip the students to use language
effectively for their own purposes.
They should take account of students needs as learners and should facilitate
their learnign process, without dogmatically imposing a rigid method.
They should have a clear role as support for learning. Like teachers, they
mediate between the target language and the learner.
Evaluation will depend on the evaluator.
The ability to evaluate a course book is important because it provides a
baseline from which to make judgments about what to adapt and change.
(Dalby)
Coursebook evaluation
Importance
Criteria
Objectives laid out in an introduction and implemented in the material
Approach educationally and socially acceptable to target community
Clear attractive layout with easy-to-read print
Advantages of a coursebook
Penny Ur
Varied topics and tasks so as to provide for different learner interests and learning styles
Clear instructions
Offers security for students and teachers alike, clear goals and a framework for study.
Brings a framework, organisation and structure to a course and the individual lessons.
Offers satisfactory language control and a coherent syllabus, which is graded to a level suitable
for the students.
Often comes with other supplementary material and resources (e.g. CD, resource book).
Provides students with a record of completed work and gives them the chance to revise.
Gives the students the chance to look back at what has been covered and ahead to what is
going to be covered, which makes it possibly for especially weak students to prepare in advance
and gives students some control and autonomy over their learning.
It normally provides a balanced mix of grammar, vocabulary and skills work.
Although not all materials may be suitable for your class, it is considerably easier and less time
consuming to supplement than to design a syllabus and create materials from scratch.
It normally provides a balanced mix of grammar, vocabulary and skills work.
It offers continuity and progression.
Helps a school standardize instruction across the programme and ensure quality.
The materials will have normally been tried and tested before publication.
Offers teacher training, support and guidance for inexperienced teachers.
Save teachers planning time.
The cheapest way of providing learning material for each learner.
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Disadvantages of a coursebook
Teachers often do not get to choose their own coursebook, and a coursebook may not
match a teachers teaching style.
Quickly become outdated and lose validity (language, texts).
Cannot possibly cover all the topics, communicative situations and tasks needed at a level
by all students learning English around the world, but covers a common core of needs.
May not reflect student needs, learning styles or interests are designed for everyone and
no one.
Often does not provide sufficient recycling of language.
The students may not like the book and might be reluctant to use it.
Exclusive use of a course book can become very predictable and boring for the students.
It can make teachers lazy, and stop them from being creative and searching for activities
and materials which will motivate and interest their students. Thereby de-skilling the
teacher (Richards) and leading to student boredom (Ur).
Often contain inauthentic / semi-authentic language.
Course books dictate what is to be taught. This can stop teachers analyzing particular
problems that their students may have and prevent the lessons from being student
centered.
May cover more material than the course has time for and therefore more than the
students can process.
methodological straightjacket that diminishes initiative and creativity (Tice 1991)
When to do what?
Examples of adaptation
Strategies
Solutions
Shortening material
Reordering material
Adding - Text
Problems
Extending material
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Creating interest
Adding - Task
Survey (see above); set a purpose - e.g. find out the person in the class who is the most careful/careless shopper...
Consensus: students produce a ranked list - at first individually - and then in pairs/groups they negotiate a consensus. E.g.
the five best department stores in their town, plus reasons.
Spot the lie: similar to above: students individually prepare set of statements, opinions, experiences etc. and tell them to
neighbour - idea is to spot the deliberate lie
Quiz: students prepare quiz, and then test each other
Interview the teacher: students prepare questions related to the topic to ask the teacher, and then write up the
interview as a piece of journalism.
Show-and-tell: students tell the class about their interest/hobby/object/favourite film - with a view, perhaps, to
persuading other students to take it up, get one, see it etc.
Design-type tasks: where students in pairs/groups design something, taking into account relevant factors, and then
present it to the class. E.g. design a days shopping in your town for the class, so that it takes account of everyones
needs, tastes, budgets etc.
Material-free role plays: e.g. shopping for a school/package holiday/flat mate - half class are clients, other half are
schools/agencies/owners etc. Each service provider is paired up and interviewed by a client. They then move round
one, until everyone has talked to everyone. Clients then decide which service they will choose; service providers decide
which client they would prefer.
Non-directive listening: Students are grouped in threes, taking turns as speaker, listener, and observer. The speaker tells
the listener facts, experiences and/or opinions, related to topic. A time limit of three minutes is monitored by the
observer. The listener - either during or after listening - reflects back what he/she understands the speaker has said and
the speaker confirms/ disconfirms/clarifies etc as necessary. Afterwards, short (2 minute) discussion led by the observer
on the process they have just engaged in - was it easy, difficult, fluid, comprehensible, accurate etc. The teacher can
monitor discreetly.
Quotes on coursebooks
Replacement material
700 Classroom Activities
Teacher resource books from different
coursebooks
Vocabulary Games and Activities
Grammar games and activities
Reward series
Teachers books from Cutting Edge, New English
File, Face-to-Face
Teacher-produced materials
Student-produced materials
Sources
A coursebook should be related to critically: we should be aware of its good and bad points in order to make
the most of the first and compensate for or neutralize the second. (Ur)
Coursebooks represent plans for teaching. They do not represent the process of teaching itself. (Dalby)
Coursebooks are proposals for action, not instructions for use. (Harmer 2001)
There is no such thing as a bad coursebook. Most of the time the books we use are well-designed and
written in careful consideration of sound pedagogical research. However, difficulties arise when we try to use
textbooks eaxctly as they are, without thinking about the needs, skills and circumstances of the particular set
of students sitting in front of us. (Elliott 2010)
Materials, especially coursebooks, can come between me and my students, preventing me from directly
experiencing and responding to the moment by moment energy and vitality of their own learning experience.
If I'm not careful I reduce myself to a 'materials operator', separated from my learners by a screen of 'things to
do'. (Underhill)
If, on the other hand, you take the view that language is an emergent phenomenon, and that the learning of
it is a jointly constructed and socially motivated process, contingent on the concerns, interests, desires, and
needs of the user, then the argument for coursebooks starts to look a bit thin. Moreover, if you take the view
that the teacher's role in language learning is to scaffold these emergent processes, and that the teacher's
authority derives from her ability to manage and facilitate the social processes out of which - and for which language develops, then the coursebook looks positively redundant. (Thornbury and Meddings)
To be faithful to the spirit of Dogme, however, coursebooks should not be allowed to become the tail that
wags the dog. They are the props, and not the screenplay, of the dogme film. The idea is to use the
coursebook, but sparingly, taking its grammar syllabus with a pinch of salt. It does not mean, however,
propping up the books weaknesses by bringing in yet more materials in the form of photocopied exercises, for
example. At the same time, the idea is to include activities that provide optimal exposure, attention, output
and feedback, thereby maximising the chance of language emergence. (Thornbury)
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