3.1 How To Design Graphics That Convert PDF
3.1 How To Design Graphics That Convert PDF
1
Table of Contents
Introduction ........................................................................................ 01
Section 1:
Designing Graphics for Email ..................................................... 02
Section 2:
Designing Graphics for Landing Pages ..................................... 11
Section 3:
Designing Call-to-Action Graphics ............................................ 16
Section 4:
Designing Graphics for Social Media & Paid Ads ................. 21
Conclusion .......................................................................................... 30
A s marketers we’re constantly reading blog posts, soaking in new tips and tricks, thinking of our
next campaigns, testing email subject lines, meeting about promoting new products, and talking about
social media strategy (to name a few common tasks). Underneath all of this hustle and bustle, there’s
the underlying notion that what we do as inbound marketers is essentially think of ways to create
content, share that content, promote it, and generate leads for our business.
Great content isn’t very useful if you’re not promoting it, right? But promoting it means more than just
sharing a few posts on Twitter and Facebook. Your social and email strategy behind promoting content
should be evolving to adapt to consumer’s visual needs. Yes, social media posts with images are
proven to convert higher than posts with no images. But there’s so much more than an image when
creating graphics for your marketing promotions. The copy, color, placement, size, and use of graphics
can really make an impact on conversions when optimized for the desired call-to-action. And what
about the rest of your promotional content? Email headers, landing page images, and calls-to-action
(CTAs)?
The question we’d all like answered is: how do you design graphics that convert when it’s time to
promote your content?
In this ebook, we’ll discuss how to design graphics for social media, landing pages, email marketing,
CTAs, and paid ads that will increase your conversion rates and allow your content to perform better,
get more leads, and reach a bigger audience.
A recent study conducted by MarketingSherpa indicated that 72% of U.S. adults prefer communication
with companies to happen through email, 86% would like to receive promo emails at least monthly,
and 61% at least weekly. Marketers: it’s time to put our conversion optimization hats on.
When it comes to email marketing and conversion rates, the traditional subject line, open rate, and
click-through-rate testing come to mind. Along with CTR, what else happens when somebody opens
your email? What do they see?
If you’re in charge of designing an email newsletter, promoting a product or piece of content in a one-
off email, or inviting people to an event, pay attention: the graphics in your email play a big part in
converting your audience into taking action.
According to Laura Busche, whether your email is for your personal brand or your job, email has the
power to:
• Connect you with a large audience frequently and consistently
• Keep the costs of sharing new information low by cultivating a channel of your own
• Allow you to scale an engaging content program quickly
• Share compelling calls to action to steer your audience in a specific direction
Hierarchy
& Typography
in Mind
Hierarchy applies order to your designs, and makes sure the most important elements are seen first.
This is crucial for email headers as it’s the first thing people see when they open your email. With an
effective email header that looks visually appealing and has a clear call-to-action, you can increase
your conversion rates in no time.
When you’re working with multiple graphic elements such as fonts, images, colors and shapes or icons
– applying hierarchy is a vital skill to get the message of your design across clearly and succinctly.
Once you’re set up and ready to go consider these five principles of effective visual hierarchy.
Your title is the first thing that your viewer will notice, so make sure it stands out. This can be done by
making sure it’s dominant in size, and using a strong eye-catching font. The subtitle should support
your title at a relatively smaller type size.
Body copy is the smallest and should be clear and easy to read. Avoid using elaborate script fonts or
uppercase text in this setting as it forces strain on the reader’s eye and makes the overall text much
harder to read.
Remember to keep the most important objects the largest. When the size of elements is increased it
will reflect visual importance
Increase the size of icons so they behave as a ‘call to action’. The more relevant the icon, the better it
will function.
Color not only evokes feelings but also creates a level of distinction between what is important and
what is not.
Applying a bright, bold color to a significant feature will highlight and draw the eye to it, making it a
focal component within your design.
In this example, a color picker tool has been used to match the text color of the word ‘Sunshine’ with
the color of the vibrant yellow flower in the background image. Notice how this makes it jump off the
page and makes it a dominant feature of the design.
Most fonts come in different styles, for example bold and italic, which can be especially useful when
creating hierarchy within your designs.
Words that deserve a special note, like ‘sale’ or ‘attention’, are great to treat with different font styles.
Using grids for hierarchy is an excellent way to showcase imagery in order of importance, or to create
a visual narrative. You can do this by placing imagery that is more important in the larger placeholder
and placing less significant photos in secondary photo holders.
Remember to achieve visual consistency by applying the same photo filter code to all your photos,
either by using our presets or by creating your own using the advanced sliders.
When it comes to typography of your email graphics, follow the concept of “3 Levels of Typography
Hierarchy,” explained in this blog post by Janie Kliever.
Headline
The most important piece of information your reader needs to know about the email. The header will
entice the reader to continue reading more about what’s inside.
Subheader
This should be less subtle than the header. In her post, Janie believes the subheader helps “organize
your design into sections or group related information together. They shouldn’t stand out as much
as your level-one type, but should clearly direct viewers to the different parts of the design and help
them navigate it easily.”
Text
As the meat and potatoes of your graphic, the text should relay as much information as possible to
provide value to your reader.
Go into detail about the ebook you want them to download, the product(s) you want them to buy, the
free trial you want them to start, the event you want them to attend, or simply the website you want
them to view.
For one, the bold red header coupled with “Soho Loft” definitely catches the eye, and the white space
on the ad makes the large text stand out even more. Secondly, the sub-header “Special offer” is only
two words, so it’s easily readable. The text follows, which is essentially a motivator for the reader to
click and check out the loft before the offer ends in “10 days, 23 hours, and 14 minutes.”
Contrasting from the previous example, this graphic has much more information and modules on
the page, however it’s still simply, readable, and has clear calls-to-action. For one, the header “3 Tips
for Easier Data Analysis and Reporting” will pique the interest of people interested in making their
reporting lives easier. There is a simple call-to-action, “Get Tips” even before the rest of the graphic
sub-header, which there are two of. The reader can either take action first, or keep reading and decide
which of the two sub-headers are of more interest to them.
This graphic represents a “decision-tree” if you will, an almost flowchart-like readability that is easy to
consume and understand where the reader will get value from.
Lastly, a great example of an email marketing graphic is from Drybar below. (Arrows in designed
ebook pointing to different sections of graphic and how they draw the eye down to the CTA”
When it comes to designing landing page graphics, think about A/B testing elements of your graphics
such as:
Using
People on Your
Landing Pages
There’s a theory floating out there that hypothesizes when a person featured on a landing page graphic
is staring at the product featured on the same page, conversion rates increase since the way our eyes
move on websites flows in the direction of that product, thus wanting to buy it.
Image Source
In this second example below, the woman facing forward in this landing page graphic caused only 6%
of participants in this study to look at the product. When facing towards the actual product, 84% of
participants actually looked at the product on the landing page.
Image Source
In the example below, Highrise, a small business CRM, A/B tested their website’s imagery by
featuring two different people -- Jocelyn on the left, and Michael on the right. They found Michael
helped improve conversions by almost 5%.
In this last example, the landing page below featured a woman looking over the form of this page,
which ended up decreasing submissions by 24%.
Why? For one, the woman isn’t looking at a graphic or screenshot of the product, or the form where
HubSpot wants users to look at and fill out. Ideally, for this women to add value to the landing page,
she’d have to be looking at the heading so the human eye goes there first, reads the value, and then
fills out the form. With her just staring at us from the page, she doesn’t add any value to help increase
conversion rates.
vs.
The page displaying the product screenshot received 130% more clicks than the page displaying
people. The point? While marketers may have an assumption of what people want, this is a classic
example of how a test proved another option and saw that the product image was converting much
higher.
Color Theory
There’s been a lot of research around this topic, and you should absolutely test the color of your CTA
graphics on all of your landing pages.
When it comes to psychological color associations and the industry you work in, check out this
infographic as a guideline for testing colors. Below is a preview:
• Make it clear. In the example below, “Email to a Colleague” was the highest performing CTA
because the language is the most clear.
• Convey value. Your CTA should answer the question “What’s in it for me?” Think about the top two
or three benefits of your offer, and try to list them in order of priority. Then pick the most critical
one and shorten it to just a few words. In that way, you will highlight the key point of engagement
and ensure there is alignment between your ad and the offer.
• Test above or below the fold for your audience/industry. Lots of people believe that all of the
important content on your landing page should appear above the fold -- supposedly, people won’t
scroll to fill out the form or find out more crucial information about what lies behind the form.
But the fold doesn’t really affect conversion -- KISSmetrics found that when people are motivated
to convert on a page, they do, regardless of where the form submit button is. According to that
article, the biggest factor in increasing motivation is compelling copy, regardless of length. So forget
optimizing only for the fold -- through A/B testing, figure out how much information people need
to convert.
Image Source
• Include numbers. Including numbers affects the reader by including them in a community of
other people who are taking that action, whether it be using software or downloading an ebook.
HubSpot ran an experiment where they included the number of downloads on a page and by
including numbers of other people who have downloaded the content, the conversion rate
increased 4%.Try incorporating the number of other users or people in your graphics that have
expressed interest so reader feel part of a community.
• Keep it aligned with the landing page. (i.e. “Save My Seat” for a webinar or “Download My Ebook
Now” for an ebook)
• Keep testing!
Depending on the content you’re promoting, when it comes to ebooks and webinars, think about
adding a “closer” to your CTA graphic.
Example: For webinars, add in a reminder that you’ll be recording the webinar and sending out the on-
demand version with the slide deck. Give people a “closer” on the page, a simple short statement like
the example below that Unbounce designed:
Image Source
When it comes to ebooks, Michael Aagaard from ContentVerve highlighted the fact that his ebook
was only a 25 minute read. This simple statement in his CTA graphic resulted in a 19% increase in the
number of downloads.
When A/B testing call to action graphics and other marketing visuals set up design templates that will
allow you to reproduce your graphics efficiently. Tests such as different photos, call to action copy and
button placement can be implemented quickly and easily using Canva’s drag-and-drop editor.
The importance of including graphics in social media posts are being stressed heavily in marketing
right now, so it’s important to start creating and testing graphics that increase conversions on Twitter,
Facebook, LinkedIn, and other platforms that are successful for your brand.
On the following page, you’ll see pro tips from Canva’s Senior Designer, Poppie Pack, on using images
in social media design.
Busy images will only detract the attention of your audience and make it harder to communicate your
message.
2. Be specific
when searching
for images.
Use descriptive
keywords to ensure
quality search results.
Below are a few examples of A/B test results from tests run on graphics posted to social media (note:
the same copy was used for these A/B tests; the only element that was changed was the graphic)
The first graphic HubSpot posted on Twitter received 33% more clicks than the second image, however
the second image saw 24% more retweets than the first image.
vs.
Another example of graphics on social that HubSpot ran a test on features an image of an ebook
versus no image.
The first graphic had the most clicks with a 49% higher CTR than the second graphic. The second
graphic, however, saw a 15% higher amount of retweets.
vs.
Think about the information you’re displaying in the social graphic, as well. Below are two Tweets that
HubSpot posted to promote a webinar. The first graphic, Image A, had a 250% higher CTR than the
second. Image A was 5% cheaper (on a CPC basis) than B.
The difference? “A” shows data and provides a statistic on how to increase clicks on Twitter, whereas
“B” simply states when the webinar is and what it’ll be about.
Image A
Image B
You can run similar tests on social using tools like Canva to easily create social images and then run
A/B tests with HubSpot’s Social Inbox to test copy, graphics, and compare channels such as LinkedIn,
Facebook, and Twitter to see which channels works best for generating leads.
Find images with clear space for you to place your text instead of having to work around the frame.
Above: Nest features their highest engaging promoted Tweet with a simple image of their product in
their graphic.; Pariti uses a screenshot of their product used within a mobile app to showcase what the
product looks like on your device. Chances are they’re targeting iPhone users, and they’ve done just
that with this graphic.
vs.
Pro tip: You don’t have to hire a photographer to use high-quality images in your paid graphics. Use
free tools like www.unsplash.com to download beautiful and professional photos for your graphics for
free, or use your iPhone and edit photos with cheap and free tools.
Pro tip: Match your screenshots to the audience you are targeting.I.e. don’t have a screenshot of a
desktop if you’re promoting a mobile app.
The goal of most marketing campaigns on paid is to get new customers, but not everyone knows what
your product is. Never assume people have heard of your business when you promote; use graphics to
portray how the product works.
In this example Lyft uses strategic graphics in their Promoted Tweet to show their audience how
simple the process is in ordering a car. In the graphic, they highlight and explain how easy it is to use
their app, and the actionable copy all contribute to a higher converting graphic.
For more on how to increase conversions on promoted Tweets using copy, check out this webinar.
vs.
Pro tip: Repurpose high performing graphics across multiple platforms.
Get the most traction out of your A/B test by rolling out your winning graphic across multiple social
media channels. For example if a certain colored graphic is converting highest on Facebook, repurpose
it for Twitter, Instagram and more.
Tools like Canva for Work allow you to do this automatically, meaning you won’t need to start from
scratch or resize your design for multiple platforms.
vs.
Conclusion
When it comes to graphics, proving what works comes down to testing, redesigning, tweaking, and
trying new things constantly. Especially for certain industries, what works for some may not work for
others.
If you’ve read somewhere what red buttons work best for software sales or pink graphics convert best
on Facebook ads for ecommerce, try testing that for yourself and seeing what works for your specific
audience.
There’s so much variation - literally billions of different combinations of graphics in email marketing,
social media, landing pages, and paid advertising - your only task is to find out which variations
increase your conversion rates. Make sure to play around with your graphics, visit other blogs and
subscribe to other email newsletters that inspire your designs.
Whether it be increasing shares, leads, visits, or sales, graphics have been proven to help increase
conversions and hit goals we as marketers are always striving for. Here’s a quick recap of some
takeaways to apply to your next graphics design and testing.
Key Takeaways:
• Try and stay away from cheesy stock photos. Go with product screenshots, customer
testimonials, employee photos around the office, or use tools like www.unsplash.com to find great
images for your graphics
• Follow the guidelines of hierarchy and typography in your graphics. Test one element of your
graphic in different variations to ensure you know exactly what it is that’s causing a spike or
decrease in conversions
• Always A/B test your CTAs - what you think might do well may not!
Finally, use graphics to your advantage: place them wherever you can. They enhance promotion of
your content and products, so get out there and have fun designing and testing!
Ensure consistency
across your documents.