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Sampling

The document explains the process of sampling, which converts continuous-time analog signals into discrete-time signals through sampling and quantization. It discusses the Nyquist Sampling Theorem, types of sampling (ideal, natural, flat-top), and the importance of proper sampling rates to avoid aliasing. Additionally, it covers practical applications and examples of sampling rates for speech, audio, and video.

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Asra Tahir
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0% found this document useful (0 votes)
17 views23 pages

Sampling

The document explains the process of sampling, which converts continuous-time analog signals into discrete-time signals through sampling and quantization. It discusses the Nyquist Sampling Theorem, types of sampling (ideal, natural, flat-top), and the importance of proper sampling rates to avoid aliasing. Additionally, it covers practical applications and examples of sampling rates for speech, audio, and video.

Uploaded by

Asra Tahir
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Sampling

 Sampling is the processes of converting continuous-time analog


signal, xa(t), into a discrete-time signal by taking the “samples” at
discrete-time intervals
 Sampling analog signals makes them discrete in time but still
continuous valued
 If done properly (Nyquist theorem is satisfied), sampling does not
introduce distortion
 Sampled values:
 The value of the function at the sampling points

 Sampling interval:
 The time that separates sampling points (interval b/w samples), Ts

 If the signal is slowly varying, then fewer samples per second will
be required than if the waveform is rapidly varying
 So, the optimum sampling rate depends on the maximum
frequency component present in the signal

1
 Analog-to-digital conversion is (basically) a 2 step process:
 Sampling

 Convert from continuous-time analog signal xa(t) to discrete-


time continuous value signal x(n)
 Is obtained by taking the “samples” of xa(t) at discrete-time

intervals, Ts

 Quantization
 Convert from discrete-time continuous valued signal to discrete
time discrete valued signal

2
Sampling

 Sampling Rate (or sampling frequency fs):


 The rate at which the signal is sampled, expressed as the
number of samples per second (reciprocal of the sampling
interval), 1/Ts = fs

 Nyquist Sampling Theorem (or Nyquist Criterion):


 If the sampling is performed at a proper rate, no info is lost about
the original signal and it can be properly reconstructed later on
 Statement:

“If a signal is sampled at a rate at least, but not exactly equal to


twice the max frequency component of the waveform, then the
waveform can be exactly reconstructed from the samples
without any distortion”

f s  2 f max

3
Ideal Sampling ( or Impulse Sampling)
 1   jn s t
 Therefore, we have: xs (t )  x(t )    e
 Ts  n 
 Take Fourier Transform (frequency convolution)

  jnst  1 
1
Xs ( f )  X ( f )*  e   X ( f ) *   e jn s t
 
Ts  n   Ts n 

1 
s
X s ( f )  X ( f ) *   ( f  nf s ), f s 
Ts n  2
 
1 1 n
Xs( f ) 
Ts

n 
X ( f  nf s ) 
Ts

n 
X(f  )
Ts

4
Sampling

 If Rs < 2B, aliasing (overlapping of the spectra) results


 If signal is not strictly bandlimited, then it must be passed through

Low Pass Filter (LPF) before sampling


 Fundamental Rule of Sampling (Nyquist Criterion)
 The value of the sampling frequency fs must be greater than twice

the highest signal frequency fmax of the signal


 Types of sampling
 Ideal Sampling

 Natural Sampling

 Flat-Top Sampling

5
Ideal Sampling ( or Impulse Sampling)

 Is accomplished by the multiplication of the signal x(t) by the uniform


train of impulses (comb function)
 Consider the instantaneous sampling of the analog signal x(t)

 Train of impulse functions select sample values at regular intervals



xs (t )  x(t )   (t  nTs )
n 

 Fourier Series representation:



1 
2

n 
 (t  nTs ) 
Ts
e
n 
jns t
, s 
Ts

6
Ideal Sampling ( or Impulse Sampling)

This shows that the Fourier Transform of the sampled signal is the
Fourier Transform of the original signal at rate of 1/Ts

7
Ideal Sampling ( or Impulse Sampling)

This means that the output is simply the replication of the original
signal at discrete intervals, e.g

8
 Ts is called the Nyquist interval: It is the longest time interval that can
be used for sampling a bandlimited signal and still allow
reconstruction of the signal at the receiver without distortion

9
Practical Sampling

 In practice we cannot perform ideal sampling


 It is practically difficult to create a train of impulses
 Thus a non-ideal approach to sampling must be used
 We can approximate a train of impulses using a train of very thin
rectangular pulses:


 t  nTs 
x p (t )     
n    

Note:
 Fourier Transform of impulse train is another impulse train
 Convolution with an impulse train is a shifting operation

10
Natural Sampling
If we multiply x(t) by a train
of rectangular pulses xp(t),
we obtain a gated waveform
that approximates the ideal
sampled waveform, known
as natural sampling or
gating (see Figure 2.8)
xs (t )  x(t ) x p (t )

 x(t ) 
n 
cn e j 2 nf s t

X s ( f )  [ x(t ) x p (t )]

 
n 
cn [ x(t )e j 2 nf s t ]

 c
n 
n X [ f  nf s ]

11
 Each pulse in xp(t) has width Ts and amplitude 1/Ts
 The top of each pulse follows the variation of the signal being
sampled
 Xs (f) is the replication of X(f) periodically every fs Hz
 Xs (f) is weighted by Cn  Fourier Series Coeffiecient
 The problem with a natural sampled waveform is that the tops of the
sample pulses are not flat
 It is not compatible with a digital system since the amplitude of each
sample has infinite number of possible values
 Another technique known as flat top sampling is used to alleviate
this problem

12
Flat-Top Sampling

 Here, the pulse is held to a constant height for the whole


sample period
 Flat top sampling is obtained by the convolution of the signal
obtained after ideal sampling with a unity amplitude
rectangular pulse, p(t)
 This technique is used to realize Sample-and-Hold (S/H)
operation
 In S/H, input signal is continuously sampled and then the
value is held for as long as it takes to for the A/D to acquire
its value

13
Sample-And-Hold Circuit

S/H

 Analog Input (AI) is sampled when the


switch is closed and its value is held on the
capacitor where it becomes the Analog
Output (AO)

14
Sample-And-Hold Circuit

15
Recovering the Analog Signal
 One way of recovering the original signal from sampled signal Xs(f)
is to pass it through a Low Pass Filter (LPF) as shown below

 If fs > 2B then we recover x(t) exactly


 Else we run into some problems and signal
is not fully recovered

16
 Undersampling and Aliasing
 If the waveform is undersampled (i.e. fs < 2B) then there will be

spectral overlap in the sampled signal

The signal at the output of the filter will be


different from the original signal spectrum

This is the outcome of aliasing!


This implies that whenever the sampling condition is not met, an
irreversible overlap of the spectral replicas is produced

17
 This could be due to:
1. x(t) containing higher frequency than were
expected
2. An error in calculating the sampling rate
 Under normal conditions, undersampling of signals causing
aliasing is not recommended
18
 Solution 1: Anti-Aliasing Analog Filter

 All physically realizable signals are not completely bandlimited


 If there is a significant amount of energy in frequencies above
half the sampling frequency (fs/2), aliasing will occur
 Aliasing can be prevented by first passing the analog signal
through an anti-aliasing filter (also called a prefilter) before
sampling is performed
 The anti-aliasing filter is simply a LPF with cutoff frequency
equal to half the sample rate

19
 Solution 2: Over Sampling and Filtering in the Digital
Domain
 The signal is passed through a low performance (less costly)
analog low-pass filter to limit the bandwidth.
 Sample the resulting signal at a high sampling frequency.

 The digital samples are then processed by a high


performance digital filter and down sample the resulting
signal.

20
Summary Of Sampling

 Ideal Sampling xs (t )  x(t ) x (t )  x(t )   (t  nTs )
(or Impulse Sampling) n 

  x(nT ) (t  nT )
n 
s s

 Natural Sampling

(or Gating)
xs (t )  x(t ) x p (t )  x(t )  cn e j 2 nf s t

n 

 Flat-Top Sampling
 

xs (t )  x '(t ) * p(t )   x(t )   (t  nTs )  * p(t )
 n  
 For all sampling techniques
 If fs > 2B then we can recover x(t) exactly

 If fs < 2B) spectral overlapping known as aliasing will occur

21
Example 1:
 Consider the analog signal x(t) given by
x(t )  3cos(50 t )  100sin(300 t )  cos(100 t )
 What is the Nyquist rate for this signal?
Example 2:
 Consider the analog signal xa(t) given by

xa (t )  3cos 2000 t  5sin 6000 t  cos12000 t


 What is the Nyquist rate for this signal?
 What is the discrete time signal obtained after sampling, if
fs=5000 samples/s.
 What is the analog signal x(t) that can be reconstructed from the
sampled values?

22
Practical Sampling Rates

 Speech
- Telephone quality speech has a bandwidth of 4 kHz
(actually 300 to 3300Hz)
- Most digital telephone systems are sampled at 8000
samples/sec
 Audio:
- The highest frequency the human ear can hear is
approximately 15kHz
- CD quality audio are sampled at rate of 44,000
samples/sec
 Video
- The human eye requires samples at a rate of at
least 20 frames/sec to achieve smooth motion

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