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Brian Logan
Brian Logan is the Guardian's comedy critic and the artistic director of A Play, a Pie and a Pint
February 2025
Rob Auton: The Eyes Open and Shut Show review – eccentric observation and wonderment
The Yorkshireman’s half-banal half-profound ruminations on the subject of sight won me over
January 2025
Inside No 9: Stage/Fright review – slick chills in Shearsmith and Pemberton’s creepy West End comedy
Demi Adejuyigbe’s must-see comedy backflip: ‘It’s kind of Evel Knievel!’
‘I’ve finally realised I like John Shuttleworth!’ Graham Fellows on 40 years with his organ-plonking alter ego
Nina Conti: Whose Face Is It Anyway? review – masterful ventriloquist’s sublime silliness
Chris McCausland: ‘Yonks!’ review – mischievous Strictly winner goes back to the day job
Kate Cheka: A Messiah Comes review – barbed jokes and trenchant anecdotes
Tony Slattery: the generous improv great whose successes masked his suffering
‘King of the musicools!’ Inside the outrageous musical send-up of Andrew Lloyd Webber
2025 culture preview
Chills, chuckles and Cate Blanchett in Chekhov: the best theatre, dance and comedy coming in 2025
December 2024
Adam Riches and John Kearns ARE Ball & Boe review – a deliciously silly sendup
Dead Hard review – yippee ki-why bother?
2024 in Culture
The best theatre, comedy and dance of 2024
Jamie Foxx: What Had Happened Was ... review – a star is born again
Comfort and joy! Merry gentlemen Sheeps deliver the ultimate Christmas album
Séayoncé’s Perky Nativititties review – smut comes down Santa’s chimney
The Christmas Thing review – Krampus comes to town as cult comedy is retuned for yuletide
Dick Whittington and His Cat review – the rats have no chance in merry panto
‘We’re not as good as them!’ Why are comics Adam Riches and John Kearns becoming crooners Ball & Boe?
November 2024
Janey Godley: a remarkable comic who built a career on her own terms
The Glaswegian comedian who grew up in poverty and married a gangster put her life experience at the heart of her work
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