Understanding STC and STC Ratings

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IMPORTANT! The STC measurement is only a partial insight into real-world satisfactory

performance. It is an incomplete measurement since STC ratings do not factor low-frequency
bass, which is where most noise problems occur.
Please don’t rely on STC values alone when specifying a soundproofing system. We've
learned that a high STC-rated wall may suffer terribly in the low frequencies and is therefore
not a true solution.
An effective soundproofing system will perform below the 125Hz STC frequency cutoff.

What is measuring STC good for?

Sound vibration decreases as it travels from one side of a wall to the other. To understand
the value of STC ratings, we need to quantify and measure this loss.
Understanding STC can be valuable, but what really matters is whether your choice of
soundproofing solution actually works.
Expensive, exotic building materials don’t generally help much, though they sound great on
paper. Mass-loaded vinyl, resilient channel, “soundproof drywall,” “sound board,”
“soundproof insulation,” and fancy isolation clips all promise to solve even your worst
soundproofing problems, but in and of themselves, they don't always.

For good soundproofing results every time, stick to the inexpensive basics:

1. Essential Decoupling
2. Mass added from inexpensive 5/8” drywall
3. A competent Damping Compound
What is STC?
Sound Transmission Class (STC ) is an integer rating of how well a building partition
attenuates airborne sound. In the USA, it is widely used to rate interior partitions, ceilings
and floors, doors, windows and exterior wall configurations (see ASTM International
Classification E413 and E90).
In short, STC gives you a rough idea of how much sound a wall, for example, might stop. STC
is the most common sound reduction measurement in use. As common as this measurement
is, it is quite limited and should not be totally relied upon for real-world soundproofing
expectations.

Sound Transmission Basics

DECIBELS: A decibel (dB) is simply a measurement of how loud a noise is. Think of dB as the
volume knob on your receiver. 50 dB is quiet while 140 dB is so loud it can immediately
injure your ears.
TRANSMISSION LOSS is a measurement of the dB (volume) difference on either side of a
wall. Let's say we have a 100 dB tone on one side of a wall. Pretty loud. We measure this
same tone on the other side of the wall and find we have 75 dB. So we would say that at this
tone or pitch, we have 25 dB Transmission Loss. 25 dB less sound energy made it through
the wall to the other side.
FREQUENCY, written as Hertz or Hz, is the measurement of the tone or musical note of a
sound. It might have a high pitch like a flute might make (2000 Hz) or a low pitch as from a
tuba (as low as 29 Hz).
Most humans are born with the ability to hear frequencies from about 20 Hz (low) up to
20,000 Hz (high) but that range shrinks as we get older.
Interestingly, a test tone with a different pitch sent through that same wall might only see a
4 dB transmission loss. The performance of a wall will vary greatly, depending upon the tone
(frequency) of the sound.
What are STC ratings?
In 1961, STC was introduced as the method for comparing various wall, ceiling, floor, door,
and window assemblies. STC is calculated by taking the Transmission Loss (TL) values tested
at 16 standard frequencies over the range of 125 Hz to 4000 Hz and plotted on a graph. Your
curve (what you actually measured) is compared to standard STC reference curves (see
appendix). If your wall graph is closest to a standard STC 35 curve, your wall is said to have
an STC rating of 35.

Adding Green Glue to boths side of a wall.

  The magenta line in that graph is the standard reference STC contour.
 The green line is the performance of the wall.
 To calculate Transmission Loss and STC, the performance data should be obtained
from a certified laboratory.

Higher STC is generally better, though not always, as we will see below.
Caution: The largest problem with relying on an STC number alone is that STC only considers
frequencies down to 125 Hz. This can be misleading because most sound isolation
complaints are from noise sources that are below 125 Hz.

Examples of noise sources below 125 Hz

 Most of the sound energy generated by the average home theater

 Traffic noise from airplanes, trucks, and heavy equipment operation
 Guitar, bass, drums
 Industrial equipment, especially pump system

Comparing two walls STC (in this graph, higher is better)

The example above demonstrates the problem with not considering data below 125 Hz.
Frankly, neither of these walls stop much sound. Both are mediocre, with a low-frequency
problem near 125 Hz. However one wall is STC 32, the other is STC 42!
This is because, with the blue wall, the big problem occurs at 125 Hz, and is therefore
measured by STC. The black wall has essentially the same problem; however, it occurs just
below 125 Hz and is therefore not calculated.
Don't rely on STC alone when low-frequency noises are present
We see two walls. One has an STC 47 (4" Solid Concrete), the other an STC 48 (Steel Stud
Wall). Note that in the low-frequency range - important for music, theaters, traffic, aircraft,
and most other real-world noise sources - the lower STC wall is literally 30 decibels better,
yet lower STC.
The actual 1961 standard which explains how to calculate STC (ASTM E413) describes the
limitations of its use: "This single-number (STC) ratings correlate in a general way with
subjective impressions of sound transmission for speech, radio, television, and similar
sources of noise in offices and buildings.
This classification method is not appropriate for sound sources with spectra significantly
different from those sources listed above. Such sources include machinery, industrial
processes, bowling allies, power transformers, musical instruments, many music systems
and transportation noises such as motor vehicles, aircraft, and trains. For these sources,
accurate assessment of sound transmission requires a detailed analysis in frequency bands."
Caution: STC is not a measure of how many decibels of sound a wall can stop. If you have an
STC 45 wall, this does not mean the wall stops 45 dB of sound.
Caution: You cannot add STC ratings. They are logarithmic values and cannot simply be
added. If you have an STC 33 wall and decide to add another sheet of drywall with an STC of
20 you do not get a finished wall with an STC of 53. You might get something around STC 35.

STC Examples

STC Track Application

25 Normal speech can be easily heard and understood

30 Loud speech can be easily heard and understood

35 Loud speech heard, but not understood

40 Loud speech now only a murmur

45 Loud speech not heard, music systems/heavy traffic noise still a potential
problem

50 Very loud sounds such as musical instruments or a stereo can be faintly heard

60+ Excellent soundproofing

Wall Assembly STC Performance

STC Assembly Build Performance

33 Single layer of 1/2" drywall on each side, wood studs, no Poor

insulation (typical interior wall)

44 Double layer of 1/2" drywall on each side, wood studs, Poor

batt insulation in the wall

52 Single 5/8" drywall on one side, double 5/8" drywall and Good
Green Glue on other side wood studs

55 Double layer of 1/2" drywall on each side, on a staggered Fair

wood stud wall, batt insulation in the wall

60 Double 5/8" drywall on either side of a steel stud wall Good

with insulation and 1 load of Green Glue both sides.

62 Double 5/8" drywall on either side of a steel stud wall Excellent

with insulation and 2 loads of Green Glue both sides.

63 Double layer of 1/2" drywall on each side, on double Good

wood/metal stud walls (spaced 1" apart), double batt
insulation

STC ratings courtesy of the National Research Council and Green Glue Company, reprinted

with permission.

The International Building Code (IBC) requires lab-tested STC 50 for walls, floors, and ceilings
for new construction.
Note that this is a minimal amount of isolation and you will likely be disturbed by neighbors.
Better to look at STC 55 to STC 60 for best satisfaction.

Changes in STC Rating Changes in Apparent Loudness

+/- 1 STC points Almost imperceptible

+/- 3 STC points Just perceptible

+/- 5 STC points Clearly noticeable

+/- 10 STC points Twice (or half) as loud

This graphic shows how noise is generated in one room while the sound pressure levels in
decibels (dB) are measured in both rooms at 16 distinct frequencies between 125 Hz and
4,000 Hz. The difference in levels is corrected to account for the acoustical properties of the
receiving room.
We are looking for the Transmission Loss at these 16 frequencies (see table below). This is
ASTM E90 Standard Method for Laboratory Measurement of Airborne Sound Transmission
Loss of Building Partitions. The Sound Transmission Class (STC) is determined in accordance
with ASTM E413, Classification for Rating Sound Insulation.
Calculating STC
Calculating STC involves adding something called "deficiencies" and utilizing the STC contour
In the table you supply the Transmission Loss data. Then you add the STC contour
adjustment to attain the adjusted transmission loss. Then you basically play with numbers in
the "STC you wish to test column" until one of the two limiting conditions listed below are
met. The highest number that satisfies both of those conditions is the STC.

The two STC conditions:

1. No single frequency band may have more than 8 deficiencies

2. The total deficiencies may not exceed 32
In the case above, the highest # of deficiencies in any frequency band is 4, and the total
deficiencies are 21. So both condition 1 and condition 2 are passed. The appropriate thing to
do in this situation is to raise the STC you are testing to 56. In this case, the wall would pass
again at STC 56, as shown:

Now the total deficiencies are 30, and it is clear that if we raised the number we wish to test
to 57 that the number of deficiencies would exceed 32, and thus the wall could not pass at
57.
Therefore, the STC of this wall is 56.
Finally, to accommodate the fact that human hearing is more sensitive to some frequencies
than others, an equal-loudness contour is applied to the frequencies tested. This
accommodation is known as A-weighting.
In general, low-frequency and high-frequency sounds appear to be less loud than mid-
frequency sounds, and the effect is more pronounced at low levels, with a flattening of
response at high levels. A-weighted frequencies are measured in units called Phons.