The Intimate Stranger (1956 film)
| The Intimate Stranger | |
|---|---|
.jpg) Spanish poster (1969) | |
| Directed by | Joseph Losey (as Alec C. Snowden) |
| Written by | Howard Koch (as Peter Howard) |
| Produced by | Alec C. Snowden |
| Starring | Richard Basehart Mary Murphy Constance Cummings |
| Cinematography | Gerald Gibbs |
| Edited by | Geoffrey Muller |
| Music by | Trevor Duncan |
Production companies | Anglo-Guild Productions Merton Park Studios |
| Distributed by | Anglo-Amalgamated Film Distributors (UK) |
Release date |
|
Running time | 95 minutes |
| Country | United Kingdom |
| Language | English |
| Budget | $125,000[1] |
The Intimate Stranger (U.S. title: Finger of Guilt [2]) is a 1956 British film noir drama film directed by Joseph Losey (under the pseudonym Alec C. Snowden), and starring Richard Basehart, Mary Murphy, Constance Cummings and Roger Livesey.[3][4] The screenplay was by Howard Koch (as Peter Howard).
Plot
[edit]Reggie Wilson's Hollywood career as a film editor ended after he had an affair with his boss's wife. He then moved to England, became successful and married the daughter of a producer. They are both working on a new film called Eclipse. His new life is threatened when he starts receiving intimate letters from a woman. She reminds him of a relationship that they had some time ago, but he has no knowledge of it.
Cast
[edit]- Richard Basehart as Reginald "Reggie" Wilson
- Mary Murphy as Evelyn Stewart
- Constance Cummings as Kay Wallace
- Roger Livesey as Ben Case
- Faith Brook as Lesley Wilson
- Mervyn Johns as Ernest Chaple
- Vernon Greeves as George Mearns
- André Mikhelson as Steve Vadney
- David Lodge as Police Sergeant Brown
- Basil Dignam as Dr Gray
- Grace Denbigh Russell as Mrs Lynton
- Joseph Losey as director
- Garfield Morgan as Waiter
- Marianne Stone as Miss Cedrick, the secretary
- Peter Veness as policeman
- Frederic Steger as barman
Director Joseph Losey appears in a small cameo part as a film director.
Production
[edit]Producer/director Losey, a communist who had been blacklisted in the United States and moved to the United Kingdom, is credited onscreen as Alec C. Snowden. The screenplay was written by fellow communist Howard Koch, who had also been blacklisted and wrote under the name of Peter Howard. Losey had previously made The Sleeping Tiger under a psuedonym for the same company, Anglo Amalgamated.[5]
The film, originally titled With All My Heart, was produced at Shepperton Studios, where filming began in November 1955.[6]
Reception
[edit]The Monthly Film Bulletin wrote: "The plot of this melodrama is ingenious, and the problem of why the mysterious Evelyn has chosen to hound the innocent Reggie is sufficiently intriguing for the film to build up a fair degree of tension. The denouement, however, ends the story on a tame anti-climax. The direction is quite slick, although more might have been made of the studio backgrounds. Mary Murphy, as Evelyn, gives a nicely judged performance, and Richard Basehart is adequately harassed as her victim."[7]
Kine Weekly wrote: "Richard Basehart contributes a thoroughly convincing performance as the harassed Reggie, Mary Murphy is both brash and attractive as Evelyn, Roger Livesey comfortably fits part of executive Ben, Faith Brook makes an appealing Lesley, and Constance Cumming and Mervyn Johns are more than adequate as direct support."[8]
Variety wrote: "Finger of Guilt provides enough mystery to keep the spectator fairly engrossed during most of a well-developed unfoldment, but film's contrived climax is weak."[9]
Allmovie wrote: "Perhaps Koch and his director Joseph Losey...were too drawn in to the plot's semi-metaphorical take on blacklisting to see that the scenes are not properly focused, the dialogue lacks enough sparkle and that the string of coincidences causes some plausibility problems. Fortunately, Finger is helped immensely by the on-target performance of leading man Richard Basehart and the beautifully wicked one of Mary Murphy, as well as the solid turn from Constance Cummings."[2]
Derek Winnert wrote "It is one of the least well known of all Losey’s films, but then it is arguably also one of the least too, though far from negligible."[10]
Dennis Schwartz noted a "tightly scripted crime thriller...The conclusion comes with a pat resolution, but by that time I was engrossed in the improbable story and too much impressed with the fine acting to care that much if I was being manipulated."[11]
References
[edit]- ^ Caute, David (1994). Joseph Losey. Oxford University Press. p. 124.
- ^ a b "Finger of Guilt (1956) - Joseph Losey - Review - AllMovie". AllMovie.
- ^ "The Intimate Stranger". British Film Institute Collections Search. Retrieved 28 December 2024.
- ^ "The Intimate Stranger (1956)". Archived from the original on 14 January 2009.
- ^ Vagg, Stephen (12 January 2025). "Forgotten British Moguls: Nat Cohen – Part One (1905-56)". Filmink. Retrieved 12 January 2025.
- ^ 'Guys and Dolls' Takes Over Manhattan; Owen Plans Film in London Schallert, Edwin. Los Angeles Times 4 Nov 1955: B9.
- ^ "The Intimate Stranger". The Monthly Film Bulletin. 23 (264): 91. 1 January 1956 – via ProQuest.
- ^ "The Intimate Stranger". Kine Weekly. 469 (2544): 18. 17 May 1956 – via ProQuest.
- ^ "The Intimate Stranger". Variety. 204 (11): 6. 14 November 1956 – via ProQuest.
- ^ "The Intimate Stranger [Finger of Guilt] *** (1956, Richard Basehart, Mary Murphy, Mervyn Johns, Constance Cummings, Roger Livesey, Faith Brook) – Classic Movie Review 7066 - Derek Winnert". www.derekwinnert.com.
- ^ Schwartz, Dennis. "fingerofguilt". homepages.sover.net.
