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Martin Kettle

Martin Kettle is a Guardian associate editor and columnist

January 2025

  • Campaigners Tanisha Dadar, Idris Elba and Yemi Hughes attend a knife crime summit at 10 Downing Street, 9 September 2024.

    After Southport, Westminster is floundering. It should look to Idris Elba

    Martin Kettle
    The Home Office has some good ideas, but a documentary on knife crime by the actor offers the template for a new approach, says Guardian columnist Martin Kettle
  • sebastien thibault 250108-opinion web

    It’s the reign of King Donald: now a people who fled cruel monarchs have their own

    Martin Kettle
    George Washington would have recognised the new system at the White House, says Guardian columnist Martin Kettle
    • Jenůfa review – this opera is in Hrůša’s DNA, his account is not to be missed

    • Keir Starmer’s handling of the Tulip Siddiq affair forms part of a worrying pattern

      Martin Kettle
    • Elon Musk is a monster bully on the loose, but he can only get his way if we let him

      Martin Kettle

December 2024

  • Transport - Henwood's Family Emigrate to Australia - Southampton<br>Mr Henwood, with his wife and eight children, sailed with other emigrants to Australia from Southampton. The Henwoods prior to embarking on their journey (l-r) Neil, Keith, Tony, Barry, Hugh, Colin, Michael, Mr and Mrs Henwood, with baby Penny in mother's arms.

    Millions of Britons want a fresh start and a new life. But they will find it at home, not in Australia

    Martin Kettle
  • Angela Rayner (second from left) at a Crisis charity warehouse in east London, 17 December 2024

    We now have a plan to make England’s local government work – but I fear party politics will trash it

    Martin Kettle
  • Amina Edris (Musetta) in La Bohème.

    La Bohème review – action rather than angst in lively revival

  • Illustration by Sébastien Thibault

    Starmer’s Labour knows the kind of Britain it wants – it just doesn’t know how to build it

    Martin Kettle

November 2024

  • Natalya Romaniw (Tosca) and Bryn Terfel (Baron Scarpia) in Tosca by Giacomo Puccini @ ROH. A Royal Ballet and Opera Production. Conductor, Eun Sun Kim. Directed by Jonathan Kent. (Opening 26-11-2024) ©Tristram Kenton 11-24 (3 Raveley Street, LONDON NW5 2HX TEL 0207 267 5550 Mob 07973 617 355)email: tristram@tristramkenton.com

    Tosca review – Bryn Terfel’s lustful Scarpia returns to intimidate and compel

  • Herbert Blomstedt conducts the Philharmonia Orchestra at the Royal Festival Hall, London.

    Philharmonia/Blomstedt review – the collective performance of a lifetime

  • Keir Starmer at the Cop29 summit in Baku, Azerbaijan, 12 November 2024.

    Sue Gray’s final departure marks the moment that the Starmer project gets serious

    Martin Kettle
  • A large crowd with a big screen above them announcing that Trump has been elected the 47th president of the US.

    The shocking US election result will create a new world order – and launch a fresh wave of Trump wannabes

    Martin Kettle
  • BBCSO/Oramo review – Kirill Gerstein plays the near unplayable

  • After Reeves’s historic budget, Labour has time to pursue its revolution. What it needs now is public trust

    Martin Kettle

October 2024

  • Gritty … Weston Hurt (centre) as Rigoletto and David Kempster as Monterone in Rigoletto at the London Coliseum.

    Rigoletto review – Miller’s mafioso take still brings style and insights to Verdi’s masterpiece

    Jonathan Miller’s iconic staging for ENO is 40 years old but with Richard Farnes conducting and a striking debut from Robyn Allegra Parton as Gilda, this remains a vibrant and engaging production
  • sebastien thibault241023-opinion web US election Labour staff working for Harris campaign

    The US election interference row tells us this: Starmer’s political compass urgently needs resetting

    Martin Kettle
    While it’s likely Labour did nothing illegal in assisting its politicos to volunteer for Harris, it’s yet another issue that was easily avoidable, says Guardian columnist Martin Kettle
    • Does Starmer believe in anything, people ask, and now we know: his credo is the rule of law

      Martin Kettle
    • The Turn of the Screw review – creepy and challenging, ENO’s new Britten staging is an ambiguous triumph

    • Fidelio review – Kratzer’s iconoclastic take turns Beethoven into something it’s not

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